The transformation of the Jehovah’s Witness' Watchtower campus in Dumbo is underway. Real estate wunderkind Jared Kushner is converting the five-building complex into “Dumbo Heights” – Brooklyn’s next tech hub and commercial district. While the 1.2-million-square-foot project won’t open until next year, a new promotional video for the site was released this week. And it’s packed with more Brooklyn stereotypes than a Williamsburg brunch spot on Sunday. Here’s a shot-by-shot guide to the spring’s most epic real estate promotional film. It starts in complete abstraction. A scratching record and flashing light leave the viewer completely disoriented until—aha!—coordinates flash onscreen: 40.7031N, 73.9894W. But what do they mean? Where are we? They’re just numbers, none of this makes any sense. Suddenly, it all becomes clear. A sweeping, aerial shot shows us that we’ve arrived. We’ve arrived at Dumbo Heights. Or rather, some currently existing office meant to look like Dumbo Heights. Cut to a blonde 20-something marching through that office. Lights turn on as she moves through the space. She is likely some sort of celestial programmer, or celestial social media coordinator. Before we know which, she disappears. A man arrives. He is dressed in Brooklyn: a beard, a plaid shirt, and is holding a fixed-gear bike. His dog follows behind him. How did the dog get to the office so fast? Was he also on a fixed-gear? It’s the film’s first mystery. Another young professional appears wearing a bow-tie. To his left, a woman smiles below a floppy hat. They’re young. They’re fun. This is Dumbo Heights. More people. More Apple computers. More dogs. More Plaid. More Brooklyn. There is a tent set up in the middle of an office. Why is there a tent sent up in the middle of an office? And why are people meeting in it? The second great mystery. Look! That guy with the plaid and beard is back. He steps into the tent and smiles. He’s been welcomed by the group. The meeting can commence. More meetings between young professionals cuts to a recording studio, which cuts to a pug running in slow motion. Run little pug, run. "Co-creation” is written on a whiteboard by a white hand. There is an architectural rendering on a table next to a tiny cactus. And then, all of a sudden, children and horses are swinging around Jean Nouvel’s Jane's Carousel. They disappear. A bearded fellow takes their place. He's swinging a bottle of liquor behind a bar. Another bow-tied gentleman raises his chalice. “Cheers,” he seems to be saying. “Cheers to us and cheers to Dumbo Heights. Hooray!” The alcohol gives way to coffee and a latte artist dripping milk across his dark-roast canvas. A woman pulls her friend across the Brooklyn Bridge at dusk. She is squarely in the bike lane, but is this real life? More people working, smiling, and two more dogs. One is sleeping; the other is trying to lick the stubble off its owner’s face. There’s that guy in plaid again. Where is he going this time? Somewhere, and he’s moving fast. A sweeping shot of Dumbo, and—you cannot be serious—a typewriter. What is it writing? Dumbo Heights. Fin. [h/t New York Daily News]
Posts tagged with "Jean Nouvel":
Over a star-studded semi-finalist list of Western architects, Pritztker-Prize winning French architect Jean Nouvel has been awarded the commission to design the world’s largest art museum: the new National Art Museum of China in Beijing. The 130,000 square meters NAMOC building is intended to exhibit works by 20th-century and traditional artists from worldwide. The Financial Times reported earlier this year that Jean Nouvel’s design idea as that of a single ink brushstroke, a concept of traditional Chinese art and calligraphy. With sweeping glass and a reflective facade, the museum’s exterior takes obvious inspiration from the art visitors will encounter within its walls. The winning design’s facade makes up a tangible interpretation of a brushstroke. Pierced stone screens and streaked patterned glass create a varied, yet continuous exterior. Shimmering and semi-transparent, the surface allows for a blotted reflection of the colors and shapes of the surrounding dragon-shaped garden and sea of red flags. The building touches the ground only at four points, sweeping upwards in its center as if the artist had a vertical inspiration. In this phenomenon, Nouvel has envisioned two different leveled lobbies for entrance to the museum. The summer lobby on the ground floor is exposed to the elements, surrounded by nature. But, in winter months it can be closed off and visitors enter through the first floor, protected from the elements yet surrounded by semi-transparent glass walls that give visions of what’s outside. After entering the competition in December 2010, Jean Nouvel's design was set on a shortlist of twenty, then narrowed down to five, alongside Hadid, Gehry, Herzog & de Meuron (who withdrew), and Safide. Although there was some speculation for a winner after Gehry Partners released their design renderings to the public for a current exhibition at the Museum of Contemporary Art in Los Angeles, Jean Nouvel’s highly coveted win was later confirmed by his advisor, Olivier Schmitt. The museum will be located in Olympic Park adjacent to the Ai Wei Wei-designed Bird's Nest Stadium from the 2008 Olympics. The Chinese government has made no official comment on the commission decision or a timeline for construction.
Defying the standards of conventional landscaping, living walls take vegetated ground cover to the vertical extreme. For the past 30 years, French botanist and green enthusiast Patrick Blanc has made a quantum leap forward in the art of gardening by designing and building these living walls all over the globe. Blanc's latest project—One Central Park Tower—is in Sydney, Australia, where nature’s tranquil features join forces with dynamic city life. The project is a collaborative effort between Blanc and Jean Nouvel. When completed, the major mixed-use urban renewal housing plan will boast the world’s tallest vertical garden. The building consists of two adjoining residential towers connected by terraced gardens, built atop a retail center. Each tower measures 380 feet in height and consists of shops, cafes, restaurants, offices, 624 apartments, and 38 luxury penthouse suites. Over the years, Blanc has perfected the art of the vertical garden by using synthetic moss instead of soil for the growing medium. At One Central Park, he envisions covering up 50 percent of the building’s facade by incorporating 1,200 square feet of plants stretching from the 2nd floor to the 33rd floor. On the 24th floor, an immense sky garden projects 100 feet out over the park below. At night, the cantilever will act as a canvas for an LED light installation designed by artist Yann Kersale, with vines running up its supporting cables. The lower part of the cantilever will be equipped with an apparatus containing a heliostat, which will reflect sunlight down onto the surrounding gardens and naturally illuminating the building. The lush green tapestry of the structure's facade will be entwined with the foliage of the adjacent park in order to replicate the natural cliffs of the Blue Mountains, which are located in the Western part of Sydney. By using plants and natural sunlight, the design projects to reduce energy consumption and will help cut down the city's greenhouse gas emissions. One Central Park represents a shift towards a new contemporary design era; one that encapsulates all that the age of living and breathing architecture has to offer. Estimated completion date is set for January 2014. Images courtesy Atelier Jean Nouvel / Patrick Blanc / Fraser Properties. Image below: Courtesy the messiah website.
French Pritzker Prize–winning architect Jean Nouvel's design for Louvre Abu Dhabi has begun construction after a series of delays. The building's most prominent feature is a 180-meter-diameter dome. The design of the dome is culturally relevant as well as utilitarian. The shape is prominent in traditional Arabian architecture. As the Louvre Abu Dhabi website describes, it is “an emblematic feature...evoking the mosque, the mausoleum, and the madrasa.” The dome's expanse also protects the building and its visitors from the sun. Carefully formulated geometric apertures in the all-white structure allow diffused and dappled daylight inside the museum, while mitigating heat gain. Nouvel designed the dappled pattern to emulate interlaced palm fronds, which are traditionally used in Arabic countries for thatch roofs. Nouvel described his vision for the 64,000 square meter site thus:
"A microclimate is created by drawing on sensations that have been explored countless times in great Arab architecture, which is based on the mastery of light and geometry . . . a structure made up of shadows, of movement and discovery."Nouvel was awarded the design commission for the Louvre Abu Dhabi in 2010. It was originally meant to be completed in 2012. However, in January of that year, the Financial Times reported that after a "the conclusion of a government spending review led by Sheikh Hazza bin Zayed Al-Nahyan, vice-chairman of the executive council," the Tourism Development & Investment Company in Abu Dhabi set the museum back 3 years to 2015. Set on Saadiyat Island, the Louvre Abu Dhabi is the first of three art museum branches meant to shore up the area as a cultural hub within the United Arab Emirates. However, all have faced major delays and completion dates pushed years into the future. All renderings courtesy Atelier Jean Nouvel.
Frank Gehry has unveiled renderings of its shortlisted entry for the competition to design the National Art Museum of China (NAMOC), the predestined showstopper of Beijing’s new cultural district. Gehry was shortlisted alongside fellow Pritzker Prize winners Jean Nouvel and Zaha Hadid for the high-profile project. Gehry's submission incorporates transparent cladding, an interior comprised of lofty, geometric courtyards evocative of pagodas and temples, and a layout that would accommodate nearly 12 million annual visitors. [beforeafter] [/beforeafter] In acknowledging the globalization of art and its role in connecting the world’s various cultures, the firm's plans seeks to address the concept of 21st century Chinese architecture. Gehry Partners has created a unique design tailored to the museum’s framework, as the structure will be situated facing the central axis of Olympic Park, over the course of the three competition stages. To convey delicate movement, the firm considered glass as a facade material, and in doing so developed a new material—translucent stone—that grants the building an imperial appearance suitable for a national museum. The translucent stone, which is part of the inventive sustainable facade system that integrates a ventilated airspace, allows the structure to efficiently transform for the seasons, festivals, diverse exhibitions, and as a canvas for artists. The renderings reveal four dispersed entrances at each corner and expose a structure that can accommodate a record number of visitors. A formal entry resembling a Chinese temple is positioned in the center of the west facade. The interiors are organized around large public spaces linked vertically by escalators. Visible only from the inside, the spaces are inspired by temples and establish a proper connection between the shapes of the building facade and the interior. The project is currently part of Los Angeles' Museum of Contemporary Art exhibition called A New Sculpturalism: Contemporary Architecture from Southern California.
Even after it was lopped off in 2009, Jean Nouvel's Tower Verre, aka the MoMA Tower, still remains one of New York City's tallest planned residential towers, sited adjacent to MoMA's headquarters on West 53rd Street. After fights with the neighbors, Nouvel's tower has been keeping a low profile, but Curbed (via NY YIMBY) has spotted a few new renderings of the tower at Adamson Associates Architects, the architects of record for the project. While the exterior changes are minor, fans of Tod Williams and Billie Tsien's now empty American Folk Art Museum can breathe a sigh of relief, for now, as the small, bronze-clad structure remains standing in the rendered views. Also of interest are a couple new renderings of the building's interior spaces.
The hanging gardens inside the atrium of Jean Nouvel’s 100 Eleventh Avenue sound idyllic: “From planting boxes built into the structure, trees soar upward and plants cascade down the walls, lending their scent to the atmosphere,” states the building’s website. But the smell may not be so sweet. A source familiar with the project told AN that the huge suspended planters lack proper drainage, leading to standing water and the early onset of rust. Maybe Nouvel can argue that he’s taking a cue from the Cor-ten laden High Line next door?
On June 13th the Chicago-based Council on Tall Buildings and Urban Habitat (CTBUH) announced their choices for this years best tall buildings in the world. The CTBUH, an international not-for-profit association, picked four regional winners, including the Absolute Towers in Mississuaga, Canada for the Americas; 1 Blight Street, Sydney for Asia and Australia; Palzzo Lombardia, Milan, representing Europe; and Doha Tower, Doha, Qatar for the Middle East and Africa. These four buildings were recognized for making “an extraordinary contribution to the advancement of tall buildings and the urban environment, and for achieving sustainably at the broadest level,” according to a statement from the CTBUH. Additionally, the Al Bahar tower in Abu Dhabi won the first ever Innovation Award for its high-tech computerized sunshade. Together, these projects represent a global renaissance in the development of tall buildings, highlighting innovations in high design, big engineering, and groundbreaking green technologies. According to CTBUH, a record number of buildings over 200 meters were completed last year, with 88 in 2011 compared to 32 in 2005. 2012 will prove to be the biggest year yet for tall buildings, with 96 set to be completed. CTBUH will name the “Best Tall Building Worldwide” at their Annual Awards Ceremony at the Illinois Institute of Technology’s Crown Hall on October 18th. Absolute Towers – Missisuaga, Ontario, Canada Tower 1: 589 feet. Tower 2: 529 feet. MAD Architects of Beijing brought a new sensuality to this fast growing Toronto suburb with a pair of curving condominium towers. While contributing to a growing trend of high-profile sinuous skyscrapers, including New York by Gehry, Chicago’s Aqua Tower, and the Capital Gate by RMJM Dubai in Abu Dhabi, the two Absolute Towers go above and beyond their contemporaries as the entire buildings twist and turn to achieve their naturalistic forms. Dubbed the “Marilyn Monroe towers” by locals for their voluptuous designs, the two structures are wrapped in balconies around the entire facade. “The building is sculpture-like in its overall effect,” said lead architect Ma Yansong, “and its design expresses the universal language of audacity, sensuality, and romance.” 1 Bligh Street – Sydney, Australia 507 feet Designed by Ingenhoven Architects of Germany and Australian firm Architectus, One Bligh Street is the most sustainable office tower in Australia and the first Australian tower honored by the CTBUH. Located in Sydney’s central business district, the elliptical building contains Australia’s tallest naturally ventilated skylight atrium, which extends the entire height of the structure allowing sunlight to pour into the interior and adding a sense of openness throughout. Cementing its place as a sustainability leader, One Bligh features a basement sewage plant which recycles 90% of the building’s waste water, a double skin façade with automated external louvers that adjust according to the sun’s location, and uses hybrid gas and solar energy for temperature control. Palazzo Lombardia – Milan, Italy 529 feet In the first Italian tower honored by CTBUH, Pei Cobb Freed and Partners have combined sleek design, sustainable technology, and a variety of public spaces in this fashionable mixed-use government center fit for the style capital of Europe. Built as the seat for the regional government offices of the Lombardy region, the complex integrates a thin office tower flanked by smaller 7- to 9-story curvilinear buildings that snake around its base. The shorter office “strands” house cultural, entertainment, and retail facilities and surround a series of interconnected public plazas and parks, the largest of which recalls Milan’s famous Galleria with its curved glass roof. The project makes use of its proximity to an underground river with geothermal heat pumps that cool and heat the buildings. Other ecological efforts include 7,000 square feet of green roofs, photovoltaic panels on the southern facade, and double-layer active climate walls containing rotating aluminum shading fins. Doha Tower – Doha, Qatar 780 feet Recalling his Torre Agbar in Barcelona, Jean Nouvel has constructed another interestingly-shaped tower, this time as an innovative and contextual landmark for the capital of Qatar. The Doha Tower is the first tall building to use reinforced concrete dia-grid columns in a cross shape, maximizing interior space by eliminating a central core. While its cylindrical, dome-topped shape is eye-catching enough, the tower really stands out for its complex, layered facade. Composed of a series of aluminum bris-soleils based on traditional Islamic geometric screens, or mashrabiyas, the building’s skin connects local vernacular designs to the extremely modern tower while providing shade for tenants and creating a rich exterior texture. Al Bahar Towers – Abu Dhabi, United Arab Emirates 475 feet This pair of towers by Aedas Architects has been honored with the first-ever Innovation Award for their modern and technologically advanced take on the mashrabiya. While traditionally made of wood latticework, the sunscreen of the Al Bahar is made up of over 1,000 computerized umbrellas composed of Teflon-coated fiberglass mesh panes on triangular steel and aluminum frames. Powered by photovoltaic cells on the buildings’ roofs, these shades open and close as they respond to the sun, providing 80% shading and reducing solar gain by over 50% without resorting to visually impeding tinting. The scale of this highly dynamic skin has never been achieved before, demonstrating new levels of innovation within a contextual aesthetic framework.
As architects like Herzog & de Meuron and Jean Nouvel tap into the potential of vertical gardens, they'll often seek the expertise of Patrick Blanc. For the past thirty years Blanc developed vertical gardens while researching adaptive strategies of plants at the National Center for Sceintific Research in France. His research of plant growth in nature's more hostile environs, such as hanging off of stone cliffs or springing from rocks next to waterfalls, has yielded a uniquely urbanistic solution for gardening. For the next ten days there's a small window of opportunity left to see the work of Blanc at its most luxurious. The botanist designed the New York Botanical Garden's annual Orchid Show which ends on April 22. As a bonus, this also happens to be the moment that the Gardens' 250 acres are at the height of their springtime burst.
It is unclear whether the newest Jean Nouvel project in Charleroi, Belgium is the first of the hybrid Police Headquarters/Dance Studio typology, but we would guess that it is. The collaboration between Paris-based Atelier Jean Nouvel and the Belgian firm MDW Architecture was selected in a competition and resulted in a scheme for a 246-foot tower and renovation of 19th century brick barracks. The tower is elliptical in plan and clad in blue brick, tapering as it rises above the buildings below, two of which, along with the new panopticon-like structure, will house the police headquarters. A dance studio and cultural venue for street artists is situated below the police station in the blue tower. The entire project sits on a brownfield. The striking profile of the tower, which will glow at night, acts as a monument in the center of a plaza. But it appears to stand in sharp contrast with the surrounding village and have little relationship buildings adjacent to it. While the height and compact footprint of the tower provides for a substantial public plaza at its base, we hope the image of a sleek police tower looming above a small village is not symbolic.
City of Scientists. Russian Prime Minister Putin has recently reviewed plans for a potential $6.4 billion project that could build a 5,000-person—scientists and researchers, specifically—domed village in the Arctic called Umka, about 1,000 miles from the North Pole. Plans call for an isolated artificial climate inspired by “an imaginary Moon city or a completely isolated space station." More on the Daily Mail and Foreign Policy Blogs. Abu Dhabi Adjourned. The new 450,000-square-foot Frank Gehry-designed Guggenheim museum planned in Abu Dhabi has been put on hold pending contract review. A similar fate awaits Jean Nouvel's Louvre satellite previously scheduled to open near Gehry's site next year. More at Mediabistro. Sergey's Secret. Due to his prolific work ethic, the insider joke at Google is that co-founder Sergey Brin is really Batman. More believable, the latest Google rumor is that one of Brin's secret pet-projects may very well be architectural, with blueprints and all. Business Insider has details. No bin, no trash. The NY Times reports on the MTA's seemingly counter-intuitive enviro-social experiment to remove trash cans from subway platforms. The idea: no garbage bin might be the way to achieve no litter. A trial run in Queens and Greenwich Village left some people very unhappy.
Over the weekend, we headed out to Brooklyn Bridge Park to check out the light show of Jane's Carousel. We had been told that silhouettes of horses were to be projected onto a ceiling scrim until 1AM. We even held ambitions of traipsing across the Brooklyn Bridge to get a better view. But after watching a spectacular sunset reflect off of Jean Nouvel's acrylic cube, the show was over. We were told that the lights for the magic lantern were much too hot for the recently restored horses. No matter, it's hard to surpass the carousel's bulbs reflected in the acrylic, with a glittering Manhattan serving as backdrop.