Posts tagged with "Jamie Fobert":

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OMA unveils their refurbishment of the Fondaco dei Tedeschi in Venice

International practice OMA has completed a refurbishment of the Fondaco dei Tedeschi in Venice. Originally constructed in 1228, rebuilt in 1508 after a fire, then given a concrete structure in the 1930s, the Italian Renaissance-styled building is an emblem of Venetian Republic. Having served many purposes throughout its lifetime—used by German trade merchants, then as a customs house for Napoleon and a post office for Mussolini—the Fondaco dei Tedeschi was granted "Monument" status in 1987. In 2008, the building was purchased by Italian fashion brand Benetton, who commissioned Rem Koolhaas to transform the space with its primary use being for retail. However, conservationists from Italia Nostra objected dubbing the Palazzo's proposal as a "megastore." In 2012, during the midst of the debacle, Benetton's spokesman Federico Sartor said: "A city with just museums will die. There is lots of culture in Venice but you cannot find a sandwich." Four years later, Benetton and OMA's plans have been scaled back to incorporate an artistic element, thus maintaining Venice's cultural pedigree. Opening the courtyard piazza and rooftop to pedestrians facilitates views down into the building and, more impressively, over Venice along the city's canals.
The most drastic intervention comes in the form of the structure's circulation. Timber-clad escalators rise up through the volumes, punctuating the space with their dark red coloration, seemingly an amplified reference to the pink hues found in the worn bricks of the interior. In order to encourage circulation to the building, new entrances from the Campo San Bartolomeo and the Rialto have been created, while the existing entrances into the courtyard have been retained for the locals. OMA created a new rooftop through the renovation of the existing 19th Century pavilion at the top and the addition of a large wooden terrace, which now offers spectacular views over the city. Both the rooftop and the central courtyard below will remain open to the public. "The transformation of the Fondaco is based on a finite number of local interventions and vertical distribution devices that support the new program structure a sequence of public spaces and paths, from the central courtyard to a new roof terrace overlooking the Canal Grande," said OMA. "Each intervention is conceived as a brutal excavation through the existing mass, liberating new perspectives and unveiling the real substance of the building to its visitors," they continued. "With an almost forensic attitude, each new component serves as a way to show the stratification of materials and construction techniques." As for the retail space itself, Jamie Fobert Architects from London will lead the design. The renovated building is due to open in October this year.
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RIBA takes a look at Britain's house of tomorrow in latest exhibition

Opening today, the Royal Institute of British Architects (RIBA) in London is hosting a new exhibition At Home in Britain: Designing the House of Tomorrow. Focusing on three typologies: cottages, terraced housing and flats, the exhibition will critique vernacular housing trends of the past while addressing contemporary issues such as affordability, housing density and shared living. Making use of RIBA's extensive architectural archives, a diverse selection of six practices, divided into groups of two for each typology were commissioned with each producing projects and case studies specific to the task. The exhibition also ties in with the British pavilion at this years Venice Biennale titled Home Economics led by Shumi Rose, Jack Self and Finn Williams. Tackling the cottage typology, London studio Jamie Fobert Architects, who also designed the exhibition, looks at how plot sizes needn't be an issue in the 21st Century when considering low-cost countryside dwelling. "The ability to have your own piece of land hasn't really changed," said Fobert at a press preview. His exhibit which features an extensive site model of the Ailesbury East development, also criticizes the disparity between suburban housing that has been "dropped" into village contexts citing how 58 percent of space is tarmac. Also focusing on cottages is French firm, Maison Edouard François. François best known for his Flower Tower project focuses his study on a site by the Orly Airport just outside of Paris. Despite being destined for demolition, François advocated the site's reuse calling for individuality in his low-rise housing scheme. Taking on terraces are London firms vPPR and Mæ. Led by Alexy Ely, the firm has put together an interactive exhibit that encourages people to design their own terrace choosing from a selection of floor plans and facades factoring in lifestyle and budget. vPPR on the other hand take a look at how party walls, instead of separating, can unify residents in terraced housing. Tatiana von Preussen, one of the founding trio of female architects at the firm explained how recreational space doesn't always have to be secluded and private, using a 1:50 axonometric drawing and mirrored styrofoam 3D model to highlight the possibility of shared spaces. Here, von Preussen argues that as more people are working from home, a collective office space could be a future possibility while stressing that vPPR's proposal did not "impose" communal living, saying that the process would be "organic". On to the final typology of the flat and Dutch firm Mecanoo has put together a large wooden cuboid scale model aimed to demonstrate how different lifestyles can coexist in the same structure. Of all the practices, their work relies most heavily on RIBA's collections. Their exhaustive study showcases sections from Denys Lasdun's "ziggurat" halls of residence at the University of East Anglia and Peter Cook's competition submission for a block of flats on Roosevelt Island in New York. However, their primary inspiration derives from the floor plans of Britain's country estates, as can seen with Ragley Hall, where a central atrium serves as the buildings focal point and communal hub. Finally, Studio Weave from London take the most abstract approach. Their quirky exhibit chronologically looks at how housing was sold to public. Using this, they have put together a series of hypothetical adverts for the housing of the future - or of 2025 to be precise. The posters, baring a resemblance to's recent exposure in London, feature phrases such as "Meet your emergency dog walker" and "Meet your supermarket sidekick" envisioning a future where communal living is an in demand asset.