Posts tagged with "J. Mayer H.":

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Miami’s latest garage project is inspired by surrealist games

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Miami is perhaps the epicenter of architectural parking garage design, hosting work from Herzog & de Meuron, Frank Gehry, Enrique Norten, OMA, Arquitectonica, IwamotoScott, Leong Leong, John Baldessari, a scrapped Zaha Hadid proposal, and more. Adding to the mix is a seven-story mixed-use structure integrating retail with an 800-car capacity garage.
  • Facade Manufacturer Zahner (fabrication); Entech Innovative Engineering (molding and casting)
  • Architects WORKac; J.MAYER.H; Nicolas Buffe; Clavel Arquitectos; K/R (Keenen/Riley); Tim Haahs (architect of record)
  • Facade Installer KVC; Zahner
  • Facade Consultants Zahner (Design Assist, Engineering)
  • Location Miami, FL
  • Date of Completion 2016
  • System parking garage facade
  • Products ZEPPS technology, Drop and Lock systems, and custom fabricated HDPE panels by Zahner
Coined "Museum Garage," this project brings together five architectural teams to celebrate the Miami Design District’s inspired art, design and architecture scene, with a unique collaborative garage screening project. “The key was selecting architects who I believed actually could use their technical knowledge and experience in a very non-traditional way,” said Terrance Riley, a Miami-based architect and curator of the project. “It was key to select artists who could translate between working in 2-D to 3-D.” Riley worked with WORKac, J. MAYER H., Clavel Arquitectos, Nicolas Buffe, and his own Keenen/Riley (K/R). Each architect submitted a developed design, then worked with the owner’s consultants and fabricators thereafter. There were no set budgets given to the designers at the outset. The owner obtained their own estimates as the project progressed. Museum Garage is inspired by the “exquisite corpse” method, a Surrealist artist game which is a shared system of production. Riley said the only rule the five teams knew was that their facade had to go edge-to-edge with another. “In the concept phase, they were only given height restrictions and a depth requirement (not more than 4-feet).”  After the concepts were selected from three requested schemes, actual dimensions and locations were assigned and designs naturally evolved through dialog with the architects. Terrance Riley said the project offers a new model of development. “I remember a couple of instances here, developers hired different architects to design facades for the same building, as in Frankfurt on the Saalgasse. The goal was to achieve a picturesque townhouse row.” Riley added, “That was not our goal for Museum Garage. This was more like the La Strada Novissima at the Venice Biennale.” From the architects:
  • "Ant Farm" by WORKac celebrates social interaction, sustainability, art, music and landscape. In an ant colony-inspired structure, the public spaces and connecting circulation appear and disappear behind a perforated metal screen, resembling an ant farm of public activity while providing visual contrast, shade, and protection.
  • "XOX (Hugs and Kisses)" by J.MAYER.H.: appears as gigantic interlocking puzzle pieces that nestle at the corner with the forms of WORKac's façade. "XOX"'s enigmatic forms, emblazoned with striping and bright colors, recall the aerodynamic forms of automotive design and appear to float above the sidewalk below. Smaller volumes, covered in metal screens project outward and are activated with embedded light at night.
  • "Serious Play" by Nicolas Buffe: serves as the entrance and exit to the garage. It is constructed with a dark perforated metal backdrop. The façade features a variety of diverse 2D and 3D elements crafted from laser-cut metals and fiber resin plastic.
  • "Urban Jam" by Clavel Arquitectos: draws from the rebirth of urban life in the Miami Design District - where old structures and discarded spaces have been revived by architectural and urban designs. Urban Jam suggests a similar "repurposing" of very familiar elements, using 45 gravity-defying car bodies rendered in metallic gold and silver.
  • "Barricades" by K/R: inspired by Miami's automotive landscape; particularly it's ubiquitous orange- and white-striped traffic barriers. In this case, the faux-barriers are turned right side up and form a brightly colored screen. The façade has fifteen "windows" framed in mirror stainless steel, through which concrete planters pop out above the sidewalk.
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Miami’s crazy Museum Garage is finally complete and set to open

Following over two years of planning and construction, the Miami Design District is opening the long-awaited Museum Garage. The eclectic complex is located just two blocks from IwamatoScott’s City View Garage, another high design parking facility in the multi-acre retail and cultural neighborhood. The garage’s animated, wildly varied facades are designed by five architecture and design firms: WORKac, J. Mayer H., Clavel Arquitectos, Nicolas Buffe and Keenan/Riley. Located on the northern border of the Miami Design District, the 800-car-capacity Museum Garage is seven stories tall, rising from a ground floor entirely devoted to retail. Terence Riley, of Keenan/Riley, led the concept of the ambitious project, which drew from Exquisite Corpse, a surrealist parlor game that entails the collaging of images by different authors independent of each other's designs. In the spirit of the game, each firm designed an individual and radically different facade as disparate and unconnected pieces, creating a multifaceted tapestry for the utilitarian structure. Emphasizing the cultural purposes of Museum Garage and the Miami Design District as a whole, each facade is titled as a standalone curatorial work. Ant Farm, WORKac’s contribution to the project, is inspired by the maze-like layout of an ant colony, replete with circulation corridors that are obscured by a perforated metal screen. The bends and folds of the elevation are habitable spaces, public spheres provided with shade and protection from Miami's subtropical environment. J. Mayer. H, a Berlin-based firm, designed XOX (Hugs and Kisses), which is composed of large puzzle pieces adorned with stripes and bright colors. Nicolas Buffe’s contribution, Serious Play, features a diverse range of 2-D and 3-D details formed from plastic and laser-cut metals. Buffe mixes historicist elements such as 23-foot-tall caryatids with cartoonish graphics. Urban Jam by Spanish-firm Clavel Arquitectos is dominated by forty-five gold and silver car bodies that cling to the elevation. Stacked atop each other, the cars are made to resemble a vertical traffic jam. Keenan/Riley’s Barricades draws upon common orange and white traffic barriers to create a brightly colored screen wall that is studded with fifteen windows framed with stainless steel. British firm Speirs + Major designed custom lighting for each façade, highlighting diverse architectural elements across the graduated and uneven elevations.
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Get the XXX experience in Times Square with Jürgen Mayer H.’s new street furniture

Few New Yorkers would consider Times Square a place where they could lay down and stay awhile. But this could change come August 24: German artist and architect Jürgen Mayer H. has designed a public lounge, XXX TIMES SQUARE WITH LOVE, at the Broadway Pedestrian Plaza between 43rd and 44th Streets. The three bright pink loungers will sit four people apiece, allowing users to lay back and view Times Square from an entirely new perspective. Modeled after the “X” shaped intersection at Broadway and 7th Avenue, and inspired by Times Square’s rather nefarious history, they will be the first specially commissioned ongoing street furniture for the plaza. “Jürgen’s amazing design required the fabrication of comfortable, precise elements, that people could lay in, while being suitable for the Times Square environment. Durability and beauty go hand in hand and cannot be compromised,” Kevin Davey, principal, creative strategies of UAP North America, said in a press release. Mayer H. is well known for his architecture and installations, including other public urban works such as the Metropol Parasol in Seville, Spain, and the more recent KA300 Pavilion in Karlsruhe, Germany. XXX TIMES SQUARE WITH LOVE errs on the more playful side of the architect’s oeuvre and the benches are expected to add a new dimension to the Times Square experience. "Lying down on XXX allows for a completely different perception of Times Square and its media presence. The view goes vertical while you are broadcast via many of the public webcams of Times Square looking down on you,” Mayer H said in a press release. According to Tim Tompkins, president of the Times Square Alliance, photos of Times Square are posted to Instagram “no fewer than 17,000 times a day.” Naturally, XXX TIMES SQUARE WITH LOVE will have its own hashtag: #TSqXXX. The installation’s unveiling will take place on Wednesday, August 24, at 11:00 a.m. on the Broadway Pedestrian Plaza between 43rd and 44th Streets.
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Six design firms team up for this crazy parking garage facade in the Miami Design District

The Miami Design District is renowned for its novel architectural and art scene, including many novel parking garages by top architects. In a sort of game of architectural one-upmanship, another parking garage is about to add a jolt of art by transforming its facade into a larger-than-life canvas. The so-called Museum Garage will be clad with six radically different facades, all designed by different practices. Due for completion by the end of this year, the garage's display was curated by Terence Riley of K/R Architects and will feature an eclectic mix of facade designs ranging from a wall of used cars, human-scale ant farm-esque cut-outs, and partially tessellating oversized corner detail. The teams working on the designs include Sagmeister & Walsh; Work Architecture Company (WORKac); K/R Keenen Riley Architects; Clavel Arquitectos; J. Mayer H.; and Nicolas Buffe. Together, these facades will be part of a seven story floor and retail space, with a garage (hence the name) being able to accommodate for 800 cars. Clavel Arquitectos, based in Murcia and Miami, drew on the vicinity's urban growth with the facade being named Urban Jam. Subsequently the design will feature 45 reused cars, all of which have been painted silver and gold. New York–based WORKac incorporated what appears to be an enormous cut-out "ant farm" or a stylized "Rorschach Test" facade into the design for its program that includes a library, playground, and a pop-up art space. Serious Play comes from Paris and Tokyo-based Nicolas Buffe. Taking inspiration from retro video games, cartoons fill the facade in juxtaposition with baroque decoration detailing. From Berlin, J. Mayer H. introduced XOX, featuring an embedded lighting system. While sounding like a Miami club it is anything but and will probably be the only car part with tessellating corner components painted with car stripes in the area. Also from New York are Sagmeister & WalshBut I Only Want You is a mural with burning candles at each ends implying that, despite being at at extremes, love can find a way. Finally, curators K/R Architects, from New York and Miami, use mockup traffic barriers for the facade. Dispersed among the "barricades" are light fittings which will draw attention to the barriers at night, being able to spin with the wind.
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Aluminum Organic by J. MAYER H. Architects

Ribbons of laser-cut metal lamellas envelop a glass curtain wall.

J. MAYER H. Architects designed the sculptural anodized aluminum facade of JOH3, a Berlin apartment building located near both the Friedrichstrasße and Museum Island, as a contemporary echo of its historic neighbors. “The project is located in an old part of Berlin, where there are lots of facades with stucco detail,” said project architect Hans Schneider. “We tried to do something as rich with a new design, something like Jugendstil [the German Art Deco movement] but in a modern translation.” The architects settled on floor-to-ceiling glass wrapped in undulating ribbons of laser-cut aluminum lamellas. They explored the general shape using a physical model, but completed the bulk of the design work in Rhino. Early on, said Schneider, the aluminum tubes that give the envelope its texture “were a bit thicker, a different shape,” but had to be adjusted to trim down the cost of materials. From these basic components, J. MAYER H. Architects made strategic subtractions to deliver a three-dimensional effect. “In the beginning there are tubes, and then we cut out the shapes of the lamellas always different,” explained Schneider. “There are nice interferences when you cut it.”
  • Facade Manufacturer Rupert App GmbH+Co., WICONA
  • Architects J. MAYER H. Architects
  • Facade Installer Rupert App GmbH+Co.
  • Location Berlin
  • Date of Completion Spring 2012
  • System Laser-cut anodized aluminum lamellas over glass curtain wall
  • Products anodized aluminum tubes, glass by Saint-Gobain Glass
In addition to providing aesthetic interest, said Schneider, “these lamellas protect the interior from the outside without really closing it up.” From straight on, the facade is transparent. From other angles, the overlapping aluminum blades produce varying degrees of opacity. Thus the apartment’s occupants benefit from daylighting without sacrificing privacy. “It’s still quite light, that was the idea,” said Schneider, “to have a really light building in the city but still have [protection].” As well as responding to the stucco detail on the older buildings nearby, JOH3’s organic facade, which was manufactured by Rupert App GmbH+Co. (app) and WICONA and installed by app, draws on the idea of incorporating landscape into the city. This theme amplified in the building’s interior courtyard, where the metal ribbons move in and out of plane to accommodate balconies overlooking a grassy circle. It is also present in the interior. “The floor plans don’t have these rectangular rooms, it’s all more organic,” said Schneider. The balconies and folding windows by Saint-Gobain Glass providing seamless transitions from inside to outside, while each apartment’s lounge is below grade, “so you have different levels, types [of spaces] to make it more like landscape.” The dropped floor from the apartment above is visible in the ceiling below. “That’s also very interesting,” said Schneider, “because you can feel how the different stories merge together.” JOH3’s facade initially drew skepticism from some Berliners, who pressed for a more traditional stucco design. “We had to discuss [it] several times with the city, of course, and especially with the preservation people. There were quite a lot of discussions about color, shape, and material,” said Schneider. But the lamellas, which enact historic and natural references in modern materials, eventually won over the naysayers. “They liked the design totally in the end.”
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On View> Jürgen Mayer H. at the Art Institute of Chicago

Jürgen Mayer H.: Wirrwarr The Art Institute of Chicago 111 South Michigan Avenue, Chicago Through January 22, 2012 While the Berlin-based architect Jürgen Mayer H. is known for his highly sculptural, honeycomb-like buildings, such as the Metropol Parasol in Seville or the the Court of Justice in Hasselt, Belgium (above), one of his quirky obsessions is not as widely known: a fascination with secret codes and numbers encrypted into patterns. Used by institutions such as banks to ensure that sensitive information such as PINs and passwords are only visible to the recipient, these intricately patterned data sheets are largely unexamined. To Jürgen Mayer H., however, this visual expression of our fear of exposure and desire for protection is fascinating and relevant to architecture. For more than a decade, the architect has been collecting hundreds of envelopes lined with patterns and codes designed to encrypt the privacy of the contents, some dating even back to 1913. Part of this collection has even appeared in his designs, like his 2008 Venice Biennale installation, Pretext/Vorwand, the Data tile series he designed for Bisazza mosaics, and the Metropol Parasol, whose form was machine-milled according to numerical code. One hundred reprints of Mayer H.’s collection, which was originally published by Hatje Cantz Verlag, will be on view at Wirrwarr (“chaos” in German). While heavily loaded, the patterns themselves are quite beautiful in their own right.
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BOOM BOOM BOOM In The Desert

Ok, get ready for the strangest, most audacious project you've seen in a long time. Our friends at Architizer just tipped us off to BOOM, a $250 million community being developed in Rancho Mirage, outside of Palm Springs, that includes some pretty inventive, or (maybe more like it) wacky designs by Diller Scofidio + Renfro, LOT-EK, J.Mayer H., and seven more firms. The ultra-expressive project, set to begin construction next year, will include 300 residences built in eight neighborhoods, each designed by a different firm (important note: the developer, Matthias Hollwich, is a co-founder of Architizer). It will also include an entertainment complex, a boutique hotel, and a wellness center. According to Curbed LA, the community was "originally conceived with gay people in mind," but welcomes all people and all ages. Diller Scofidio's contribution is a large marketplace with a light swooping roof canopy and a central outdoor plaza (should be toasty in the summertime).The schemes seem to take the dominant mid-century Modern aesthetic of Palm Springs and twist it into a computer-enabled jumble of extreme formal gymnastics. So without further ado, hold on to your seatbelts and check out these pictures of BOOM:
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Pictorial> Modern Airport in an Ancient Town

A small, twisting airport in Mestia, a medieval town in the Democratic Republic of Georgia manages to capture the essence of the UNESCO World Heritage Site's ancient stone defensive towers while still standing on its own as a skyward-reaching modern structure. Designed by German firm J. Mayer H. Architects, the airport is expected to boost tourism in the historic town and nearby ski resort. Amazingly, the structure was designed and built within three months between October and December 2010.