Posts tagged with "Italy":

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Christo’s floating yellow walkway on Italy’s Lake Iseo under construction

Covering more than 753,000 square feet, a floating dock is set to transform Italy’s Lake Iseo, covering it in a shimmering dahlia-yellow fabric consisting of 200,000 high-density polyethylene cubes. The man behind the scheme is Bulgarian artist Christo Vladimirov Javacheff. Eleven years after he worked alongside his late wife Jeanne-Claude in Central Park, Christo is once again ready to dazzle audiences. His solo project, known as The Floating Piers, is located 50 miles Northeast of Milan and will support visitors from June 18 - June 3 this year. Resting on Lake Iseo's surface, the 200,000 polyethylene cubes will undulate in the waves as they connect the towns of Sulzano and Monte Isola with the island of San Paolo. Encircling the island, the piers will have a width of 52 feet and stretch just under two miles across the lake. The piers will also be overlaid with 807,300 square feet of yellow fabric. Sewn into the cubes, the fabric echoes the pigments of the roof tiles seen on the buildings surrounding Lake Iseo. Here, it will continue its journey from the lake, setting a mile-long course through the pedestrian streets of Sulzano and Peschiera Maraglio. Since his Central Park park installation in 2005, which saw 7,500 gates of saffron-colored panels line the park's walkways, The Floating Piers will be the first project completed since his wife's passing in 2009. Back then he described his work as “a golden river appearing and disappearing through the branches of the trees.” This year, another river, though this time orange, will run through Christo's location of choice. As was the case in New York, and indeed all his projects, The Floating Piers will be gather funding solely through selling his own original works of art. “They will feel the movement of the water under foot,” Christo said in the New York Times. “It will be very sexy, a bit like walking on a water bed.” Once the 16-day exhibition is over, all components used in the installation will be removed and industrially recycled.
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Salerno Maritime Terminus by Zaha Hadid Architects opened in Italy

The Salerno Maritime Terminal in south west Italy has been inaugurated by the Italian prime minister Matteo Renzi. The building, which has been in the making for 16 years, is the first to be opened since Zaha Hadid's passing at the end of March earlier this year.

As part of a city-wide regeneration plan initiated in 1993, the terminus won an international competition in 2000. Situated on a public quay that continues into the marina, the building aims to continue "the city’s relationship with the sea and establishes new links; connecting Salerno’s rich maritime traditions with its historic urban fabric and beyond to the hills that frame the city."

Bearing the resemblance of an oyster, an asymmetric shell forms the roof and offers a much needed shaded area during the summer months. Come nightfall, the terminal is illuminated via an accent-lit concrete soffit running around the building's perimeter.

Underneath, administration offices for national border controls and shipping lines, as well as a restaurant and passenger waiting areas, are housed. Interior orientation ensures the swift circulation of passengers through waiting lounges, check-in, passport, security and customs controls to their ship.

As a result, 500,000 extra passengers will be able to pass through the port each year, meaning more ferry and cruise ships could dock. This, Zaha Hadid Architects (ZHA) argues, "could create up to 2,000 new jobs in the city’s hospitality, services and retail sectors."

Due to its location, the terminal offers views of both sides of the famed Amalfi Coast, the Gulf of Salerno, and Cilento World Heritage Site. ZHA also hopes it "will act as a lighthouse to the port, welcoming visitors to the city."

When opening the terminal, Italian Prime Minister Matteo Renzi paid tribute to the late Zaha Hadid. “This extraordinary work adds to everything Salerno is doing to transform itself and I think it is marvelous,” Renzi said. “It is also a way of remembering the great architect that Zaha Hadid was.”

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Here’s every participant working on the Venice Biennale 2016

This year's Venice Architecture Biennale, titled Reporting from the Front, has unveiled its full list of participants. The 15th instalment of the Biennale, directed and curated by the man of the moment, Alejandro Aravena, will occupy venues along the Arsenale and the Central Pavilion in the Giardini. There will be work on display from 62 national pavilions, featuring five newcomers: Kazakhstan, Nigeria, Philippines, Seychelles, and Yemen. From this pool of nations, 50 architects will be taking to the Venetian stage for the first time. This year's event will also witness an infusion of youth never seen before with 33 of the featured architects being under 40—a first for the Biennale. “There are several battles that need to be won and several frontiers that need to be expanded in order to improve the quality of the built environment and consequently people’s quality of life," said Aravena. "This is what we would like people to come and see at the 15th International Architecture Exhibition: success stories worth to be told and exemplary cases worth to be shared where architecture did, is and will make a difference in those battles and frontiers.” Together, they will contribute work that addresses concurrent issues such as: segregation, inequalities, peripheries, access to sanitation, natural disasters, housing shortage, migration,  informality, crime, traffic, waste, pollution, and the participation of communities. “It is not easy to achieve such a level of expansion and synthesis; they are battles that need to be fought," Aravena continued. "The always menacing scarcity of means, the ruthless constraints, the lack of time and urgencies of all kinds are a constant threat that explain why we so often fall short in delivering quality. The forces that shape the built environment are not necessarily amicable either: the greed and impatience of capital or the single mindedness and conservatism of the bureaucracy tend to produce banal, mediocre and dull built environments. These are the frontlines from which we would like different practitioners to report, sharing success stories and exemplary cases where architecture did, is and will make a difference.”

Here's the full list of participants:

Albania “I Have Left You the Mountain” Commissioners: Albanian Ministry of Culture. Curators: Simon Battisti, Leah Whitman-Salkin, Åbäke. Exhibitors: Etel Adnan, Pier Vittorio Aureli, Mourid Barghouti, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi. Site: Arsenale

Argentina experimentAR - Poéticas desde la frontera Commissioners: Federico Gonzalez Perini. Curator: Atilio Pentimalli. Site: Arsenale, Sale d’Armi

Armenia Independent Landscape Commissioners: Ministry of Culture, (Vartan Karapetian).Curator: Sarhat Petrosyan. Site: Chiesa di Santa Croce degli Armeni, Calle dei Armeni, San Marco 965

Australia The Pool – Architecture, Culture and Identity in Australia Commissioners: Janet Holmes a Court AC. Curators: Amelia Holliday and Isabelle Toland (Aileen Sage Architects) with Michelle Tabet. Exhibitors: Conversations with Olympians Shane Gould and Ian Thorpe (Anna Funder and Christos Tsiolkas; musician Paul Kelly; environmentalist Tim Flannery; fashion designers Romance Was Born; and art curator Hetti Perkins). Site: Giardini

Austria Places for people Commissioners/Curator: Elk Elke Delugan-Meissl with Liquid Frontiers. Exhibitors: Caramel architects, EOOS, the next ENTERprise architects. Site: Giardini

Bahrain Commissioners: Sh. Mai Al Khalifa. Curators: Anne Holtrop e Noura Al Sayeh. Site: Arsenale

Belgium BRAVOURE Commissioners: Christoph Grafe, Director Flanders Architecture Institute. Curator: bravoure architecten de vylder vinck taillieu - doorzon interieur architecten - filip dujardin. Site: Giardini

Brazil Commissioners: Luis Terepins, Bienal de São Paulo Foundation.Curator: Washington Fajardo. Site: Giardini

Canada “EXTRACTION” Commissioners: Catherine Crowston, Art Gallery of Alberta. Curator: Pierre Bélanger, OPSYS. Exhibitors: OPSYS / RVTR. Site: Giardini

Chile Against the tide Commissioners: Cristóbal Molina (National Council of Culture and the Arts of Chile). Curators: Juan Román, José Luis Uribe. Exhibitors: Felipe Aranda, Ximena Cáceres, Claudio Castillo, Ximena Céspedes, Gabriel Garrido, Carolina Guerra, Juan Francisco Inostroza, Yasna Monsalve, Felipe Muñoz, Daniel Prieto, Javier Rodríguez, Jonnattan Silva, Carolina Solís, Tanya Vera, Cesar Verdugo. Site: Arsenale

China Daily Design, Daily Tao-Back to the ignored front Commissioners: China Arts & Entertainment Group (CAEG).Curator: Jingyu Liang. Exhibitors: Approach Architecture Studio, Drawing Architecture Studio (Han Li, Yan Hu), in+of architecture (Lu Wang), People’s Architecture Office (Zhe He, James Shen, Feng Zang), Run Atelier (Hao Wang, Man Ye), Qun Song, View Unlimited Lanscape Architecture Studio CUCD (Xie Xiaoying, Yan Tong, Haitao Huang, Qu Zhi), Wuyong (Ma Ke), Jingxiang Zhu (Unitinno+CUHK), Jing Zuo. Site: Arsenale

Czech Republic & Slovakia Care for Architecture: Exemplum of the Slovak National Gallery or Asking Arche of Architecture to Dance Commissioners: Monika Mitášová, Monika Palcová. Curators/Exhibitors: Benjamín Brádnanský, Petr Hájek, Vít Halada, Ján Studený, Marián Zervan (Academy of Fine Arts and Design in Bratislava and University in Trnava). Site: Giardini

Côte d'Ivoire Live differently Commissioners: N’Guessan N’Dri Barthelemy. Curator: SOSSAH Francis. Exhibitors: Ministère de la construction et de l’urbanisme, Ministère de l’habitat et du logement social, Ministère de la culture et de la francophonie, Ordre des architectes, Ecole d’architecture d'Abidjan. Site: Palazzo Bembo e Palazzo Mora

Croatia “We Need It-We do it” Commissioners: Zlatko Hasanbegovic, PhD, Minister of culture; Ministry of Culture. Curator: Dinko Peracic. Exhibitors:Dinko Peracic, Slaven Tolj, Miranda Veljacic, Emina Višnic. Site: Arsenale

Denmark Commissioners: Kent Martinussen, CEO, Danish Architecture Centre. Curators: Boris Brorman Jensen and Kristoffer Lindhardt Weiss. Exhibitors: 3XN; AART architects; Adept; AI; Anders Abraham & Christina Capetillo; Anders Peder Larsen; Andersen & Sigurdsson Architects; Arcgency; Arkitektfirmaet Merete Lind Mikkelsen; Arkitema Architects; BCVA Architecture; BIG; BO FROST architects; CEBRA; CF. Møller Architects;Christensen & Co architects; COBE; COLORCLOUDSTUDIO;DISSING+WEITLING architecture; Dorte Mandrup Architects; EFFEKT; ELKIÆR + EBBESKOV; Erik Brandt Dam architects; Erik Møller Architects; Force4; Frans Drewniak & Philip Rahm; Frederiksund Municipality; Friis & Moltke Architects Gottlieb Paludan Architects; Herzog de Meuron; JAJA architects; Jakob Knudsen; Jan Gehl; Jane Havshøj Architects; Jes Vagnby; JJW Architects; Johan Mottelson; Jonathan Meldgaard Houser; Junya Ishigami; Karlsson Arkitekter; KHR Arkitekter; Kim Loudrup; KRADS; Kristine Jensens Tegnestue; Lenschow & Pihlmann; LETH & GORI; LUMO Architects; Lundgaard & Tranberg Architects; Mathilde Petri Architects; Middelfart Municipality and Middelfart Wastewater Utility; Mikkelsen Architects; Møller & Grønborg; Nicolai Bo Andersen; NORD Architects Copenhagen; ONV Architects; POLYFORM; Powerhouse Company Copenhagen; Roskilde Municipality;  RUBOW Arkitekter; schmidt hammer lassen architects; SLA Architects; SLETH Architects; SNE architects; Spektrum Arkitekter; Svendborg Architects; THIRD NATURE; Toposfære IVS; TRANSFORM; Tyra Lea Amdisen Dokkedahl; URBAN AGENCY; Vandkunsten Architects; Vilhelm Lauritzen Architects; WE Architecture; Wienberg Architects and Frier Architecture; Schønherr; Henning Larsen Architects. Site: Giardini

Egypt ReframingBack/ImperativeConfrontations Commissioners: Ahmad Hilal. Curator: Ministero della Cultura. Exhibitors: Eslam Zenbaey, Luca Borlenghi, Gabriele Secchi, Mostafa Salim. Site: Giardini

Estonia, Latvia & Lithuania The Baltic Pavilion Commissioners Estonia: Raul Järg Commissioner Lettonia: Janis Dripe ( Ministry of Culture of the Republic of Latvia) Commissioners Lithuania: Ona Lozuraité, Jonas Žukauskas. Curators: Karlis Berzinš, Jurga Daubaraite, Petras Išora, Ona Lozuraityte, Niklavs Paegle, Dagnija Smilga, Johan Tali, Laila Zarina, Jonas Žukauskas. Exhibitors: Architekturos Fondas, Eesti Arhitektuurikeskus. Site: Palasport G.B. Gianquinto, Castello, Calle S. Biagio

Finland From Border to Home - Housing Solutions for Asylum Seekers Commissioners: Juulia Kauste Museum of Finnish Architecture. Curator: Marco Steinberg. Exhibitors: a team; Lindberg & Erdman; Society Lab with the participation of alt Architects; D.A.T. PANGEA + QUATORZE; Helsinki Kasbah Combine; Satoshi OHTAKI. Site: Giardini

France Nouvelles du Front, Nouvelles Richesses Commissioners: Institut Français, ministère de la culture et de la communication - direction générale des patrimoines.Curator: Frédéric Bonnet - OBRAS e AJAP 14 (PNG, Boidot & Robin, Studio 1984, Studiolada, Boris Bouchet, Claas architectes, R Architecture, NeM / Niney et Marca architectes). Site: Giardini

Germany Making Heimat. Germany, Arrival Country Commissioners: Peter Cachola Schmal, Deutsches Architekturmuseum (DAM). Curator: Oliver Elser, Deutsches Architekturmuseum (DAM). Exhibitors: Something Fantastic. Site: Giardini

Great Britain Home Economics Commissioners: Vicky Richardson. Curators: Shumi Bose, Jack Self, Finn Williams. Exhibitors: ÅYR, Pier Vittorio Aureli e Martino Tattara (Dogma) con Maria S. Giudicci (Black Square), Julia King, Jenna Sutela Hesselbrand. Site: Giardini

Greece “Challenging architecture on site of crisis” Commissioners: General Secretary of Spatial Planning and Urban Environment, Ms Eirini Klampatsea. Curators: SADAS-PEA (the Greek Architects Association).Exhibitor: SADAS-PEA (the Greek Architects Association). Site: Giardini

Hungary æctivators. Locally active architecture Commissioners: Júlia Fabényi. Curators: Gábor Fábián, Dénes Fajcsák. Exhibitor: Arkt. Site: Giardini

Iran Commissioners: Ministry of Road and Urban Development Hamed Mazaherian. Exhibitors: Saba Engineering Events Association. Site: Arsenale

Ireland Losing Myself Commissioners: Niall MacLaughlin. Curator: Yeoryia Manolopoulou. Exhibitor: Níall McLaughlin (Níall McLaughlin Architects). Site: Arsenale

Israel "A is for Architecture, B is for Biology" Commissioners: Arad Turgeman. Curators/Exhibitors: Ido Bachelet, Bnaya Bauer, Arielle Blonder, Yael Eylat Van-Essenn, Noy Lazarovich. Site: Giardini

Italy TAKING CARE – Progettare per il bene comune Commissioners: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali e del Turismo. Curators: Simone Sfriso, team Curatorsale Massimo Lepore, Simone Sfriso, Raul Pantaleo TAMassociati. Site: Tese delle Vergini all’Arsenale

Japan beyond - SHARING Commissioners: The Japan Foundation. Curator: Yoshiyuki Yamana. Exhibitors: mnm (Mio Tsuneyama); ondesign (Osamu Nishida); Erika Nakagawa; Naruse Inokuma Architects (Jun Inokuma, Yuri Narus; Naka Architects’ Studio (Toshiharu Naka, Yuri Uno); Nousaku Architects (Fuminori Nousaku, Junpei Nousaku); miCo. (Mizuki Imamura, Isao Shinohara); Levi Architecture (Jun Nakagawa); Shingo Masuda+Katsuhisa Otsubo Architects (Shingo Masuda, Katsuhisa Otsubo); Koji Aoki Architects(Koji Aoki); 403architecture [dajiba] (Takuma Tsuji, Takeshi Hashimoto, Toru Yada); BUS (Satoru Ito, Kosuke Bando, Issei Suma); dot architects (Toshikatsu Ienari, Takeshi Shakushiro, Wataru Doi). Site: Giardini

Kazakhstan (New) Commissioners: Minister Muhamediuly Arystanbek.

Korea The FAR Game: Constraints Sparking Creativity Commissioners: Arts Council Korea. Curators/Exhibitors: Sung Hong KIM, Eungee CINN, Keehyun AHN, Seungbum KIM, Isak CHUNG, Daeun JEONG. Site: Giardini

Kuwait Between East and West, A Gulf Commissioners: NCCAL. Curators: Hamed Bukhamseen e Ali Karimi. Site: Arsenale

Luxembourg Tracing Transitions Commissioners: LUCA Luxembourg Center for Architecture, Andrea Rumpf. Curators/Exhibitors: Claude Ballini, Serge Ecker, Daniel Grünkranz, Panajota Panotopoulou. Site: Ca’ de Duca, Corte del Duca Sforza, San Marco 3052

Macedonia 
No Man’s land Commissioners: Ivanka Apostolova. Curator: Stojan Pavleski. Exhibitors: Stojan Paveski, Ivan Simeonov, Gjorgji Radovanovic e Ljupcho Tasevski.

Mexico Dispiegamenti e Assemblaggi  (Despliegues y ensambles) Commissioners: María Margarita Segarra Lagunes.Curator: Pablo Landa Ruiloba.Exhibitors:David Mora Torres, Valeria Prieto, Mariano Arias-Diez, Alejandro Suárez Pareyón, César Augusto Guerrero Rodríguez, Mariana Ordoñez Grajales, Jorge Andrade Narváez, Paloma Vera, João Boto Matos Caeiro, Javier Toscano Guerrero, Isadora Hastings, Melba Denisse García, Álvaro Lara Cruz, Juan Carlos de la Garza Madero, Juan José Santibañez, Luz Yazmin Viramontes, Juan Alfonso Garduño, Jesús Roberto Nuñez, Rodolfo Samperio, Alfredo Hidalgo Rasmussen, Daniel Filloy Ring, Juan M. Casillas Pintor, José Carlos Lavalle Alonzo, Alexa Mabel Pacheco, Carlos Hagerman, Jesús Álvarez, Lara Becerra, Betsaid M. Moreno Corona, Jorge A. Rivera, Aarón Gutiérrez, Raúl Cárdenas Osuna. Site: Arsenale, Sale d’Armi

Montenegro Project Solana Ulcinj Commissioners: Dijana Vucinic Ministry of Sustainable Development and Tourism. Curators: Bart Lootsma, Katharina Weinberger. Exhibitors: ecoLogicStudio, London; LOLA, Rotterdam; LAAC, Innsbruck. Site: Palazzo Malipiero, San Marco 3079

Nigeria  (New) ‘Diminished Capacity’ Commissioners: Nkanta George Ufot (Ministry of Information and Culture). Curator: Camilla Boemio. Exhibitor: Ola-Dele Kuku.

New Zealand “Future Islands” Commissioners: Tony Van Raat. Curator: Charles Walker. Exhibitors: Kathy Waghorn, Jessica Barter, Stephen Brookbanks, Maggie Carroll, Bruce Ferguson, Minka Ip, Jonathan Rennie, Rewi Thompson. Site: Palazzo Bollani, Castello 3647

The Netherlands BLUE: Architecture of Peacekeeping Missions Commissioners: Het Nieuwe Instituut. Curator: Malkit Shoshan. Site: Giardini

Finland, Norway & Sweden In Therapy - Nordic Countries Face to Face Commissioners: ArkDes, The Swedish Centre for Architecture and Design (Sweden). Adjunct Commissioners: The Finnish Museum of Architecture (Finland) and Nasjonalmuseet (Norway). Curators: David Basulto, James Taylor-Foster. Site: Giardini

Perù "OUR AMAZON FRONTLINE" Commissioners: José Orrego. Curators: Sandra Barclay e Jean Pierre Crousse. Exhibitors: Ministero dell’Istruzione Peruviano, “Progetto Plan Selva” Capo Progetto Elizabeth Añaños e con Claudia Flores, Sebastian Cilloniz, Jose Luis Villanueva, Miguel Chavez, Gino Fernandez, Alvaro Echevarria, Alfonso Orbegoso, Luis Miguel Hadzich, Carlos Tamayo. Site: Arsenale, Sale d’Armi

Phillipines (New) Muhon: Traces of an Adolescent City Commissioners: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon. Curator: Juan Paolo de la Cruz, Sudarshan Khadka Jr., Leandro Locsin (LVLP Partners). Site: European Cultural Center - Palazzo Mora, Strada Nuova 3659

Poland “Fair Building” Commissioners: Hanna Wróblewska. Curator: Dominika Janicka, in cooperation with Martyna Janicka and Michal Gdak. Site: Giardini

Portugal NEIGHBOURHOOD: Where Alvaro meets Aldo Commissioners: Carlos Moura-Carvalho. Curator: Nuno Grande e Roberto Cremascoli. Exhibitor: Álvaro Siza Vieira. Site: Campo di Marte, Giudecca (tra Calle Mason e Calle Michelangelo Buonarroti – vaporetto: Zitelle)

Romania SELFIE AUTOMATON Commissioners: Attila Kim. Curator: Tiberiu Bucsa. Exhibitors: Tiberiu Bucsa, Orsolya Gal, Stathis Markopoulos, Adrian Arama, Oana Matei, Andrei Durloi. Site: Giardini e Nuova Galleria dell'Istituto Romeno di Venezia Palazzo Correr, Campo Santa Fosca, Cannaregio 2214

Russia V.D.N.H. Commissioners: Semen Mikhailovsky. Curator: Sergey Kuznetsov. Site: Giardini

Serbia HEROIC: Free Shipping Commissioners: Ivan Raskovic. Comitato Scientifico: Ljiljana Miletic Abramovic, Igor Maric, Aleksandar Bobic, Milan Ðuric, Vladimir Milenkovic, Vesna Cagic Miloševic, Maja Ciric. Exhibitors: Stefan Vasic, Ana Šulkic e Igor Sjeverac. Site: Giardini

Seychelles (New) Commissioners: Benjamin Rose. Curator: Andres Ramirez.

Singapore At The ‘Home Front’ Commissioners: Jeffrey Ho, Executive Director of DesignSingapore Council. Curator: Wong Yunn Chii, Department of Architecture, School of Design and Environment, National University of Singapore. Site: Arsenale, Sale d’Armi

Slovenia Home@Arsenale Commissioners: Matevž Celik, Museum of Architecture and Design, MAO. Curators: Aljoša Dekleva e Tina Gregoric (dekleva gregoric architects). Site: Arsenale

Spain UNFINISHED Commissioners: Iñaqui Carnicero + Carlos Quintans. Curator: Carnicero + Quintans. Exhibitors: Contemporary Spanish Architecture. Site: Giardini

Switzerland "Incidental Space” Commissioners: Sandi Paucic e Marianne Burki, Swiss Arts Council Pro Helvetia. Curator: Sandra Oehy. Exhibitor: Christian Kerez. Site: Giardini

Thailand Class of 6.3 Commissioners: The Office of Contemporary Art and Culture, Ministry of Culture. Curator: Teeranuj Wongwaisayawan. Exhibitors: Pitupong Chaowakul, Chatpong Chuenrudeemol, Jeravej Hongsakul, Kanika R’Kul, Jun Sekino Chutayaves Sinthuphan, Suriya Umpansiriratana, Twitee Vajrabhaya, Varudh Varavarn. Site: Arsenale

Turkey Darzanà: Two Arsenals, One Vessel Commissioners: Istanbul Foundation for Culture and Arts (IKSV). Curators: Feride Çiçekoglu, Mehmet Kütükçüoglu, Ertug Uçar. Exhibitors: Hüner Aldemir, Caner Bilgin, Hande Cigerli, Gökçen Erkiliç, Nazli Tümerdem, Yigit Yalgin. Site: Arsenale, Sale d’Armi

United Arab Emirates Transformations: The Emirati National House Commissioners: Salama bint Hamdan Al Nahyan Foundation. Curator: Yasser Elsheshtawy. Site: Arsenale, Sale d’Armi

United States of America The Architectural Imagination Commissioners: Monica Ponce de Leon. Curators: Cynthia Davidson and Monica Ponce de Leon. Exhibitors: Marcelo López-Dinardi and V. Mitch McEwen, A(n) Office, Detroit, Michigan Kelly Bair and Kristy Balliet, BairBalliet, Chicago, Illinois, and Columbus, Ohio, Greg Lynn, Greg Lynn FORM, Los Angeles, California Mack Scogin and Merrill Elam, Mack Scogin Merrill Elam Architects, Atlanta, GeorgiaMarshall Brown, MARSHALL BROWN PROJECTS, Chicago, Illinois Hilary Sample and Michael Meredith, MOS Architects, New York, New York Florencia Pita and Jackilin Hah Bloom, Pita & Bloom, Los Angeles, California Albert Pope and Jesús Vassallo, Present Future, Houston, Texas Preston Scott Cohen, Preston Scott Cohen Inc., Cambridge, Massachusetts Stan Allen, SAA/Stan Allen Architect, New York, New York Thom Moran, Ellie Abrons, Adam Fure, and Meredith Miller, T+E+A+M, Ann Arbor, Michigan Andrew Zago and Laura Bouwman, Zago Architecture, Los Angeles, California. Site: Giardini

Yemen  (New) Beautiful Yemen Commissioners: Mr. Ayed Ali Al-Shawafy, Undersecretary for Cultural relations, Ministry of Culture, Yemen. Site: Arsenale

ull list of participants (via www.labiennale.org) 1. 51N4E (Brussels, Belgium) Freek Persyn; Johan Anrys 2. ADNBA (Bucharest, Romania) Andrei Serbescu; Adrian-Ioan Untaru 3. Aires Mateus (Lisbon, Portugal) Francisco Aires Mateus; Manuel Aires Mateus 4. Al Borde (Quito, Ecuador) David Barragán; Pascual Gangotena; Marialuisa Borja; Esteban Benavides 5. Alexander Brodsky (Moscow, Russia) 6. Alonso de Santos Estudio (Madrid, Spain) Francisco Alonso de Santos 7. Amateur Architecture Studio (Hangzhou, China) Wang Shu; Lu Wenyu 8. Anupama Kundoo Architects (Auroville, India) Anupama Kundoo 9. Architecture and Vision (Bomarzo - Viterbo, Italy) Arturo Vittori 10. Arno Brandlhuber + Christopher Roth (Berlin, Germany) Arno Brandlhuber; Christopher Roth 11. Assemble (London, Great Britain) 12. Atelier Bow-Wow (Tokyo, Japan) Yoshiharu Tsukamoto; Momoyo Kaijima; Yoichi Tamai 13. Atelier Peter Zumthor & Partner (Haldenstein, Switzerland) Peter Zumthor 14. Barozzi / Veiga (Barcelona, Spain) Alberto Veiga; Fabrizio Barozzi 15. Batlle i Roig Arquitectes (Barcelona, Spain) Enric Batlle; Joan Roig 16. BeL Sozietät für Architektur (Köln, Germany) Anne-Julchen Bernhardt; Jörg Leeser 17. Bernaskoni (Moscow, Russia) Boris Bernaskoni 18. Block Research Group, ETH Zurich (Zurich, Switzerland) Philippe Block; Tom Van Mele WITH Ochsendorf, DeJong & Block (Cambridge, Massachusetts, USA) John Ochsendorf; Matthew DeJong; Philippe Block AND WITH Escobedo Construction (Buda, Texas, USA) David Escobedo 19. C+S Architects (Treviso, Italy) Carlo Cappai; Maria Alessandra Segantini 20. Cadaval & Solà-Morales (Barcelona, Spain) Eduardo Cadaval; Clara Solà-Morales 21. Cecilia Puga (Santiago, Chile) 22. Christ & Gantenbein (Basil, Switzerland) Emanuel Christ; Christoph Gantenbein WITH Stefano Graziani 23. Christian Kerez Zürich (Zurich, Switzerland) Christian Kerez 24. David Chipperfield Architects (Berlin, Germany) David Chipperfield 25. designworkshop: sa (Durban, South Africa) Andrew Makin 26. El equipo Mazzanti - Giancarlo Mazzanti, Carlos Medellín, María Mazzanti (Bogotá, Colombia) Giancarlo Mazzanti 27. Ensamble Studio (Madrid, Spain) Antón García-Abril; Débora Mesa Molina 28. EPEA Internationale Umweltforschung (Hamburg, Germany) Michael Braungart 29. Estudi d'Arquitectura Toni Gironès (Barcelona, Spain) Toni Gironès 30. Estudio del Paisaje Teresa Moller & Asociados (Santiago, Chile) Teresa Moller 31. Film First (New York, USA) Gary Hustwit 32. Forensic Architecture (London, Great Britain) Eyal Weizman 33. G124 (Gruppo di lavoro del Senatore Renzo Piano) (Rome, Italy) Renzo Piano 34. Gabinete de Arquitectura (Asuncion, Paraguay) Solano Benítez; Gloria Cabral; Solanito Benítez 35. Grafton Architects (Dublin, Ireland) Yvonne Farrell; Shelley McNamara 36. Grupo EPM - Departamento de intervenciones urbanas sostenibles (Medellín, Colombia) Horacio Valencia 37. GrupoTalca (Talca, Chile) Martín del Solar; Rodrigo Sheward 38. Herzog & de Meuron (Basil, Switzerland) Jacques Herzog; Pierre de Meuron WITH Agav Films (Paris, France) Amos Gitai 39. Hollmén Reuter Sandman Architects (Helsinki, Finland) Saija Hollmén; Jenni Reuter; Helena Sandman 40. Hugon Kowalski + Marcin Szczelina (Poznan, Poland) Hugon Kowalski; Marcin Szczelina; Klaudia Dopierala; Maria Dondajewska 41. Inês Lobo, Arquitectos (Lisbon, Portugal) Inês Lobo 42. Jiakun Architects (Chengdu, China) Liu Jiakun 43. João Luís Carrilho da Graça (Lisbon, Portugal) 44. José María Sánchez García (Madrid, Spain) 45. Kashef Chowdhury / Urbana (Dhaka, Bangladesh) Kashef Mahboob Chowdhury 46. Kazuyo Sejima + Ryue Nishizawa / SANAA (Tokyo, Japan) Kazuyo Sejima; Ryue Nishizawa 47. Kengo Kuma and Associates (Tokyo, Japan) Kengo Kuma 48. Kéré Architecture (Berlin, Germany) Francis Kéré 49. LAN (Paris, France) Umberto Napolitano; Benoît Jallon 50. Luyanda Mpahlwa DesignSpaceAfrica (South Africa) Luyanda Mpahlwa 51. M. Giuseppina Grasso Cannizzo (Vittoria – Ragusa, Italy) 52. Manuel Herz Architects (Basil, Switzerland) Manuel Herz 53. Marte.Marte Architects (Weiler, Austria) Bernhard Marte; Stefan Marte 54. Matharoo Associates (Ahmedabad, India) Gurjit Singh Matharoo 55. menos é mais (Porto, Portugal) Francisco Viera de Campos; Cristina Guedes 56. NLÉ (Amsterdam, The Netherlands) Kunlé Adeyemi 57. Norman Foster Foundation (Madrid, Spain) Norman Foster WITH Redline-EPFL (Lausanne, Switzerland) Jonathan Ledgard WITH Ochsendorf, DeJong & Block (Cambridge, Massachusetts, USA) John Ochsendorf ; Matthew DeJong; Philippe Block WITH Block Research Group, ETH Zurich (Zurich, Switzerland) Philippe Block; Tom Van Mele 58. OMA - Office for Metropolitan Architecture (Rotterdam, The Netherlands) Rem Koolhaas 59. ORG Permanent Modernity (Brussels, Belgium) Alexander D'Hooghe, Luk Peeters, Natalie Seys 60. Paulo David (Funchal, Portugal) 61. Pezo von Ellrichshausen (Concepcion, Chile) Mauricio Pezo; Sofía von Ellrichshausen 62. Rahul Mehrotra and Felipe Vera (Cambridge, Washington, USA) Rahul Mehrotra; Felipe Vera 63. Raphael Zuber (Chur, Switzerland) 64. Recetas Urbanas (Siviglia, Spain) Santiago Cirugeda 65. Renato Rizzi (Venice, Italy) 66. Robust Architecture Workshop (Colombo, Sri Lanka) Milinda Pathiraja 67. Rock Garden (Chandigarh, India) Anuj Saini 68. Rogers Stirk Harbour + Partners (London, Great Britain) Richard Rogers; Graham Stirk; Ivan Harbour 69. Rural Studio, Auburn University (Newbern, Alabama, USA) Andrew Freear; Rusty Smith 70. Rural Urban Framework, The University of Hong Kong (Hong Kong) Joshua Bolchover; John Lin 71. SAAS (Porto, Portugal) Samuel Gonçalves 72. School of Architecture, University of Waterloo (Cambridge, Ontario, Canada) Robert Jan van Pelt; Anne Bordeleau; Sascha Hastings; Donald McKay 73. Simon Velez (Bogotá, Colombia) 74. Souto Moura - Arquitectos, S.A. (Porto, Portugal) Eduardo Souto de Moura 75. SPBR Arquitetos (São Paulo, Brazil) Angelo Bucci 76. Studio Anna Heringer (Laufen, Germany) Anna Heringer WITH Lehm Ton Erde Baukunst (Schlins, Austria) Martin Rauch WITH Architekturmuseum der TUM (Monaco, Germany) Andres Lepik 77. Studio Jaeeun-Choi (Tokyo, Japan) Shigeru Ban Architects (Tokyo, Japan) Jaeeun-Choi; Shigeru Ban 78. Studio Mumbai Architects (Mumbai, India) Bijoy Jain 79. Studio Snozzi (Locarno, Switzerland) Luigi Snozzi 80. Studio TAMassociati (Venice, Italy) Massimo Lepore; Raul Pantaleo; Simone Sfriso 81. Tadao Ando Architect & Associates (Osaka, Japan) Tadao Ando 82. Tatiana Bilbao Estudio (Mexico City, Mexico) Tatiana Bilbao WITH Rozana Montiel Estudio de Arquitectura (Mexico City, Mexico) Rozana Montiel WITH Dellekamp Arquitectos (Mexico City, Mexico) Derek Dellekamp WITH Alejandro Hernández (Mexico City, Mexico) 83. Transsolar (Stuttgart, Germany) Matthias Schuler WITH Anja Thierfelder Freie Architektin (Stuttgart, Germany) Anja Thierfelder 84. TYIN tegnestue (Trondheim, Norway) Yashar Hanstad; Andreas Grønvedt Gjertsen 85. VAVStudio (Iran) Arash Aliabadi; Afshin Farzin; Saman Shamsbeki; Sakhi Shirmohammadi; Amin Tadjsoleiman 86. Vo Trong Nghia Architects (Hanoi, Vietnam) Vo Trong Nghia 87. Werner Sobek (Stuttgart, Germany) 88. ZAO / Standardarchitecture (Beijing, China) Zhang Ke
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30 Years in the making, land artist Alberto Burri’s Grande Cretto in Sicily finally complete

Memorializing the quiet town of Gibellina that was destroyed by a 6.1 magnitude earthquake in 1968, Alberto Burri's Grande Cretto has finally been completed after some 30 years of planning. Occupying over 86,000 square feet, the concrete piece of land art is now open to the public and coincides with the artist's 100th birthday. https://www.youtube.com/watch?v=dcQhDWGoR00 New Gibellina, built to house the displaced residents of the old town is now situated 12 miles away from its predecessor. In the wake of the disastrous event, Alberto Burri decided he would concentrate his attention on what was left of Gibellina when artists and architects were asked to contribute to the foundation of New Gibellina. In doing so, Burri, unlike his counterparts, chose to cover the area with slabs of white concrete, over five feet tall, punctuated only by his signature cracks (roughly nine feet wide) that follow the original street plan. The stark emptiness of the installation echoes the horrors of the earthquake. Burri started his work in 1985 though construction halted after just four years, stopping short at 64,000 square feet of his proposed 86,000. Thanks to the Fondazione Burri, the work has now been fully realized which has prompted a series of celebratory events in New Gibellina notably an installation called AUDIOGHOST 68 that features the band Massive Attack, Robert Del Naja, and Italian artist Giancarlo Neri. For the installation, hundreds of portable radios were dotted across the surface of the concrete and lights from the audience contributed to create the effect of a thousand fireflies dancing in the night through the cities veins—a poignant reminder of what once was. A video of the installation can be seen above. In addition to this, Burri's works have seen a remarkable resurgence of late. A new exhibition, Alberto Burri: The Trauma of Painting, is now open at the Guggenheim New York (closing on January 6), meanwhile another New York gallery, Luxembourg & Dayan is currently exhibiting Alberto Burri: Grafica. The artist's works at auction have also been subject to a recent rise as the graph from Artnet illustrates.
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Now open to the public, Zaha Hadid’s Italian Messner Museum is literally built inside a mountaintop

Zaha Hadid's Messner Mountain Museum Corones is perched 7,464 feet above sea level. The museum itself is embedded within Mount Kronplatz as if it was violently speared through the peak to overlook the breathtaking Dolomites region in the Italy. And you you can see the stunning views yourself now that the museum has officially opened to the public. The predominantly subterranean construction encouraged by Hadid was intended to allow the smooth, computer-drafted building to blend and contrast with the mountain's jagged rock. With only the cement-based entrance exposed, the museum resembles a singular, enormous climbing wall hand hold that, because of its natural color, is paired well alongside the mountain landscape inviting climbers to ascend to the peak. Said to represent the “supreme discipline of mountaineering,” the museum is one of six dedicated to the legendary mountaineer and explorer Reinhold Messner, who is known to be the first climber to ascend all fourteen "eight-thousanders" and the first to summit Everest without supplemental oxygen. Each Messner Museum commemorates not only his accomplishments as a mountaineer but more importantly honors mountain culture overall. Exhibits differ at each location, ranging from film to Dolomite paintings to relics representing those that shaped alpine history. Generally located in South Tyrol and Belluno, Italy, the first five museums are open to the general public. The MMM Corones opened its doors on Friday, July 24th.
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Milan hops on the car-banning bandwagon with its own proposal to create zones of “pedestrian privilege”

Milan is the latest city to join the ranks of Paris, Madrid, Brussels, and Dublin in expelling cars from its smoggy, often gridlocked city center. Unlike its more zealous counterparts, the city has opted for an incremental approach, with no proposed timeline and a gradual, virtually street by street implementation. Despite taking things slow, deputy mayor Lucia di Cesaris stressed that the plan will amount to no less than a “soft revolution.” Earlier this month, she announced the pedestrianization of the Piazza della Scala, the grand square on which the Scala Opera House is located. Purging the square of vehicles will extend to the north the existing pedestrian zone in Milan’s heart, consisting of the Cathedral Square and the area around the Galleria Vittorio Emanuele II, the adjacent shopping arcade. After the Piazza della Scala joins up with this zone, the car-free area will extend into the streets beyond the square. Pedestrianization of this area, a hub for arts and culture venues, is a welcome move to transform it into a thriving, open-air promenade. Over on the city center’s southern edge, Navigli, one of Milan’s most romantic neighborhoods, is expanding its pedestrian area, creating a car-free bar and café quarter to add to the just-pedestrianized Piazza Missori nearby. Ultimately, the objective is what the deputy mayor calls “the creation of a vast area of pedestrian privilege.” Long beset by pollution problems, Milan has experimented with an array of schemes—from banning traffic altogether for 10 hours on a Sunday in February 2004 when smog levels exceeded the statutory maximum, to paying commuters to leave their cars at home and use public transportation. A coalition of Milanese companies sends drivers vouchers worth $1.87 (the average daily cost for using public transportation) for each day their vehicles stay in their driveways between the hours of 7:30am and 7:30pm. Dedicated “black boxes” installed behind vehicle dashboards track the car’s whereabouts to verify compliance. According to Inrix, a traffic information provider, Milan has the worst traffic of any city in Europe, and one of the highest pollution levels in the continent.
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Snøhetta brings a touch of modern design to the old cable car with this winning gondola in the Italian Alps

Norwegian architecture firm Snøhetta has been selected as the winner of a competition to design a cable car that will take visitors to the top of Virgolo Mountain, near Bolzano, Italy, for the first time in 40 years. The mountain has been practically inaccessible since the city closed its historic cable railway in 1976. The new cable car transit system will take visitors to the top in just one minute. The design is based on two rings. One forms the base station, the other the top station, while the cable connects tangentially. It makes the summit just a five minute trip from the city center. The new cable car also interacts with the city via a landscape at the end of the Südtirolerstraße, which brings nature into the city. At the top, a restaurant, café, infinity pool, and meeting rooms with views of the city and surrounding countryside are also planned. "Mountain Square" at the top the Virgolo will be an open space for everything from open-air markets to concerts. The project is currently displayed in the showroom of department store Bozen Bolzano in the Palais Menz in Bolzano Mustergasse.
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Q+A> Italian icon Mario Bellini on passion, the past, and the Kar-a-Sutra

Italian designer Mario Bellini is a master of many mediums: architecture, furniture, photography, and language. He was the editor of Domus in the 1980s and designed buildings all over the world, including the Department of Islamic Art at the Louvre in Paris. At 80, he’s intensely productive as ever. Recently, Humboldt Books published U.S.A. 1972, a book photographs he shot with his Hasselblad in the early seventies. Bellini’s collaborative relationship with Cassina goes back decades and he’s created some of the furniture company’s most iconic designs. Cassina released several new pieces—a bed, a lounge—in the Cab family, the now-classic line he first began with a chair in 1977. To celebrate, Bellini embarked on a multi-city speaking tour. AN caught up with him at the Cassina showroom in Los Angeles. The Architect's Newspaper: The title of your talk is “A Passion Called Project.” Why passion? Mario Bellini: I will try to be short: if you don’t perform your project with a lot of passion, if you are not compelled to do it with a lot of passion, don’t do it at all. That’s the answer. I think about projects that you have completed that are not only playful, but have certain passions built into them, like the Kar-A-Sutra… I think [the Kar-A-Sutra] changed the auto industry in a way. It was the first MPV [or multi-purpose vehicle]. It broke the tradition of the sedan or limousine—boring. And it wasn’t like trucks with little houses on top, with a kitchen and the toilet, which are also a problem. The car was a space mobile and it could be rearranged in any way that you like. This was something free, which would let you explore life. I’m a traveler. I like it very much. I’ve been around the world. I used to go one month a year to those places that today would be not recommended. All around the Mediterranean, all round North Africa: Morocco, Algeria, and then Middle East: Syria, Lebanon, Iran, Iraq, and up to Turkey and Greece. Every time was a journey through the cultural way life—a place’s food, archeology, history. And so the car expresses those passions. And why is the Kar-A-Sutra green? It was designed in 1972 and the early seventies were crazy years. I decided that by myself. I wanted a color that was bold, that was springing out. And green apple green was my favorite. Your new book U.S.A. 1972 was published in June. Are the book and the Kar-a-Sutra tied together? When the exhibition Italy, the New Domestic Landscape opened at MoMA in 1972, I arrived prepared to start a long journey coast-to-coast in the United States to study the American way of life. Emilio Ambasz, who was the curator, gave me a letter of introduction, which saved us a lot of troubles. We were going around and trying to enter everywhere. Sometimes police came and we’d show the letter and they would let us go on. We entered the famous house of Andy Warhol—the Factory—and we had a strange impression because it was full of Deco furniture, Deco tapestries. We were surprised to see an artist looking at the world so formally. And then we entered Hugh Heffner’s mansion in Chicago. We happened to come here, to Los Angeles, to a restaurant called The Source up on the Sunset Strip. And we found the hippie community living in a former Hollywood star’s villa. In the living room there was a tent and a holy man living in it. I can’t remember his name… Father Yod? Yes! Father Yod. I have taken lots of photos and documented everything. But you don’t know when you’re photographing that it will become historical. This brings up a question: What is your relationship with the past? Without past, we would be insects. Going back, back, back to the origin of human beings living on the earth, those ideas supports us still. Our houses today are so similar to ancient Pompeii. There are courtyards, windows, and second floors. These are not machines. I will show an image of a famous Le Corbusier house, which he wanted to photograph together with a modern automobile. Today, the car looks like a rusted, bad nothing and the house still looks modern. Everything that is linked to our lives as human beings is so persistently linked to the past. Our future proceeds based on our understanding of the past. Not as imitating the past, but as nourishing ourselves with that past. We have on our shoulders all that history. But what about your architectural projects, such as the Department of Islamic Art at the Louvre, which are very technological? I’m not a technophile. I use technology—from the origin of the word: tekhno, or the study of the technique. I use techniques, not technology. Which means materiality and a way of working and processing to reach the goal, which is nothing to do with a techno attitude. I am using it to reach the result: emotion, feeling. For that I’m ready to use any material, advanced technology, or new thing. Our office is very up to date with the latest technology, but we remain attached with very, very long ropes to the beginning of the world, and build from there.
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AC Milan football club soon to call “world’s most innovative stadium” home

Italian football giant AC Milan is relocating to what the club purports as “the world’s most innovative stadium” in the city’s Portello area. The new mixed-use facility will be slightly over half the size of the team’s current 80,000-seater San Siro stadium, which it shares with fierce rival Intel. Flagging spectator turnout in recent years has incentivized several Italian football clubs to occupy downsized stadiums. In the 2013-14 season, AC Milan averaged just 40,061 spectators and half-empty bleachers. The club selected a design team consisting of architecture and design firm Arup and Italian architect Emilio Faroldi, who studied 70 stadia around the world as part of the design process, absorbing ideas from the Emirates Stadium in London, the St. Jakob-Park in Basel, and the new San Mames stadium in Bilbao. Given initial protests by Milan residents over the club’s relocation, Faroldi’s onus was to create a minimally invasive design with the aesthetic of a building rather than a hulking sports facility. Thus the first 33 feet of the stadium will be sunken underground, with the building peaking at just 98 feet. Aspiring towards a multi-use stadium that remains operational on non-matchdays like those in the UK, the facility will include a hotel, sports college, restaurants, courtyard and rooftop green areas, a children’s playground, and public art spaces. “Scientific research, through a series of studies, tell us clearly that the role of arenas in Europe and the world is gradually changing,” Faroldi told Italy’s La Gazetta dello Sport. “The stadiums are no longer meant just as a place for sporting events, although open all week, but as a useful piece to reorder the outlook of a neighborhood, a city.” The architect aimed for fewer turnstiles and fewer barriers between fans and the stadium, proposing to supplement these distancing reinforcements with heightened security. AC Milan recently mobilized to tout the benefits of the new stadium to the public, such as escalated land value and the creation of 1,000 jobs during construction and 500 jobs thereafter. The club emphasized the incorporation of state-of-the-art sound-proof materials for near-zero noise pollution and minimal visual impact, as well as the stadium’s integration with public transportation systems. AC Milan hopes to move into its new stadium by the beginning of the 2018–19 Series A season.
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Check out these five finalists named in the Mies van der Rohe Awards

Five projects have been short-listed in the 2015 European Union Prize for Contemporary Architecture—Mies van der Rohe Award. Over the next few weeks, jury members will visit each of the five buildings and a winner will be announced on May 8th at the Mies van der Rohe Pavilion in Barcelona. You can take a look at the five finalists below. Danish Maritime Museum Bjarke Ingels Group Helsingør Denmark
From the architects : The new Danish Maritime Museum is the culmination of a fifteen year vision and master plan to transform Helsingør's former centuries old shipbuilding harbor that had in days past employed thousands but had since fallen on hard times into the city's cultural heart celebrating Helsingør's storied maritime history. The 5,000 m2 subterranean museum is within and built around one of the harbor's dry docks adjacent to Kronborg Castle of Hamlet fame, thus the dry dock itself forms the centerpiece of the museum's collection.
Antinori Winery Archea Associati Florence, Italy
From the competition website: A cultured and illuminated customer has made it possible to pursue, through architecture, the enhancement of the landscape and the surroundings as expression of the cultural and social valence of the place where wine is produced.
Ravensburg Art Museum Lederer Ragnarsdóttir Oei Ravensburg, Germany
From the architects: We formed a structure with largely closed brick facades, for the sake of optimal protection for the art works. By using recycled brickwork we created a connection between the old buildings and the new construction. In this context we are interested in using recycled building materials as part of a sustainable approach. This results in the self-supporting structure of the roof vault. The building is of the first museums ever built in a passive house standard.
Saw Swee Hock Student Centre, London School of Economics O’Donnell + Tuomey London, United Kingdom
From the architects: The proposal was to create an active Student Union, using democratic, everyday, unusual architecture of useful beauty, born out of an understanding of context. The brief was to bring student facilities together under one roof. The multi-functional building includes a venue, pub, learning café, media, prayer, offices, gym, careers, dance studio and social spaces. The brief asked for the “best student building in the UK” and had the aspiration for BREEAM Excellent rating. The design achieved BREEAM Outstanding.
Philarmonic Hall Szczecin Barozzi / Veiga Szczecin, Poland
From the architects: The building houses a symphony hall for 1000 spectators, a hall for chamber music for 200 spectators, a multifunctional space for exhibitions and conferences, and a wide foyer. In its materiality, the building is perceived as a light element: the glass facade, illuminated from inside, allows different perceptions. The exterior austerity and the simple composition of the interior circulation spaces contrast with the expressiveness of the main hall and the concert hall with its gold-leaf covering.
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Bernard Tschumi’s First Project in Italy Blocked, Future Remains Uncertain

Bernard Tschumi’s first project in Italy appears to be on hold—if it is not dead altogether. The regional Superintendence for Architecture and Landscape Heritage has blocked plans for the architect's cultural center, called “ANIMA”, which was scheduled to open in Grottammare in 2017. The announcement about the plan’s fate was made the same day a retrospective on Tschumi’s work opened at the Pompidou Center in Paris—a retrospective that includes ANIMA, which stands for arts, nature, music, action. Tschumi’s perfectly square structure is encased in a white concrete facade that has varied, recessed openings to filter in light and serve as entrances. According to the firm, the exterior has a presence that is both simple and striking. Inside the roughly 100,000-square-foot space there are four interior courtyards, which accommodate various cultural programming as hinted by the structure's name. “All the different functional spaces will orbit around a central very large core: the heart of the structure, which will consist of a single ambience able to accommodate 1,500 seats that can be divided and used as a flexible and adaptable space,” explained Tschumi Architects in a statement. For now, however, the building’s future remains uncertain.
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Milan In Review> Interiors & Environments Push the Salone del Mobile Beyond Furniture

It's easy to get overwhelmed at the Salone del Mobile and the dozens of related events during Milan Design Week. Luckily there are plenty of visual palate cleansers in form of immersive environments, from new showrooms by Pritzker Prize–winning architects to dazzling installations by up-and-coming designers. There is more to Milan Design Week than just great looking furniture! At the Triennale design museum, for instance, Paris-based DGT architects created a light-catching installation for Citizen watches called Light is Time (above), featuring space dividing curtains made of tens of thousands of watch plates. For the Swedish textile company Kinnasand, a division of Kvadrat, Toyo Ito designed a luminous new showroom to display the company's fabrics, many of which feature diaphanous qualities. Ito covered the walls in frosted glass, which gives them a shimmering quality as downlights tucked into the edge of the ceiling filter through the panels. The ceiling itself is paneled in reflective metal. Draped fabrics are displayed on curved metal rods suspended from the ceiling. Cassina tapped the rising Japanese star Sou Fujimoto to design a "floating forest" for their booth at the fairgrounds, arguably the most innovative display at the Salone. Fujimoto hung mirrored metal planters from the rafters, which held green Japanese maples. Canned bird noises added to the atmosphere, which felt both natural and surreal within the tradeshow hall. The reflective surfaces forced visitors to slow down within the booth, giving them more time to look at Cassina's classic and contemporary furnishings. Also at the fairgrounds, an invited group of architects—Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind, and Studio Mumbai—riffed on themes of domesticity with conceptual installations called, Where Architects Live. As far as installations like these at a furniture fair go, the installations were largely devoid of the trappings of daily life. Libeskind, for example, sliced deep voids into the walls, inset with screens showing videos about his personal history and architectural projects. Chipperfield showed of his German side, with photos of deliciously drab Berlin and clanging music underscoring the seriousness of the project.