Strength and softness meet in a metal mesh room divider.Interior dividers can be functional to a fault. If a partition is all you need, then even drywall would do the trick. A custom-built metal curtain in the University of Baltimore’s new law building, however, brings an architectural sensibility to the problem of dividing one space into two. The curtain bisects the lobby with stainless steel, woven into mesh for a unique and uncharacteristically soft texture. Maryland-based Cambridge Architectural engineered and installed the custom mesh curtain for the John and Frances Angelos Law Center at the University of Baltimore. The building, designed by Behnisch Architekten and Ayers Saint Gross, won best facade in AN's first annual Best of Design Awards. The divider is a continuous 33-foot curtain of architectural stainless steel in the building’s seventh-floor lobby. (A second divider, also designed by Cambridge Architectural, is located near the snack bar on the ground floor.) Made of small triangular volumes between a mesh weave, the curtain’s opacity varies based on the angle of the viewer. The Angelos Law Center curtain is longer than previous applications of similar systems, said Cambridge Architectural’s engineering manager Jim Mitchell. Many dividers the company has installed are less than 20 feet long, and are often split in the middle. The tabs and aluminum tracks that hold the 500-pound curtain in place are marine-grade—that is, they are fit for sailing rigs. The metal curtain can be pulled open and closed like a security gate, but it retains the smooth movement and look of a curtain. “It gives it the appearance more of a tapestry than a panel, which typically is tensioned and rigid,” said Mitchell. The fabric-like texture is made possible by the closely woven pattern. “The larger ones look more industrial, and they’re a little bulky when they fold up. But the smaller spirals tend to fold and roll together.” To make the tightly knit weave, Cambridge Architectural flipped the typical orientation of mesh curtains, running metal crimp rods vertically across the mesh instead of horizontally. The crimp rods, welded once they are woven through, join the triangular volumes of the curtain. The designers modeled the curtain components in SolidWorks before sending the data to production. In the Angelos Law Center, the orientation of the weave was especially important because of the lobby's tall ceilings. Whether it is locked closed as a true divider, or left partially open like a less substantial curtain, the stainless steel weave is durable and elegant. “The architects didn’t want the standard security grate that you see at the shopping mall,” said Mitchell. “They wanted something with that architectural look to it. Our mesh kind of fits that bill. It’s durable and it’s metal so it’s going to last forever, but yet it still has that look. So it doesn’t look like you’re pulling down a screen in front of RadioShack.”
Posts tagged with "Interior Design":
A Fifth Avenue apartment designed by Paul Rudolph in 1970 has been sold to a private owner for $26 million according to the the New York Observer. Commissioned by Claire & Maurits Edersheim for whom Rudolph also renovated a Larchmont New York house and a Smith Barney office, the apartment, according to the Paul Rudolph Foundation, "features many of the characteristic elements of Rudolph's interior architecture from the mid-Sixties through the Seventies: extensive use of mirrors and reflective surfaces, plastics and other synthetic materials, curvilinear geometry, painterly use of color, and experimental lighting." While it is not known if the new owners will retain any of the classic Rudolph interior, the Observer noted that the owners plan to combine the unit with another to create a larger duplex, which could mean Rudolph's details will be lost. The interior currently has a series of Rudolph's typical small, highly-designed spaces which look perfect for a dry martini!
At NeoCon this year, IIDA (International Interior Design Association) presented copies of What Clients Want, the first-ever study of the client/designer relationship told from the point of view of the client, written and edited by Melissa Feldman, IIDA's executive vice president. IIDA CEO Cheryl Durst called it "a groundbreaking account of how some C-suite executives have been able to alter their companies' destinations through design [by] firms who got inside their corporate DNA and pushed them to be better." Durst is referring to companies like Autodesk, The Cosmopolitan of Las Vegas, the Cowboys Stadium, and Facebook, which enlisted the services of Primo Orpilla and Verda Alexander of Studio O+A, a husband and wife duo who have designed interiors for a roster of "techie brands" like Aol, eBay, Microsoft, and PayPal. In 2008, O+A was commissioned to consolidate Facebook's spread of ten office buildings in Palo Alto, California, and merge them into Hewlett Packard's former HQ. Studio O+A credits the extensive research they conduct on potential clients prior to any design work for landing the gig.
We want to learn what our clients are about and understand their sensibilities, because if our end result doesn't reflect them, it's not going to be successful or meaningful. Sometimes it's just a matter of talking to the entrepreneurs…other times we observe them for a while.So what did they learn? Facebook, with its well known, humble beginnings in a college dorm room, is not about flash or excess. The primary goal was to create a collaborative, flexible, and comfortable space for the company's "scrappy and entrepreneurial" employees, as Facebook's communication designer, Everett Katigbak, described them. That meant a lot of repurposing existing pieces and spaces so that "nothing is deigned as a pristine or precious moment…Overall it's pretty raw and industrial with more of a garage or laboratory feel." O+A responded with nooks equipped with chessboards and by converting a loading dock into a skateboard ramp. Both Katigbak and O+A agreed that the design process went smoothly, but by the time What Clients Want was published, Facebook had already outgrown their facility and relocated to Sun Micro System's former campus in Menlo Park. They hired Gensler for the renovation, not Studio O+A—a testament to Facebook's hyper-evolution and obsession with "the new," or evidence that perhaps the road to design was a little more rocky than either side will admit? Either way, it's not included in the designer/client conversation Melissa Feldman chronicled in What Clients Want. There are thirteen more, which IIDA's Durst said is the first in a series of limited edition books that will focus on "key vertical markets, starting with hospitality." For What Clients Want, 3M donated their DI-NOC Architectural Finish Material for the cover designed by the NY-based design firm, Pure+Applied.
With bright colors, rich patterns, and futuristic forms that would make Verner Panton drool, Italian homewear company MissoniHome has recently completed their first fully-branded residential tower, the 52-story Acqua Livingstone in Manila, Philippines. The project is the fourth tower of six in the $315.9 million Acqua Private Residences project, developed in the Philippine capital by Century Properties Group. MissoniHome is the home goods branch of Missoni, the fashion line whose colorful patterns and prints attempt to elevate knitwear to artform. Set in the lush tropical environment of the Phillipines, the tower is a "lifestyle experience," and features not only vibrant interior design and arresting furniture, but also a skydeck, called "The Canopy." The Canopy’s lower level includes a business center, an indoor and outdoor gym, Jacuzzi, a library and spa. The upper level is a social and entertainment space with an amphitheatre, lounge, DJ booth and dance floor, pool with swim up bar, and barbecue facilities. Click on a thumbnail to launch the slideshow.
[Editor's Note: This the second in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers the interior awards.] The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality. Interior Honor and Merit Award winners were selected by a jury consisting of Rand L. Elliott of Elliott+Associates Architects, Alice Y. Kimm of John Friedman and Alice Kimm Architects, and Gary L. Lee of Gary Lee Partners. Three interior projects were distinguished with the top Honor Award including Nam June Paik Library by N H D M / Nahyun Hwang + David Eugin Moon, Logan by Formactiv with SO-IL, and the Hinman Research Building by Lord, Aeck & Sargent with Office dA. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.
Interiors Honor Award Winners:Nam June Paik Library, N H D M / Nahyun Hwang + David Eugin Moon Yongin, Gyeonggi-do, South Korea Logan, Formactiv with SO-IL New York, NY Hinman Research Building, Georgia Institute of Technology, Lord, Aeck & Sargent with Office dA Atlanta, GA
Interiors Merit Award Winners:Greenwich Village Townhouse, Ryall Porter Sheridan Architects New York, NY Manhattan Triplex, 1100 Architect New York, NY Barbie Shanghai, Slade Architecture Shanghai, China Nicola’s, Gage / Clemenceau Architects New York, NY Xocolatti, Brian Gillen with de-spec inc. New York, NY Ohne Titel Concept Store, EASTON + COMBS New York, NY Click on a thumbnail to launch the slideshow. All photos courtesy respective firms unless noted otherwise.
Charles Dickens would have been 200 today. Among the bicentennial celebrations of the noted Victorian writer, the Museum of London has been hosting an elaborate Dickens and London exhibition including a Dickensian street scene designed and built by set designer Simon Costin for its City Gallery. The "fantastical wintry vision of 19th century London" made entirely of cardboard and lit with hundreds of LED lights includes quite an array of Victorian buildings and winding alleyways. According to Costin, "My intention is to create a fantasy vision of London as it would have been glimpsed by Dickens on his nocturnal wanderings through the city. His essays are extremely evocative and I am using the text as my starting point and things will grow and develop from there. He has said that he felt like a child in a dream, ‘staring at the marvellousness of everything’. It is that marvellousness that I want to recreate." The window display closes this month, but if you're in London, the MoL's Dickens show keeps going through June. (Via Creative Review.) But it turns out Dickens had his own eye for design as well. Hilary Macaskill recently wrote in the Guardian that the Victorian author had quite the penchant for interior design. She cites a 6,000 word article (you can become amazingly descriptive when paid by the word) he wrote about wallpaper and other decorations, where he remarks on the design of American wallcoverings from his recent visit in 1842 along with his own designs for wallpaper. Even in his home at 48 Doughty Street, Dickens enjoyed crafting the interior spaces down to the shade of pink trim and a set of decanters he picked up for "slight bargains." Read the entire article here and check out a slideshow of his home here.
Vernon Davis the San Francisco 49er tight end who caught a spectacular pass in the end zone in the final seconds of Saturday's game with New Orleans is more than just a football player. Not only is he an avid curling fan and player (he was honorary captain of the Men's U.S. Olympic Curling team for the for the U.S. team in the 2010 Olympics) but he is also an interior designer. Davis is the co-owner of MCD or Modern Class Design along with music industry executive Antone Barnes. MCD focuses on designing interior spaces for "athletes and other clients that are suited to the client’s taste, but still affordable." He tells his athlete clients, “You don’t have to break your bank to live well and have style,” and "this moment won’t last forever, so plan for the future.” But Davis has more laudable goals for MCD. He wants to expand into inner-city communities across America and become involved in projects that will improve people’s lives. “I grew up in a rough neighborhood in D.C. and so did my business partner, Antone, who’s from Jersey City,” said Davis. “We were surrounded by graffiti and abandoned houses where there were no parks, and very few recreation centers or safe places to go. It shouldn’t be that way and we’re planning to change that with MCD, one project at a time.” He continued, “Living well should be available for everyone. That’s what MCD is all about.”