Since Jeanne Gang's supertall Vista tower first appeared in 2014, numerous design alterations have taken place. However, the project has maintained its original form: a series of simple stacked volumes inspired by a frustum—a naturally-occurring crystal formation that resembles a pyramid with its top cut off. As the $950 million project develops, luxury interior renderings have been released showcasing some of the spectacular views the Chicago tower will have to offer. The skyscraper is staggered into three volumes that will reach 46, 70 and 95 stories, the tallest rising to 1,140 feet. As a result, the Vista tower is set to be the city’s third tallest building in the Lakeshore East neighborhood. California-based interiors firm Hirsch Bedner Associates (HBA) are behind the project's 406 luxury condos, none of which come cheap. A two-story penthouse apartment is may set clients back up to $17.1 million. The project is due to break ground later this year, with completion set for 2020. The mixed-use project will include retail and a hotel. Chicago developers, Magellan have already set up an inquiries page on the tower's website, where 360 degree window views can be found. https://vimeo.com/139190710
Posts tagged with "Interior Design":
Daydreaming of the sun shining down on your cold, pale skin? In Helsinki (where Marimekko is based), the sunshine lasts until nearly midnight in the summer months, inspiring a cheerful uplifting palette of punchy prints that are bound to brighten up any interior year-round. The timeless brand has been creating original prints since 1951. Now, a collaboration with Target will bring the colorful designs to the masses. The collection will feature more than 200 pieces that span outdoor décor, furniture, entertaining essentials, and apparel. It will be available in stores starting April 17.
Sleek renderings show what it’s like to live in Zaha Hadid’s luxurious 520 West 28th Street in New York
Renowned architect Zaha Hadid has unveiled interior renderings of her futuristic, 11-story residential development located at 520 West 28th Street in New York's Chelsea neighborhood, which, believe it or not, is her first residential building in the Big Apple. The curvaceous tower stands 135 feet tall and features two- to five-bedroom floor plans that range from a price tag of $4.95 million to $50 million. The tower will be outfitted with a 2,500-square-foot sculpture deck, art from Friends of the High Line, an automated underground parking lot with a robot-operated storage facility, a double-height lobby, an entertainment lounge, and a 12-seat IMAX screening room. The development will also include a 75-foot pool, a gym, and a luxury spa suite equipped with a spa pool, cold plunge pool, waterfall shower, sauna, steam room, chaise lounges, and massage beds. The unit’s bathrooms will be comprised of electrochromic glass with a frosting feature, and the kitchens will include high-end appliances by Gaggenau. The new complex is slated to open in late 2016 or early 2017. Based on the complex's website, it looks like developers are looking to "casually" add Hadid's name to the building title. Perhaps, following the lead of New York By Gehry? Let us know your thoughts in the comments below.
Chicago's Harrington College of Design on Wednesday abruptly announced it will merge with Columbia College. Jim McCoy, Harrington's vice president of operations, told AN the school will no longer accept new students, but won't shut the door on its existing student body. “Everyone that's enrolled in Harrington, we will teach them out,” said McCoy. Students in the downtown college's associate, graduate, and bachelor programs will continue to take Harrington classes through August 2018—even students who took a semester off can finish their degrees, McCoy said. “We do not want to lock them out.” After the summer term, at which point Harrington will vacate its leased space in Chicago's Loop, students will attend class in facilities owned by Columbia College. Students who complete their degrees within about a year can request a diploma from Harrington, McCoy said, but bachelors finishing their degrees after that time will earn credentials from their new alma mater, Columbia College. McCoy said declining enrollment had put pressure on Harrington's administration to make the move now or face the possibility of shutting students out in a few years while they were still part-way through their academic programs. “It just became obvious,” McCoy said, “to get back to where it was financially stable would have taken years, and we felt this was in the best interest of the students.” Over the last five years McCoy estimated Harrington's enrollment has declined by 30–40 percent. He credits increasing competition, including from online programs, for the drop. But also to blame may be the college's select program offerings. For 84 years Harrington has offered highly specialized programs in graphic design, interior design, and photography. “Those are great fields. They will continue to be great fields,” said McCoy. But they could not sustain business at Harrington. Crain's Chicago Business contextualized the financial situation of Harrington's owner, the suburban Schaumburg-based, for-profit company Career Education:
Like many private education companies, Career Education has struggled with declining enrollment over the past few years and has been losing money. The company's 2014 revenue fell to $736.9 million from $834.1 million in the year prior, and its loss widened to $178.2 million from $164.3 million in 2013.Nationally enrollment has declined at for-profit universities, as well. “We're saddened,” said McCoy. “We are. We are happy to have been able to partner with Columbia College, and the underlying thing is we're not closing the door on our students.”
Wallcoverings have come a long way since the days of fuzzy, flocked papers in garish colors. Today, the erstwhile decorative product offers added value in the form of LEED credits, antimicrobial coatings, and even light-transmitting properties. Read on to see what's on our radar. Featherlight Flavor Paper Designed by Karen Hsu of Omnivore and Keryn Dizon, this pattern has a 27 ½-inch repeat; 27-inch-wide rolls are 15 feet long. The delicate photographic image comes in four standard colorways, with custom colors available; on clay-coat paper or silver mylar. Trace Trove Trace/Trove This tranquil scene—a silhouetted forest landscape, reflected in still “waters”—seems equal part photographic and hand-painted. The repeat width is 67 inches; the vertical repeat is 144 inches. In five colorways. Overlay/Underlay Wolf-Gordon Designed by Kevin Walz, this collection of wallcoverings was developed by scanning the reverse side of a swatch of painted linen and then overlapping that image with a scan of the front of the canvas. Printed with translucent inks, the patterns recall silkscreens or block prints. Henrik Large Designtex This striking, Scandinavian-inspired pattern is a kaleidoscope of bright, bold hues, and uses saturated color and crisp lines to create a sophisticated, contemporary, and playful design. Printed on a DNA substrate, this wallcovering’s strong vertical and diagonal lines produce a dynamic pattern, while from a distance the crisp edges blend into an overall design that recalls an ikat weave. ColourTec Glow Architects Paper Available in March 2015, this paper is a paintable, phosphorescent wallcovering. Activated by either natural or artificial light, the paper can be used for decorative or way-finding applications, such as signaling emergency egress routes. Spyro Carnegie Part of the Xorel Final Touch Collection, Spyro features an embroidered pattern that conjures a modern, geometric lace. Despite its delicate appearance, it is water-based solvent and bleach cleanable. PVC-free and Cradle-to-Cradle Silver certified, it is available in five colorways.
Ceramiche Refin S.p.A. pulls from the raw, urban street conditions around us to define their 'District' collection - a series of porcelain tiles that translates the textured and crude surfaces that we see outside, for appreciation indoors. Porcelain tiles with finishes reminiscent of asphalt (Road) that combine with the metallic-style vintage materials typical of old-style shops (Garage), as well as distressed woods inspired by velodrome surfaces and the small brickwork found on indoor walls (Track). Collectively, ‘District’ is an expression of urban lifestyle that is evident in the busiest of the world’s metropolis’s — from london to new york — taking on the rugged, industrial and underground mood that is projected in these places, and refining them for enhancing your desired space. The result is a complex porcelain tiles collection ideal for bringing a wealth of personal touches to residential settings, or for tiling commercial settings throughout in order to create up-to-the-minute atmospheres with a dynamic personality. More info: http://www.refin.us/series/district/
Winter months in the Benelux countries are not known for blue skies and bright sun. So perhaps there's an altruistic underpinning to the design of the new 59-room Pantone Hotel in Brussels. Did architect Olivier Hannaert and interior designer Michel Pennemann seek to lift the seasonally-depressed spirits of the populace through the colorful palette? We'd like to think so, although the relentless branding campaign by the client raises a smidgen of doubt. To wit: The Pantone roller bag won't get lost in the sea of black Tumi bags on the luggage carousel. Trundle down the hall, and find your color-coded room: Key fobs graphically remind you where you are—if that's necessary: Once inside, the bed linens resemble a color chip; the walls, even more so: Room service! Maybe a spot of tea will help you feel at home: Expecting visitors? Invite them to pull up a chair: Unpacked, it's time to go explore the city. What better means of transportation—conveniently available through the front desk—could there possibly be, to best appreciate the local architecture than a two-wheeled color swatch? And in case you've forgotten a toiletry essential, never fear—Pantone is here (and increasingly everywhere).
Strength and softness meet in a metal mesh room divider.Interior dividers can be functional to a fault. If a partition is all you need, then even drywall would do the trick. A custom-built metal curtain in the University of Baltimore’s new law building, however, brings an architectural sensibility to the problem of dividing one space into two. The curtain bisects the lobby with stainless steel, woven into mesh for a unique and uncharacteristically soft texture. Maryland-based Cambridge Architectural engineered and installed the custom mesh curtain for the John and Frances Angelos Law Center at the University of Baltimore. The building, designed by Behnisch Architekten and Ayers Saint Gross, won best facade in AN's first annual Best of Design Awards. The divider is a continuous 33-foot curtain of architectural stainless steel in the building’s seventh-floor lobby. (A second divider, also designed by Cambridge Architectural, is located near the snack bar on the ground floor.) Made of small triangular volumes between a mesh weave, the curtain’s opacity varies based on the angle of the viewer. The Angelos Law Center curtain is longer than previous applications of similar systems, said Cambridge Architectural’s engineering manager Jim Mitchell. Many dividers the company has installed are less than 20 feet long, and are often split in the middle. The tabs and aluminum tracks that hold the 500-pound curtain in place are marine-grade—that is, they are fit for sailing rigs. The metal curtain can be pulled open and closed like a security gate, but it retains the smooth movement and look of a curtain. “It gives it the appearance more of a tapestry than a panel, which typically is tensioned and rigid,” said Mitchell. The fabric-like texture is made possible by the closely woven pattern. “The larger ones look more industrial, and they’re a little bulky when they fold up. But the smaller spirals tend to fold and roll together.” To make the tightly knit weave, Cambridge Architectural flipped the typical orientation of mesh curtains, running metal crimp rods vertically across the mesh instead of horizontally. The crimp rods, welded once they are woven through, join the triangular volumes of the curtain. The designers modeled the curtain components in SolidWorks before sending the data to production. In the Angelos Law Center, the orientation of the weave was especially important because of the lobby's tall ceilings. Whether it is locked closed as a true divider, or left partially open like a less substantial curtain, the stainless steel weave is durable and elegant. “The architects didn’t want the standard security grate that you see at the shopping mall,” said Mitchell. “They wanted something with that architectural look to it. Our mesh kind of fits that bill. It’s durable and it’s metal so it’s going to last forever, but yet it still has that look. So it doesn’t look like you’re pulling down a screen in front of RadioShack.”
A Fifth Avenue apartment designed by Paul Rudolph in 1970 has been sold to a private owner for $26 million according to the the New York Observer. Commissioned by Claire & Maurits Edersheim for whom Rudolph also renovated a Larchmont New York house and a Smith Barney office, the apartment, according to the Paul Rudolph Foundation, "features many of the characteristic elements of Rudolph's interior architecture from the mid-Sixties through the Seventies: extensive use of mirrors and reflective surfaces, plastics and other synthetic materials, curvilinear geometry, painterly use of color, and experimental lighting." While it is not known if the new owners will retain any of the classic Rudolph interior, the Observer noted that the owners plan to combine the unit with another to create a larger duplex, which could mean Rudolph's details will be lost. The interior currently has a series of Rudolph's typical small, highly-designed spaces which look perfect for a dry martini!
At NeoCon this year, IIDA (International Interior Design Association) presented copies of What Clients Want, the first-ever study of the client/designer relationship told from the point of view of the client, written and edited by Melissa Feldman, IIDA's executive vice president. IIDA CEO Cheryl Durst called it "a groundbreaking account of how some C-suite executives have been able to alter their companies' destinations through design [by] firms who got inside their corporate DNA and pushed them to be better." Durst is referring to companies like Autodesk, The Cosmopolitan of Las Vegas, the Cowboys Stadium, and Facebook, which enlisted the services of Primo Orpilla and Verda Alexander of Studio O+A, a husband and wife duo who have designed interiors for a roster of "techie brands" like Aol, eBay, Microsoft, and PayPal. In 2008, O+A was commissioned to consolidate Facebook's spread of ten office buildings in Palo Alto, California, and merge them into Hewlett Packard's former HQ. Studio O+A credits the extensive research they conduct on potential clients prior to any design work for landing the gig.
We want to learn what our clients are about and understand their sensibilities, because if our end result doesn't reflect them, it's not going to be successful or meaningful. Sometimes it's just a matter of talking to the entrepreneurs…other times we observe them for a while.So what did they learn? Facebook, with its well known, humble beginnings in a college dorm room, is not about flash or excess. The primary goal was to create a collaborative, flexible, and comfortable space for the company's "scrappy and entrepreneurial" employees, as Facebook's communication designer, Everett Katigbak, described them. That meant a lot of repurposing existing pieces and spaces so that "nothing is deigned as a pristine or precious moment…Overall it's pretty raw and industrial with more of a garage or laboratory feel." O+A responded with nooks equipped with chessboards and by converting a loading dock into a skateboard ramp. Both Katigbak and O+A agreed that the design process went smoothly, but by the time What Clients Want was published, Facebook had already outgrown their facility and relocated to Sun Micro System's former campus in Menlo Park. They hired Gensler for the renovation, not Studio O+A—a testament to Facebook's hyper-evolution and obsession with "the new," or evidence that perhaps the road to design was a little more rocky than either side will admit? Either way, it's not included in the designer/client conversation Melissa Feldman chronicled in What Clients Want. There are thirteen more, which IIDA's Durst said is the first in a series of limited edition books that will focus on "key vertical markets, starting with hospitality." For What Clients Want, 3M donated their DI-NOC Architectural Finish Material for the cover designed by the NY-based design firm, Pure+Applied.
With bright colors, rich patterns, and futuristic forms that would make Verner Panton drool, Italian homewear company MissoniHome has recently completed their first fully-branded residential tower, the 52-story Acqua Livingstone in Manila, Philippines. The project is the fourth tower of six in the $315.9 million Acqua Private Residences project, developed in the Philippine capital by Century Properties Group. MissoniHome is the home goods branch of Missoni, the fashion line whose colorful patterns and prints attempt to elevate knitwear to artform. Set in the lush tropical environment of the Phillipines, the tower is a "lifestyle experience," and features not only vibrant interior design and arresting furniture, but also a skydeck, called "The Canopy." The Canopy’s lower level includes a business center, an indoor and outdoor gym, Jacuzzi, a library and spa. The upper level is a social and entertainment space with an amphitheatre, lounge, DJ booth and dance floor, pool with swim up bar, and barbecue facilities. Click on a thumbnail to launch the slideshow.
[Editor's Note: This the second in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers the interior awards.] The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality. Interior Honor and Merit Award winners were selected by a jury consisting of Rand L. Elliott of Elliott+Associates Architects, Alice Y. Kimm of John Friedman and Alice Kimm Architects, and Gary L. Lee of Gary Lee Partners. Three interior projects were distinguished with the top Honor Award including Nam June Paik Library by N H D M / Nahyun Hwang + David Eugin Moon, Logan by Formactiv with SO-IL, and the Hinman Research Building by Lord, Aeck & Sargent with Office dA. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.