Posts tagged with "Installations":
This article appears in The Architect’s Newspaper’s April 2017 issue, which takes a deep dive into Florida to coincide with the upcoming AIA Conference on Architecture in Orlando (April 27 to 29). We’re publishing the issue online as the Conference approaches—click here to see the latest articles to be uploaded.
A 48-by-35-by-26-foot public artwork has been installed in the main concourse of the Orange County Convention Center in Orlando, Florida. The work, titled Under Magnitude, is designed by New York architect Marc Fornes and his firm THEVERYMANY as a “curious signal and a place for visual wandering” meant to activate one of the convention center’s main social spaces.
The two-story sculpture—made up of 4,672 ultrathin aluminum strips and 103,723 rivets—is suspended above the concourse floor via steel wires and can be seen at eye level from the mezzanine. The structure follows the laws of what Fornes described as “tangential continuities,” a geometric phenomenon describing how micro-level linear components are utilized to describe macro-scaled, nonlinear geometries. The model dates back to the work of 20th century artist Frei Otto, whose Soap Bubble Model theory postulates the so-called “extensive curvatures” at the foundation of Fornes’ work. Frei was interested in the geometric and structural tension that occurs in surfaces that transfer stresses along their length. Fornes inverts that theory via his notion of “intensive curvatures,” in which digital modeling is used to “maximize double curvature across the project,” rendering dynamic and fully self-supporting forms. The result is a holistic structural system that is defined by a tightly curved and constantly changing surface that is also incredibly strong and composed of thin materials.
The project, developed using Rhino digital modeling software, opened in March 2017. In a video, Fornes said: “Some people start to project their own background onto it. If you come from the sea, some people will read coral. Some people will read flowers. It doesn’t matter [how the viewer interprets the form], but it matters that they engage and that they start to wonder about the structure.”Under Magnitude Orange County Convention Center Orlando, Florida Tel: 407-685-9800 Architects: THEVERYMANY
2016 Best of Design Award for Temporary Installation: Rounds
Architect: SPORTS Location: Lake Forest, IL
Rounds is a temporary plywood theater pavilion created for an artist colony just north of Chicago. It was the winner of the Adrian Smith Prize, which is sponsored by Adrian Smith + Gordon Gill Architecture and included a $15,000 production grant and a ten-person, design-build residency for three weeks at Ragdale. Departing from the bandshell structure and stage most commonly deployed in this setting, Rounds establishes a dynamic and playful performance surface. Small-scale curves in the ring’s ribbon-like design act as lounge spaces while mid-scale waves serve both as covered stage areas and portals to the inner space of the ring. The largest undulation is designed for the main stage area, which can be broken down into smaller parts and distributed around the ring for several concurrent performances.
Additional support for the project was provided by Syracuse University School of Architecture and W.E. O’Neil.
Build Team Greg Corso, Molly Hunker, Jordan Nelson, Nick Zukauskas, Kevin Lenhart, Preston Welker, Sean Morgan, Dabota Wilcox, Jon Anthony, Monika England, Kokeith Perry, Sarah Beaudoin
Engineer ArupLandscape Architect Rosborough Partners Fabrication Consultant Knowhow Shop Exterior Finish Stuc-O-Flex Honorable Mention, Temporary Installation: Floating The Waller
Architect: Ten Eyck Landscape Architects Location: Austin, TX
This installation of 200 empty illuminated inner tubes floating on Austin’s Waller Creek was conceived to highlight the need for improving water quality, ecological health, and public accessibility in urban waterways.
Honorable Mention, Temporary Installation: Town Branch Water Walk
Architect: SCAPE Landscape Architecture Location: Lexington, KY
The design intervention is not a physical landscape, but a communication tool conceived with the Lexington, Kentucky, Downtown Development Authority. A self-guided podcast tour of the Town Branch Culvert gives a broad understanding of the biophysical area, reveals the invisible waters beneath the city, and demonstrates the impacts each resident can have.
For me it is wonderful to have this opportunity to present my work in a public space such as Times Square. It is certainly a place totally different from the environments where I have shown my installations before. My pieces always work according to the environment that concern them and in this case will be very different. I build objects to create dialogues between human beings, the object and space. So far the other environments in which I worked are quieter places, even places that become inhospitable, so to have my work this time in a place where so many people pass, and in a city like New York, it gives a whole other visual and conceptual possibility to my work.“This work pulls in the sky to draw it underneath your feet, wrapping Times Square completely around your body," said Times Square Arts Director, Sherry Dobbin. "The natural skyscape, the electronic billboards and the office buildings combine in a human kaleidoscope, in which each twist of your body brings about new perspectives.” Meanwhile, Tim Tompkins, President of the Times Square Alliance, said, “Times Square has always been a reflection of America and ourselves. Ms. Camejo’s work allows the marvelous mix of people in Times Square to intersect in ever-new ways.”