For architecture enthusiasts with an artistic streak, there are a number of art exhibitions inspired by architecture and design on view across the U.S. Of course, there is Bodys Isek Kingelez: City Dreams at MoMA, already announced in AN, along with gallery shows in New York and Los Angeles worthy of a visit, featuring drawing, sculpture, installation, animation, and more. Serban Ionescu: A Crowded Room and Serban Ionescu and Anjuli Rathod Artist Serban Ionescu, who previously studied architecture, presents an immersive installation of drawings, sculptures, and animations in A Crowded Room at New York’s Larrie. The title and work in part references his experience as an immigrant and his father’s 2006 deportation, while still creating a narrow space touched with color and levity. The animations were made in collaboration with Narek Gevorgian. Ionescu’s work is also part of a two-person exhibition at Safe Gallery in East Williamsburg along with paintings by Anjuli Rathod. Serban Ionescu: A Crowded Room Larrie 27 Orchard Street, New York, NY Through June 17 Serban Ionescu and Anjuli Rathod Safe Gallery 1004 Metropolitan Ave, Brooklyn, NY Through July 15 Vernacular Environments, Part 2 Vernacular Environments, Part 2 is the second iteration of the now annual group show at Edward Cella Art and Architecture that explores the diverse ways artists figure and engage with the environment and built world. Featured artists include Shusaku Arakawa, R. Buckminster Fuller, Rema Ghuloum, Hans Hollein, Jill Magid, Alison O’Daniel, Aili Schmeltz, Paolo Soleri, and Lebbeus Woods, working across a wide array of media. Ruth Pastine has created “Color Zones” to engage with both the architecture figured in the artwork, as well as the architecture of the space itself. Vernacular Environments, Part 2 Edward Cella Art and Architecture 2754 S. La Cienega Blvd, Los Angeles, CA Through July 14th Escher: The Exhibition and Experience Taking up a large swath of Industry City in Sunset Park is a retrospective of the eminent Dutch artist M.C. Escher, whose vertiginous drawings are rich with architectural references. Not relegated merely to lithographs, drawings, or other two-dimensional forms, the exhibition, presented by Italian organization Arthemisia,also features installations that place you in the midst of the artist’s illusionary drawings and disorienting spaces. Escher: The Exhibition and Experience Industry City 34 34th Street, Building 6, Brooklyn, NY Through February 3, 2019
Posts tagged with "Industry City":
This is the nineteenth in a series of guests posts that feature Archtober Building of the Day tours! Industry City 220 36th Street Brooklyn, NY Architect: William Higginson (1906) One of Industry City’s primary goals is to connect businesses and consumers in a more meaningful way by taking the mystery out of commercial production. Visitors to the 35-acre campus, for example, will be able to purchase items like gourmet chocolates while seeing the very same product pass by on a conveyor belt. At the same time, in a building across the courtyard, one can see and hear the work of an ironworker putting the finishing touches on a wrought-iron door. It is clear that Industry City’s adaptive reuse of the 16 buildings on its sprawling campus in Sunset Park, Brooklyn, is what makes this cacophony of production and collaboration possible. Today’s tour of the campus, led by Rob Marino, took us through what he called the “finger buildings,” or the 9 city-block-length warehouses buttressed by 2nd and 3rd Avenues. Originally built in the early 1990s, the warehouses are separated by sunken courtyards where trains once transported materials to one of three loading lobbies. In order to achieve a sense of unity between buildings, Marino explained, New York-based S9 Architecture conceived of “Innovation Alley,” which connects the central lobbies of the 9 warehouses, and is visually marked by red, ceiling-height wickets. To account for the previous loading system, Industry City’s 10-year renovation program called for the design of elevated sidewalks so that pedestrians could enter more easily. The program also called for the renovation of its courtyards into unique, useable space for employees. No courtyard is the same: The 3-4 courtyard (nestled between warehouses 3 and 4) was designed by Mathews Nielsen Landscape Architects, and features a sunken, sandbox-like pit and iron planters that establish sight-lines to the waterfront. In the 5-6 courtyard, Terrain landscaped the area with more mature plants that protect a zig-zagging boardwalk. Plans for 8-9 courtyard are to be determined during the next phase of construction. At the tour’s conclusion, we entered an unoccupied warehouse where cardboard boxes were once produced for close to a century. With 30-foot ceilings and immense windows, the space is impressive and gives a sense of what Industry City once was prior to the robust renovation program. After the space is brought up to code (and given a much-needed coat of paint), Industry City hopes to secure a tenant that can use the square footage productively and support the fine balance the campus currently has with its other tenants. By using multiple architects and encouraging businesses across food, culture, entertainment, and wellness sectors to use the space, Industry City has turned this once abandoned and decaying campus into a thoughtful workspace for a new economy. About the author: Kelly Felsberg is the Program Committees Coordinator at AIA New York.
With tens of millions of dollars, New York City hopes to jumpstart a transformation of Brooklyn’s Sunset Park neighborhood into a hub for artists and tech companies. As the Wall Street Journal reported, the city is spending $100 million to transform part of the Brooklyn Army Terminal—an old navy-supply hub—into space for light manufacturing. That investment is just one piece of the millions of dollars flowing into the neighborhood from real estate investors. While the money will be significant, giving new life to Sunset Park's industrial corridor will take more than artisanal pickles and startups. It will take great public space and significant improvements to the neighborhood's streetscape. At this point, however, it's not clear if that type of investment is in the cards. About 20 blocks north of the Brooklyn Army Terminal is Industry City, a six-million square foot former industrial complex that currently includes startups, artist spaces, and light manufacturing. The impressive space hosted events for this year's New York Design Week and will soon be home to the Brooklyn Nets practice facility. To continue the building's transformation, a group of investors has purchased a 49 percent stake in the complex and plans to lease remaining space to food manufacturers with connected retail spaces. The idea here is to attract locals and tourists to the site. Nearby is the Liberty View Industrial Plaza, another early 20th Century naval supply center, which has received $80 million from some deep-pocketed individuals who want to create affordable space for small companies pushed out of the Garment District. As the Journal noted, all this investment could be muted by the fact that these buildings are pretty difficult to get to from the subway and the neighborhood's residential and commercial centers. "After decades of neglect, roads in Sunset Park are filled with potholes, some sewer lines are aging and walking from the residential areas to the factories requires a nerve-racking trip across the Gowanus Expressway," reported the Journal. "Fixing all that will require significant investment." The mayor's Vision Zero plan could play a role in making that connection safer and more attractive. The waterfront side of these buildings could use some work as well. Where DUMBO and Brooklyn Heights have the Brooklyn Bridge Park, Sunset Park has concrete piers. There is one glimmer of hope, though. The Bush Terminal Pier Park, the ever-delayed park, which has been under construction since 2009, may finally open this fall.
Factory Floor, a new pop-up marketplace in Sunset Park, Brooklyn, will open this weekend with the “Maker’s Market” Furniture Showcase. Presented by Industry City at Bush Terminal, in collaboration with BKLYN DESIGNS and the Brooklyn Chamber of Commerce, more than 40 local and independent designers and manufacturers will present lighting, furniture, wall coverings, and home accessories in a 22,000-square-foot space. Design students from the Pratt Institute will also be showing their wares. “Factory Floor provides a new opportunity to elevate Brooklyn as a worldwide epicenter of design and boutique manufacturing,” said Carlo Scissura, president and CEO of the Brooklyn Chamber of Commerce, in a statement. “Our goal is to remove the bottleneck that exists between design-savvy local consumers and the tremendous cache of indigenous talent creating their products in Brooklyn and city-wide.” Makers Market will run through Sunday, October 27. Moving forward, the venue will feature rotating markets to support the creative makers movement in the Kings County borough, and help establish a unique presence in Industry City. Exhibiting designers and companies include: Juniper Design Group Inc. Alexandra Ferguson Roll & Hill Christophe Pourny Colleen & Eric: A Design Duo - Pickett Furniture 4korners Bell Boy Evan Z. Crane Nikkuu J Dunklebarger Bien Hecho Casa Kids April Hannah Token David Gaynor Design Volk Furniture Mi Mesita Bower Brooklyn Woods Annie Evelyn Soudasouda Moonishco Cambium Studio Reliquary Studio KWH Furniture Atocha Design Stephane Hubert La Chasse The Hunt SAWhomeBK Ethan Abramsom Ivory Build Materia Designs Whale Andrew Hunt Mark Grattan Srickbulb Wonk For more information visit factoryfloorbrooklyn.com.
In recent years, Brooklyn's waterfront has morphed into a breeding ground for start-ups, tech agencies, and boutique manufacturing. Now the massive Industry City complex in Sunset Park could emerge as the next creative hub in the borough joining other booming neighborhoods to the north such as DUMBO, the Navy Yard, and Williamsburg. Crain's reported that Jamestown Properties, a real estate management and investment company, which owns Chelsea Market and the Milk Studios Building in Manhattan, is teaming up with Angelo Gordon and Belvedere Capital to purchase the sprawling 6.5 million-square-foot Industry City site. The developers hope to turn the 17 buildings on the property into a mix of office, studio, and warehouse space to accommodate a variety of uses including local manufacturing, media, and film and television. A 50,000-square-foot space in Industry City is already home to Makerbot, the company that manufactures 3-D printers. Jamestown has hired Andrew Kimball, who recently stepped down from his post as CEO and President of the Navy Yard, to run the new Industry City complex when it is complete. Kimball has been instrumental in reviving the 300-acre, city owned shipyard into a flexible workspace for for urban manufacturing, media, and the arts. Several of the buildings were damaged from Hurricane Sandy and will require substantial repairs. Michael Philips, Chief Operating Officer of Jamestown, said that they might need to spend hundreds of millions to rehabilitate the buildings on the property.
Christina Ciardullo and Naomi Ocko Superfront Public Summer 2nd Avenue between 35th and 36th Streets Industry City / Sunset Park, Brooklyn Through August 28Christina Ciardullo and Naomi Ocko's (CO) winning design Weightless Pull for Superfront Public Summer opened Sunday, July 17th and will be on view through August 28th. Christina Ciardullo and Naomi Ocko designed the space with a focus on geometry, mechanics, and materials. With a particularly specific method of installation, the collaborative studio observed the conditions of the space and calculated needs for the project based upon the presence of wind between two industrial buildings. Weightless Pull, constructed much like a series of slender sails, creates a vertical wind field composed of plastic wrap, nylon rope, and 600 different knotting systems. The resulting movement emphasizes the scale of the location. As the architects noted, "a volume is created by the blowing out of long horizontal lengths of plastic rising from the ground to 80 feet above at the height of the surrounding buildings." Also, visit Industry City for public art and weekend performances, which will take place every Saturday and Sunday from July 23rd through August 28th as part of Superfront Public Summer.