Spieth's younger sister, Ellie, attended the ribbon cutting with her older brother and her fellow cheer squad members, according to the Dallas Morning News. The golfer subsequently posted online several photos of the squad enjoying the park. Inclusive design is an approach to designing for people who may have radically different physical and intellectual abilities. The term can refer to things like adjusting lighting and acoustics for people with sensory sensitivities, adding braille labels to exhibits, or making playgrounds ADA accessible. The park was jointly produced by the Jordan Spieth Family Foundation, the City of Dallas, the Lake Highlands Junior Women's League, the Lake Highlands Exchange Club, and For the Love of the Lake, a local neighborhood-improvement project.
Our foundation is proud to work with the City of Dallas & community groups to make this park at Flag Pole Hill a reality. It’s really special to have this state-of-the-art, all-inclusive playground right in our backyard - it welcomes all families, all ages, all capabilities. pic.twitter.com/xHQ819121i— Jordan Spieth (@JordanSpieth) September 13, 2018
Posts tagged with "inclusive design":
As the Dallas Morning News reported, professional golfer Jordan Spieth, 2015 U.S. Open and Master Tournament winner, backed the new Flag Pole Hill Park in Dallas, Texas, which opened this week. The park is designed to be accessible to as wide a range of children as possible, with special attention to the abilities of young people with special needs. The park includes several pieces of playground structures designed and produced by Austin, Texas–based Kompan, a sports and play equipment company. Kompan has partnered on other projects with the Gehl Institute, an international consultancy that advises on the relationship between people's wellbeing and the built environment. The pieces used in the new Dallas park are designed to be engaging but safe, and accessible by children with a board range of physical and mental abilities.
The Rock and Roll Hall of Fame in Cleveland, Ohio, has launched a new program to accommodate people with sensory sensitivities. Starting August 24, the museum will offer visitors free kits with a variety of equipment that they can use throughout their visit. According to Cleveland Scene, the kits include "noise-dampening headphones, fidget tools, verbal cue cards, weighted lap pads, and other resources." The Hall of Fame joins a variety of institutions that have taken similar steps toward inclusivity in recent years. Smithsonian reported earlier this year on a variety of D.C. museums that have tried to become more sensory friendly by opening early for quiet hours or by creating dimly-lit spaces that visitors can retreat to should they become overwhelmed. The Metropolitan Museum of Art in New York City offers a sensory friendly guide that highlights spaces that tend to be quiet and dimly lit along with spaces that are often loud and crowded. Autism Friendly Spaces, a New York–based nonprofit whose mission is to "unlock minds and transform spaces to welcome the full participation of the autism community," says that sensory friendly spaces adjust "the auditory, visual, and olfactory stimulation to levels acceptable for the population that will be experiencing it." People with autism spectrum disorder may be "more or less sensitive than other people to sensory input, such as light, noise, clothing, or temperature," according to the National Institute of Mental Health. For museums like the Rock and Roll Hall of Fame, sensory sensitivity poses a real challenge because many shows are designed to stimulate a variety of senses at once. As Smithsonian noted, exhibition design has trended toward multisensory experiences that are more than purely visual displays. The sensitivity kits offer a variety of tools that can either dampen sensory input or offer coping mechanisms, like the fidget tools or weighted lap pads, and they are one way in which museum design is tackling inclusivity and accessibility more broadly.
Lifestyle brand 69 is the brainchild of an anonymous Los Angeles–based designer whose non-gender and non-demographic-specific clothing exuberantly suggests ideas of freedom, inclusivity, and a more fluid future. Since its founding in 2011, 69 has developed a cult following for its playful and exaggerated designs. With a strong focus on transforming denim, a typically utilitarian everyday fabric, into deeply elegant garments that resist easy categorization, 69 welcomes people of all ages, races, sexualities, and sizes into its community. For its first museum solo exhibition, 69 presents a survey of its groundbreaking clothing along with a selection of irreverent and inventive videos and photographs that blur the line between promotional material and artwork.
The American Institute of Architects (AIA) Baltimore recently added a new category to its Excellence in Design Awards Program: the Social Equity Design Award, which will be given out in collaboration with the Neighborhood Design Center (NDC), an organization that promotes community-engaged design. The award was created in honor of the 50th anniversary of the non-profit’s establishment and the civil rights leader Whitney M. Young’s landmark speech at the 100th Convention of the AIA. In his historic 1968 keynote address, Young urged architects across the country to address social issues and diversity in the profession. Later that year the NDC was founded by a group of Baltimore architects mobilized by Young’s speech to rebuild their communities following the riots following Dr. Martin Luther King Jr.’s assassination. The Social Equity Design Award is meant to recognize projects that “promote social equity and align with NDC’s values,” according to a statement by AIA Baltimore. The statement goes on to say that, "Healthy places are built with consideration of social justice, environmental sustainability, and the true character of a place and the people who live, work, worship, and do business there.” "Architecture is about people, and the Social Equity Design Award celebrates that architecture can and should improve quality of life for everyone," said Laura Wheaton, AIA, program manager at the Neighborhood Design Center and member of the AIA Baltimore board of directors. This award coincides with the exhibition A Call to Act(ivism): Echoing Whitney Young, 50 Years Later, which is being put on by AIA New York to commemorate Young's speech and its implications for architects today. It is currently on view through September 15 at the Center for Architecture. The judging panel will consist of local architects and community leaders. The awards will be given out at the 2018 AIA Baltimore Excellence in Design Awards Celebration, which will be held at Center Stage on October 19. The deadline for submission is September 4. Click here for details.
The second edition of the Inclusive Design Guidelines (IDG)—a set of parameters that assist designers in ensuring their work is fully usable by any and all—has been announced by New York City Mayor Bill de Blasio. The Office for People with Disabilities published the first edition seven years ago. This latest version will expand on the minimum requirements laid out in the 2010 edition, which consolidated design guidelines from around the world. The publication has also been distributed across the globe, allowing New York to be seen as a city striving to make itself accessible to all. That said, as many of those with disabilities will tell you, the city still has a long way to go, especially with regards to its transportation services. According to the Metropolitan Transportation Authority (MTA), fewer than 20 percent of subway stations are accessible to all. Change is coming, albeit slowly. A 1979 lawsuit means that by 2020, 100 stations must include elevators. That still only means that less than a quarter will be wheelchair accessible. The problem persists above ground, too. In 2014, a report by the Center for Independence of the Disabled found that 806 curb cuts of 1,066 sites surveyed south of 14th Street in Manhattan were inaccessible. Crumbling concrete, potholes, barriers, and damaged slopes (or no slopes) were the main issues. If you find somewhere that has inadequate disabled access, you can file a complaint by calling 311. (Note: Buildings built before 1987 are exempt). More information on that can be found here. However, the new IDG will continue to foster multisensory environments that, according to the Mayor's office, will "accommodate a wide range of individuals with physical and cognitive abilities of all ages." De Blasio's announcement comes in the month marking the 27th anniversary of the Americans with Disability Act (ADA), the first legislation passed in the U.S. that sought to provide rights to those with physical and cognitive disabilities. “New York City is a place of inclusion where every single person who resides here should be able to navigate daily life without accessibility being a concern,” said Mayor de Blasio in a press release. “We are excited to launch this 2nd edition of inclusive design guidelines as a tool to help make our city even more welcoming, convenient, and enjoyable for ALL New Yorkers.” Meanwhile, Victor Calise, commissioner of the Office of People with Disabilities, added: “The IDG is proving to be an important tool for designers to create welcoming, Comfortable and usable environments.... Locally, the IDG is helping to make New York City the most accessible city in the world.” The IDG Second Edition can be found here.
For visually impaired students, navigating around a building or a college campus is often a challenging task. That's set to change, thanks to Jason Kim and Howon Lee, researchers at Rutgers University School of Engineering in New Jersey. The duo has developed 3D printed braille maps of their campus. Kim, a senior mechanical engineering student and Lee, an assistant professor at the Joseph Kohn Training Center (an institution that helps the visually impaired), designed the maps with the help of CAD software, SolidWorks 3D. When complete, the maps are about the size of a standard iPad. Like normal maps, some will be fixed to the walls of the university, however, these will only offer a limited selection of braille labelling. The maps are intended to be carried around in a binder by students for easy access personal reference. https://youtu.be/nvo3Z9Af1so Before starting the project, both said they knew nothing about the format of braille and had a lot to learn. Visiting the Joseph Kohn Training Center multiple times the pair received feedback from faculty and students, being able to finish the map by the end of summer. “One of the things we saw with conventional braille printed on paper is that it doesn’t last long,” Lee said. So far, only one map has been produced, though Lee hopes to lower production costs with the aim for every interested student to have a map by the start of the new first semester. Lee also spoke of his interest to develop more maps for the rest of the Rutgers campus and city of New Brunswick, NJ. The idea is to “give freedom, extended freedom, to navigate and go from one place to another without worrying too much,” he said.