Posts tagged with "ideas city":
“We are not here to fix Detroit’s problems. We are here to learn from Detroit. This is a learning platform,” said Joseph Grima. Grima, the director of IdeasCity, a symposium hosted by the New York–based New Museum, sat in a circle flanked by mostly-young artists, activists, and designers in a utility building on the grounds of a shuttered city-owned hospital. For over two hours, the group reacted to the first days of the laboratory, an exhaustive schedule of talks, debates, and tours, to discuss its role in Detroit. A postindustrial hipster summer camp this is not: Participants used the six-day event as a space to discuss the role of culture in making cities more vibrant, equitable spaces.
The latest iteration of IdeasCity included a five-day collaborative laboratory starting on April 25, and concluded with a daylong public conference on April 30. 41 fellows, culled from a global open call, were asked to work in small groups to explore and ruminate on the future of Detroit. Each group was assigned a site to anchor its thinking, although ideas could, and did, bleed beyond cartographic boundaries and into conceptual deliverables. Locals led tours of the sites to help fellows, especially the two-thirds majority not from Detroit, understand the depth of the history that contributes to the city’s present morphology. A stream of regional expert presenters, such as Elysia Borowy-Reeder, executive director of MOCAD and Malik Yakini, executive director of the Detroit Black Community Food Security Network, placed visitors face-to-face with Detroiters to talk about what they love about their hometown and what needs to change.
The culmination of IdeasCity was the conference held at the Jam Handy, an event space in the New Center neighborhood. Opening keynote presentations were delivered by Detroit director of planning and development Maurice Cox, while Chicago-based artists Theaster Gates and Amanda Williams set the tone for the day.
Panel discussions focused on the power and importance of cultural production as a means of urban prosperity. Local experts such as filmmaker-writer dream hampton and community organizer Jenny Lee emphasized the need to change the narrative around what is, and what should be, happening in Detroit. This theme would permeate much of the day, as panelists, presenters, and fellows alike enlightened the crowd on topics often overlooked in the discussion of Detroit.
Fellows brought both knowledge from their home cities and newfound information to their presentations. Multiple groups advocated for the reexamination of current development plans. The first group situated the planned Gordie Howe Bridge to Canada, in terms of air, water, and soil, as it affected Fort Wayne, a Civil War–era site and recreation area in the Delray neighborhood. Fort Wayne is a First Nations burial site, heavily polluted by surrounding industry, but enjoyed for the water access it affords locals. “Having family in the area, I want to make sure that they are not forgotten,” noted fellow Stacy’e Jones, DJ and member of Liquid Flow Media Arts Center.
Another group took a look at the solar panel farm in O‘Shea, arguing that the recently constructed power station, built on former parkland, should have been envisioned as an integrated part of the neighborhood in a dense housing and agricultural mix. "We wanted to make sure we were reaching out to the community. There was a lot of tension in the room. The community was brought in at the very end of this process," explained Taylor Renee Aldridge, Detroiter and co-editor of ARTS.BLACK.One design-oriented proposal looked at memorializing the spaces of conflict on the site of what is now Mies van der Rohe’s cooperative community, Lafayette Park. Formerly known as Black Bottom, a neighborhood for newly arrived black residents, the area was bulldozed and reset, tabula rasa, for Mies’s modernist project in 1946. “We wanted to recognize Black Bottom, because at this time there is no physical form of memorialization there,” fellow and Detroit writer Marsha Music explained. Against a backdrop of historical images of a thriving, and then destroyed Black Bottom, the group proposed non-affirmative monuments that encourage dialogue around the themes of immaterial culture, the social culture of street life, and the city’s churches. Group member Tommy Haddock observed that housing is what ties people to place, and that themes of belonging and removal can be reflected through the motif of house and home. An architect, Haddock realized some of the group’s ideas in a series of renderings that reference the visual language of Robert Venturi and Denise Scott Brown.
Other groups addressed less physical ideas. One simply, yet boldly, proclaimed that their project was to return to their respective homes around the world to act as Detroit ambassadors, spreading their newly enlightened views of the city. “Architecture,” explained Paris designer Pinar Demirdag, “isn’t about telling what to build, sometimes it’s about telling what not to build.”
Ryan Myers-Johnson, a dancer and founder of Sidewalk Festival of Performing Arts, noted that “It’s easier to ask for forgiveness than permission when working with the City of Detroit.” Her group addressed the interaction of the city government, law enforcement, and non-traditional community-led organizations to propose a special project permit which would streamline the bureaucratic red tape surrounding the approval process for public events.
But what does this all mean for Detroit? There was obvious mutual respect and appreciation between residents and visitors and an atmosphere of profound but critical optimism at the conference and in the days leading up to it. The ambassador group had the most actionable presentation, as they will take their new perspectives back home, hopefully working from within their positions of influence to broaden others’ perceptions of Detroit and similar post-industrial cities.
“Idea” has roots in Greek, idein, meaning “to see.” So perhaps, as Grima stressed, the true point of the event was to see more clearly into the patterns and processes that shape the city. It’s worth noting that IdeasCity chooses “dysfunctional” cities for their forums. This would seem like a trap for offering prescriptive advice, yet the organizers work diligently to make sure that prescriptions are on the menu, but not the de facto option. Although some groups chose a “problem” and proposed a “solution,” They were presented with enough insider information to dispense careful, thoughtful advice.
September will find Ideas City exploring Athens, where the event’s ethos will once again be put to the test.
The New Museum will double in size in time for its 40th birthday next year, as it expands into next-door 231 Bowery, which is currently offices, a gallery, and artists' live/work space owned by the museum.
The museum announced yesterday that it had raised $43 million of the $80 million needed to pay for the expansion and to triple the endowment. Although the funds seem modest in comparison to the MoMA (annual operating budget: $147 million) or the Whitney, the capital campaign is the largest in the New Museum's history. The $80 million will also pay for the institution's business incubator, New INC, and programs like IdeasCity, which bring artists, activists, planners, and policymakers together to discuss issues facing cities like Detroit and Athens, Greece.
Lisa Phillips, the museum's director, told The New York Times that “we’ve known for a long time that we wanted an expansion, but we’ve been thinking about what an expansion means for a museum like this. We own the building next door, and it just makes sense to use it. But it was also about thinking about ways to create a parallel structure there, to make something that’s different and a counterpoint to this building.”
Since the museum's move to Soho in 2007, annual attendance has increased from 60,000 to over 400,000. The museum intends to renovate 231 Bowery and connect it to their main Sanaa–designed space, increasing the total footprint from 58,000 square feet to over 100,000. As of now, there are no plans to demolish 231 Bowery. The expansion will allow for improved circulation, and keep exhibitions on view during turnaround periods: The New Museum has a tiny permanent collection, choosing instead to focus on women artists and art that's not usually exhibited in New York.
“I don’t have [the expansion] completely laid out,” Phillips told the Times, “but it’s about trying to do things that museums haven’t done yet or maybe even imagined.”
As three-term mayor of San Antonio, Julián Castro was known for innovative governance. His “Decade of Downtown” program campaigned for new investments in San Antonio’s city center and older communities and brought in $350 million of private sector money, generating more than 2,400 housing units. In 2010, Castro was enrolled in the World Economic Forum’s list of Young Global Leaders and named by Time magazine as one of its “40 under 40” list of notable leaders in American politics. At the 2012 Democratic National Convention, he became the first Latino to deliver a keynote. Castro took office as the sixteenth Secretary of the US Department of Housing and Urban Development on July 28, 2014.This year’s festival promises to be an energetic follow-up to the previous years under the direction of Joseph Grima, who has been involved in no less than three Biennials in the last year, including Chicago’s Architecture Biennial and Biennale Interieur in Belgium. IDEAS CITY is also a partnership of The New Museum (Founder), The Architectural League of New York, Bowery Poetry Club, The Cooper Union, Storefront for Art & Architecture, The Drawing Center. Some of the other events that stand out are: —IDEAS CITY Street Program —Institute for Public Architecture: Total Reset —Kurt Andersen, Carmen Yulín Cruz, and others: MAYORAL CONVERSATION: Finding The Invisible City —Rhizome: AIRBNB Pavilion: Stay With Me —Kim Stanley Robinson, Bjarke Ingels: Make No Little Plans: A CONVERSATION IN TWO PARTS:Part 1. Toward A Plausible Utopia —Municipal Art Society, Architizer: Pitching the City —Manny Cantor Center, Laura Nova: Moving Stories
Winner of the 2015 Street Architecture Prize Competition proposes spot-on initiative for “consensus-based” architecture
More than a profession or a repertoire of built artifacts, architecture is a dynamic cultural practice that manifests at different scales and through various media: buildings and cities, but also art, performance, film, landscape and new technologies. It permeates fundamental registers of everyday life—from housing to education, from environmental awareness to economic growth, from local communities to global networks.The biennial's first commission was announced Wednesday by co-directors Joseph Grima—a former curator of the Storefront for Art and Architecture, and director of the Ideas City platform of the New Museum—and Sarah Herda, director of the Graham Foundation and AN editorial advisor. Renowned photographer Iwan Baan will contribute an original photo essay about Chicago featuring aerial shots taken at sunrise. The work will “capture the city during a moment of its daily routine,” according to the press release. “Like the Biennial itself, Baan’s expansive photographs interpret Chicago as a realm of architectural possibility, past and future.” The free festival's home base will be the Chicago Cultural Center, but organizers say it won't be restricted to downtown. “Using the city as a canvas, installations will be created in Millennium Park and other Chicago neighborhoods, including new projects and public programs developed by renowned artist Theaster Gates on Chicago’s south side,” reads a press release. “The Biennial will also feature collateral exhibitions and events with partner institutions throughout the city, and will offer educational programming for local and international students.” Tigerman, whose 1977 exhibition is the inspiration for the 2015 show's title, sits on the biennial's International Advisory Committee, which also includes architects David Adjaye, Elizabeth Diller, Jeanne Gang, and Frank Gehry, along with critic Sylvia Lavin, Lord Peter Palumbo and Hans Ulrich Obrist. Ty Tabing, former executive director of the Chicago Loop Alliance and founder of Singapore River One, will serve as the biennial's executive director. Oil giant BP has agreed to donate $2.5 million for the show, but Mayor Emanuel is reportedly seeking $1.5 million more.