Four teams of architects have been selected to envision new possibilities for a long stretch of vacant land along the Sandy-battered coast in the Rockaways. The ideas presented at Thursday's announcement range from practical resiliency tactics to creative design solutions such as dune sand filters, elevated undulating boardwalks, and clusters of low-rise and mid-rise housing. The New York City Department of Housing Preservation and Development (HPD) along with private developers and the American Institute of Architects New York Chapter, launched the Far Roc Competition back in April to generate proposals to turn an 80-plus-acre site, called Averne East, into a resilient mixed-use waterfront community. The competition calls on architects to think expansively about the challenges facing the Rockaways and come up with a multi-layered proposals that offer concrete ideas for sustainable mixed-income housing, flood protection measures, and recreation and park land. "We need to build durable, affordable infrastructure for those who really need and deserve it," said Bomee Jung Enterprise Community Partner, an affordable housing organization. The competition yielded 117 submissions from more than 20 countries. The jury panel whittled it down to four finalists, all hailing from across the globe: New York-based Ennead Architects, Toronto's Lateral Office, London-based Seeding Office, and Scandinavian firm White Arkitekter. "We don't have a choice. We have to conquer this challenge if we want to ensure the viability of our waterfront community," said HPD Commissioner Mathew Wambua. "We are eagerly anticipating the final presentation of your visions [addressing finalists]." Plans to develop this site have been brewing for several years. In 2007, HPD and developers—the Bluestone Group, L+M Development, and Triangle Equities—were in talks to build a mixed-income development, but held off when the economic crisis hit. The four finalists will be awarded $30,000 to continue to fine-tune and develop their ideas. The proposal deadline for the second phase of the competition will be on October 7th. In addition to the four finalists, there were six honorable mentions, which included: Michael Cowdy from Sydney-based firm McGregor Coxall; John Ellis from San Francisco and Seatte-based firm Mithun; Iljoong Kim from New York-based firm ijKim Architect; Giuseppe Lignano from New York-based Lot-EK; Pablo Oriol from FRPO Rodriquez & Oriol in Madrid; and Zhang Quian Christopher from Los Angeles and Honk Kong-based eLandScript.
Posts tagged with "Hurricane Sandy":
Resiliency is a word that has become lodged in the vocabulary of nearly every lawmaker since Hurricane Sandy ravaged the east coast last October. And this month, government officials—on a local, state, and federal level—are taking steps to ensure that coastal cities are more resilient and rebuilt to better withstand natural disasters in the future. Yesterday, at a panel discussion on Innovation & Resilience Design in Sandy Rebuilding at NYU, Shaun Donovan, Secretary of the U.S. Department of Housing and Urban Development and Chair of the Hurricane Sandy Rebuilding Task Force, announced the launch of a new regional design competition, "Rebuild by Design" seeking teams—made up of the top engineers, architects, landscape designers, and other experts—to propose projects that tackle issues such as climate, economic, and infrastructure (and as the press release states, "will actually be built"). These proposals can run the gamut from green infrastructure to residential retrofits. "It is not enough for communities to build back to what they were," said Secretary Donovan during the panel. "Our solutions will have no boundaries." Donovan is collaborating with the Rockefeller Foundation, which will provide $3 million in funding in support of the competition. The competition calls on teams to look at "coastal communities, high-density urban environments, ecological networks, and a fourth category that will include other innovative questions and proposals." Donovan explained that the competition will "unfold in four stages" starting with a call for proposals and the selection of up to 10 teams. Teams will then study the region and submit design proposals. From there, Donovan and his partners will choose a winning project, which will then be implemented. Speaking on the panel today, Seth Pinsky, President of New York City Economic Development Corporation, pointed out that the advantages of this competition are that it endeavors to "pull together inter-disciplinary teams for a common goal" and its savvy "regional approach" that looks at the relationship between each region to provide more thoughtful and effective solutions.
After Hurricane Sandy swept through the east coast, it left Water Street, a sleepy corridor in lower Manhattan, even more deserted. But now, Department of City Planning (DCP) has proposed a zoning text amendment to enliven the quiet downtown stretch by allowing for seating, art installations, food trucks, concerts, and other such events and amenities on privately owned public spaces (POPS). Sprinkled throughout the city, POPS are unique public areas that are maintained by developers for public use in return for more floor space in their development. This slice of downtown is a mix of commercial and residential buildings, and has a shortage of amenities to offer residents and employees in the area. DCP hopes to change this and turn Water Street, extending from State to Fulton Streets, into a “Public Space Activation Area” for a variety of activities such as farmer markets, concerts, food tastings, festivals, cultural exhibitions, and performances for this coming summer, spring, and holiday season. The City Planning Commission green lighted the proposal back in April, and next City Council will make the final decision by June 29th.
This week, AN accompanied members of the American Institute of Architects NY Chapter and AIA New Jersey on a boat tour of the Passaic River to examine the impact of Hurricane Sandy on the city of Newark and to discuss recovery efforts ranging from design solutions for rebuilding to resiliency strategies. Newark, like other parts of the Tri-state area, was hit particularly hard by the super storm and will serve as a point of discussion at the Post-Sandy Regional Working Group's workshop on July 9th with urban planners, developers, stakeholders, and architects from New York, New Jersey, Connecticut, and Rhode Island. This expedition along the Newark waterfront will help inform the larger conversation about resiliency that has been spearheaded by the American Institute of Architects New York Chapter (AIANY) and the AIANY’s Design for Risk and Reconstruction Committee (DfRR), which has culminated into the Post-Sandy Initiative.
More than six months after Hurricane Sandy swept through New York City, homeowners are still struggling with the aftermath of the storm. To help with the recovery efforts, the New York City Department of Housing Preservation and Development (HPD) has issued a Request for Qualification looking for developers to rebuild one- to four-unit homes in the city that were damaged by the storm. Funding for the effort will come from Community Development Block Grant Disaster Recovery money, and all projects must meet the requirements of the U.S. Department of Housing and Urban Development. The deadline for proposals is June 5, 2013.
Brooklyn-based Garrison Architects, a firm well-known for its sustainable modular buildings, and American Manufactured Structures and Services, have collaborated on the design of a prefabricated disaster relief housing prototype, which will be displayed in Downtown Brooklyn this summer, as part of an effort to help rebuild post-Hurricane Sandy with a focus on sustainability. The three-story, three-unit modular test structure will be situated next to the Office of Emergency Management (OEM) on Cadman Plaza. The ground floor will be a handicap-accessible 480-square-foot one-bedroom unit, and the upper two floors will consist of two separate 822-square-foot three-bedroom apartments. The preassembled and pre-furnished units will be 12-feet wide by 40-feet long. Once shipped to the site, they simply need to be clipped together and connected to utilities. They also feature balconies that help lower solar-heat gain, provide larger windows, and supply more habitable space. Garrison Architects principal Jim Garrison told the New York Post that the units can stand alone but are also “designed to operate as a row house and be deployed on a city block.” The prefab structures will cost about $1.14 million paid for by the U.S. Army Corps of Engineers and will include gardens in back and parking in front. They can be assembled to form a secure perimeter around an urban street and can be outfitted with photovoltaics to generate their own electricity. Garrison said that the design, which complies with all city codes, would eventually be utilized for high-density, four-story urban housing. OEM and the Department of Design and Construction have been working since the “What If NYC” design competition in 2008 to create a prototype for disaster housing. When Sandy hit four years later, nothing was prepared. Now, after the establishment of more detailed requirements for local codes, the project is ready to go. Construction is expected to begin soon and test residents will move in for several months to offer feedback on how the units work so the design can be modified. View more technical drawings of the structure here.
The South Street Seaport's Pier 17 won't be around much longer in its current form as it awaits a $200 million overhaul by SHoP Architects, but this summer, the neighborhood surrounding it has some exciting plans in store that bring the hottest trends in temporary urbanism to the waterfront site. Starting on Memorial Day Weekend, the See/Change program will bring film screenings, a SmorgasBar, and pop-up shipping container boutiques in hopes of enticing New Yorkers back to this once-trendy Lower Manhattan neighborhood. The centerpiece will be a stage at Fulton and Water streets. A blanket of grass will cover the cobblestone street and wood-and-canvas beach chairs will be positioned to create an improvised theater for weekly concerts and film series called Front Row Cinema. South of the stage, restored shipping containers will be configured as an asymmetrical, two-story structure for small retail shops. The second level will host SmorgasBar, a subsidiary of the well-known SmorgasBurg, which will turn east on Front Street to Beekman Street where Brooklyn-based food vendors will lure visitors with maple bacon sticks and oysters, among other treats. Plans are also in the works for Cannon’s Walk at 207A Front Street. The calm courtyard, which has been a place to relax and evade tourist hustle and bustle, has been handed over to Brightest Young Things, an experiential marketing agency. The New York Times reports Svetlana Legetic of the company says the space will be converted into a “surprise jewel box space where anything could happen.” Moreover, plans have changed for Pier 17. Previously scheduled to close for renovations, the mall will remain open to assist merchants who lost the holiday season to Hurricane Sandy damage. The seaport has long represented a hub of chain stores, but most ground floor shops remain shuttered to conceal overhauls still taking place. See/Change is an opportunity to bring new life and commerce to the neighborhood.
Reclaim NYC, the grassroots organization established for post-Hurricane Sandy relief in the design community, will hold its second furniture exhibition and charity sale during New York Design Week from May 16 to 18 at 446 Broadway, a 5,000-square-foot gallery in the heart of Soho. All event proceeds will go to local communities affected by Hurricane Sandy via the Brooklyn Recovery Fund, a sub sect of the Brooklyn Community Foundation. Founded in 2012 by Jennifer Krichels and Jean Lin, both design writers, editors, and enthusiasts, Krichels recalled her “ah-ha” moment in the aftermath of the storm recently for AN. “While running in Prospect Park I noticed all the [fallen] trees being chopped up, and had an idea to reuse some of the wood—there was so much!” Collaborating on the details with Lin, the duo said participation from the design community quickly gained momentum and the first Reclaim NYC event was orchestrated in approximately one month. The December 2012 show featured more than 30 designers’ work with reclaimed lumber and various interpretations of reused storm debris. “It turned into a way to represent something positive and return the proceeds raised [to those in need], some of whom were designers.” Six months later, many parts of New York have rebounded from the storm’s damage—but not all of them. Many parts of southern Brooklyn and the Rockaways have yet to begin rebuilding after the storm and are still in need of substantial aid. There have been accounts that FEMA will need to spend at least five years in New York to oversee a full recovery, similar to efforts in New Orleans necessitated by Hurricane Katrina. “It’s no longer a hot topic but [aid] is still really important,” Lin said. “People are still affected by it everyday.” For the second iteration of Reclaim NYC, Krichels and Lin called upon designers to create pieces inspired by the idea of collaboration. A roster of 25 teams was organized to arrange established designers with emerging voices, or group designers from varying backgrounds for an opportunity to share their areas of expertise in a new way. One team that will show at Reclaim NYC is comprised of furniture designers, a biophysicist, and musicians. Together, they designed a wooden table treated with a wood-eating enzyme that etched a pattern into the table’s surface, guided by sound vibrations. “This collaboration encapsulates exactly what we hoped would happen at the show: To bring out real design,” Lin said. With two exhibitions under their belts, Krichels and Lin hope Reclaim NYC is able to move beyond the realm of charity and evolve with the community’s needs to integrate design, education, and mentorship for younger designers, as well as foster opportunities for the design community as a whole. “[We hope] to build something not based in commerce but in collective opportunities to show what the design community can do when it works together.” “Making Reclaim NYC into a charitable outlet and a charitable incubator has come out of conversations with friends and designers, to fit a sustainable model,” Lin added. “As editors and design lovers, we cherish what they’re bringing to the table.” Reclaim NYC will open on May 16 at 12:00 pm and run through May 18, closing at 1:00 pm. A presale of featured items will launch on Monday, May 13 on shop.lin-morris.com, and at60inches.com, an event supporter. A complete list of featured design teams is as follows: Lindsey Adelman x Nancy Callan Brad Ascalon x Naula Workshop Kevin Michael Burns x Adam Pellecchia Colleen and Eric x Leo Hubbard x Benjamin Cameron Dana D'Amico x KWH Joe Doucet e13 x Sciencewerk x Zach Klein x Ike Edeani Egg Collective x Hangar Design Studios Allison Goding x Jerry Nance Grain x Emilie Baltz Stéphane Hubert Design x Sean Brewer Asher Israelow x Wyn Bauer Ladies & Gentlemen Studio x Nicholas Nyland smck studio x d’emploi Daniel Moyer x FilzFelt x submaterial Brendan Mullins x Kreh Mellick Marius Myking x Vidar Koksvik RUX x Stickbulb x David G. Flatt Ltd. Scout Regalia x Reunion Sit and Read x Noah Lambert Souda x Sure We Can Jonah Takagi x Mark Supik & Co. Token x Uhuru UM Project x Baggu VOLK x Dressed in Yellow To learn more about Reclaim NYC, visit reclaimnyc.org, or follow their Facebook page for the latest news.
Inside Out New York City Where: Times Square When: Through May 10, 2013 The world’s first photo booth was stationed in Times Square nearly a century ago. Now, New Yorkers and visitors are invited back to snap some black and white self-portraits in a photo booth truck hosted by Inside Out's French street artist JR. The artist has launched Inside Out New York City, taking place from April 22 to May 10, 2013, to provide community members the opportunity to make a statement and participate in creating works of art out of messages of individual identity. The digitally uploaded photographs are printed as posters and displayed on Duffy Square or publicly in the subjects’ home communities. Inside Out is a worldwide platform for anyone to reveal untold stories. The project gives participants the chance to become visible as larger-than-life portraits and to simultaneously remain anonymous. JR's endeavor strives to emphasize Times Square as a creative core, but also engages New York City’s other boroughs. The photo booth truck is making stops in the Bronx, Staten Island, Queens, and Brooklyn, to give attention to communities affected by Hurricane Sandy. Participants can take part in the photo booths instantaneously and at no cost. Within just one minute, a black and white poster is printed. Participants then leave the 3-foot-by-4-foot posters in a public place of their choosing. The exhibitions will be documented, archived, and viewable online. So far, more than 120,000 posters have been sent to over 108 countries since March 2011 as part of the Inside Out project. The self-portraits convey countless themes including diversity, gender-based violence, and climate change. If you want to help Inside Out and will be in NYC between now and May 10, email email@example.com to volunteer by yourself or with a group.
Hurricane Sandy caused substantial damage to wastewater and drinking water treatment systems across the tri-state area. Today the U.S. Environmental Protection Agency (EPA) announced plans to provide a total of $569 million to New York and New Jersey to make wastewater and drinking water treatment facilities more resilient to withstand the effects of future storms. As Michael Shapiro, EPA Principal Deputy Assistant Administrator, pointed out in a media call, "Sewage treatment plants are on the waterfront so are particularly vulnerable to rising sea levels." The funding will be provided through grants to states that will then be distributed primarily to local communities as low or no interest loans. “Going forward we’re encouraging local governments to submit proposals for green infrastructure and that rely on natural features to prevent flooding,” said EPA Regional Administrator Judith A. Enck in an announcement. The agency also anticipates that this funding will result in 6,000 short-term construction jobs.
Hurricane Sandy not only caused considerable damage to the Rockaways, but it also exposed the vulnerability of New York City’s waterfront communities to future storms and changing weather patterns. Today, the American Institute of Architects New York, along with NYC Department of Housing Preservation & Development, L+M Development Partners, Bluestone Organization, Triangle Equities, and Enterprise Community Partners, announced a new design competition for "resilient and sustainable development in the Rockaways." The group called on architects to come up with different strategies for how cities can build more thoughtfully in areas prone to flooding. Following the June 14th deadline for submissions, a jury will preside over the proposals. The jury will announce four finalists in July—each of which will receive a stipend of $30,000 to continue to hone their ideas. The winner will be revealed on the one-year anniversary of Hurricane Sandy, and will be granted an additional $30,000 for their work. The Rockaways have been the focus of a number of competitions, including MoMA PS 1's EXPO 1: NEW YORK, that asked artists, designers, and architects to submit 3-minute videos that provide ideas for making the Rockaways more sustainable.
Rockaway Beach, the waterfront community severely battered by Hurricane Sandy, is now the site of MoMA PS1's geodesic dome, a temporary cultural center offering lectures, exhibits, performances, and community events. PS1 kicked off the opening of the VW Dome 2 last Friday with a performance by singer Patti Smith, a fellow Rockaways resident. The museum will collaborate with local organizations in Queens to provide a range of programming over the next few months. The VW Dome 2 is part of a larger upcoming exhibit, EXPO 1: NEW YORK, that will present a variety of ideas and strategies to create a more sustainable waterfront. Last month, MoMA PS1 called on artists, architects, and designers to submit 3-minute video proposals that address relevant issues such as shoreline protections, community engagement, and climate change. The 25 winning submissions will be on view within the next month. Of course, this discussion would be incomplete and shortsighted without the feedback from the local community. Kevin Boyle, editor of The Wave, and Ideas Wanted-columnist Rick Horan have set up a video camera inside the VW Dome 2 and invited residents to participate in a conversation about the recovery efforts and needs of the Rockaways. The first Open Camera Session took place on Saturday, but locals will have another opportunity to offer their input tonight between 6:30 and 8:30 PM. The VW Dome 2 is located at the southern end of the parking lot between Beach 94th and Beach 95th Streets.