Japanese artist Yayoi Kusama is known for making work filled with circular motifs, and her upcoming site-specific installation titled Narcissus Garden is no exception. The installation of silver spheres will be on view from July 1- September 3 at Fort Tilden, a former United States Army base on the coast in Queens. The exhibition is presented by MoMA PS1 as the third iteration of Rockaway!, an art festival that commemorates the Rockaway Peninsula’s ongoing recovery from Hurricane Sandy. First presented in 1966 at the 33rd Venice Biennale, Narcissus Garden is comprised of 1,500 spheres made of mirrored stainless steel. The artistic intervention will transform the interior of the former coastal artillery installation with mirrored surfaces. The region’s military past and the building’s post-Hurricane Sandy state will be highlighted in the reflections of the sculpture. During the first presentation of Narcissus Garden in 1966, Kusama, dressed in a gold kimono, threw the spheres around and attempted to sell them to passerby on the lawn outside the Italian Pavilion. The performance was interpreted as “self-promotion and a critique on the commercialization of contemporary art,” according to a statement from the MoMA PS1. The art piece played an important role in marking Kusama’s career as a performance artist in the sixties. Iterations of Narcissus Garden have since been presented in New York City parks and different venues worldwide. The first iteration of Rockaway! in 2014 featured Patti Smith, Adrián Villar Rojas and Janet Cardiff, while the second iteration in 2016 featured Katharina Grosse. The series is co-organized by Rockaway Artists Alliance, a local non-profit art organization, and National Park Service. For details please check out this link.
Posts tagged with "Hurrican Sandy":
On Tuesday morning, the New York City Housing Authority (NYCHA) broke ground on the first of several FEMA-funded renovations to Red Hook Houses, devastated by Hurricane Sandy five years ago. The first step is a total replacement of the roofs, with completion projected for the end of 2021. 2,785 of the almost 3,000 apartment units in Red Hook Houses East and West fall under the total $3 billion FEMA post-Sandy restoration funds for public housing complexes across the city, and the total replacement of its roofs is just the first step. Tenants have spoken out about ongoing leaks, power outages, and mold for years after the storm. "Their plaster is falling because of moisture that came from Sandy," Frances Brown, president of the Tenants Association, told BKLYNER. "A lot of times you plug in something and all your power goes out." NYCHA's entire resilience plan for the Houses, including commissions from KPF, OLIN, and Arup, also includes sidewalk resurfacing; generator installation; utilities and hardware restoration; rebuilt playgrounds; and flood-proofing basements. There are also new sustainability measures incorporated by the firms: rooftop solar panels, raised "utility pods" providing heat and electricity as well as public green space, a raised "lily pad" flood barrier system, and more. Meanwhile, Brown called out New York State Assembly Member Felix Ortiz, whose district includes the development, for helping tenants with immediate practical concerns like replacing fridges and stoves in apartments severely impacted by the storm. As the nation watches superstorms like Harvey and now Irma impact our coastal cities, U.S. Congresswoman Nydia Velazquez remarked at the groundbreaking that it's more important than ever to ensure that "the rebuilding we do is built to last"—even if its implementation begins five years on.
Students at RISD imagine how a climate change museum in New York City could reclaim a vulnerable site
James Hansen, one of the world’s preeminent climate scientists, has issued an alarming new paper about the impacts of climate change—and the findings are way worse than what anyone expected. According to Hansen and the team of 16 scientists he worked with, sea levels could rise up to 10 feet over the next 50 years. “Social disruption and economic consequences of such large sea level rise could be devastating,” conclude the scientists. “It is not difficult to imagine that conflicts arising from forced migrations and economic collapse might make the planet ungovernable, threatening the fabric of civilization.” If Hansen’s predictions are right then many American coastal cities would be uninhabitable—but not everyone in the scientific community is convinced that they are. (The paper is not peer-reviewed and predicts a significantly more dire climate reality than the consensus agreed upon by the UN's International Panel on Climate Change.) With the clock ticking, perhaps faster than previously imagined, Miranda Massie, the founder of the Climate Change Museum Launch Project, is attempting to raise awareness about the changing climate with a museum solely dedicated to the issue. The institution, the largest of its kind, would be located in New York City. Massie said she wants to have it up and running by the end of the decade—a good idea considering that sea levels continue to rise, drop by drop. The New York Times reported that “the New York museum would aim to attract at least a million visitors a year and seek to influence the world, including political leaders in the United States. At the end of the tour, visitors would be encouraged to volunteer their time to help groups that are trying to address climate change: doing anything from making calls on behalf of the Natural Resources Defense Council to volunteering to help elect a candidate who is determined to reduce carbon emissions.” There are no immediate plans to start work on the project, but Next City reported that the New York State Board of Regents has granted the Climate Change Museum a five-year provisional charter. As for the building’s eventual design, students at RISD have some ideas. Anne Tate, a professor of architecture at the school who is married to Massie’s cousin, tasked her students with coming up with visions for the institution. The students were given a vacant site in Lower Manhattan that is especially vulnerable to the impacts of climate change. "One student proposed to build a cavernous stormwater catchment system beneath the building," Next City explained. “Another proposed a smaller footprint and returned the rest of the site to wetlands. Many of the designs include solar panels, some incorporated urban farms, and all were sensitive to energy loads and orientation.” All of the students proposals can be found here.
Just in time for Valentines Day, today the Times Square Alliance and Design Trust for Public Space officially opened Situ Studio’s Heartwalk, a heart-shaped installation constructed of salvaged boards that once made up the boardwalks in Long Beach, Sea Girt, and Atlantic City, to the public. Heartwalk is the winner of the 5th annual Time Square Valentines Day Design competition, taking its cue, in subject matter and materials, from the “collective experience of Hurricane Sandy and the love that binds people together during trying times,” according to Times Square Alliance. Check out the installation "in the heart of Times Square" through March 8, 2013.