“What if mobile, self-sufficient living units were the building blocks for future cities?” asked New York artist Mary Mattingly. She explored this question in her Flock House Project, experimenting with migratory living solutions through fantastical inhabitable installation art. The project is going on throughout the city this summer. Mattingly’s series of four “Houses” have been traveling around the five boroughs since June. Individually titled the Microsphere, Terrapod, Chromasphere, and Cacoon, they are now on display at the Bronx Museum, Snug Harbor, the Maiden Lane Exhibition Space, and Omi Sculpture Park in Ghent, NY. In response to an era of increasing environmental, political, and economic instability in which one seventh of the world’s population—that’s one billion people—is continuously “on the move,” the Flock Houses offer a new mobile framework through which urban dwellers can experience these issues. These small structures provide minimal amenities for the artists who have chosen to inhabit them for two-week spans, emphasizing an alternate system for urban flexibility and decentralization. Up to two participants sleep in hammocks, while a combination of solar and bicycle power, along with levers and cranks, power the dwellings. Container gardening is utilized to demonstrate the possibilities of ultra-small-scale self-sufficiency, and water is collected from rain run-off. The structures were built collaboratively through a “gift culture,” using reclaimed materials and construction site leftovers. They are also modular, and can be snapped together to from a flock, or tagged onto the side of an existing structure to feed of of its utilities. Together, these methods reflect the combination of autonomy and community interdependence that is at the heart of the Flock House Project. The project offers workshops, events, and narrated cell phone tours. To find out more about visiting the Flock Houses, check out their website.
Posts tagged with "Housing":
Having successfully covered the world (or at least all 11 outposts of the global Gagosian empire) in colorful spots, Damien Hirst is turning his attention to architectural matters. The artist is planning to build more than 500 homes on the land he owns in Devon, England as part of a broader expansion of the glam seaside resort town of Ilfracombe. Mike Rundell of London-based MRJ Rundell+Associates is putting his undergrad degree in fine art to good use and working with Hirst on the project. “He has a horror of building anonymous, lifeless buildings,” said Rundell of his artist client. Pressed for details, Rundell described the houses as modern and possibly incorporating eco-friendly touches such as photovoltaic panels and wind turbines nestled in the roofs. Pickled sharks or spin art not included.
In speaking to wounded veterans and their families, the Wounded Warrior Home Project found that soldiers returning home face a cumbersome and costly adaptation to their environment. A private-public partnership, including Michael Graves and Associates, global design firm IDEO, and Clark Realty Capital, has unveiled two universally-accessible prototype houses at Fort Belvoir in Virginia where every element is designed for ease of use. Sinks and stovetops are on motorized lifts, halls and doorways accommodate a wide turning radius for navigating wheelchairs, sliding doors open with a light touch. Architect Michael Graves, who was left paralyzed after an illness almost a decade ago, wanted the space to offer independence and dignity to returning soldiers. For example, the design team concluded through conversations with wounded veterans that the therapy room should be secluded from the rest of the living space to offer privacy and retreat; at the same time, the need for visibility inside and outside the house for security and to keep track of playing children necessitates wide windows and clear doors within the house. These homes are intended to be both starting points for future dialogue on accessibility and laboratories for continuing research as more accessible homes are built.
Form follows People. According to the NY Times, there might be a significant mismatch between "the housing New Yorkers need" and "the housing that gets built." That's why last monday, various NY architects gathered together to pitch their proposals to city commissioners for artist, musician, and other creative-type housing. Surrounded by Superfunds. Four of the most polluted water-ways in the country—all declared Superfund sites—are located in the Tri-State area around New York City. WNET's Metro Focus breaks down of each waterway's problematic histories and the difficult task of cleaning them up. 3-D Printed. Wired reports that we could be only 2 years away from building circuit boards with 3-D printers. Implications? Printed out PCs, printed printers (if a part breaks, that part can be printed out), inventory-less virtual stores, and easier work collaboration across the country or the globe. Costco Bonito. While it might be difficult to call a big-box store beautiful, designers at Costco are certainly trying to punch up the retailer's design in Los Angeles The LA Times has more on the proposed beautification efforts which include adding dark, woodlike metal-slats to the facade.
Tiny Homes. The average size of an American home has been decreasing since 2009 (to at 2,392 SF), the Wall Street Journal reported. With financial and environmental concerns, many homeowners are down-sizing. The book Nano House: Innovations for Small Dwellings examines dwellings under 800 feet, such as the above 215-square-foot house in Belgium. Artificial Leaf. Researchers at MIT have created an artificial leaf that uses sunlight to convert water into oxygen and hydrogen. The device is made of silicon, that is coated with a cobalt catalyst on one side, and a nickel catalyst on the other. When dropped in water, the cobalt separates oxygen and the nickel side hydrogen. The next step: scientists are working on a way to capture the gasses. More at Inhabitat. Sky Sculptures. Brookline, Massachusetts artist Janet Echelman uses Indian fisherman weaving techniques to create ethereal neon nets that float in urban sky-scapes. Check out images of her work, that resembles the translucent fish of the coral reef at Artist a Day. Shrouded Silos. In Omaha, Nebraska, the educational nonprofit Emerging Terrain has wrapped grain silo elevators in giant 80 by 20 feet banners that focus on food and agricultural issues. More at Planetizen.
Could this be the future of architectural photography? The LA Times this weekend published a wonderful virtual tour of Ray Kappe's own house on a heavily wooded lot in the Palisades. Thanks to huge glass walls, skylights, clerestories, floating interior planes and cantilevered wooden decks, trellises and platforms, the house appears to float over its sloping site. It's truly one of the most spectacular houses ever built. And the tours of its facade, main room, kitchen, and deck do it more justice than any two dimensional pictures could. Now if only Kappe could get more props himself. When is he gonna win a Pritzker already?
The latest Upper East Side landmark isn't another of its signature rowhouses, but rather what's atop one of those brownstones. Yesterday, the New York Landmarks Preservation Commission unanimously approved landmark status for mid-century architect Paul Rudolph's less-than-context-sensitive home at 23 Beekman Place. Rudolph moved into the 4-story on which the addition sits in 1961 and added his three-story design in 1977, modifying the house throughout his life. Located between East 50th and 51st Street, 23 Beekman Place has been moving through the landmark process for over a year, and its approval marks an emerging phase in historic preservation. Now that many examples of modern architecture are getting older, they are becoming fair game for landmark protection, a notion the New York Observer says can sometimes be full of contradiction:
And yet there remains a certain alienness to a building like 23 Beekman. In a way, it is an oxymoron, a cancer atop a truly "historic building." The very idea of a modern landmark is itself a contradiction in terms because modernism sought to wipe away history. Consider Robert Moses, Le Corbusier, even Rudolph, all trying to eradicate history, to defeat nature, end poverty and blight, addressing all of the world's ills through their work. Where better to recognize this tension than a building with such a clearly split personality? And yet all of that Utopian zeal failed as much as it succeeded, so much so that many of the buildings it left behind are now unloved, even hated. This makes modernist preservation all the more essential and immediate. Not only have these buildings-beyond-time themselves aged (some quite severely), but they have become examples of architectural idealism, experimentation, and failure. Thus they are something to be saved, even as they sought to wipe out their forebears.
Red Hook Green gets a red light from the NYC Department of Buildings. Brooklyn's touted "brownstone of the future" is up against the ropes after a zoning decision ruled the mixed-use building cannot proceed as planned. Jay Amato's ultra-sustainable, shipping-container chic Red Hook Green was denied its proposed accessory residential use on industrially zoned land, officially throwing the entire project into limbo. Designed by Garrison Architects, Red Hook Green was to be a model of sustainability in the Brooklyn neighborhood. The 4,000 square foot net-zero-energy structure would have provided live-work space with an array of green technologies including a solar car charging station, photovoltaic panels, and an ultra-insulated building envelope. It was that residential component that ran Red Hook Green afoul with the DOB. By law, the accessory residence cannot exceed 15 percent of the building's gross area - and in fact the space in question only comprised 12 percent of the total area - but the city saw the entire structure as too small to warrant such a space to begin with. Amato shares the latest on the RHG blog:
As of yesterday, my dream of building the first net Zero-Energy work live building in Brooklyn seems to be officially DEAD! ... I was advised that given my particular use, I could make an “M” zoned plot work. What that means is that given the majority of my structure was to be dedicated to commercial use, the living quarters would be an ‘accessory’ to the true function of the building. Therefore we would request the building department grant us permission to live in what would is called a “caretakers apartment”, which would be incidental to it’s primary use.The Brooklyn Paper spoke with the architect about the current state of Red Hook:
Garrison saw his defeat as part of an ongoing conflict in Red Hook between residential and manufacturing. “It’s been a battleground,” Garrison said because industrial businesses do not want Red Hook to become residential. So Garrison’s lot remains zoned for manufacturing, even though it is actually too small to be used for anything except residential. “Common sense is not prevailing here,” Garrison said.Red Hook blog A View from the Hook shares this sentiment, pointing out that the lot where the project was to be built is next to two residential structures. We'll see how Amato proceeds from here. Three options he's considering - redefine the project as an office building, file for a zoning variance with its requisite costs and delays, or scrap the site and begin anew somewhere else - will surely add time, cost, and frustration to the already ambitious project.
Four housing projects were spotlighted today by the American Institute of Architects' Housing & Custom Residential Knowledge Community and the U.S. Department of Housing & Urban Development as laudable examples of affordable housing architecture, neighborhood design, participatory design, and accessibility. Category 1: Excellence in Affordable Housing Design Paseo Senter at Coyote Creek, San Jose, Calif. David Baker + Partners, Architects A new urban district, this affordable neighborhood fronts a newly created main walking street, or Paseo, that connects the arterial roadway to the area’s adjacent park. At its midpoint, the Paseo widens into a public plaza that holds the main entries to the two residential districts. The bold color palette has proved extremely popular with residents and the community, who consider the project a signature addition to the neighborhood. The property is 100% handicapped- and wheelchair-accessible, and the pool features an automatic lift. Category 2: Creating Community Connection Award Arbor Lofts, Lancaster, Calif. (Pictured at top) PSL Architects This 21-unit affordable housing development for artists is the first urban infill project to be completed since the city implemented its new Downtown Specific Plan to transform this mostly vacant city area into a place of historic, cultural, social, economic and civic vitality. The design incorporates many sustainable design methods; among these, the use of high efficiency mechanical systems qualifies the design to exceed California Title 24 Energy Code requirements by 20% and the lighting system exceeds the requirements by 24% which significantly reduces the use of energy. Category 3: Community-Informed Design Award Congo Street Green Initiative, Dallas building community WORKSHOP A tight-knit community consisting of 17 single-family and duplex houses, all built before 1910, recognized the need for re-development, but also did not want to relocate. Through a series of conversations with the residents, a plan was developed to restore and/or reconstruct six owner-occupied homes. The idea is centered around the concept of creating a temporary home, or “holding house,” to house the family whose home was currently under renovation. To date, three resident’s homes have been completed and the fourth is under construction. Category 4: Housing Accessibility—Alan J. Rothman Award Madrona Live / Work, Seattle Tyler Engle Architects PS A converted storefront built in the early 1900’s for a client with an extensive art collection required a flexible and multi-functional space that provides wheelchair accessibility while not making that the primary focus of the design. Entering from the sidewalk, the main living space has a single level polished concrete slab for unrestricted wheelchair access. A floating concrete countertop that steps from low to high accommodates disparate height requirements of the clients and exemplifies how the design provides an elegant solution on a tight construction budget. The jury for the 2010 AIA/HUD Secretary Awards includes: Jury chair, Andrew V. Porth, AIA, Porth Architects, Inc.; Natalye Appel, FAIA, Natalye Appel + Associates Architects; Geoffrey Goldberg, AIA, G. Goldberg and Associates; Grace Kim, AIA, Schemata Workshop; Jane Kolleeny, Architectural Record and GreenSource; Luis F. Borray, Assoc. AIA, U.S. Department of Housing & Urban Development and Regina C. Gray, PhD, U.S. Department of Housing & Urban Development.
A crumbling row of ten Renaissance Revival apartment buildings, which were once the first black-owned property in North Harlem, are about to be remade again as one of a growing number of affordable, sustainable housing complexes sprouting up across the city. The project, which according to the Daily News, is set to begin by year's end, is being tackled by affordable housing guru Jonathan Rose and his Smart Growth Investment fund, who bought the buildings in January as the fund's first acquisition in its cheap-and-green portfolio. Dattner Architects, experts on both affordable and sustainable housing, is responsible for the retrofits [PDF], which include a photovoltaic array on the roof, efficient energy systems, lighting controls, new windows and insulation, and sustainably sourced materials. In addition to making it a more conscientious project, it also makes it a more feasible one, as these features open it up to stimulus and HUD moneys targeted at sustainable buildings—to the tune of $3 million.
The Observer is reporting that Windermere, an individual landmark dating from the late 19th Century located on West 57th Street, was recently purchased for $13 million, or an astounding $181-per-square-foot. The sumptuous red brick apartment building had fallen into disrepair some years ago after its Japanese owner apparently lost interest in it, leading to a lawsuit we covered last year. Last Thursday, the commission announced [PDF] a landmark victory in its civil suit, which netted a record $1.1 million payment to the city, $2.6 million for seven displaced tenants of the former SRO, and an agreement from the new owner of the building to restore it to its former glory. (The suits had to be settled before the sale could go through.) So it looks like a win-win for everyone: An affordable gem for some enterprising developers, a windfall for the city, and a victory, most importantly, for those poor tenants.
On the popular Fox doctor drama House, actor Hugh Laurie plays an acerbic, yet ingenious infectious disease specialist whose curmudgeonly ways, drug use, unrepentant machinations, and sadistic treatment of patients has earned the show—now in its fifth season—an enormous and dedicated following. The series unfolds at the fictitious Princeton-Plainsboro Teaching Hospital, where, segment after segment, Dr. House and his team bicker, sneer, and get to the bottom of rare medical afflictions, killing off the odd invalid from time to time. Well, the stage for this gripping serial need not remain a figment much longer: the utterly factual Princeton hospital has recently announced that it will soon move its facilities to a brand new home in none other than Plainsboro, New Jersey! The new $440 million hospital, to be known as the University Medical Center of Princeton at Plainsboro (UMCPP), has been designed as a joint venture between RMJM and HOK and is scheduled for a 2011 completion. It will combine facilities for the University of Medicine and Dentistry of New Jersey and Robert Wood Johnson Medical School, including 238 private patient rooms, areas for families to spend the night, and operating rooms designed to accommodate robotics. The project will feature green-era perks, such as 100-percent fresh air ventilation, sustainable finishes, and energy efficiency controls. Digital technologies will also be employed in the form of self-check-in kiosks and computerized record keeping. UMCPP will act as the centerpiece of a 160-acre healthcare campus that will also include a medical office building, a nursing unit, a health education center, a fitness and wellness center, a senior residential community, and a 32-acre public park. With all of these amenities, it's hard to imagine what the cantankerous Dr. House would find to gripe about!