Over a star-studded semi-finalist list of Western architects, Pritztker-Prize winning French architect Jean Nouvel has been awarded the commission to design the world’s largest art museum: the new National Art Museum of China in Beijing. The 130,000 square meters NAMOC building is intended to exhibit works by 20th-century and traditional artists from worldwide. The Financial Times reported earlier this year that Jean Nouvel’s design idea as that of a single ink brushstroke, a concept of traditional Chinese art and calligraphy. With sweeping glass and a reflective facade, the museum’s exterior takes obvious inspiration from the art visitors will encounter within its walls. The winning design’s facade makes up a tangible interpretation of a brushstroke. Pierced stone screens and streaked patterned glass create a varied, yet continuous exterior. Shimmering and semi-transparent, the surface allows for a blotted reflection of the colors and shapes of the surrounding dragon-shaped garden and sea of red flags. The building touches the ground only at four points, sweeping upwards in its center as if the artist had a vertical inspiration. In this phenomenon, Nouvel has envisioned two different leveled lobbies for entrance to the museum. The summer lobby on the ground floor is exposed to the elements, surrounded by nature. But, in winter months it can be closed off and visitors enter through the first floor, protected from the elements yet surrounded by semi-transparent glass walls that give visions of what’s outside. After entering the competition in December 2010, Jean Nouvel's design was set on a shortlist of twenty, then narrowed down to five, alongside Hadid, Gehry, Herzog & de Meuron (who withdrew), and Safide. Although there was some speculation for a winner after Gehry Partners released their design renderings to the public for a current exhibition at the Museum of Contemporary Art in Los Angeles, Jean Nouvel’s highly coveted win was later confirmed by his advisor, Olivier Schmitt. The museum will be located in Olympic Park adjacent to the Ai Wei Wei-designed Bird's Nest Stadium from the 2008 Olympics. The Chinese government has made no official comment on the commission decision or a timeline for construction.
Posts tagged with "Herzog & de Meuron":
Earlier this year, AN assembled a list of the most prominent projects rising in Miami. One of the developments, the Herzog & de Meuron–designed Pérez Art Museum (PAMM, formerly the Miami Art Museum), is nearing completion and is scheduled to open to the public by the end of the year. At The Architects Forum Glass+Performance on September 11th in Atlanta, key participants, including Peter Arbour of seele, Vinu Abraham of Architectural Testing, and Emil Hoogendoorn of John Moriarty & Associates will present on the ambitious design and construction process of the Miami Art Museum facade, calling the endeavor The Biggest Glass in Miami Dade County. Positioned on Museum Park overlooking Biscayne Bay, upon what has been declared the Magic City’s “last big piece of public land downtown,” the new museum’s concrete and glass structure gestures to Stiltsville, a vernacular 1930s form of architecture built on the bay. Various column-free exhibition galleries within the 200,000-square-foot, three-story building accommodate works of differing scales. The museum contains an educational complex, auditorium, and digital workspaces, along with a restaurant and store. Shaded by a canopy, the museum is situated on an elevated plinth open to a landscaped veranda and plazas. The Architects Forum is hosting a session at GlassBuild America filled with short presentations of the design, prototype testing, and construction of the museum's state-of-the-art facade. Arbour, Abraham, and Hoogendoorn will explain the multifaceted and impressive process, focusing on the use of glass as a facade material. A panel discussion and audience Q+A will take place after the presentation. Register to learn about the process behind the Pérez Art Museum's glass facades and discover more information about Session 3: The Biggest Glass in Miami Dade County: Construction of the Miami Art Museum Facades.
With an invaluable series of programs on the lineup at GlassBuild America: The Glass, Window & Door Expo next month, there couldn’t possibly be another reason to attend, could there? As part of the expo, GlassBuild is collaborating with the National Glass Association’s (NGA) Glass Magazine and The Architect's Newspaper, bringing over 150 architects to Atlanta for the opportunity to earn five (5) AIA CEU credits at Glass+Performance! Register now for a day of meaningful education and experience the cutting-edge technology and high-performance products the glass and glazing industry has to offer. The NGA Architects Forum’s Glass+Performance draws in top-notch designers and trade experts for a concentrated daylong symposium focused on the design, fabrication, and construction of high performance architectural and decorative glass. Highlights include a keynote address by LA design trailblazer, Neil Denari, and a preview of the new, under-construction Miami Art Museum designed by Herzog & de Meuron, in addition to three-day access to GlassBuild’s trade show floor. Attendees will be awarded maximum AIA CEU credits simply by networking with and learning from prominent presenters at the following sessions:
- Functional Appeal and Aesthetic Challenges of Glass Design for Today’s Building Facades presented by Philip Vourvoulis of Triview Glass Industries, plus special speakers.
- The Biggest Glass in Miami Dade County: Construction of the Miami Art Museum Facades presented by Peter Arbour of seele, Inc; Vinu J. Abraham of Architectural Testing, Inc.; Emil Hoogendoorn of John Moriarty & Associates, Inc.; and Stefan Hoerner of Herzog de Meuron Architects.
- Structural Glass: Ancient Material Modern Treatment presented by Michael Ludvik, PE of M.Ludvik Engineering.
Live At Glassbuild Architects Forum: Experts Talk Engineering Big Glass For Herzog & de Meuron's Miami Art Museum
There are many reasons not to miss the new Architects Forum at Glassbuild this year. For one, Neil Denari will be giving the keynote speech. For two, members of the project team will be giving a presentation on the design, prototype testing, and construction of the facade of Herzog & de Meuron's new Miami Art Museum. This unique building features integrated plantings, multiple micro climates, and some of the biggest expanses of glass in all of Miami Dade County. The presentation will be led by Peter Arbour, a facade designer with a Master of Architecture from Yale University who currently works in the New York office of German facade builder seele. Peter has worked for Israel Berger and Associates, Dewhurst Macfarlane and Partners and RFR Consulting Engineers in Paris. Peter’s project works include 40 Bond Street, with Herzog & de Meuron; the Times Square TKTS booth in with Nick Leahy; the Tour Phare, Paris, with Morphosis; the Grand Museum of Egypt, with Heneghan Peng Architects; and the Broad Museum with Diller Scofidio + Renfro. Peter is the designer and patent holder of the Liquid Wall curtain wall system.
A team led by Herzog & de Meuron has been unanimously selected for the redevelopment of Melbourne’s historic Flinders Street Station after beating out a star-studded shortlist that that included Zaha Hadid and Grimshaw. The team will be awarded a $1 million prize. The winning design aims to transform the iconic 1909 train station into a 21st century civic center and transportation hub, preserving the most beloved features of the landmark building while integrating it into a contemporary urban context. The proposal also incorporates cultural, retail, and civic programs within an adjacent 500,000 square foot site along the Yarra River, including a public art gallery, plaza, amphitheater, marketplace, and permanent space for arts and cultural festivals. While the old Flinders Street Station has become an icon of the city, especially the copper dome, grand arch, and distinctive clocks of its main façade, it could barely handle the nearly 100,000 straphangers who step onto its platforms each day. As Mark Loughnan of Melbourne-based Hassell told Building Design, “Today it is a place people generally choose to hurry through. Our design makes it a destination, with new buildings an features that will attract people to the precinct.” Borrowing formally from the arches of the existing station and unbuilt features of the original design, the new station is composed of long, rippling white vaults, perforated to allow for natural light and ventilation on train platforms. The vaults follow the alignment of the tracks, curving slightly to intuitively lead commuters through to the central plaza and outdoor amphitheater along the river’s edge. Across the plaza, four similarly styled, straight, white vaults house the civic, cultural, and retail functions. The new design is meant to ease commuter and pedestrian flows through thought the station while readying the site for potential future growth. According to Melbourne's Herald Sun, initial estimates place the cost of the new station between $1 billion-$1.5 billion.
After a tumultuous few years, Miami’s real estate market is on the rise once again. When the recession hit the city in 2007, new developments came to a dramatic halt and abandoned construction sites became ubiquitous. But now, a surge of new projects—running the gamut from residential and retail to hotels and cultural institutions—are cropping up around Miami with many more slated for construction in the next few years. And some heavy hitters, such as Zaha Hadid, Rem Koolhaas, Herzog and de Meuron, and Bjarke Ingels, have signed up to lend their design sensibility to Miami's changing landscape. The Miami Herald reported that the city now boasts 20 new condo towers with an additional five towers in the works for neighborhoods just north and south of downtown Miami. AN has compiled a list of the most significant projects taking shape in the Magic City. Collins Park Garage by Zaha Hadid Your typical parking garage is usually a utilitarian, aesthetically bland structure that falls short on imagination. The city of Miami, however, has been reversing this trend and has commissioned architects to elevate the run-of-the-mill car park into a one-of-a-kind piece of architecture that draws visitors. Zaha Hadid is the latest architect to put her spin on the parking garage. For Collins Park, she has designed a sleek, curving structure that offers 400 parking spaces and retail on the ground level. The car park is in the process of being built. 1000 Museum by Zaha Hadid Zaha Hadid is leaving her imprint on Miami. Next up, she'll design a high-end residential tower, One Thousand Museum, for local developers Gregg Covin and Louis Birdman, that will be located on Biscayne Boulevard in Downtown Miami across from what will be Museum Park. According to Miami Condo Investments, the luxury high-rise will consist of 83 units and will run from $4 million up $12 million. Jade Signature by Herzog & De Meuron It seems like Herzog & De Meuron always have something brewing in Miami. The firm just released renderings of their new luxury condo, Jade Signature, located right on the ocean in Sunny Isles Beach. The planned 650-foot-tall, 55-story tower, though, might be over the Federal Aviation Administration’s height limit since any building over 499-feet at that location is considered dangerous. Asi Cymbal Building by TEN Arquitectos Developer Asi Cymbal has selected Enrique Norten and TEN Arquitectos to design a new mid-rise commercial building in Miami’s Design District. The development will consists of high-end retail, parking, offices, event space, and rooftop restaurant. The developer and Curbed Miami are currently holding a competition to name the new building. Portside Miami PortMiami launched a competition in 2011 commissioning plans for a new commercial district, dubbed the World Trade Center, and just recently revealed finalist PlusUrbia’s designs, which consists of a mix of infrastructure updates and major commercial and residential development. PlusUrbia’s plan includes new cruise-ship terminals and berths, and according to Curbed, skyscrapers, an expanded marina, hotels, retail, and luxury towers. SLS Hotel by Arquitectonica and Philippe Starck The chatter in Miami is that local developer Jorge Perez of the Related Group plans on building a 132-room SLS hotel designed by Arquitectonics with interiors by Philippe Starck, in addition to 450 condos ranging in size from 720 to 1,500 square feet, in the Brickell area. The 51-story tower is currently under pre-construction and is expected to be complete in 2015. The Patricia and Phillip Frost Museum of Science by Grimshaw The new Patricia and Phillip Frost Museum of Science (formally the Miami Science Museum), designed by Grimshaw Architects, is a $273 million complex that will house galleries, a planetarium, and wildlife center. This 250,000-square-foot building, located in Museum Park, will function like a “living building” with a vegetated roof and neighboring wetlands. The project is expected to be completed by 2014. Miami Marine Stadium This modernist 6,566-seat stadium perched on the Virginia Key has been abandoned for over twenty years, but now, steps are being taken to bring it back to life. Cuban-American architect Hilario Candela’s concrete modernist stadium is the first purpose-built venue for powerboat racing in the US. A few years ago, the stadium, now listed as a National Treasure, received $3 million in funding from Miami-Dade County Commissioners to preserve the modernist stadium and also turn it back into a water sports venue with concerts. At the end of last year, the Marine Stadium site plan, which includes a “Flex Space Park” and “Maritime Center” for operations and amenities, won the city’s approval, and next it goes in front of the Miami City Commission and the Miami Sports and Exhibition Authority. Once the plan gets the green light, Friends of Miami Marine Stadium will focus their efforts on fundraising for the stadium. The Grove at Grand Bay by Bjarke Ingels Group The once popular celebrity-frequented Grand Bay Hotel will become the site of Bjarke Ingels’ two new twisting residential towers in Coconut Grove. The 20-story luxurious high-rises will feature terraces, wraparound balconies, and a roof deck with private and communal pools. The $400 million project is slated for completion in 2014. Miami Beach Convention Center The competition is heating up in Miami between two developments teams vying for the massive Miami Beach Convention Center project. According to Curbed, Rem Koolhaas, the architect on the South Beach ACE team (with developers Robert Wennett and Tishman and landscape architect Raymond Jungles), went head to head with Bjarke Ingels of the Portman-CMC team (with developr Ugo Columbo and landscape architects West 8) at a public meeting a few weeks ago to show off their designs. Both teams propose new landscaping and parks, retail space, and residential developments for the 52-acre site in addition to plans for the convention center and updating the area around City Hall. Pérez Art Museum Miami Just as Herzog & de Meuron embarks on the Jade Signature tower, the firm is nearing completion of its 200,000 square-foot Pérez Art Museum Miami (PAMM and formally know as the Miami Art Museum). The new three-story building will house interior and exterior programming space for the museum’s collections and special exhibitions; an educational complex with classrooms, auditorium, and digital workspaces; and a restaurant and store. Shaded by a canopy, the museum will sit on an elevated platform and open to a veranda and plazas. If all goes as planned, the new building will be open to the public by fall of 2013.
Long delayed, Herzog & de Meuron's 830-foot-tall stacked tower planned for Tribeca in Manhattan is set to resume construction imminently after a three-year hiatus, reports the Tribeca Tribune. The 57-story residential building at the corner of Leonard and Church streets has been nicknamed the "Jenga Building" for its distinctive massing that varies on each floor. The tower is expected to be complete in the spring of 2016.
The twelfth Serpentine Gallery Pavilion in London is nothing without the first eleven. The collaborators responsible for the wonderfully intricate Beijing National Stadium (aka the Bird's Nest) in 2008—Swiss architects Herzog & de Meuron and Chinese artist Ai Weiwei—have designed a temporary pavilion inspired by the archaeology of previous structures by Peter Zumthor, Jean Nouvel, and Zaha Hadid, among others. The team peels back the Serpentine Gallery's lawn, excavating five feet to reach the water table, revealing the footprints, foundations, and topography of its predecessors. A new ground plane tracing from the tangled intersections of previous pavilions creates differentiated seating areas and eleven columns extruded from fragments of old foundations along with a final new column to prop up a bowl of collected rainwater/reflection pool hovering above. "A distinctive landscape emerges out of the reconstructed foundations which is unlike anything we could have invented," the team said in a statement. "The three-dimensional reality of this landscape is astonishing and it is also the perfect place to sit, stand, lie down or just look and be amazed." From the Serpentine lawn, the pavilion appears as a contrast of reflected sky and exposed earth. The entire subterranean seating area is covered in cork—chosen for its texture and smell. For special events, the rooftop reflecting pool can be drained into the seating space below where it soaks back into the ground allowing the space above to be used as a dance floor or elevated platform. "As we dig down into the earth we encounter a diversity of constructed realities such as telephone cables and former foundations," the group said in a statement. "Like a team of archaeologists, we identify these physical fragments as remains of the eleven Pavilions built between 2000 and 2011. Their shape varies: circular, long and narrow, dots and also large, constructed hollows that have been filled in...These remains testify to the existence of the former Pavilions and their greater or lesser intervention in the natural environment of the park." The pavilion represents Herzog & de Meuron and Ai Weiwei’s first jointly-designed structure in the UK. The installation will run from July 1st through October 14th this year, presented as part of the London 2012 Festival at the end of the London Cultural Olympiad, a celebration concurrent with the London 2012 Olympics.
As architects like Herzog & de Meuron and Jean Nouvel tap into the potential of vertical gardens, they'll often seek the expertise of Patrick Blanc. For the past thirty years Blanc developed vertical gardens while researching adaptive strategies of plants at the National Center for Sceintific Research in France. His research of plant growth in nature's more hostile environs, such as hanging off of stone cliffs or springing from rocks next to waterfalls, has yielded a uniquely urbanistic solution for gardening. For the next ten days there's a small window of opportunity left to see the work of Blanc at its most luxurious. The botanist designed the New York Botanical Garden's annual Orchid Show which ends on April 22. As a bonus, this also happens to be the moment that the Gardens' 250 acres are at the height of their springtime burst.
Herzog & de Meuron and Ai Wei Wei are getting the band back together for a brief collaboration for the famed Serpentine Gallery 2012 Pavilion. Now in its twelfth iteration, the Serpentine has commissioned temporary structures by some of the world's leading architects, including Toyo Ito, Peter Zumthor, and Zaha Hadid. The Swiss architects and the Chinese artist/designer have previously collaborated on the so-called Bird's Nest Olympic staduim in Beijing. While that project emphasized both strength and fagility with a soaring tangle of intersecting structure, their proposal for the Serpentine will explore the subterranean history and ecology of the site. “Our path to an alternative solution involves digging down some five feet into the soil of the park until we reach the groundwater. There we dig a waterhole, a kind of well, to collect all of the London rain that falls in the area of the Pavilion. In that way we incorporate an otherwise invisible aspect of reality in the park – the water under the ground – into our Pavilion," the design team said in a statement. "As we dig down into the earth we encounter a diversity of constructed realities such as telephone cables and former foundations. Like a team of archaeologists, we identify these physical fragments as remains of the eleven Pavilions built between 2000 and 2011." The pavilion will open in June and programming will run through October.
At first, the choice of avant-garde architects Herzog & de Meuron to renovate and restore the fabled Park Avenue Armory seems far-fetched. Even at second glance: “I hate preservation,” said Jacques Herzog at a press event to unveil what the firm is doing at the 1880s fortress and popular event space that contains unparalleled gems from the history of American decorative arts, including rooms and furnishings by Stanford White, Louis Comfort Tiffany, the Herter Brothers and others. In fact, the Swiss architects are proceeding with punctilious care and attention to detail as they “unlayer” the past and leave traces of what went before without adding much by way of their own interventions to the $200 million makeover to be completed in phases that have been underway since 2007. The Drill Hall, modeled after the great European shed train stations, will end up looking even more so, once some awful stalls have been removed that have for years hidden the full arch of the iron struts and a delicate catwalk mezzanine is put in to accommodate full theatrical performances. (The shelter for homeless women on the fourth floor will remain in operation throughout construction.) Disparaging the kind of preservation that matches swatches and zeroes in on a purely theoretical “original” date, Herzog described their approach as “revealing and accepting what has been and what we want it to be.” Each of the 18 period rooms will be dealt with on their own terms, neither reconstructed nor made contemporary in some jarring way. Two rooms, full-scale demonstrations of intent as it were, have been completed. Company Rooms E and D are so heavily paneled, molded, and wallpapered that one half expects to find Theodore Roosevelt on a stuffed steed in the corner. In one, the architects have stripped the paneling back to its brighter honey colored woodwork, but revealed the bare plaster with only a hint of mural—a face, possibly a tongue sticking out—to remain where there was once some garish gilt molding. In the other room, where a riot of Aesthetic-era wallpapers all jostle even more energetically through copper “overprinting” to reinstate some shine while damaged spots and patches are not hidden. The affect could be called extreme patina. When asked why she chose Herzog & de Meuron who don’t even have a preservationist on staff, Park Avenue Armory president Rebecca Robertson said, “Because I love Stanford White.” She went on to explain that she admired that consummately American architect’s early experiments with materials and saw that same intense curiosity in the work of Herzog & de Meuron. Their intellectual rigor and thorough research also impressed her: “There’s not a mock-up they won’t do; not a detail too small for them to obsess over,” she said, pointing out the silky, linked-bronze chains that shield the rooms from garish daylight. (In a later phase, the architects will be adding an all steel room-sized elevator, the "Megavator," rising through the front hall.) For Herzog, the commission has been a great opportunity to show “we are not just producers of icons.” He even seemed surprised that this quintessential piece of Americana had been trusted to a European, telling the audience of journalists: “Imagine an American being asked to restore a Gothic cathedral in Basel.”
Bordeaux Dynamo. Herzog & de Meuron designed a new stadium, the Stade Bordeaux Atlantique for the UEFA Euro 2016 in France. According the the architects, the "diaphanous volume looks out onto the grand landscape, its transparency revealing all the energy and activities which will fill this new symbol of the city of Bordeaux’s dynamism." Via Dezeen. Big Bunker Castle. According to Curbed, Steven Huff, chairman of TF Concrete Forming Systems, is building a 72,000-square-foot personal concrete manse called Pensmore. Located on 500 acres in Missouri, the reinforced concrete chateau is built to resist the regions rough weather. "The whole house is in essence a storm shelter," said the Pensmore web site. Humble Abode. If 72,000 square feet is a little too big for your tastes, Treehugger found a slightly smaller abode proposed by TATA, the same company that launched the $2500 car in India. For 32,000 rupees, or about $720, you can have your own house, clocking in at just over 200 square feet. The company hopes the new dwellings, along with an ultra-affordable $7,800 apartment, will help ameliorate India's growing housing problems in poor communities.