Posts tagged with "Herzog & de Meuron":
"In the proto-Blair era they were considered minimal, rarely straying from straight lines and right angles," writes Moore, though the Switch House instead relies on an oblique style showcased on a scale reminiscent to the likes of Claude Parent. Rising 213 feet to counter the iconic Bankside chimney and accommodating 11 floors, the angular structure will utilize a perforated brick lattice to match the existing structure.
- Unlike with Scott's former power station, where Herzog and de Meuron made use of vertical fenestration, their new addition to the Tate will employ horizontal windows that partially wrap round the structure. The aspect of reuse however, will be maintained. Oil tanks that were originally used for the power station prior to its decommission in 1981 will become "closely associated with the new building" to preserve and further the rugged rough-edged charm that its sister structure has.
A "vertical boulevard" will also be included in the extension. Coined as such by de Meuron, the space is essentially an oversized staircase that provides circulation to the new galleries embedded in the original power station. Larger space for temporary exhibits has also been catered for meanwhile the inclusion of the "Tate Exchange" will facilitate group discussion in seminar spaces and a Media Lab. “High attendance is fantastic for a museum but not always for you as a visitor,” said de Meuron. “Sometimes you need to be more quiet and peaceful. You need different experiences and different speeds, a variety of activity. The stairs are wider than we need them; we want to invite people to have a different kind of experience than to rush from one gallery to another. I am curious to see how people walk about it.”
Alternative circulation is a prominent them within the extension's design. New galleries will incorporate dead ends and others will be solo spaces all to prompt, as Moore explains, "random patterns of exploration, and unpredictable combinations of eddies and stillness." http://players.brightcove.net/e2d28453-3b98-45ec-a753-6574d2b2e050.mp4 Rising up through the building, a Members Room, Level 10 restaurant, and public terrace on the top floor will act as social hubs while offering expansive views over the thames, and as fellow critic Oliver Wainwright points out, into the pricey flats of Richard Rogers' Neo Bankside residences.
Tate extension makes a good vantage point for spying on the £20m flats of Neo Bankside 👀 pic.twitter.com/QsW5A2xIEY — Olly Wainwright (@ollywainwright) May 12, 2016
On March 7, the Veterans Room at the Park Avenue Armory reopened after an extensive renovation by Herzog & de Meuron. The reopening was the latest in the firm’s multiyear restoration of the building, which began in 2007 and has no set completion date. The Veterans Room was originally commissioned in 1879 to Associated Artists—Louis Comfort Tiffany, Stanford White, and Candace Wheeler—who later went on to design Mark Twain’s house, five rooms in the White House, and Cornelius Vanderbilt’s house. The Veterans Room’s Gilded-Era style is a rich, riotous mash up of Islamic, Chinese, Greek, and Celtic influences: scrolling ironwork hangs from the ceiling while twisting columns frame Tiffany’s dramatic blue-glass mosaic behind the fireplace, and ornate paneling with wooden bas reliefs and colorful embedded glass evokes an intricately carved jewel box.
The $8 million renovation of the Veterans Room took approximately one year. Herzog & de Meuron focused on two core features in particular: the wallpaper, which had been removed in the mid-20th century, and the lighting.
Fortuitously, a piece of the original wallpaper was found behind a painting and, while the new version is not an exact replica, great pains were taken to honor the original color balance and effect of the design. “How can you recreate an artistic process?” Ascan Mergenthaler, a Herzog & de Meuron senior partner, told the New York Times. “You can’t read their minds, so you can’t just try to do what they did. You have to think beyond that.”
The firm created LED lighting with illuminated glass lenses to replace the original gas fixtures. The resulting refracted light achieves a warm, glowing atmosphere for which the Veterans Room was once so famous.
To further transform the room into a modern venue, it was soundproofed and engineered to concert-level acoustic standards. The now in-demand space is expected to host musical performances, exhibitions, educational workshops, and lectures,