From food storage and prep to cooking and cleanup, a kitchen’s function—if not its form—is determined to a large extent by the quality of its equipment. Here are some new and notable products to specify for the serious cook. Ye Elica Ye is one of the first range hoods to be sheathed in Cristalplant, a polymer material that allows the creation of soft, fluid lines. The directional, double-suction vent is operated by remote control. LED spotlights illuminate the cooking surface. Designed by Fabrizio Crisà. Planar 8 Faucet Franke Made primarily of solid brass, the new Planar 8 kitchen faucet is equipped with a ceramic cartridge for leak-free operation. Its one-jet, lock-in-place spray head connects to a covered, stainless steel spring hose that facilitates easy, comfortable movement around the sink. The faucet spout rotates 360 degrees in either direction, which allows placement of the handle on either the right or the left side. Available in chrome or satin nickel, the Planar 8 kitchen faucet is CSA-certified and meets the lead-content requirements of NSF/ANSI 372. Range Series Miele Tailored to the North American market, this range offers some impressive features: a wireless roast probe providing ‘correct-to-the-minute’ program countdowns, a menu of 100 easy-to-use, automatic cooking programs, and a Moisture Plus function that offers optimal humidity distribution while baking. It is offered in different sizes (30", 36", and 48") and power configurations (dual-fuel, gas, electric, and induction). Regular burners reach up to 19,000 BTUs and a dedicated simmering burner tops out at 12,000 BTU. Metris Kitchen Faucet Hansgrohe Featuring an extendable shower with two types of jets—a wide shower spray that is ideal for cleaning and rinsing, and a normal spray for filling pots and pans—this faucet comes in high arc, prep, and bar sizes. The swivel range is 150º and the flow rate is 2.2 GPM. Designed by Phoenix Design. Regulator Faucet Waterworks Offered in double and single spot models, as well as a pot filler and bar faucet, this impressive, hand-crafted fitting follows the design template of early 20th-century boiler room controls. Available in thirteen finishes. All-Induction Cooktop Viking A grid of LED lights illuminate individual cooking zones when this six-burner unit is in use. The silvery metallic ceramic surface is not only visually distinctive, but durable and easy to clean. The beveled edges lift up from the counter—a unique design treatment.
Posts tagged with "Hansgrohe":
At Salon del Mobile, the specialized trade show Eurocucina focuses on innovation in kitchen systems and appliances. This year, trends include a fascination with dark woods and the evolution of wall cabinets from closed boxes to open shelves. On the bathroom front, exhibitors at the Salone del Bagno were promoting unusual finishes and materials for plumbing fixtures and fittings. Valcucine Riciclantica Acciaio Now available with a glass worktop, ultra-thin doors, and a redesigned backsplash panel that facilitates installation around utility lines. Designed by Gabriele Centazzo. Snaidero Ola 25 In Ferrari Red lacquer, this limited-edition design commemorates the quarter-century anniversary of the kitchen manufacturer. Designed by Pininfarina. Scavolini Foodshelf Designed specifically for open-plan residences, the storage is modeled after living room furniture, rather than traditional kitchen cabinets. Designed by Ora-ïto. Leicht Xtend+ Automated louvered cabinet fronts can be raised and lowered via remote control or smartphone. Elmar @home The black walnut cooking island is modeled after a Venetian rowlock. Suspended steel cylinders house ventilation, lighting, and audio speakers. Designed by C+S Architects. Cesar Kalea Aluminum door-frames can be fitted with glass, wood, or ceramic panels in a variety of colors and finishes. Designed by G.V. Plazzogna. Kreoo Gong Available in four marbles, this 32-inch-by-13-inch basin can be installed as a countertop vessel or on a compatible pedestal. Designed by Enzo Berti. Dornbracht MEM in Cyprum Finish This new rose-gold-colored finish is a nuanced interpretation of polished copper; available on select fitting collections for bath and kitchen. MEM was designed by Sieger Design. Rexa Esperanto This component-based system provides flexible design alternatives that can be adapted to baths of different sizes and configurations. Designed by Monica Graffeo. Geberit Monolith A compromise between bulky floor-mounted commodes and in-wall installations, this toilet features a shallow tank that is sheathed in white or black glass. Axor Axor Starck V Fabricated of glass, this bathroom mixer puts hydrodynamics on display, with a swirling vortex created whenever the tap is turned on. Designed by Philippe Starck. Laufen IlBagnoAlessi One Offered in 35-inch and 47-inch versions, the curves of this console basin complement the strong lines of the walnut vanity cabinet. Designed by Stefano Giovannoni.
From Andre Kikoski to Leo Marmol to David Mullman, top architects spill the beans on their favorite products—glazing, surfaces, and finish materials. Lasvit Liquidkristal A molded-glass sheet suitable for interior and exterior applications, the relief pattern is continuous between panels. “In Sophie’s restaurant at Saks Fifth Avenue in Chicago, we installed a wall of digitally-engineered Liquidkristal by Lasvit. The optical effects of cascading ripples of glass create playful reflections, painterly distortions, and elegant abstract patterns that are beautiful in their subtlety and striking in their boldness.” —Andre Kikoski, Andre Kikoski Architect, New York City Lutron Dorma Digitally controlled commercial lighting-control and monitoring system. Compatible with dimming ballasts. “Lutron and its EcoSystem node allows for multiple lighting atmospheres that enable us to create unique spatial environments, while saving our clients money on their electrical bills.” —Ricardo Alvarez-Diaz, Alvarez-Diaz & Villalon Architecture and Interior Design, Miami/San Juan Duravit Happy D.2 Offered in pedestal, console, and surface-mounted models; with or without tap platform. “We love the simplicity and rounded corners of the Happy D.2 sink from Duravit. It has enough presence to stand on its own as a wall-mounted unit, but can sit happily atop an elegant modern vanity as well. It’s our go-to sink!” —Susan Doban, Doban Architecture, New York City Heath Ceramics Sun Valley Bronze Seven in-stock collections of field, trim, and dimensional tile; custom orders accepted. LEED eligible. “We love the handcrafted, high-quality products that Heath creates; its wonderful tile adorns many of our projects, and we share a set of core design principles that celebrates the efficiency and elegance of modern design.” —Leo Marmol, Marmol Radziner, Los Angeles Luceplan Trama Available as suspension and ceiling/wall model, in 20-inch or 25-inch diameter. Aluminum with polycarbonate diffuser. “The Luceplan Trama fixture gives lots of beautiful light and it’s amazingly easy to change the bulb. For us, it’s often the vendor that is as significant as the product; nothing is more important than good service and help when you need it.” —David Mullman, Mullman Seidman Architects, New York City Vorwerk Re/Cover Green SPVC-free, roll-based floor covering. High slip-resistance. Offered in 30 solid colors and patterns. LEED eligible. “Engineered textiles sourced from sustainable materials—like the Re/Cover line by Vorwerk—is what made us select Relative Space as a design partner at Barclays Center.” —Ayumi Sugiyama, SHoP Architects, New York City Nawkaw LiTHIUM Concrete and Masonry Stains Suitable for use on masonry and pre-cast concrete surfaces, the stain is offered in 40 colors, as well as metallic and reflective finishes. “For exteriors where we can’t match the brick color or where some stucco or coating has been applied to the masonry, one of products that we like a lot these days is LiTHIUM by Nawkaw. It’s similar to paint, but it’s not a film; it actually forms a chemical bond with the surface of the masonry.” —Jerry Caldari, Bromley Caldari Architects, New York City Hansgrohe Croma Green Showerpipe Assembly includes both Raindance S 150 AIR Green 1-jet showerhead and Croma E 100 Green 3-jet handshower. “In hotel renovations, we see a trend to replace the traditional bathtub with a shower. The Croma Green Showerpipe, with its all-in-one, outside-the-wall design is easy to install and service—things which are always a concern, especially in the hospitality sector. The handshower is not only great for guest bathing, but also ideal from a housekeeping perspective.” —Foreman Arden Rodgers, TVS Design, Atlanta
After the release of the new Organic Collection, designed by Philippe Starck for Axor/Hansgrohe, AN sat down with the head of the brand to talk about working with the designer, the technology behind the product, and Grohe's formula for success. How did Axor/Hansgrohe start working with Philippe Starck? We started working with Philippe Starck in 1998 and it has always been a special relationship. I was very lucky because I followed my mother to the French part of Switzerland, so I speak both German and French. Not only does it help [Philippe and I] communicate [in French] but language is also culture. You think in a different way when speaking French versus German simply because of the structure of the language. How long did it take to complete the project? The Organic collection was a three-and-a-half year project. Many designers think [that pace] is too slow but it's a highly industrial product and we had a lot invested—not just financially but in the technology. The new spray cartridge, for example, took quite some work. It's much more than just a nice shape. We are now testing some new technology but we must test longer than we would for products with existing technology. [More testing means] you get a higher level of assuredness that the whole 'shebang' will work. Please speak to the technology behind the water efficiency of the Organic Collection. Well, if you really look for potential to save water its on the shower side. It's where we lose the most. But we use various [water saving] technologies in both the Axor and Hansgrohe brands. In fact, we've started to study the transparency of efficiency and consumption [related to water use]. The other thing we consider is the perception of water. When you bring it away from being a commodity and bring it closer to nature through studies of laminarity, you can see those results in our waterfall technology for Axor's Massaud Collection. Transparent water is less comfortable because it splatters more, so you have to bring down the volume, but its a fine line and we try to address this [with our products]. Another aspect of this project is the optical perfection of water. On the mixer side, the flow rate [for the Organic Collection] is at .9 gallons per minute [standard flow rates are around 2 gallons per minute]. We can't control installation of the [building's water] system but we do our best to accommodate. It's not as easy to regulate warm water, but as you regulate the quantity that becomes easier. It's the same reason we have a shower spray, because you feel the temperature differently [with changes in spray volume]. The shape of the collection is very unique. When you do something very different, only three to five percent of people will like it and the bathroom is a conservative [place]. But if you change the archetype [people] can access it easier. What's the greatest success of the collection? The success of the Collection is a veritable cocktail of elements. You can have the best ingredients but if you mess up while you're cooking its gone. But [the Organic Collection] has this incredible shape and I have to tip my hat to Philippe. He really proves that he's on top of things consistently. This is a very new shape and the majority of people like it from the first view. You need that attraction when you want to change the habits of people. We try to put a lot of values into our products and I think this perception comes through in discussion, one in particular that I had recently with Fabio Novembre. We've used flow restrictive [flow] technology for 20 years [so there is lots of added value] but it always comes down to that last cent. [The] people [working on the project] don't care what happens after. He said, "You can impress rich people with beauty only." And he's right but you have to like the product first. And [based on the initial reception], for that we must thank Philippe.