Posts tagged with "GSA":

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Will the GSA cut ties with Trump over his Old Post Office hotel?

[3/29/2017 UPDATE: GSA finds Trump Organization in compliance with the Old Post Office lease.] The General Services Administration yesterday announced that it will seek "additional information that explains and describes any new organizational structure as it applies to the Old Post Office lease. Upon receipt, consistent with our treatment of any contract to which we are a party, we will review this new organizational structure and determine its compliance with all the terms and conditions of the lease." The statement comes on the heels of an announcement by the President-Elect that he will be handing over control of the Trump Organization to his two adult sons, breaking with the tradition that U.S. Presidents place their businesses in a blind trust. The Old Post Office—which was redeveloped by the Trump Organization and is now the Trump International Hotel—has been at the center of the conflict-of-interest controversy since Trump was elected, as many diplomatic events have taken place there. The GSA cites the language in their lease with the Trump Organization, which was signed by both parties in August of 2013: The full language of section 37.19 is below: No member or delegate to Congress, or elected official of the Government of the United States or the Government of the District of Columbia, shall be admitted to any share or part of this Lease, or to any benefit that may arise therefrom; provided, however, that this provision shall not be construed as extending to any Person who may be a shareholder or other beneficial owner of any publicly held corporation or other entity, if this Lease is for the general benefit of such corporation or other entity. The GSA had previously said they would withhold judgment about how to proceed with the Old Post Office until Trump announced his relationship to his business. Now that he has revealed his intentions to defy convention and not use a blind trust, will further review cause the GSA to cut ties with the Trump Organization if it's in contempt of the above statement, or will the GSA find that Trump has separated himself enough from the business? It will also be interesting to watch who Trump appoints as the head of the GSA, which will have an enormous impact on this project.
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Thomas Phifer and Partners’ elegantly functional box saturated in daylight

The 10-story courthouse includes ten courtrooms for the District Court of Utah, fourteen judges’ chamber suites,  administrative Clerk of the Court offices, the United States Marshal Service, United States Probation, and other federal agencies.

Thomas Phifer and Partners recently completed a United States Courthouse in Salt Lake City for the General Services Administration (GSA). The 400,000 sq. ft. project consists of a blast resistant shell clad with a custom designed anodized aluminum sun screen. The screen is arranged in four configurations dependent on solar orientation, performing as a direct heat gain blocker on the south facades, while subtly changing to a louvered fin configuration on the east and west facades. The architects won the project in a national competition in the late nineties, however it was just recently completed. Thomas Phifer, Director of Thomas Phifer and Partners, says that during the duration of the project various site changes occurred, and the building design naturally evolved into a particular focus: “We began to think about a building that embodied light as a metaphor for the enlightenment of the courts. It began to fill these spaces inside the courtrooms, the judges chambers. The design came from a sense of light.”
  • Facade Manufacturer Benson Global (curtain wall)
  • Architects Thomas Phifer and Partners, Naylor Wentworth Lund Architects (executive architect)
  • Facade Installer Okland Construction
  • Facade Consultants Reaveley Engineers + Associates (structural engineering), Weidlinger Associates (blast engineering)
  • Location Salt Lake City, UT
  • Date of Completion 2014
  • System Aluminum and Glass Unitized Curtain Wall, Insulating Glass with Ceramic Frit Screen, Anodized Extruded and Milled Aluminum Sun Screen, Mirror Polished Stainless Steel Plate, Thermal Finish White Granite
  • Products Benson Global (Anodized Aluminum Curtain Wall), Southwest Architectural Metals (Metal Specialties), Beehive Glass Inc. (Glass Specialties), Viracon, St. Gobain (Glass), Sierra White Granite (Cold Spring Granite Stone)
Phifer said a precedent for the project is Donald Judd’s 100 untitled works in mill aluminum (1982-1986). In Judd’s project, each of the boxes he crafted have the same outer dimensions, with a unique interior offering up a variety of tectonic conditions. Some of the boxes are transected, while others have recesses and partitions. Phifer says the project inspired an interest in detailing of the aluminum sun screen: “What’s interesting about his [Judd’s] boxes is their extreme simplicity: it’s important how the plates come together…the beautiful screws. You see the thickness of the aluminum, and the construction honors the material,” says Phifer. “The boxes begin to honor the light surrounding it.” The architects worked with the curtain wall contractor to develop a custom designed louver system from extruded and milled aluminum components to manage daylight. Everything had to be designed with calculations and technical documentation, including plenty of mock-ups. Phifer says this level of detailing is at the heart of their office’s production: “the facade system developed here was completely new.” This system is punctured in selective places on the facade with a polished stainless steel portal celebrating very specific spaces within the interior such as the judge’s chambers. “It has the character of receiving light and being a real part of the environment,” says Phifer on the outcomes of the decade-long project. The project could be considered a super-scaled descendant of one of Judd’s well-crafted boxes, but also should be a sophisticated addition to Thomas Phifer and Partners’ repertoire of working with light (a portfolio that includes a 2011 AIA Honor Award for the North Carolina Museum of Art). The results are a robust box, with a beautifully simple, passive performative agenda.
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Mark Sexton on Designing a High Performance Facade for the FBI

For Krueck+Sexton Architects, determining the essential design character of the new FBI South Florida Headquarters was a no-brainer. Given the 375,000-square-foot building's location among 20 acres of restored wetlands, "Our quest, first of all, was to develop high performance in a transparent facade," said founding principal Mark P. Sexton, who will deliver a talk on the project at next month's Facades+ Miami conference. "If you're working in the Everglades, the idea of your workspace being as transparent as possible [is obvious]." But transparency comes with a couple of challenges, namely solar gain and glare. In order to preserve views while maintaining alignment with the Government Services Administration's 2030 Zero Environmental Footprint project goal, the architects relied primarily on two technologies: frit glass and integrated sunshades. Of course, building orientation was also key; Krueck+Sexton positioned the double-bar plan so that the major facades face south and north, the minor facades east and west. To tackle the potential for thermal gain associated with floor-to-ceiling glass, Krueck+Sexton started with a product with a low-e coating. Next, they added a graduated frit that is heavier at floor and ceiling but more open at the vision plane. But even with the frit, said Sexton, "there was still too much glare on the south side of the building compared to the north side. It's one of the issues of high performance. You can control solar heat gain with these coatings, but then the glare becomes the big problem." When one side of an office is flooded with natural sunlight, he explained, the occupants on the darker side tend to compensate with artificial lighting—thus negating the environmental benefits of all of that daylight. The architects also developed a system of sunscreens that cut back on both direct sun and glare on the south facade. "It became, in a way, eyebrows for the building," said Sexton. He compared the shades to a tuned airfoil on an airplane or high-end automobile: "The performance is enhanced by the additive nature" of the shade. The result is a dynamic envelope with sunshades appearing as geometric mesh interwoven among the intersecting planes of glass. Hear more about the FBI South Florida Headquarters project September 10-11 at the Facades+ Miami conference. Register today and sign up for an exclusive Miami-area field trip on the conference website.
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Page Floats a Cedar Sunshade in Albuquerque

Minimalist catenary canopy lends warmth and lightness to office courtyard.

When Page design principal Larry Speck suggested a catenary sunshade for the courtyard of the new GSA building in Albuquerque, his colleagues set about identifying precedents. "There were some really great devices that we looked at, but a lot were done in the 1960s out of heavy, monumental materials," said principal Talmadge Smith. "We wondered if there was a way to do it in a lighter, more delicate way that would also introduce some warmth to the space." The architects elected to build the structure out of western red cedar, which performs particularly well in arid climates. Comprising 4-, 8-, and 12-foot boards suspended on steel cables, the sunshade appears as a wave of blonde wood floating in mid-air, casting slatted shadows on the glass walls of the courtyard. The courtyard is an important amenity in the two-story, 80,000-square-foot building, currently occupied by a combination of federal employees, including immigration and customs enforcement staff, and state and local law enforcement. "We said, 'This is a pretty big floor plate, it needs a great courtyard,'" said Smith. "For one thing, in this climate that's just what you build. You get free shading and can create a cooler microclimate." The courtyard also helps bring light into the communal spaces that surround it, which include training areas, circulation, and conference rooms. "It remains a democratic insertion into the floor plan," observed Smith. Finally, the courtyard allowed the architects to compensate for a lack of glazing on the exterior walls, the result of security requirements. Working in Revit and 3ds Max, Page experimented with various patterns for the sunshade. They first tried a regular arrangement of identical slats. "The result wasn't very pleasing," said Smith. "It made a drooping, uninviting shape. It also closed the courtyard, as if you had pulled a big venetian blind across it." They decided to break up the pattern and use three different modules of wood, placing them only where daylighting analysis dictated. They also worked with the cables themselves to identify the appropriate amount of slack. "We tested what it would be if you pulled the cables tight," said Smith. "It negated the effect of the catenary, and led to a courtyard with a little bit of a ceiling, a rigidity that we didn't want." The final design incorporates 18 inches worth of slack per cable.
  • Fabricator Enterprise Builders
  • Designers Page
  • Location Albuquerque
  • Date of Completion 2012
  • Material 2x6 western red cedar boards from US Lumber Brokers, steel cables, off-the-shelf hardware
  • Process Revit, 3ds Max, daylighting analysis, bolting, grouting, hanging
Enterprise Builders used off-the-shelf hardware to assemble and install the sunshade. The cedar boards are attached to the cables via steel clips bolted to one face of each board. Deciding against integrating hardware directly into the curtain walls, Page designed opaque concrete headers for the two short sides of the courtyard, then grouted the anchors into the masonry units. A turnbuckle attached to a pivot near each anchor allowed the builders to make adjustments to the length of the cables once they had been hung. A second, perpendicular, system of cables prevents the shading structure from swaying. "The hardest part was getting it level," said Smith. "There was a little art to that because some strands are more heavily loaded than the others." Fabricated out of standard lumber and mass-produced hardware, the sunshade might have felt bulky or crude. Instead, it provides relief from the New Mexico sun while seeming almost to dissolve into the sky. "When you're standing there, you only ever see half of the shading members at a time," said Smith. "You see a lot of sky, but you feel a lot of shade. It performs, but it feels light."
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Julie Snow Architects changes name, promotes new co-principal

One of the country’s most prominent female-led firms has named a new co-principal. Julie Snow Architects will now go by Snow Kreilich Architects. Matthew Kreilich, one of Minneapolis/St. Paul Business Journal's "40 Under 40” in 2013, is now a partner and design principal of the Twin Cities-based firm. Kreilich has worked at Julie Snow Architects for 10 years. Snow’s work includes Target's Minneapolis headquarters, the Lake Superior Weekend House, and the U.S. point of entry in Warroad, Minnesota. The firm is part of a design team recently selected to lead an overhaul of Minneapolis "main street" (Nicollet Mall), along with James Corner Field Operations and Coen+Partners. (Julie Snow also serves on A|N’s Midwest editorial advisory board.) The firm also updated their web address: www.snowkreilich.com.
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WTC’s Glass Half Full

One World Trade is now half full (Stoelker/AN) After fits and starts the General Services Administration finally signed on the dotted line to lease 270,000 square feet at One World Trade, pushing the tower over the symbolic 50 percent leased mark. “The fat lady sang,” Senator Charles Schumer told the New York Post. The GSA joins Condé Nast and Chinese real estate giant Vantone after a protracted negotiation that was stalled by Beltway bickering.
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GSA Seeks Patrons for Candles on the Water

As part of ongoing subtle austerity measures, the U.S. General Services Administration (GSA) announced Monday that as part of the National Historic Lighthouse Preservation Act of 2000, they will transfer ownership of 12 lighthouses to willing non-federal-government organizations.  Eligible state or local governments, non-profit corporations, historic preservation groups, or community development organizations have 60 days to file a letter expressing interest in the properties. If no suitable taker is found, then a public auction will take place. The measure is part of President Obama's initiative to save $1.5 billion in federal money by reducing overhead costs of maintaining federal real estate, and the GSA claims that they are on track to save $3.5 billion by the end of the year. According to GSA's Acting Commissioner of Public Buildings Linda Chero, "Through the preservation program, GSA helps find new stewards for excess lighthouses that are no longer considered mission critical to the United States Coast Guard." GSA will soon issue Notices of Availability for the following light stations: Ontonagon West Pierhead Light, Manistique Light, Stannard Rock Light, and Fourteen Foot Shoal Light in Michigan; Liston Rear Range Light in Delaware; American Shoal Light in Florida; Ashland Light in Wisconsin; Butler Flats Light, Graves Light, Edgartown Light in Massachusetts; and Halfway Rock Light and Boon Island Light in Maine. Since the NHLPA eneactment in 2000, 84 lighthouses have been transferred from the federal government.
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New Shortlist Jumpstarts Long-Stalled LA Courthouse

The biggest new architecture project in Los Angeles just got a much smaller list of candidates. The General Services Administration (GSA) has released the shortlist for the new U.S. Courthouse in LA, a design-build project where architects are partnered with builders. When completed, the building, located on a 3.7 acre lot at 107 South Broadway, will measure 600,000 square feet. It’s projected to cost $322 million and be completed by 2016. The shortlisted teams include: Skidmore Owings and Merrill with Clark Yazdani Studio and Gruen Associates with Hensel Phelps Brooks + Scarpa and HMC Architects with McCarthy NBBJ Architects with Mortensen Shortlisted firms will now be expected to submit plans as part of a Request For Proposals. The winner is expected to be named by this August or September, and design is set to begin by the end of this year. Those who didn’t make the cut included Morphosis, Michael Maltzan Architects, Ehrlich Architects, AC Martin, Johnson Fain Architects, Fentress Architects, Rios Clementi Hale, and Cannon Design. Another exclusion was Perkins + Will, who GSA originally chose to design the project before it stalled several years ago.
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White House Turns Green at GSA and HUD

If last week's story on the apparent shortcomings of the Office of Urban Affairs may have shaken your hopes about the Obama administration's commitment to cities, planning, and urban policy, fear not. As we tried to point out, these things are happening, just not necessarily at the White House office whose name is synonymous with it. Case in point, two major announcements were made this week concerning sustainability, one at the GSA, the other at HUD. Yesterday, the General Services Administration announced that it had created its first Chief Greening Officer (terrible name, great news), whose job it would be to pursue sustainability initiatives throughout the agency's massive portfolio of buildings, some 350 million square feet. Taking over the new office is Eleni Reed, the former Director of Sustainability Strategies at Cushman and Wakefield, where she undertook a similar task of greening the company's vast office holdings. And on Monday, the agency submitted its sustainability plan to the White House with a target of a "zero environmental footprint," though a timeline for that is not clear. Meanwhile, over at Department of Housing and Urban Development, officials announced today that HUD would start scoring its grant applications for their compliance with LEED-ND, the U.S. Green Building Council's new neighborhood rating system. “Using the ‘LEED-ND’ green neighborhood rating system…it’s time that federal dollars stopped encouraging sprawl and started lowering the barriers to the kind of sustainable development our country needs and our communities want," Secretary Shaun Donovan said in a press release. It is not unlike one of the programs mentioned in last week's piece, about how the Office of Management and Budget is weighing its budget calculations in favor of programs that incorporate sustainable and pro-urban initiatives.
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On Plastic Plants

There is a lot to like about Chicago's Quincy Court, an alley turned public space outside the Mies van der Rohe-designed Dirksen Federal Building that opened this summer. The General Services Administration (GSA) initiated the project to help beef up security around the federal campus, and they can certainly be praised for hiring a design firm to reimagine the space, in this case Rios Clementi Hale of Los Angeles, instead of just bolting a bunch of bollards into the ground. And while the design has a certain whimsy, which may appeal to some, we're having a hard time getting over the giant plastic palms. According to the press release the "sculptural grove" mediates between the monumentality of federal campus and the smaller scale of State Street. The seating and tables are nicely detailed and the project's Pop sensibility is sure to change the way people think about this alley way. But in this age of ecological crisis, and in a city that has made sustainability one of its hallmarks and has worked hard to green the Loop, the plastic palms seem like the wrong message for the GSA to send. Real deciduous trees, after all, provide shade in the hot summer and loose their leaves in the fall when sun is welcome. Ken Smith's artificial rooftop garden at MoMA, which boasts fake rocks, plastic plants, and few environmental benefits, seems like a similar missed opportunity, a one liner that provides intriguing views for neighbors but does little to improve the hardscape environment of midtown Manhattan. Are we being too rigid in our thinking? Should we loosen up and go shopping for some silk flowers?
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GSA Now Hiring

With the prospects for architectural work tilting downward once again, we can imagine you might be uncertain about the future. Not to worry, though, as a friend sends along the message that the GSA is hiring in its New York office, among many others. And best of all, things are looking up at the agency, as you could go to work, at least in some capacity, for the new director of the Design Excellence program, which is getting a much-needed shot in the arm. Best of luck.