Tex-Fab has concluded the initial stage of its international competition called SKIN. The two-stage competition invited architects, designers, and researchers to rethink the traditional building envelope by exploring the performative qualities of a facade. Participants selected any context, real or virtual, at any scale and on any building type. Phase one jurors narrowed down 68 entries from across the world to four finalists and four honorable mentions. Jurors Phil Anzalone, Maria Mingallon, Gregg Pasquarelli, Randy Stratman, and Skylar Tibbits conferred on July 9th and initially selected 14 entries to discuss. Varying in type and method, the entries depicted a diverse display of ideas and work, compelling the jury to choose four finalists and four honorable mentions. Finalists include Project 2XmT by Christopher Romero and Nicholas Bruscia, Cellular Complexity by Kais Al-Rawi, Julia Koerner, and Marie Boltenstern, Robot Assisted Sheet Metal Fabrication by Lik Hang Gu, Nathan Shobe, and Qi Su, and Sense by Isak Worre Foged and ANke Pasold. The first of the finalists, Project 2XmT, has a visibly developed working model and reveals the dramatic impact from various viewpoints created by small undulations or shifting panels. Juror Skylar Tibbits commented that “it’s the one most in line with the brief.” The next finalist, Cellular Complexity, has an appealing formal potential that tests the limits of architecture. Juror Phillip Anzalone remarked, “If it’s truly developed 3-dimensionally that would be fantastic.” Robotic Assisted Sheet Metal Fabrication was chosen as a finalist in context with the project per-Forming (HM), which received honorable mention, as both interacted with metal forming in distinctive, yet complimentary aspects. Juror Maria Mingallon trusts that “this one could really push the boundaries of TEX-FAB and could add to the exhibition at ACADIA." The last finalist, Sense, is simple with potential to be very dynamic. Tibbits remarked “it’s a known phenomena that could produce some exciting effects." Honorable mentions include Organized Crime by Kyle Miller, Evaporative Folding by Jeana Ripple, Hydromorph by Camden Greenlee and Brian Vesely, and per-FORMING by Jake Newsum and Ammar Kalo. The phase two jury includes Michele Addington, James Carpenter, Neil Denari, Mic Patterson, and William Zahner. Moving onto the second round, the four finalists will use $1000 stipends to develop prototypes of their projects, which will be installed at the ACADIA Adaptive Architecture Conference at the University of Waterloo in October 2013. At that time, the jurors will select a winner whose scheme will be assembled in full scale for the TEX-FAB 4.0 conference.
Posts tagged with "Gregg Pasquarelli":
The PoMo aficionados were out in force at yesterday’s Landmarks Preservation hearing for the new proposal for South Street Seaport’s Pier 17. It would seem that just as debate on the value of 1970s Brutalism shifts into high gear, the 1980s PoMo crowd is revving its engines. As preservationists and developers whacked it out, some larger questions about context and neighborhood integration arose. The SHoP-designed tectonic glass response to Ben Thompson’s wood-clad gables of the exiting 1985 Pier 17 building is a clear break from the past, both literally and figuratively. SHoP’s Gregg Pasquarelli didn’t mince words when he told the New York Times “We’re taking away the po-mo and making it a real waterfront market building.” But Thompson, who died in 2002, had plenty of defenders on hand yesterday, including a statement from his wife Jane Thompson, who warned that real estate in the new plan “will inevitably rise to premium rates; privatization will intensify, which forces a turn to luxury retail.” Elise Quasebarth, of the preservation consultancy group Higgins Quasebarth, testified on behalf of Howard Hughes Corporation, the developer, that many of the upland elements planned in conjunction with the 1980s "festival marketplace" are still fundamentally robust. The SHoP worked with James Corner Field Operations to further integrate the street grid through a north-south connection to the East River Waterfront Esplanade and east-west connections to Beekman and Fulton streets. But the deal between NYC Economic Development Corporation and Howard Hughes has a distinct cutoff point at the so-called Tin Building. The empty 1907 structure, which formerly housed a market, sits at the river’s edge where the pier juts into the river. Though the plan has the support of Community Board 1, the board did encourage a master plan that carries through the entire South Street Seaport Historic District. Further complicating matters, the district actually cuts through half of Pier 17. The board resolved the districting by extending the boundary to incorporate the north section of the pier as well. The concern was driven home by local wine merchant Marco Pasanella who testified that the uplands should be considered as part and parcel pier plan and that only a “holistic” approach would work, particularly while the pier is under construction. Pasanella said the big picture should ensure that the plan attract similar tenants and “the right sort of visitors." Speaking on behalf of the Howard Hugh’s Corporation, senior executive vice president Chris Curry said the taking the nearby elements into account, particularly the Tin Building, would require a separate ULURP. He added that the company wants to make an immediate investment, though that wouldn't preclude additional investments down the line. For the time being however, the cutoff point leaves a few of Thompson’s gables left at the back of the pier. Pasquarelli said they would be painted a uniform color to visually drop away. The gables would still function as a mask for mechanical equipment. If all goes as planned, a little slice of PoMo might survive after all.
Last night, SHoP's Gregg Pasquarelli presented plans to Community Board 1 for South Street Seaport's Pier 17. Not surprisingly, the reception was positive. The design is a huge departure from the desolate barn-like mall developed by the Rouse Corporation in the 1980s, where to this day nachos and tropical cocktails remain de rigueur. The new owner, the Howard Hughes Corporation, hopes to bring New Yorkers back to one of the most spectacular sites in town, while welcoming tourists and not quarantining them in a thematic trap. Angelica Trevino and Thorsten Kiefer are SHoP’s project managers. In a telephone interview, Trevino parsed the details... The new pier will contain four stories of retail with a green roof that would hold two pavilions, one for music and the other for a restaurant, and the entire structure features an exposed steel frame. The landscape, designed by James Corner Field Operations, includes the rooftop, a large deck to the north overlooking the Brooklyn and Manhattan bridges, and a plaza to the south. The first two stories of the pier include the ground floor and a mezzanine with two story high glass doors that will slide open vertically. When open, the doors front the glass enclosed second and third stories. Shops on the first two stories set back several feet from the openings. The architects refer to the area as “The Village.” The storefronts in lower the section are a series of shifting volumes clad in wood, textured aluminum and zinc. A large east/west opening runs through the pier forming an extension to the mainland grid, while two diagonal cuts also run through the space so as to open view corridors of the Brooklyn Bridge to the piers. On the East River side of the building, two metal mesh gangplank stairs ascend up from the east/west opening to the glass enclosed third floor. The glass wrapping the third and fourth floors plays with the notion of the pixilation. As support columns are 20 feet apart, five vertical sections, four feet wide, set back a foot and half, then return, set back, and return—lapping to and fro, like East River ripples. A combination of channel glass and vision glass heighten the effect. “We didn’t want it to be a taut glass box,” said Trevino. “We wanted it to have some articulation, to break up the mass and resemble some of the waterfront tectonics.” Inspired by open-air concert hall at Tanglewoood, a rooftop glass enclosure (60’ x120’) will hold and audience of 500 to 600. In warm months, the pavilion doors will open and music will spill onto a rooftop lawn. A smaller pavilion to the east will house a restaurant. To the north of the pier, a plaza by Field Operations called the “North Porch” will provide one of the most iconic views in the city, with Brooklyn Bridge and Manhattan Bridge in the very near foreground. More pixilated patterns fall underfoot in wood, saw cut cobblestone, and solar pavers that absorb light in the day and give off light at night. On the south side Fulton Plaza will be transformed with wood reclaimed from the old pier.
Vishaan Chakrabarti, director of the Columbia Center for Urban Real Estate since 2009, has been appointed a partner at SHoP Architects effective immediately. The seventh partner (and only the second not related to the firm’s founders by blood or marriage), Chakrabarti will focus on large-scale urban projects, drawing on his years of expertise through such on-going endeavors as Related Companies’ involvement with the Moynihan Station project and development at Hudson Yards. (While he will remain director of the Columbia real estate program, he will forgo his consultancy with Related.) “We are thrilled to have Vishaan join the firm. His background and depth of experience allow SHoP to add expertise to our bench while continuing our firm-wide focus on both planning and building,” said William Sharples, SHoP Partner, in a statement, adding that the firm wants now to pay closer attention to the public realm and the consequences of building “through use of public space, density, sustainability, and innovative construction methods.” The aim, according to the press release is “to reinvent urbansim.” Few design professionals have parlayed their careers and urban interests as expertly as Chakrabarti, who served as head of the Manhattan office of the Department of City Planning from 2002 to 2004—heyday of the Doctoroff pro-development years—then became executive vice president of design and planning for Related in 2008 before joining Columbia. A vocal advocate of urban density and public-private partnerships, Chakrabarti wrote in his Country of Cities column—soon to be a book— for the website Urban Omnibus website on such issues as Tokyo as a model of dense development and the ethical binds implicit in energy development, writing in “Spill, Baby, Spill”: “Do we have the strength to reject the threat that is oil, both foreign and domestic? Do we have the vision to recognize that we have seen the enemy, and it is the suburban house? Do we have the will to embrace high-density living as the only solution, the only land use that limits our energy use, our healthcare costs, our vulnerability to petro-dictators, and our free fall into a sprawling national deficit?” In a recent issue, Metropolis magazine named him a “Game Changer of 2012” Chakrabarti joins SHoP Architects now steeped in a number of large-scale projects with urban impacts, ranging from heralded to controversial, from the East River Waterfront and the redevelopment of South Street Seaport to Atlantic Yards. Local projects in the office are for Google, Goldman Sachs, Columbia and the Fashion Institute of Technology, while the firm has also worked abroad on large-scale projects in Japan, China, Korea, and India. Chakrabarti is quoted in the press release announcement: “It is an honor and a thrill for me to join SHoP Architects, a firm that since its inception has redefined practice, and is now poised to design and build some of the most significant large-scale projects in the world. In the urban age that is upon us, we need the very best practitioners and I have long believed that SHoP offers to New York and the world an unsurpassed 21st Century vision of design and technology.”
With over 270,000 square feet and costs projected at $50 million, the Botswana Information Hub is ambitious on many levels, both literally and figuratively. The winner of an international competition, the SHoP-designed research campus brings green technology to the Gaborone, Botswana. The sinuous structure merges into the landscape, with various levels seeming to kinetically lift from the earth. An "energy blanket" roofscape blends solar and water re-use systems into the sweeping composition. Gregg Pasquarelli tells AN all about it. AN Mixed Media> SHoP in Botswana from Architect's Newspaper on Vimeo.
What will tonight's secret ingredient be? Marshmallows? A T-square? Tea squares? To help raise funds for the Urban Assembly School of Design and Construction, a charter founded in 2004 to teach and promote architecture and design, the school is hosting the Iron Designer Challenge tonight. Like an ARCH DL for a good cause, teams of four professionals and two students will compete for the title of champion, as well as structural innovation, people's choice, and, of course, best use of the secret ingredient. Teams will start at 5:00, with three hours to finish their work, but there is also a party open to the public—this is a fundraiser, after all—from 6:00 to 8:30. Tickets are 50 dollars, but you get to mingle on the roofdeck with the likes of the jury, DDC commish David Burney, SHoP principal Gregg Pasquarelli, Cooper-Hewitt ed head Caroline Payson, and Parsons architecture dean Joel Towers. Plus, there's a damned impressive designy silent auction.
SHoP's new designs for the Barclay's Center at Bruce Ratner's Atlantic Yards site has probably gotten the firm more attention than any of its previous ones, including its rather controversial plans for Pier 17 at the South Street Seaport. Today, Develop Don't Destroy Brooklyn penned an open-letter to the firm, calling out "Mr. Sharples, Mr. Sharples, Ms. Sharples, Ms. Holden, and Mr. Pasquarelli" for signing on to "a very contentious and troubled project that faces widespread resistance from the communities it would impact—and well beyond." Meanwhile, "Mr. Pasquarelli" sat down with the Observer to, uh, talk shop on the project and defend his firm's involvement in the project: "We gave serious consideration as to whether we wanted to do it. And I think the thing that convinced us was, after speaking with Bruce, we were convinced he really wanted to make a great building." SHoP and Barclay's collaborator Ellerbe Becket will be discussing their new designs at a special hearing in Brooklyn tonight at 6 o'clock, as will DDDB, no doubt—and us. If you can't make it for the fireworks, we'll recount them here for you tomorrow. Or follow us on Twitter, where we'll be live-blogging the main event.
When I bumped into Gregg Pasquarelli at the LPC on Tuesday, I asked him about a certain map that had been floating around the Internet a day or two before. The SHoP principal began to fulminate. "That was totally taken out of context," Pasquarelli said. Turns out it's a SHoPping map. "It was one of a series of maps we had made to illustrate the retail landscape in New York and why an anchor store would work so well down there," he continued. "It has nothing to do with New York as a whole." He added that, yes, obviously, it's an omage to Maira Kalman and Rick Meyerowitz. And he couldn't help but wonder how anyone got a hold of the map since it was the property of General Growth. Granted, they don't own much anymore, now do they?