When buying a building that is in a historic preservation district there are many considerations to take into account, including zoning restrictions, restoration, and often, accessibility concerns. In the case of one St. Paul Church, now on the market, add deceased body to the list. Shuttered a year ago, the historic Episcopal St. Paul’s on-the-Hill in St. Paul, Minnesota is up for sale. One caveat to purchase is that the building comes with the body of one of its former priests, which is not allowed to be moved. Located in a national and city historic preservation district, the church cannot be torn down, and the exterior cannot be altered. On the market for $1.69 million, the Gothic-Revival building comes with the pews, organ, a large rose window, 33 other stained glass windows, a saintly statuary, and the body of Priest John Wright. Wright was the priest during the building of the church and was buried in a crawlspace crypt under the sanctuary in 1919. The body cannot be moved because it is considered a “historic non-operating cemetery” according to real estate agent Jay Nord in a video discussing the sale with the Pioneer Press. Founded in the Lowertown neighborhood in 1857, the entire building was dismantled, redesigned and moved to its current location on Summit Avenue in the early nineteen-teens. The church’s designer, the École des Beaux-Arts–trained French immigrant Emmanuel Masqueray, is also the designer of the city’s notable Cathedral of St. Paul and the Basilica of St. Mary. Along with his church designs, Masqueray was also the chief designer of the 1904 World’s Fair in St. Louis. https://vimeo.com/153434141 Though the church comes with some atypical “features”, it has other qualities that the seller hopes will attract a buyer in the coming month. Most notably, the acoustics of the nave are known to be exceptional, making the 6,000 square foot space suitable for a small concert venue. The property also includes 11,000 square feet of office and meeting space in a newer addition. With the building safe from demolition and alteration, preservationists need not worry about its future, yet it will still require a very special buyer who is willing to take on the unique responsibility of owning this building.
Posts tagged with "Gothic-Revival":
USC president Max Nikias is curious. Since taking over in 2010 he has held the torch for past president Steven Sample’s beloved “California Romanesque” style on the campus, resulting in the red brick and tight arches of buildings like AC Martin’s Ronald Tutor Campus Center and George Lucas’s School of Cinematic Arts. Now he’s shifted a few years in the future to Collegiate Gothic. AC Martin has been commissioned to design a Gothic-style building for the business school, and other firms are competing for a similar project, we hear from our moles. Perhaps he will move into French Renaissance next? Get ready for some chateaux!
After a thorough search to identify a live/work project site in New York City, Artspace selected the former Public School 109 in East Harlem, a distinctive five-story building with copper-clad cupolas and decorative terrace cotta designed by Charles B.J. Snyder in 1898. The newly renovated building will include 90 units of affordable housing for artists and their families and 10,000 square feet of non-residential space for non-profits and community organizations. The Gothic Revival-style building is listed on both the National and State Register of Historic Places, and as part of the $52 million live/work project Hamilton Houston Lownie Architects and Victor Morales Architects plan to restore much of the terra cotta and reinstall original gargoyles and a large spire. Apartments range from 480 to 980 square feet with 100 to 150 extra square feet for artists to use as studio spaces, and feature large windows, high ceilings, and wide doorways. The project consists of common spaces such as galleries, meeting rooms and green space that promote community involvement. Applications will be available in Spring 2014. To assist the area in preserving its traditional Latino culture, at least half of the units will be reserved for current East Harlem residents.
New York City's nouveau-tall skyscrapers, like the Christian de Portzamparc-designed One57 which recently topped out at 1,004 feet, have been wooing the world's richest residential buyers with unimaginable amenities and floor-to-ceiling glass. But if you interested in an address that redefined tall—one hundred years ago—your options are more limited. Now, developers Alchemy Properties have acquired the top 30 floors of the iconic Woolworth Building in Lower Manhattan, the world's tallest structure when it opened in 1913, with plans to build 40 super-luxury residential units in the sky. The Cass Gilbert-designed Woolworth, dubbed the "Cathedral of Commerce," held the world's tallest designation at 792 feet for a whopping 17 years from 1913 to 1930 when the Chrysler Building took the reigns, and it still holds its own on skyline of Lower Manhattan. The New York Times reports that the first new condos will begin at 350 feet above Broadway and a five-story penthouse in the building's copper-clad crown—once a public observation area—will bring new meaning to majestic living. But then again, the only downside of living in the Woolworth Building might be not having a view of the Woolworth Building. With 40 units distributed over 30 floors, the project may not be increasing the city's density by any appreciable level considering a single luxury residence could hold quite a few micro-apartments currently in discussion for Manhattan's east side. (In fact, AN has estimated that in the same 30 floors, one could likely fit over 600 efficient 250-square foot micro-apartments.) Telescoping floors range in size from 8,000 to 3,500 square feet as the tower rises, but the height won't be the only soaring aspect of the building. According to the Times, unit prices will top $2,000 per square foot, up from a neighborhood average of $1,250 per foot last quarter. If this news is an indicator that the economy of Lower Manhattan has finally, once-and-for-all rebounded, it might not be long until another luxury building rises next door to the Woolworth in a pit slated for an even-taller Robert A.M. Stern-designed hotel and condo tower. Between 1977 and 1981, the Woolworth Building's glazed terra cotta facade underwent a restoration by the Ehrenkrantz Group, when 26,000 damaged pieces of terra cotta were replaced with architectural precast concrete and nearly 40 percent of the entire facade was touched up. While putting together a slideshow of the building past and present, AN uncovered this photo of two steeplejacks precariously clinging to one of the building's four turrets, which reminded us that those turrets have been covered over today. Take a look at more photos of the Woolworth Building in the slideshow below.