Among the AEC industry's most powerful tools are digital technologies, from parametric modeler software to environmental analysis programs. Neil Thelen (Diller Scofidio + Renfro), Gordon Gill (Adrian Smith + Gordon Gill Architecture), Edward Peck (Thornton Tomasetti), and Doris Sung (dO/Su Studio) took time out from April's facades+ NYC conference to talk to our partners at Enclos about how technology is shaping the future of envelope design. At next month's facades+ Chicago conference, a series of tech workshops will offer hands-on instruction in topics including facade panelization and optimization and collaborative design and analysis. For more information or to register, visit the conference website.
Posts tagged with "Gordon Gill":
Climate change and extreme weather events have made resilience a watchword among AEC professionals. In this video from our partners at Enclos, filmed at facades+ NYC in April, Gordon Gill (Adrian Smith + Gordon Gill), Edward Peck (Thornton Tomasetti), and James O'Callaghan (Eckersley O'Callaghan) talk about designing and engineering building skins to meet present and future environmental challenges. Resilience will take center stage at the facades+ Chicago conference July 24-25. Early Bird registration rates have been extended through Sunday, June 29. For more information and to register, visit the conference website.
Architect Gordon Gill has one simple rule for facade design: seek performance first, and beauty will follow. Gill, who will give the opening keynote address at next month’s facades+PERFORMANCE conference in New York, is a founding partner at Adrian Smith + Gordon Gill Architecture, a firm known for pushing the boundaries of what architecture is and does. Gill and his team start by “establishing a language of architecture that’s based in the performance of a building,” he said. “We’re trying to understand the role of the building in the environment it’s being built in, then shape the building in order to benefit it the best way. Once we take that approach, the facades play a pretty rich role in either absorbing or reflecting the environment.” Gill titled his keynote talk “Skin Deep” as a tongue-in-cheek reference to what facade design ought not to be. “A lot of times facades are treated that way, as just a wrapper to make the building look good, when in fact we find their roles to be much deeper,” said Gill. “The role of the facade is really an amazing opportunity to change perceptions of space, to change thermal compositions of space, to change experiences of space on either side of that fence.” Gill has plenty of experience designing high-performance facades for challenging climates, from the heat of Dubai to the cold of Kazakhstan, where, he said, the air was so frigid and dry that he saw ice on the floor of the car that picked him up from the airport. “It’s amazing the environments that we have decided to occupy, and in doing so then we turn to these envelopes to protect us, everything from our coat to our building,” he observed. Gill embraces technology as a means to the end of high performance. “I’m a big fan of trying to get the most out of everything, and the technology plays a pretty big role in that for me,” he said. “When you’re dealing with a whole host of factors, including massive wind loads, movements of buildings, safety and protection in something that’s one kilometer tall, you’ve stretched the boundaries of conventionalism, you’ve gone beyond the normal expectations of materials. So now it becomes this combination of things you have to do to solve the problems.” Balancing performance and sensitivity in a facade, said Gill, is “like conflict resolution at the threshold of the built environment”—and technology can be an important mediator. “I would just put out a little call to arms for everyone who’s out there in this business, because we do have a responsibility to improve the environments that we design and work in,” concluded Gill. “I think beauty [has] a pivotal role and [is] a quality we all want to pursue, however, it shouldn’t be at the cost of intelligence, performance, and all the other things that make our environments valuable to us. I look forward to seeing more of that in the architecture that’s being produced—from us, too.”
With Great Height Comes Greater Challenges: Questions Linger as Construction Begins on Massive Kingdom Tower
A kilometer is less than a mile but still more than a Burj Khalifa. This truism means that Kingdom Tower is still set to be the worlds tallest building now that construction has begun in the Saudi Arabian city of Jeddah. Though the initial projected height of a mile has since been whittled down to a mere kilometer, problems continue to beset the oft-delayed $1.2 billion project. Investors have pinpointed April 27th as a suitable commencement date. UK companies EC Harris and Mace will be overseeing the realization of a design by Adrian Smith + Gordon Gill, no strangers to the obscenely tall tower scene. Having recently completed work on The Shard, Mace would have to stack Renzo Piano's design upon itself three times in order to approach the projected height of the Kingdom Tower. Shockingly, building things this tall comes with its fair share of hardships. A company called Advanced Construction Technology Services has been brought aboard in order to develop a method of pumping concrete that would meet the demands of the project. Elevators should prove problematic as well. The weight of a typical elevator cable cannot be supported beyond 2,000 feet. Once this first of its kind elevator is created, its not clear how human passengers will respond to the unprecedented lengths of its journeys. In a recent story in Bloomberg, Gill conceded that it remains unclear how the inner ear would respond to the rapid changes in height it would undergo while traversing the Tower by lift. Potential stumbling blocks do not reside exclusively in the sky, but can be found beneath the ground as well. The structure's foundation will extend deep enough into the ground that it will meet the salty waters of the nearby Red Sea, meaning materials capable of surviving the encounter must be found. Economically the project rests squarely upon the shoulders of $20–30 billionaire Al-Waleed bin Talal, nephew to the country's King Abdulah and chairman of the Kingdom Holding Company.
An update to our story from yesterday: Northwestern University released many more images from the three candidates vying to build a successor to the site previously occupied by Bertrand Goldberg’s old Prentice Women’s Hospital. The new images include floor plans, interior renderings, and additional elevations of the three buildings. The three finalists whose designs now go to the Northwestern board of trustees for a decision are: Goettsch Partners and Ballinger; Adrian Smith + Gordon Gill Architecture and Payette; and Perkins+Will. Construction is expected to start in 2015, with the approximately 1.2 million square feet phased in over time. Prentice Women's Hospital, the building previously occupying 333 E. Superior St., was the subject of a heated and ultimately doomed preservation effort. Demolition on the distinctive cloverleaf structure began in October. Peruse the full galleries here: Goettsch/Ballinger; AS+GG/Payette; Perkins+Will.
Northwestern University released images of the building that could replace old Prentice Women's Hospital Thursday. The three finalists vying to design a successor to Bertrand Goldberg's curvilinear icon are: Goettsch Partners and Ballinger; Adrian Smith + Gordon Gill and Payette; and Perkins & Will. After a long and high-profile struggle to save Prentice, preservationists were discouraged by what they saw as a raw deal. A short documentary released in October is the latest in a series of post-mortems on that contentious process. Northwestern plans to begin construction on the Feinberg School of Medicine Medical Research Center at 333 E. Superior St. in 2015. The University’s board of trustees will pick the final design. Review the submissions here: