Kaufman Astoria Studios, a film and TV studio that’s been a fixture in Astoria, Queens since its opening in 1921, is expanding in a big way. Local firm GLUCK+ has shared renderings of the forthcoming four-story film and production building, which comes on the heels of Kaufman Astoria opening the city’s first backlot (used to stage outdoor scenes) in 2014. Besides adding several floors of office space, the new building will hold production offices, dressing rooms, prop storage areas, and two stages, increasing the campus's stage space by 25 percent. Once completed, the new building will represent a sizable increase for the studio’s overall campus, which currently stands at 500,000 feet, and includes nine stages and a restaurant. The project, sited at 35-71 34th Avenue, is down the street from the Museum of the Moving Image. From the renderings, it seems that the studio will also be returning a perforated gate at the northern edge of 34th Avenue that was removed in 2014; the same year a new entrance gate and spiral staircase were added to the campus’s south edge. The exterior of the 100,000-square-foot addition will be clad in vertical panels, and the overall scheme fits comfortably into GLUCK+’s design canon. The 84-foot-tall film and production building will hold 68,000 square feet of open office space across the top half, which should be well-lit due to the numerous, narrow vertical punch windows that break up the facade. According to YIMBY, Kaufman Astoria employees can expect 14-foot-tall ceilings and seven balconies. Kaufman Astoria will also be gaining two stages inside of the building’s heftier bottom half, directly below the offices, as well as 134 parking spaces. Kaufman Astoria Studios has been hugely influential in New York's film and television history, and everything from silent movies to TV shows like Sesame Street and Orange is the New Black in more recent years has been filmed there. Construction on the office project began in February 2017, and no completion date has been announced as of yet.
Posts tagged with "Gluck":
Custom sliding wood shades maximize privacy and views in Adirondack Mountains retreat.Architect-led design build firm GLUCK+ designed the Lakeside Retreat in the Adirondack Mountains on an historic blueprint: the Great Camps, sprawling summer compounds built by vacationing families during the second half of the nineteenth century. "The clients wanted to hold events there, and to make a place where their kids—who were in college at the time—would want to spend time," said project manager Kathy Chang. "They wanted to create different ways of occupying the space." GLUCK+ carved the hilly wooded site into a series of semi-subterranean buildings, of which the two principal structures are the family house and the recreation building. These buildings are, in turn, distinguished by massive lake-facing glass facades, camouflaged by wooden screens designed to maximize both privacy and views. The project, explained Chang, "was really about sculpting in and out of the landscape, manipulating the ground plane." By using the existing site as a primary element of construction, the GLUCK+ team was able to accomplish two things. First, "it gave us a new level area for the clients to hang out outside," said Chang. "It provided a new way to occupy the site, because before there was no flat ground." Second, they were able to manipulate the program so that the mechanical spaces were tucked into the underground portions of the houses, making way for a transparent facade along the lakeside. "The fact that so much of the program is buried allowed us to build the glass facade, despite the energy requirements," said Chang. The custom curtain wall is in fact quite simple, said Chang. "What made it custom was sizes and the ability to integrate the screen support: we have various slope conditions, and at the highest point the pieces are really very heavy." GLUCK+ installed Siegenia lift and slide hardware to insure easy operation of even the largest sliding glass doors. "The client was really intrigued with the idea of open sleeping porches," said Chang. "They wanted to be able to open up the house and have the breeze come through." The screen system was partly a response to concerns expressed by the local environmental commission. "The commission was very nervous about having a tall glass building facing the lake," recalled Chang. "We set the buildings back from the lake, in the trees. In addition, part of the idea of the screen was to break down reflections from the glass so that it wouldn't be so apparent from the lake." The wood shades are arranged in two layers, both attached at the top to the underside of the roof slab. Stainless steel outriggers placed in the window system between the first and second stories provide an additional point of attachment for the screens above and below. To reduce the gravity load, the outriggers are supported by cables attached to the roof slab. Each screen comprises thermally modified poplar slats from Cambia Wood affixed to a Cor-ten frame with horizontal steel elements for additional strength. "We calculated that there's almost four miles of wood, so we really spent a lot of time looking at different options, at different ways to price it and build it," said Chang. "We looked at doing this in mahogany or other woods typical for outside use, but both the weight and expense were prohibitive." GLUCK+ performed analyses to determine which rooms would require more or less privacy, or open spaces at sitting or standing levels for views. Many of the screens are designed to slide from side to side. In addition, some individual slats can be rotated to enhance privacy. On the top level of the buildings, the (fixed) inner layer of screening doubles as a balcony guardrail. GLUCK+ used the same poplar on the buildings' other exterior walls, some of which are occupied underneath, others serving as filler. "We used the same wood in a more solid condition to try to tie those walls in with the screen, and with the solid earth," said Chang. "It's really hard to tell where the building stops and the landscape begins." Because one building was ahead of the other during construction, Chang and her colleagues had the opportunity to compare the uncovered curtain wall with its shaded neighbor. "The unscreened building just looked naked and cold," she said. "It didn't have this life to it." The clients, reluctant at first to embrace the screens, agreed. "In the beginning of the process, the clients were a little worried about losing the view," recalled Chang. "We needed iterations of the mockups to convince them: no, it's actually adding to it. It ended up being one of their favorite parts of the whole project."
Thomas Gluck, of GLUCK+, has built himself one heck of a vacation home in upstate New York. The glassy residence, known as the Tower House, is separated into two main volumes: a transparent, three-story vertical column that is defined by a bright, yellow stairwell, and a horizontal living space that cantilevers 30 feet above the ground. The firm described the project as “a stairway to the treetops.” To minimize the home’s footprint, Gluck kept the vertical column narrow quite narrow, only allowing space for a small bedroom and bathroom on each floor. The larger living area is placed up within the horizontal section, which offers panoramic views of the Catskills. To further camouflage the structure within the surrounding environment, its exterior is partially clad in a “dark green enameled back-painted glass” that reflects the trees. “Tower house is part of the canopy,” explained the firm in a video about the project. "A gesture as whimsical as it is rational.” [ht 6sqft.]
Architecture isn't just for rich, young caucasians. In fact with explosions in senior, minority and student populations it's time to take a hard look at how these changes impact architecture. You can do that tonight at a panel called Designing By Demographics at LA's Brewery, sponsored by AN. The event, hosted by journalist and media expert Marissa Gluck, brings in experts from architecture, art and community redevelopment to discuss how demographics impact design, from senior housing, to childcare, and low income communities. Panelists include architect Patrick Tighe, designer of the Sierra Bonita affordable housing project in West Hollywood; Edgar Arceneaux. Executive Director of the Watts House Project, an arts and community redevelopment project in Watts; and a great lineup of architects, artists, and academics. No to mention The Brewery is one of our favorite locations in LA ( Telemachus Studio at the Brewery, 672 South Avenue 21 Unit 2).