A star-studded jury has selected the winners of the American Academy of Arts and Letters' 2015 architecture prizes. Elizabeth Diller (chairman), Henry N. Cobb, Peter Eisenman, Kenneth Frampton, Michael Graves, Richard Meier, Laurie Olin, Cesar Pelli, Billie Tsien, and Tod Williams chose the awardees from among 41 nominations. Sheila O'Donnell and John Tuomey of Dublin's O'Donnell + Tuomey took home the $20,000 Arnold W. Brunner Memorial Prize, for which any architect "who has made a significant contribution to architecture as an art" is eligible. O'Donnell and Tuomey, who also received the 2015 Royal Gold Medal from the Royal Institute of British Architects, are the creative team behind projects including the Sean O'Casey Community Centre (Dublin, 2008) and Belfast's Lyric Theatre (2011). The jury also awarded four Arts and Letters Awards in Architecture of $10,000 each. Yolanda Daniels and Sunil Bald, and Kate Orff won the first two awards, reserved for American practitioners "whose work is characterized by a strong personal direction." Of Daniels and Bald's work, which they undertake in New York as Studio SUMO, juror Billie Tsien observed, "There is always a sense of the weight of materials in what they do." Kate Orff founded New York landscape architecture firm SCAPE to combine research and practice on the urban landscape. Her recent projects include Oyster-Tecture for the 2010 MoMA exhibition Rising Currents, and Living Breakwaters for the U.S. Department of Housing and Urban Development, ongoing since 2014. Kurt W. Forster and Rosalie Genevro secured the second category, for an American "who explores ideas in architecture through any medium of expression." Forster, an architectural historian and founding director of the Getty Center for the History of Art and the Humanities, is currently an emeritus visiting professor at Yale. Genevro heads the Architectural League of New York. "Quiet wisdom as well as consistent and powerful leadership are hallmarks of Rosalie's 30 years as executive director," said juror Tod Williams. Select work by the winners, who will receive their awards at the Academy's annual Ceremonial and may, will be on display in the Academy's galleries on Audubon Terrace from May 21-June 14.
Posts tagged with "Getty Center":
Lyonel Feininger: Photographs, 1928–1939 Getty Center 1200 Getty Center Drive Los Angeles, CA Through March 2012 The American-German artist Lyonel Feininger, famous for his urban and landscape paintings, took up photography in 1928. Already a longtime collaborator with Walter Gropius—Feininger taught printmaking at the Bauhaus for almost a decade while Gropius was director—Feininger turned to the “mechanical” medium to explore the effects of light and shadow, reflections, and night imagery. A majority of his photographs have remained in relative obscurity. The exhibit Lyonel Feininger: Photographs, 1928–1939 at the Getty Center is the first U.S. venue to present a comprehensive collection of his photography. Feininger’s photographs center on architecture: the hard geometric forms of the Bauhaus campus at night, and the Dessau railway station, as well as the urban and rural landscapes he encountered during his travels to Paris and the Baltic coast. The exhibit also presents his later work where, after the close of the Bauhaus by the Nazis, he became captivated by the surreally lifelike figures of mannequins in window store displays. Photographs by Feininger’s son, T. Lux—a student at the Bauhaus—are exhibited alongside his father’s, including his photograph of Karla Grosch in “Dance in Metal” at the Bauhaus. Feininger’s images, dominated by multiple exposures and dramatic contrasts, were captured using a Voigtländer Bergheil camera, which is on display along with his photographs. His explorations in photography as a means of creative expression and documentation marked the emergence of the German New Vision school of photography that began on the brink of World War II.
An important part of Richard Meier’s design process is his use of scale models—usually beautifully crafted of wood—to consider a physical form in its broader context. In-house model makers are often asked to fabricate multiple iterations of projects, and the firm is famous for its elegant presentation models, such as the one for his extraordinary gridded skyscraper (designed with Steven Holl, Charles Gwathmey, and Peter Eisenman) for the World Trade Center competition. Fortunately, Meier has not only kept many of his models, some going back 40 years like the Smith House in Connecticut, but also a spectacular series of working models for the Getty Center (above). These are kept in Meier’s model museum—a loft space in Long Island City that is opened to the public starting tomorrow, May 7, through August 27 (the museum is closed to the public during the winter months, due to the climate’s impact on the models). Tours can be arranged through Richard Meier & Partners Architects at 212-967-6060.