Posts tagged with "Furniture":
This year ICFF and Wanted Design span ten days and two boroughs with events happening 24/7. Here are a few of the pieces from the show that we are excited about seeing up close in person.Embrace Lounge Chair Carl Hansen & Søn Created by Austrian design trio EOOS, the Embrace Lounge Chair is a more relaxed version of a dining chair by the same name that debuted in 2015. The new version combines Carl Hansen’s classic wood frame with a comfortable upholstered cushion.
Lattice is the second collaboration between Nanimariquina and the Bouroullec brothers. For it, they experimented with the options of ancient kilim techniques to create a pattern that was balanced and proportional, yet also irregular. It comes in two color variations, as well as the option to commission custom pieces.
Pluralis Fritz Hansen
This new meeting table design by Danish designer Kasper Salto is aptly named—it is intended to accommodate a variety of different settings and function as a blank slate for creativity.
New finishes Fantini
Gunmetal, copper bronze, and British gold are three new finish options that Fantini is adding to its collection. These three hues have been trending heavily in kitchen and bath design, and now allow for an even larger range of customization.
Comforty Mellow Maja Ganszyniec
This couch, in addition to dozens of other award-wining ceramics, glassware, clothing, and furniture designs, will be on display at Pole Position, a presentation by Culture.pl on some of the best designs out of Poland.
Vague Stelle chandelier Santa & Cole
To celebrate their 30th anniversary, Barcelona-based lighting brand Santa & Cole is reissuing a fixture that was originally designed by Antoni de Moragas, one of Spain’s preeminent postwar architects. It was inspired by medieval architecture and the designs of Viennese Secessionists Joseph Maria Olbrich and Adolf Loos.
"The Candy Desk duty is Mounds of responsibility. I campaigned for this assignment on the platform of life, liberty, and the pursuit of Peeps and hope Pennsylvania's treats will sweeten the bitter partisan atmosphere. I plan to stock the Candy Desk with Pennsylvania's finest chocolate and deliciousness to ensure a surplus of sweets. We are home to the best confectioners in the world. Hershey's, of course, is headquartered in Central Pennsylvania. Mars makes Three Musketeers in Elizabethtown. Just Born creates Peeps in Bethlehem. And we are proud of our smaller candy makers too including Asher's in Kulpsville, Wilbur Chocolate in Lititz, Josh Early Chocolates in the Lehigh Valley, and many, many more."AN reached out to the senator's Washington, D.C. office to find out what candy Sen. Toomy prefers. Bill Jaffee, Toomey's press assistant, stated that the desk is currently stocked with "Kit Kats, Hershey’s almond bars, Peanut Chews, Pennsylvania Dutch chocolate caramels, Milky Way, and Mike n' Ike." In a great show of bipartisan goodwill, Democrats may partake in the snacks, too.
Endless table materializes intra-office connectivity in plywood, MDF, and epoxy.When Culver City-based Clive Wilkinson Architects (CWA) sat down with representatives of the Barbarian Group to discuss renovating the advertising agency's new 20,000-square-foot office, one word kept coming up: connection. "Before, they were all in offices designed for one person, but crammed five in each, and scattered," recalled associate principal Chester Nielsen. "It was a pain. Bringing everyone into the open, and having them feel like they were all connected was super important." The architects elected to "surgically gut" the leased New York Garment District loft to create a central workspace for between 125-175 employees. To materialize the theme of connection, they zeroed in on the idea of a single work surface, an endless table later christened the Superdesk. With 4,400 square feet of epoxy-coated surface atop a support structure comprising 870 unique laser-cut plywood panels, the Superdesk is a triumph of programmatic creativity. "Building a big table was not an obvious solution," said Nielsen, "but it's a simple one." The Superdesk began as a series of sketches by president Clive Wilkinson. "Upon first impression we got to this squiggly table," said Nielsen. "It worked really well. Honestly, we've just been refining that." The table's undulating surface lifts and lowers, to indicate subtle divisions between departments, and to create arched overpasses above intra-office "cow paths." The grotto-like spaces under the archways double as intimate gathering areas for up to eight people. From the sketches, the architects built two physical models—the first rough, the second more refined—before taking the design into Revit and Rhino. There they further fine-tuned the form and prepared it for fabrication by Machineous LLC. "Machineous wanted the project very much; they were a good partner on this," said Nielsen. "We worked back and forth to tweak what we needed to make the table constructible." Machineous laser-cut the component parts, including the plywood ribs that shape the Superdesk's archways, using vintage automotive-industry robots. Machineous flat-packed the cut pieces and shipped them to New York, where the desk was assembled on site. The Superdesk's walls are framed in 2-by-4 lumber faced with plywood; plate steel brackets connect the various wood elements. Machineous bonded the MDF tabletop and painted it a shimmering white to give it the appearance of a single connected surface. The crowning achievement of the fabrication process—and the literal polish on the project—was a continuous epoxy pour, completed by rotating teams over a 24-hour period. Despite the complications inherent to prefabricating and installing a massive piece of furniture on opposite coasts, CWA and Machineous managed to deliver their innovative take on contemporary office culture both on time and within Barbarian Group's tight budget. "Something quite notable from the perspectives of both design and fabrication is that it's the same cost as going to Office Depot" for conventional desks, noted Nielsen. What is more, with plenty of surface area for laptops and the other, increasingly minimal, accoutrements of the modern workplace, and with a data and power track built into its walls, the Superdesk "is very, very flexible," he said. "Unlike a typical office [layout], it can change in a day."