Composed of 112 tensioned cables, 224 high-strength rods and nearly 10,000 individual stainless steel components, the design of the steel cable net sculpture emphasizes simplicity of construction and optimal performance in all environmental conditions. Arup developed 815 unique scenarios based on the possible permutations of air pressure, indoor temperature, and building movement within the Fulton Center dome. Each scenario produced a slightly different cable net shape. The net will assume these shapes over the course of its lifetime as the environmental conditions within the space change. Sky Reflector-Net is a powerful example of the capacity of a large tensile structure to define a landmark public space.The Fulton Center serves the 2, 3, 4, 5, A, C, J, R, and Z subway lines and accommodates 275,000 passengers per day. The project is currently expected to cost a total of $1.4 billion, nearly twice the budget that was expected when the project began in 2003.
Posts tagged with "Fulton Street Transit Center":
Next year, when construction wraps up at the Fulton Center in Lower Manhattan, commuters will be gazing up, rather than around, at the station’s new artistic centerpiece—a curved, 79-foot-high reflective aluminum diamond web encased in a stainless-steel tracery. The showstopper will send ambient daylight into the mezzanines, passageways, and possibly even the platforms to help passengers orient themselves in the transportation hub. At $2.1 million, Sky Reflector-Net, an artist/architect/engineer collaboration between James Carpenter Design Associates (JCDA), Grimshaw Architects, and Arup, is an integrated work created for the Metropolitan Transportation Authority (MTA) Arts for Transit and Urban Design and Metropolitan Transportation Authority Capital Construction (MTACC). It is the largest such work that the MTA has ever commissioned. Sky Reflector-Net seamlessly incorporates both functional and aesthetic goals. The piece was recently installed within the transit center building designed by Grimshaw Architects and Arup. Arup is leading the 15-member sub-consultant team, which includes building design architect Grimshaw Architects, architect and historic preservationist Page Ayres Cowley Architects, architects HDR | Daniel Frankfurt. The general contractor for the Transit Center construction package (one of nine construction packages) is the Plaza Schiavone Joint Venture. Prismatic glass blades hanging at the top of the dome that cause the 8,500-square-foot surface to continually change by dispersing light rays throughout the station. Sky Reflector-Net consists of a stainless-steel lattice made of slender cables tensioned between two sizeable rings. The 53-foot-wide upper ring slants at a 23-degree angle. The 74-foot-wide lower ring sits at a 12-degree angle. The 952 perforated diamond-shaped and triangular aluminum panels each reflect approximately 95 percent of the light that strikes it. The largest reflective pane is just over eight feet tall.
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An in-progress look at the new transit hub's massive skylightAfter funding cuts and subsequent delays since construction started in 2005, the much-anticipated Fulton Street Transit Center is finally taking shape in Lower Manhattan. The $1.4 billion project will connect eleven subway lines with the PATH train, the World Trade Center, and ferries at the World Financial Center. In collaboration with artist James Carpenter, Grimshaw Architects designed the project’s hallmark—a 60-foot-tall glass oculus that will deliver daylight to the center’s concourse level. The hyperbolic parabaloid cable net skylight supports an inner skin of filigree metal panels that reflect light to the spaces below. AN took a look at the design’s progress with Radius Track, the curved and cold-formed steel framing experts who recently completed installation of the project’s custom steel panels: Metal framing was an ideal choice for the skylight’s large structure, whose 90-foot diameter required a high strength-to-weight ratio that couldn’t have been achieved with a heavier material like concrete. Cold-formed steel (CFS) could also be manipulated into the complex shapes necessary to achieve the skylight’s irregular shape. Though the project was originally designed as a stick-built structure, the design would have required workers to complete the construction of the complicated, sloping oculus walls while working five stories above ground. Proximity to the water raised concerns about severe storms that would have further compromised working conditions. The oculus also had to meet security standards surrounding the World Trade Center memorial sites, so the design team abandoned the stick-built approach and began to consult with Radius Track on an alternative construction method. The structure’s total surface area is approximately 8,294 square feet, comprised of 44 panels arranged in two tiers. Panel width is a constant 8 feet, while length ranges from 19 to 33 ½ feet excluding two smaller end panels measuring 4 feet by 14 feet. The knife-edge element at the top of the parapet is 167 feet long, with a profile that changes continuously along the diameter. Using BIM, Radius Track customized designs for the seven-layer panels that complete the walls of the oculus. The modeling software allowed the team to detect potential clashes within the panels and with other design elements early on, and also facilitated the rapid, offsite fabrication necessary for the project’s tight timeline. The custom panels are designed not only for performance but also for geometric precision. The seven layers include framing (studs, track, blocking, and knife-edge panels where applicable), steel decking, DensGlass sheathing (a drywall material used in exterior applications), waterproof membrane, drainage mat, insulation and curved metal girts to which exterior cladding is attached, and Tyvek wrap. While the materials used in the project are traditional, the methods to connect the layers are not. Each layer has its own particular pattern, making attachment details between the layers critical. (For example, the CFS layer is a grid, the decking consists of linear ridges aligned with one panel edge, and metal girts span across the panel.) Each layer required its own design and subsequent coordination to ensure the finished installation was as precise as possible. Several types of metal are used to create the oculus. The walls’ structural framing is 14 gauge (68-mil) cold-formed steel, a “beefier” design than Radius Track would typically employ because of high wind speeds and enhanced safety and security requirements that are now standard for government structures in New York City. Designers used 16-gauge CFS for the track that is wrapped horizontally around the oculus walls. Decking is VulCraft 3-inch steel decking and horizontal metal girts secure the insulation layers. At the parapet, Radius Track designed customized 16-gauge, laser-cut steel sheets to form the ever-changing slope that circles around the top of the structure. Some sections are opening to the public ahead of the anticipated mid-2014 completion, and the complex is eventually expected to serve 300,000 passengers each day with 26,000 square feet of new space that will also include new retail stores and restaurants.
It's been one year since we began walking the circumference of the World Trade Center site and taking photos of the progress. A lot can happen in a year. The city and state are in a tussle over the Memorial Museum bringing construction there to a halt. Larry Silverstein has threatened to cap Tower Three at at seven stories instead of 80 if he doesn't get a lead tenant by the end of the year. Pat Foye, the new head of the Port Authority has called the PA's Trade Center focus a "mission drift" and ordered a special committee to audit the years overseen by his predecessor, Chris Ward. And now The New York Post reports that the underground loading dock for One World Trade won't be completed by the time the first tenants move in. News from the last couple of months has been so bad that we thought we'd sift through some of our old photos to focus on the work that was completed over the past year. And while One World Trade continues its march upward (it's nearing the 1,776 feet), other projects on or near the site are almost complete or are on schedule to be finished in the next couple of years. Brookfield's renovations of the World Financial Center have begun. Work at Fulton Street Transit Station by Grimshaw continues to chug forward. CUNY's Fiterman Hall by Pei Cobb Freed was recently capped. And a new visitors center for the memorial opened on West Street.
Even before the recession hobbled the MTA, the fate of the Fulton Street Transit Center was much in doubt. There had been talk of simply capping the site with a park, or building Grimshaw's pavillion but without Jamie Carpenter's signature oculus. But according to a report this morning on WNYC, the MTA has decided to go forward with an above-ground building, though it could be sans oculus. And, for better or worse, there will be more retail opportunities (read: a mall), which, given Richard Ravitch's contention that the MTA lacks a consistent, reliable funding stream, might not be such a bad idea. The WNYC report is not online, though confirmation from MTA prez Lee Sander, as well as the news that it will cost between $1.3 billion and $1.4 billion, is. Furthermore, per WNYC, "Sander would not say what revisions have been made to the hub's design." But a source at Grimshaw wrote in an email that not much has changed--yet. "We are still the architect and the oculus still exists." In an interesting twist, the Post is now reporting that the remaining $497 required to complete the project will come from the Obama stimulus package, as well as more vague design pronouncements:
"People have been worried that we were going to leave a hole in the ground or construct a simple subway entrance instead of the iconic structure that the community was expecting," Sander said. "I am here to tell you that this is not the case." The original designs of the above-ground glass structure called for an oculus that would reflect light into the station. The plans were later simplified to only include skylights.No word yet from Jamie Carpenter, though the MTA press office is hard at work on filling us in. For a reminder of what the project may or may not look like, check NY1's story from Monday. Update: In an email, Carpenter writes, "We are of course hopeful but I have no current information." Meanwhile, MTA spokesman Aaron Donovan shed slightly more light on the project. "At this stage, we've reached a concept but no new designs yet," he said, adding "A three-story glass structure is about as specific as I could get." In the Times, Sander said pretty much the same thing, as well as making a strong case for its inclusion in the stimulus plan:
“The pavilion has to be many things to many people,” Mr. Sander said, referring to the glass structure. “It has to be a building of vibrant design with as much new retail activity as possible.” He called it “a highly visible portal to a modern transportation complex.” [...] “The project needs to be finished,” he said. “It does at this point appear to meet the criteria that Congress has put out, and from an economic stimulus standpoint, in terms of job creation, it certainly seems appropriate.”