The International Olympic Committee has selected Danish firm 3XN to design their new headquarters in Lausanne, Switzerland. The firm beat out Toyo Ito, Diller, Scofidio + Renfro, and OMA to design a new administrative campus for the committee alongside Lake Geneva. ‘The Olympic Movement has many expressions that are about people coming together in the best possible way,"said Kim Herforth Nielsen, Principal and Creative Director of 3XN, in a statement. "We have designed the new IOC Headquarters as a physical expression of the Olympic Movement and its values expressed through Architecture."
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The winners of the AIA New York's biennial design competition have been been announced. The Emerging New York Architects (ENYA) committee selected from 120 proposals submitted as a part of QueensWay Connection: Elevating the Public Realm, which was intended to drum up ideas that would contribute to the proposed re-purposing of an elevated railway in Queens. Entrants were tasked with designing a vertical gateway for the elevated viaduct portion of the 3.5 mile–long track currently under consideration for the High Line treatment. A jury consisting of Claire Weisz of WXY Architecture + Urban Design, Matthew Johnson of Diller Scofidio + Renfro and project manager of the High Line, and Margaret Newman from the New York Department of Transportation among others convened on January 18th to anoint Carrie Wibert the winner and recipient of the $5000 ENYA prize. Nikolay Martynov's Queens Bilboard finished second, followed by Song Deng's Make It! Grow It! Jessica Shomekaer won the Student Prize while Queens local Hyontek Yoon received honorable mention for Upside Down Bridge. These proposals, along with others submitted to the competition will go on display July 17th in an exhibition at the Center for Architecture that will be supplemented by a series of discussion panels. The exhibit should come on the heels of the completion of the ongoing feasibility study undertaken by WXY and dlandstudio Landscape Architecture & Architecture. The project is not without its detractors, with some locals clamoring for the re-activation of the track for rail transportation as a means of alleviating congestion in the borough. Advocates of the Queensway question the feasibility of such a move and also claim that the park would link communities, improve quality of life, and enable safer bike and foot traffic.
The Italian classicist architect Pier Carlo Bontempi has been named the 2014 Driehaus Laureate. A native of Parma, Bontempi's work in Italy and France re-imagines the traditional city with projects like a master-planned block in Parma and the Quartier du Lac outside Paris. "His buildings, seamlessly woven into their urban environments, demonstrate principles of the new classicism and urbanism," said Michael Lykoudis, dean of the school of architecture at the University of Notre Dame, in a statement. "Their durable construction, adaptive interior spaces and sensitive siting make them exemplars of architecture as an art of conservation and investment as opposed to consumption and waste." The $200,000 Driehaus prize, underwritten by the Chicago-based Richard Driehaus Foundation, is administered by the school of architecture at the University of Notre Dame. It recognizes "a living architect whose work embodies the highest ideals of traditional and classical architecture in contemporary society, and creates a positive cultural, environmental, and artistic impact." Previous winners include Robert A.M. Stern, Andres Duany and Elizabeth Plater-Zyberk, Leon Krier, and Abdel-Wahed El-Wakil. While the purse is twice that of the Pritzker Prize, the Driehaus is still somewhat confined within the worlds or classicism, new urbanism, and historic preservation, as AN previously pointed out in a report of the overlapping world of the honorees and jurors. Along with the Driehaus prize, the foundation and school also award the $50,000 Henry Hope Reed prize, for individuals working outside of architecture to promote traditional city making. Ruan Yisan, a professor of urban planning and Director of the National Research Center of the Historic City at Tonji University, is this year's Henry Hope Reed Laureate.
The design team at MODU, in collaboration with Ho-Yan Cheung of Arup, have created an urban public space for the 5th China International Architecture Biennial. Their design pays homage to Beijing's iconic Olympic Park, while drawing attention to environmental issues in the country’s densely populated capital. The biennial committee has also commissioned designs from leading international architects such as Wang Shu, Zaha Hadid, and Mohsen Mostafavi. The dual-purpose structure not only creates a unique civic space, but also acts as a barometer for the air quality in Beijing. This “room in the city” concept does not attempt to separate people from polluted outdoor air and filtered indoor air by means of physical boundaries. Instead, the structure highlights the air pollution issue through the use of punctured openings in the walls and ceiling panels, as well as a large elliptical roof which frames the Olympic Observation Tower. On clear days, the tower can be seen perfectly through the roof frame, but on days when the pollution creates a dense grey fog, the landmark virtually disappears from sight. The outdoor room is made from recycled materials and, according to its designers, represents a new era of socially responsive design. At the end of November, the structure will be installed in six other cities in China.
Proving the beauty and sustainable capability of steel construction, the winning projects of the Association of Collegiate Schools of Architecture (ACSA) 2012-2013 Steel Design Student Competition have been announced. The competition, launched last spring, called for comprehensive and environmentally thoughtful steel designs in two categories. The first, Building to Bridge, sought a plan for a long-span pedestrian bridge whose location would be enriched by the connection it created. And the second, Open, allowed for full flexibility in student design ideas of steel construction. The ACSA chose winners whose projects represented “creative and innovative use of structural steel in the design solution, successful response of the design to its surrounding context, and successful response to basic architectural concepts.” Building to Bridge Category, First Place: Stream_Line Stream_Line by Christopher Garrow, Heather Martin, and Kaitlin Shenk of Philadelphia University designs a pedestrian walkway connecting the north and south ends of Philadelphia, Pennsylvania. Building off existing abandoned Reading Viaduct railroad tracks, Stream_Line provides an exterior green pathway and an interior pathway for protection from the elements, an exhibition space, a café, and a gift shop. Similar to the High Line in New York City, the bridge is meant for congregation. Situated over Interstate 676, its transparent façade lights up at night “to provide an after hour presence.” The overall project uses sensible materials, like recyclable wood, in addition to its steel construction and plans the bridge's multiple levels for optimized solar shade. Renderings Courtesy ACSA. Open Category, Winner: Injection Trevor Larsen and Ben Pennell of California Polytechnic State University have reimagined a performance arts center in their winning project, Injection. A steel cube sliced horizontally and vertically to create two voids, then stacked and heavily trussed, is a design that aims to insert “randomness, improvisation, and intimacy into the architecture of musical performance.” The entire building contains three theater spaces, one partially sunken below ground and two “floating” within the steel truss structure. The façade on each side of the center is of a different opacity, corresponding to its solar exposure. The vertical plane of the cube that receives the most light is constructed of photovoltaic cells and assorted ventilation spaces. Renderings Courtesy ACSA. Open Category, Winner: Inverted Landscapes Responsibility for the environmental health of the Tijuana River Watershed is shared the two countries that border it: the United States and Mexico. Inverted Landscape, created by Byron Marroquin and Sal Vargas of Woodbury University, designs an international forum space as a physical steel bridge floating over the water itself. Creating large steel landmasses that parallel the landscape in an inverted view, the project provides a Bi-National Auditorium for debate and collaboration on policies regarding the shared body of water. The jury commended Inverted Landscape’s thoughtfulness on the properties of steel; the design could not be constructed in any other material. Renderings Courtesy ACSA.
Designing for a specific space can be a challenge, but try designing a chair predestined to become a contemporary statement in the newly-refurbished Weston Library, part of the Bodleian Libraries at Oxford, which has commissioned only its third new chair in 400 years. Earlier this year, three partnerships—Amanda Levete and Herman Miller, Barber Osgerby and Isokon Plus, and Matthew Hilton and SCP Ltd—were shortlisted to compete for the prestigious prize, which has officially been awarded to Edward Barber and Jay Osgerby with Isokon, for their low, round-backed design. Barber Osgerby's contemporary interpretation of the competition brief resulted in a surprisingly slender, three-legged oak design that unites craft heritage and sculptural form to inventively meet reader requirements. The victorious prototype represents a scholarly design approach, with early inspiration drawn from awareness of the library's history and culture. The chair will be produced for installation in the newly-renovated Weston Library over the next year. Bodleian’s estates manager Toby Kirtley told The Guardian that the institution “wanted something that would be iconic and representative of the library. It should be contemporary in style, but not out of place in a heritage setting—innovative and original, without being too experimental and risky.” Barber Osgerby seems to have hit the mark, as Bodley's Interim Librarian Richard Ovenden said, "the winning chair is characterized by a strong identity, creative approach, comfort and suitability for intense study and research." The commission was last granted in 1936 to Giles Gilbert Scott, who designed two heavy, leather-clad bucket seats to furnish the New Bodleian Library building, which is currently undergoing an approximately $105 million renovation by Wilkinson Eyre Architects, and it is set to open in October 2014. Judges included Librarian Sarah Thomas, Director of the V&A Professor Martin Roth, and industrial designer of Kenneth Grange, among others.
Chicago-based architect Jimenez Lai, principal of Bureau Spectacular, has been awarded the first BPC Debut Award for architects under 35. Lai is known for his bold, formally-inventive work, which he describes as "cartoon narratives" that "swerve into the physical world through architectural installations models, and small buildings." He is the author of Citizen of No Place and an assistant professor at the University of Illinois at Chicago. Selected from a pool of more than 180 entrants, Lai's work was recognized for its "original design thinking and pursuit of critical ideas." The prize comes with a modest monetary award of 5,000 euros.