Posts tagged with "Foster + Partners":

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Renderings revealed for Foster + Partners’ new tower at Hudson Yards

Today the developer of Hudson Yards has revealed designs for the Far West Side's newest tower.

Related Companies and Oxford Properties Group unveiled the icy cloudbuster for 50 Hudson Yards, designed by global firm Foster + Partners. The 985-foot, 58-story structure covers an entire city block.

“50 Hudson Yards is envisaged as a vertical campus in the heart of Manhattan that is eminently readable at city scale with three distinct blocks stacked one above the other,” said Nigel Dancey, Foster + Partners' head of studio, in a statement. “Crafted from a simple palette of white stone and glass, the building’s primary structure has been pushed to the edges to create large-span flexible floorplates. It aspires to define the workplace of the future, bringing to the fore the practice’s values of innovation and creativity by producing a positive work environment that seeks to fulfill the needs and expectations of a demanding workforce.”

When complete, the 2.9 million-square-foot building at 33rd Street and 10th Avenue will be the city's fourth largest office tower. When the building opens in 2022, principal tenants like the financial company BlackRock will enjoy outdoor terraces and private "sky lobbies," as well as access to 30 Hudson Yards' outdoor observation platform.

The New York Times reports that New York State is giving Blackrock, a company with more than $5 trillion in assets, a $25 million tax break to stay in the state and move into the shiny new tower.

Construction is expected to begin next year on the white stone– and glass-clad building. In the renderings, glass windows are framed by stone while dark-outlined floors peek out from behind the glazed facade. Column-free floorplates that span a minimum of 50,000 square feet per floor are able to accommodate 500-plus people, and workers on some floors will enjoy expansive outdoor spaces, the result of periodic setbacks.

“Covering a full city block, the building is highly permeable at ground level, allowing it to engage fully with its urban location," Norman Foster, founding principal of Foster + Partners, said in a statement. "Designed for a sustainable future, the building makes an important contribution to the regeneration of the far west side of Manhattan.”

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AN speaks to Norman Foster as “Building with History: The Exhibit” opens at the Hearst Tower

Designed by Norman Foster, the Hearst Tower on 57th Street and 8th Avenue celebrated its tenth anniversary last week. To mark the occasion, the British Pritzker Prize-winning architect was on hand to give a talk on the tower while also overseeing the opening of Building with History: The Exhibit which showcases 28 scale models of projects both past and present from Foster + Partners.

At the talk (which was held with ELLE DECOR Editor-in-Chief, Michael Boodro), Foster discussed his architectural philosophy, in particular to the "social agenda" deep rooted in modernism's ideals, something which Foster was captivated by when he was younger and said today, "still burns." With the new technology now available at modernists' disposal, Foster argued that architects today can now "literally do more with less."

"The most interesting buildings always have a certain sense of theater... [and] celebration," he continued. "In this building, it is about turning an impossible problem into a celebration." Foster explained how the challenge of placing escalators along the site's orthogonal axis was resolved by orientating them diagonally. The theatrics of the space was further amplified through artist Jamie Carpenter's adjacent waterfall.

Building with History exhibits Foster's focus on circulation on varying scales: From the small-scale infrastructure solutions of the Hearst Tower, Imperial War Museums, and Reichstag, to the pedestrianization of Trafalgar Square. Building with History is filled with more than just models, though. Plans, sections, and photographs detail many buildings' progressions through the design process.

Speaking to The Architect’s Newspaper after the talk, Foster discussed infrastructure in light of President-Elect Donald Trump’s speech. “Human nature is about crossing boundaries,” he said. “Even though I am an architect and passionate about designing individual buildings… over the years I have become more and more sure that [infrastructure] is the main priority and that architects ignore it at their peril."

“This exhibit brings back many memories about the inception of Hearst Tower,” Foster continued. “Walking into the building a decade later, you immediately note the flourishing sense of community, and it takes me back to the very earliest days of the project.”

Building with History runs until April 15, 2017. 

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Foster + Partners reveals plans for Miami towers set to be the city’s tallest

British firm Foster + Partners has submitted new plans to Miami city authorities for what—if approved—will be the tallest building south of Manhattan along the East Coast. Officially known as "The Towers" (really?) the project sees two rectilinear structures rising up from the Brickell waterfront, with the tallest of the pair reaching 1,049 feet. In compliance with density constrictions from the City of Miami’s Miami 21 zoning code, the two towers will hold 660 living units—a 16 percent decrease on the initially proposed 787. The structures' heights, however, have not been an issue with Federal Aviation Administration: The organization has already granted the project approval.

At the building's base, car parking areas have been divided in two and are encased by retail areas and more living units. This layout diverges from the standard singular "monolithic" car parking podium typical to Miami (car garages are a big deal in the city). According to the firm, this "frees up space at the ground level" and "creates an engaging public realm." Furthermore, The Towers' relationship to the site at street level sees restaurants, cafes, and art gallery spaces laid out inside a tropical garden. 56,800 square feet of the 2.5-acre scheme will be publicly accessible.

“The base of the building continues the axis of SE 12th Terrace, drawing life back to the bay. It is a civic response to the city’s enlightened vision, and will make an important contribution to Miami’s public spaces," said Norman Foster, chairman and founder of Foster + Partners. As both towers rise up, the structure has been stepped back and thinned to allow sufficient daylight to enter the vicinity around the base while preserving views out to sea. With that height in such a location, though, comes the issue of high winds. To counter this, strategic planting and adjustable louvres that can be lowered over a central plaza will act as wind breakers. To cope with extreme weather conditions, belt beam bracings (also used to support bridge apartments that span the tower floor plates) will tie the towers together ensuring they can withstand hurricanes.
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Renderings revealed for Foster + Partners’ Waldorf Astoria in San Francisco

Renders have been revealed of what the Foster + Partners design for the Waldorf Astoria hotel in San Francisco could look like. Located in the South of Market (SoMa) district of the city, the building will sit on Mission Street between 1st and Eckert streets. The 21-story tower will also lie next to the Oceanwide Center tower designed by the British architecture firm, due to break ground in November this year. The tower is part of a two million-square-foot complex that will boast retail and spaces, the interiors of which—and indeed the whole interior of the building—will be designed by Santa Monica–based hospitality design firm Hirsch Bedner Associates. John Vanderslice, global head of luxury and lifestyle brands at Hilton Worldwide (the firm that manages Waldorf hotels), told Condé Nast Traveler that "San Francisco needed a proper luxury hotel." He went on to say that the "project is ground zero for luxury there" adding how the hotel will have "north of 250" rooms with a quarter of these being suites. Numerous restaurants are also due to be included in the programming of the scheme however, no mockups have yet been proposed with no chefs currently named either. The project will also be one of cluster from Foster + Partners in the vicinity. In 2014, the firm proposed a coterie of high-rises for the area and planning permission was granted this year. The building will also become San Francisco's second tallest tower, behind the Salesforce Tower. Meanwhile, rising to 905 feet, the tallest of the group will be located on 50 1st Street and contain 34 stories, with offices on 19 plus 111 residential units. Another tower, due to be 300 feet shorter, will offer 169 hotel rooms with 154 units being housed in the top 33 floors. Speaking of the projects in 2014, Norman Foster described the development as "incredibly exciting in urban and environmental terms," adding that "bringing together places to live and work with the city’s most important transport hub, the project further evolves a sustainable model of high density, mixed-use development that we have always promoted."
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Foster + Partners and SCAPE unveil plans for massive office complex on the Red Hook waterfront

Thor Equities has released renderings of a Foster + Partners–designed waterside office complex in Red Hook, Brooklyn. The four-story, timber frame buildings will host 600,000 square feet of workspace divided over open-plan, 100,000-square-foot floor plates, plus 23,000 square feet for restaurants and retail. The 7.7-acre development will offer the public waterfront access via an esplanade and courtyard, and harbor views from rooftop terraces. New York–based SCAPE/Landscape Architecture is executing the landscape plan. The project, says Thor, is designed to meet the needs of TAMI (technology, advertising, media and information) tenants. It's a somewhat nebulous definition, but according to a 2014 report by real estate services company Cushman & Wakefield, the sector is the strongest force behind activity in New York, ahead of even the financial sector. One of the neighborhood's challenges, though, is the lack of subway service: The F/G at Smith-9th Street is about 13 blocks away. The developers anticipate that workers will arrive by foot, water taxi, or bike, and that tenants will offer employees alternative transit accommodations, like shuttle bus service to the subway. Melissa Gliatta, Thor's chief operating officer, was bullish on other options. Gliatta trumpeted the transit potential of the Brooklyn-Queens Connector (BQX), a proposed streetcar that would run through Red Hook and could begin service in 2023, although the contentious, developer-driven project is still in its nascent, public input phase. Thor's press release for the development assumes a done deal: "A planned Brooklyn-Queens streetcar will also serve the neighborhood." (Dang, well, so much for that stakeholder consensus.) Academics like Adam Friedman, the director of the Pratt Center for Community Development at Pratt Institute, voiced concerns about this, and similar developments taking shape in the borough. Speaking with Bloomberg News, Friedman noted that developers need to "pace themselves," lest new properties sit vacant. "Every developer thinks that theirs is the one that is going to be successful. That’s just the nature of the culture.” Construction is set to begin this summer. Not cost estimate is available as of yet.
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Foster + Partners-designed flagship Apple store opens in San Francisco

British architect Norman Foster has seen his firm's new flagship Apple store open in San Francisco. Located at Union Square, the new store features 42-foot high sliding glass doors that open out onto the 2.6 acre plaza "creating unprecedented urban permeability." Built to set a precedent for all following Apple stores, Foster's building replaces the old outlet which opened in the city twelve years ago. The design was realized working alongside Apple’s Chief Design Officer Jonathan Ive and Senior Vice President of Retail and Online Stores, Angela Ahrendts. “This is an incredible site on Union Square and a chance to create a new public plaza. We have created the most inspiring and stimulating space imaginable, blurring the inside and outside,” said Stefan Behling of  Foster + Partners. “It is possible to experience Apple's extraordinary products and services while taking in the buzzing Union Square on one side and relaxing in the contemplative quiet of the new plaza on the other.” The flagship store is one of three Apple stores designed by Foster + Partners; the two others are in Turkey and China. The Union Square store is also close to Apple's headquarters at Cupertino, which are also being designed by the firm. This latest store however, represents a shift in approach to the retail typology that Apple is adopting. A new learning zone called the "Forum" will become a space for entertainment and teaching. The new space was awarded a prime location on a mezzanine, open to most of the store and against a video wall. At the back of the Forum is the "Genius Grove," a space filled with trees where Apple Genius employees will be on hand.
Glass sliding doors are used on both sides of the store. To the rear, an open public space has been filled with art and offers Wi-Fi. Seating and vegetation form a gathering space outside the store. Meanwhile, the Ruth Asawa fountain, a well-established piece of historical San Franciscan heritage, has been relocated to the steps that lead down to Stockton Street. In 2013, Foster + Partners' design had to be revised after their original plan hadn't catered for the fountain. This space is also flanked by a standing of trees and a 65-foot-by-50-foot green wall planted with Ficus Repens plants. This is split by a waterfall on the west side which also forms a backdrop to the  fountain. Behind this, and well hidden away, is the "Boardroom" which will be used for meetings and business purposes.
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San Francisco Planning Commission approves Foster + Partners’ Oceanwide Center

Last week, the San Francisco Planning Commission approved the Foster + Partners-designed Oceanwide Center slated for the Transbay district in South of Market (SOMA). The project will bring over 2.3 million square feet of mixed-use space to the area. The design features two towers of varying heights with large floor plates. The taller tower on First Street tops out at 850 feet and will include residences and offices. The 605-foot shorter tower on Mission Street will host residences with a hotel. Renderings show landscaped street-level public spaces—22,000 square feet total—that connect the two towers. The development also includes restoring two historic buildings on the site. “At ground level, the buildings are open, accessible and transparent–and have been ‘lifted up’ by almost five stories to provide a new ‘urban room’ for the region,” describes Foster + Partners in a press release. “This space is crisscrossed by pedestrian routes that are an extension of the historic streets and alleyways in the area, knitting the new scheme with the urban grain of the city”. The San Francisco Planning Department’s Transit Center District Plan (approved in 2012) and the Transbay Redevelopment Plan are upzoning the Transbay neighborhood through higher-density development and higher height limits for residences, offices, hotels, retail, and more. City officials see the project supporting walkability and increasing public transit usage in the Transbay area. The Planning Commission recommendation for the Oceanwide Center states, “the Project will generate substantial revenues that will contribute to the development of transportation infrastructure, including the Transit Center and the Downtown Rail Extension, and other improvements envisioned by the Transit Center Plan.” Foster + Partners received the commission in 2014 from the original developers TMG Partners and Northwood Investors. In early 2015, the Chinese financial services company, Oceanwide Holdings Group, bought the site for $300 million. San Francisco-based firm Heller Mannus Architects is collaborating on the project, while Seattle firm Gustafson Guthrie Nichols is working on the landscapes. Groundbreaking is expected November 2016.
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London Mayor Refloats Foster’s Thames Transport Hub

With a new report, London Mayor and Conservative MP Boris Johnson has re-pitched his Thames Estuary Transport Hub, dubbed “Boris Island” by some, as an alternative to additional runways at Gatwick and Heathrow Airports. The project is in a similar vein to the Riker's Island La Guardia airport expansion proposed by Jim Venturi.

The proposal, initially launched in 2013, was masterplanned by Norman Foster. With other major infrastructure projects like High Speed Two (new high-speed rail lines that would link London to cities as far as Leeds) and CrossRail already in the pipeline, “Boris Island” has never been a fit for UK Prime Minister David Cameron’s austerity government.

In 2014, the Airports Commission ditched the scheme due to its high capital costs. Two years later the idea has resurfaced, along with the Mayor’s newfound political clout as he defies his incumbent party leader David Cameron in backing an E.U. exit

The plan promises rail, sea, aircraft, communication and power infrastructure amalgamated into one hub on the Thames estuary in Kent by the medway. New flight paths into the capital would also mean much less noise pollution, something that already plagues areas adjacent to the two-runway Heathrow airport. Additionally, Foster cites how every three months, a plane low on fuel or with an engine failure flies over London, a risk this plan would alleviate. A proposed rail network would also run around the capital, instead of through it, to reach the airport island and Europe beyond. This, in Foster’s eyes, would bridge the UK's North/South divide and create more trade with the European continent. This rail network would also link up to the existing and under-construction High Speed 2 and CrossRail network.

Also part of the plan would be a new hydroelectric facility in the Thames that would power the hub. With an existing barrier already in action downstream, two miles east of the Isle of Dogs, this new construction would further protect against rising sea levels.

Foster + Partners does have a good track record in delivering similar schemes. Both Beijing's airport—the biggest airport in the world—and Hong Kong's airports were delivered on time and on budget by the firm. They were also voted by travelers as “the best airport experiences in the world.

In his report Landing The Right Airport, Mayor Johnson states that Foster’s hub is the only way to secure enough capacity. "Our analysis predicts that they would offer around double the number of long haul and domestic destinations served by Heathrow today, while exposing 95% fewer people to significant aircraft noise,” he says.

According to the BBC, Daniel Moylan, aviation adviser to the Mayor, says the plan could cost up to $35 billion—with an extra $35 billion needed for road and rail connections. A third runway could cost $28 billion.

However, opponents argue the transport hub would cost significantly more, at around $130 billion. Not only that, it would also disrupt wildlife habitats as well as rendering Southend and London City airports obsolete.  Meanwhile travel time into central London would also be longer compared to Heathrow.

Johnson though, remains undeterred. "If we are to secure the connectivity we need to support our future growth and prosperity and do so without dire impacts on public health—then we must do better than Heathrow,” he concluded.

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Foster + Partners, BIG, and Grimshaw showcase pavilion designs for 2020 Dubai Expo

Dubai, seemingly the architectural playground of choice in recent times, was selected to host the 2020 World Expo three years ago. The event, which will last six months, will have the theme of "Connecting Minds, Creating Future." Not wanting to miss an opportunity to flaunt extravagant designs, Danish architect Bjarke Ingles and Brits Norman Foster and Nick Grimshaw have wasted no time jumping on the Dubai bandwagon. Their three firms, BIG, Foster + Partners and Grimshaw Architects have all received the green light to contribute pavilions touching on themes like mobility, sustainability, and opportunity. His Highness, Sheikh Ahmed Bin Saeed Al Maktoum, Chairman of the Expo Higher Committee in partnership with Emaar Properties, unveiled the winners of the competition this month. BIG will design the "Opportunity Pavilion" which showcases an extravagant undulating facade curved in three dimensions. The structure invites audiences in by revealing the central lobby and core of the pavilion which also houses an array of trees and plant life. Foster + Partners put forward their "Mobility Pavilion," which is equally outlandish and curvaceous. Foster reportedly drew on his experiences when master-planning Masdar City—a city in Abu Dhabi that will rely solely on renewable energy. Finally Grimshaw Architects' "Sustainability Pavilion" maintains the trend toward elliptical design, with a replica of a large solar collector. Usually seen in the desert, similar designs require a tower to focus the light onto the collector (and others in the vicinity). Here, the large disc, which is acutely curved to form a bowl, is surrounded by many smaller versions that stand freely around it. The three pavilions make up only a fraction of the 200 hectare site of the Expo, expected to open in four years.
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MIPIM 2016 Presents Winners of That Other Festival In Cannes

The Cannes Film Festival doesn't start until May 11. But for architecture enthusiasts, there's another notable event in the gorgeous city on the French Riviera: MIPIM (Le marché international des professionnels de l’immobilier). The show, which is in its 26th year, just announced the winners of its annual awards, divided into more than ten categories, and handed out not just for a project's innovative architecture, but its development characteristics. Award categories cover all types of development, from health care to hospitality to the strangely named "Best Futura Mega Project," which we're still trying to decipher. And the winners are... BEST HEALTHCARE DEVELOPMENT Queen Elizabeth University Hospital & Royal Hospital for Children Glasgow, United Kingdom Developer: Brookfield Multiplex Architect: IBI Group Client: NHS Greater Glasgow & Clyde BEST HOTEL & TOURISM RESORT JW Marriott Venice Resort & Spa Venice, Italy Developer: La Sessola Srl Architect: Matteo Thun & Partners Project Manager: Luca Colombo BEST INDUSTRIAL & LOGISTICS DEVELOPMENT ELI Beamlines Prague, Czech Republic Developer: Fyzikální ústav Akademie, věd ČR, v.v.i., Institute of Physics, Academy of Sciences, Czech Republic Architect: Bogle Architects BEST INNOVATIVE GREEN BUILDING Treurenberg Brussels, Belgium Developer: AXA Investment Managers – Real Assets Architect: ASSAR ARCHITECTS Owner: AXA Belgium BEST OFFICE & BUSINESS DEVELOPMENT #CLOUD.PARIS Paris, France Developer: SFL (Société Foncière Lyonnaise) Architect: PCA Philippe Chiambaretta Architecte BEST REFURBISHED BUILDING Papillon Düsseldorf, Germany Developer: 741 Projektentwicklung GmbH Architect: Luczak Architekten & SW Häuser GmbH Other: Cadman GmbH, Hellmich Gruppe & CarLoft BEST RESIDENTIAL DEVELOPMENT Katscha Norrköping, Sweden Developer: Ivarsson Byggnads AB Architect: Kai Wartiainen and Ingrid Reppen, arkitektur + development ab Public Authority: Norrköpings kommun BEST SHOPPING CENTRE Les Docks Village Marseille, France Developer: Constructa Urban Systems Architect: 5+1 AA Other: JP Morgan Asset Management BEST URBAN REGENERATION PROJECT Crossrail Place London, United Kingdom Developer: Canary Wharf Group Architect: Foster + Partners Engineer: Arup, Wiehag BEST FUTURA PROJECT Paradis Express Liège, Belgium Developer: Fedimmo Architect: association A2M – Jaspers-Eyers Architects – BAG Other: Bureau Lemaire, TPF engineering, D2S, Heinz Winters Atelier, Duchêne, Galère, Interbuild BEST FUTURA MEGA PROJECT DUO PARIS: Taking urban sensations to new heights Paris, France Developer: Invanhoé Cambridge Architect: Jean Nouvel Project Manager: Hines PEOPLE’S CHOICE AWARD Shanghai Tower Shanghai, China Developer: Shanghai Tower Construction & Development Co. Ltd Architect: Gensler Other: Shanghai Construction Group, Thornton Tomasetti, Cosentini Associates, SWA Group, I.DEA Ecological Solutions  
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Gary Hustwit’s new film documents Foster + Partners’ transformation of the workplace

Gary Hustwit, the director of documentaries Helvetica, Objectified, and Urbanized, has announced a new film, Workplace, in time for the 2016 Venice Architecture Biennale. Workplace follows the design and construction of R/GA's New York City headquarters. R/GA is one of the world's most prominent advertising agencies, with offices in 15 cities worldwide. Since its founding more than four decades ago, the agency has contributed to more than 400 feature films and over 4,000 television commercials. In collaboration with Foster + Partners, the agency spent a year and a half thinking about how to synthesize digital and physical space for a more harmonious office environment that facilitates collaboration and connects offices to the world outside. Hustwit explains that the theme of the documentary—improving office space—coincides perfectly with the Biennale's theme, "Reporting from the Front." In the words of Biennale director Alejandro Aravena: “There are several battles that need to be won and several frontiers that need to be expanded in order to improve the quality of the built environment and consequently people’s quality of life. We will present cases and practices where creativity was used to take the risk to go even for a tiny victory, because when the problem is big, just a one-millimeter improvement is relevant.” If this sounds familiar, it's because myriad firms, environmental psychologists, and student projects have tried to "rethink the office" already. It remains to be seen what Foster + Partners, with their experience designing workspaces for London's Bloomberg headquarters and San Francisco's Oceanwide Center, among others, will contribute to the conversation. At this time, no images of the office's interiors are available online. The film will premiere at the Biennale, and run from May 28 through November 27.
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Norman Foster breaks ground on his expansion for Florida’s Norton Museum of Art

Commemorating the 75th anniversary of the Norton Museum of Art in Palm Beach, British architect Norman Foster was on site to see his expansion break ground. The new development, called "The New Norton," will see further galleries added along with visitor facilities all within the "original axial layout of the Museum." In what will be his third project in Florida, Foster has laid the foundations at West Palm Beach for further growth, with the aim of the museum to become a leading cultural institution in the Sunshine State. "The new extension of the museum represents an exciting opportunity to place the reinvigorated Norton at the heart of Florida’s cultural life and to establish its international presence, allowing more people to enjoy the museum’s very special collection," said Foster in a press release. A simple, all-white stone facade and minimalist form stays true to the aesthetic of the 1941 original by New York's Marion Sims Wyeth, where a subtle Art Deco style creates a central courtyard. Later developments meant this original axial configuration, on which the building was based, was lost. Foster's master plan dutifully restores Wyeth's symmetry, adding a sense of clarity to the site. In the process, Foster has explored varying topological arrangements to provide a flexible space able that will now be able to attract a much wider local and international audience. Room for further expansion can be seen via the provision of infrastructure that will facilitate of two more exhibition wings being built on the eastern end of the building. "Creating new event and visitor spaces that will transform the museum into the social heart of the community; as well as increasing the gallery and exhibition spaces, to engage with a wider audience," Foster added. Three double height pavilions will now act as the museum's entrance, countering the low-rise galleries and while merging with the three-storey Nessel Wing. Within these pavilions will be a "state-of-the-art auditorium," Grand Hall, which "will be the new social heart for the local community." Also included is a shop, event space, education center, and restaurant that can operate independently from the museum. These spaces will all be coalesced underneath a canopy. Within the vicinity will be an open public space that will be used as a live performance space and venue for "Art After Dark," an evening show hosted by the museum. Spencer de Grey, co-head of design at Foster + Partners, said, “this groundbreaking ceremony marks the moment where the process that began five years ago with the masterplan finally comes to realisation. Our approach at the Norton has been to make art more accessible by dissolving boundaries – whether that is between the building and landscape or art and the viewer.”