The murals are currently being installed around downtown Atlanta and the neighborhoods of Sweet Auburn, Vine City, English Avenue, and Castleberry Hill that surround Mercedes-Benz Stadium where the championship football game will be held on February 3, 2019. Installation of the art works will continue through the end of 2019. Check out some of the murals here.View this post on Instagram
#OfftheWallATL is bringing breathtaking murals to Downtown Atlanta that tell crucial stories of the communities that make up our great city. Click the link in our bio to make a gift in support of Off the Wall and have your donation matched up to $5,000. Pictured: @ycambron bringing the Georgia State MARTA Station to life.
Posts tagged with "Football Stadium":
"I think it’s an iconic building, number one. It’s something that… the basic structure of it and everything has brought the dynamic back to what we were doing with the Carson building with the Chargers. I just fell in love with the architectural design of it. To adapt that building that we did for Carson, put a roof on it… to come out with glass, which has always been a prerequisite for me. To get that aspect done, I think building looks fantastic. Just excited that the Raiders will have a home. Something the fans can be proud of, the league can be proud of, the players can be proud of..."The Las Vegas Review-Journal reported that construction is expected to be finished by August 1, 2020, about a month before the regular season begins.
As Las Vegas recovers from the Great Recession, city and business leaders are betting that the region’s future lies in a more diverse set of recreational offerings than the ones that made the city famous. Though many of the transformative projects are still in the planning or construction phases, the signs are clear: The boom-and-bust region is moving away from a strictly gambling-focused urbanism toward one more broadly defined by indiscriminate leisure, including sports, large-scale conventions, relaxation, and even traditional mixed-use urbanism.
Most spectacularly, city and business leaders triumphed in their quest to lure the Oakland Raiders to Sin City with a new $1.9 billion stadium designed by Kansas City, Missouri–based Manica Architecture. The stadium, to be built for the 2020 season, features a horseshoe-shaped seating arrangement that faces an operable building wall oriented toward the Strip. The complex will feature a celebration terrace containing a 120-foot tall cauldron honoring storied Raiders coach Al Davis, as well.
Adding to the sports frenzy, local architects YWS recently unveiled plans for a 30,000-square-foot Esports venue, Las Vegas’s first virtual sports facility. The complex will contain a multilevel arena, large-scale video wall, and a broadcast studio, all expected to open in early 2018.
The city is scrambling to prepare for the Raiders by embarking on $900 million in road and transit improvements, including a potential 1.14-mile monorail extension. The link would create a five-mile-long elevated train line connecting the stadium with 12 hotel and casino properties and the Las Vegas Convention Center. To boot, state agencies recently proposed a $12.5 billion plan for a new light rail system for the city.
The city is also looking to expand and upgrade its existing convention center by adding 600,000 square feet of exhibit space to the aging complex. The bet here is for Las Vegas to draw larger convention crowds, competing with cities like Orlando and Chicago (which are also expanding their convention centers). The new convention center is expected to draw an additional 610,000 visitors to the city, plus $810 million in revenue for good measure.
Closer to the forthcoming stadium, work has been underway to diversify the city at the street level as well. Recently completed streetscape improvements by planning firm Cooper Robertson, Marnell Companies, and !melk landscape architects for the Park—an eight-acre pedestrian plaza and park located between the New York-New York and Monte Carlo resorts—have brought a bit of big-city life to the Strip. Designers on the project reoriented retail spaces to face what was formerly an alley and demolished a temporary sales center to create a new pedestrian park. Donald Clinton, partner at Cooper Robertson, said, “We were tasked to come up with new dining and entertainment uses that could actually face the strip.” When asked, “How can we upgrade what we’re doing in front of these older casinos?” Clinton explained that the project sought to bring new tenants to the reprogrammed street who could benefit from being near foot traffic while also connecting to the new, !melk-designed park. The design features a variety of native trees and shrubs, swale areas, and large, sculptural shade structures that collect water. The park is flanked on several sides by plaza areas serviced directly by brewpubs and cafes.
The scheme was enriched by the speculative development of the Populous-designed T-Mobile Arena, an LED-clad, diamond-inspired structure that seats up to 19,000 and contains a slew of VIP zones, lounges, and nightclubs at the end of the new promenade. Clinton explained that the city’s new approaches to urbanism were “still evolving,” but one thing is clear: Las Vegas is quickly becoming more than a gambler’s paradise.
There are a few holes in HKS's stadium design for the Los Angeles Rams. In fact, there are 20 million. By numbers HKS has gone big: The $2.66 billion, 70,000-seater-stadium will use more than 36,000 panels of which will have 20 million perforations punched into them.
Dallas-based HKS prescribed an aluminum and ETFE skin to create a triangular facade-cum-canopy over and around the playing field where the Los Angeles Rams are set to play. Triangular panels form the structure too. Made from aluminum, the metal portion of the skin responds to the variable SoCal climate without the need for a HVAC system. Additionally, an ETFE ellipse, located in the center of the roof bathes the playing field in diffuse daylight. The desired effect, HKS said, is to create the impression of being outside.
A Design Assist project with facade fabricator Zahner Metals, HKS used their research and development arm, HKS LINE (the latter acronym stands for "Laboratory for INtensive Exploration") to aid the development of the stadium's skin. James Warton, a computational designer at HKS, spoke to The Architect's Newspaper, about the process used to conceive the facade.
Warton explained that the holes inside the in the triangular panels form an image on the facade, which can be seen properly when approaching the stadium from afar. Due to fabrication logistics and schedule, "only" 20 million perforations could be made with a required minimum distance of half-an-inch between each one. To get around this, though, eight different hole sizes were used to allow perforations to fall neatly in line with the panel's edge as well as enhance the facade's pattern.
To do this, a strategy using, Grasshopper, Rhino, C++ and Visual Studio was conceived which let HKS LINE determine perforation density and mapping. "Perforation sizes corresponding to grayscale values within the source image are also mapped onto the panel," said Warton. "We had to think of a system that would enable us to see every bit of information about every tile. This information is translated into text that can be used to make the panel."
The stadium, when completed in 2019, will be the world’s most expensive. James Warton will be speaking at the next Facades+ conference in New York April 6+7. There he and other members of HKS will discuss the Los Angeles Rams stadium and its facade in further detail. Seating is limited. To register, go to facadesplus.com
The disused-but-beloved Houston Astrodome may have finally found its savior.
In early October, the commissioners of Harris County approved a $105 million proposal to reconfigure the aging Astrodome for events and concerts. Plans call for the floor of the vacant stadium to be raised so approximately 1,400 parking spaces can be built underneath.
Designed by two firms—Hermon Lloyd & W. B. Morgan, and Wilson, Morris, Crain & Anderson—in the mid-1960s, the 18-story Astrodome was added to the National Register of Historic Places in 2014. When it opened, it was the U.S.’s first enclosed and air-conditioned multipurpose stadium and boasted the largest clear span dome ever built. Before it shuttered in 2000, the Astrodome served as home field for the Houston Astros, the Houston Oilers, and the University of Houston Cougars. It reopened briefly in 2005 to accommodate New Orleans residents displaced by Hurricane Katrina.
Legacy aside, the Astrodome’s age and size present distinct financial challenges to adaptive reuse. Maintenance costs run to $170,000 annually, but tearing down the structure would cost $30 million. The just-approved proposal is all taxpayer funded:property taxes, hotel tax, and parking revenue will each contribute to a third of the cost, while 10 percent of the funds will go toward finding an architect and engineer to design the renovation. Once (if) the plan is complete, revenue from parking will be plowed back into the venue to make the project financially viable.
If the architect and engineer’s design ends up costing more than $105 million, however, the county will not cover the shortfall—local government will employ other, to-be-determined financing methods. Taxpayers defeated a measure to resurrect the stadium in 2013 over cost concerns, so it’s too soon to tell if this latest plan will bring the Astrodome back.
Death Star. The Bird Killer. Jawa Sandcrawler. The Spank. Skulldome. The Dark Crystal. Black Bullfrog. Banks a Billion.
Since the design for the U.S. Bank Stadium in Minneapolis was unveiled in May 2013, the black zinc, glass, and ETFE-paneled angular structure by HKS Architects has inspired a plethora of derogatory nicknames. Fueling the disparagement has been the sports team itself, which has been engaged since groundbreaking occurred on the 75,000-seat, 1.75-million-square-foot facility, in one public-relations fiasco after another on a level befitting a parody in The Onion.
In May 2012, the Minnesota state legislature signed a bill calling for a $975 million multipurpose stadium to be built for the Minnesota Vikings football team on the former site of the Hubert H. Humphrey Metrodome on the east side of downtown Minneapolis. Across the state, citizens groaned: another taxpayer-funded stadium built for millionaires. To date, the cost to state and local taxpayers is close to $498 million, with the total cost of the stadium slated at $1.1 billion.
In 2013, after the design was unveiled, Audubon Minnesota called the structure a “death trap” for birds due to its 200,000 square feet of transparent glass. Local bird enthusiast Howard Miller painted a grim picture in the local newspaper, the Star Tribune. Miller “raised the specter of dead indigo buntings and ruby-throated hummingbirds ‘thwacking’ against the glass, falling to the ground and lying lifeless on the sidewalk as purple-clad masses arrived for the games.” The Minnesota Sports Facilities Authority, involved in building the stadium, declined to replace the glass with a less-deadly fritted version due to costs and delays.
Meanwhile, the stadium’s construction began spurring development in an urban area that had been largely occupied by surface parking lots. Renamed Downtown East or East Town, the area filled with cranes and workers constructing apartment and condo buildings, a park, and Wells Fargo office towers. Proponents of the stadium talked up how the project was contributing a much-needed economic boost to Minneapolis in jobs via new construction, new and existing restaurants and bars, new hotels, and new retail.
Then the “photo bomb” incident occurred: The Minnesota Vikings organization sued Wells Fargo over two signs on its new office towers “that permanently ‘photo bomb’ the images of the iconic U.S. Bank Stadium,” the lawsuit stated. In January of this year, a U.S. district judge allowed the Vikings to proceed with the lawsuit. Then the Vikings applied to have Chicago Avenue, which runs for three blocks in front of the stadium, renamed “Vikings Way” due to the team’s aversion to a street address that evokes a division rival. Minneapolis City Hall would not budge on the street name, and the Vikings eventually withdrew the application.
There was also the dispute over $16 million in cost overruns that had to be settled with Mortenson Construction (and there’s yet to be a final tally) and a leak in the snow gutters at the top of the building requiring nearly $4 million in repairs. Lastly, the Vikings announced a “distinct monument”: A Viking ship–themed sculpture with an LED screen for a sail on the plaza outside the stadium (by RipBang Studios, a California-based division of the Minneapolis design firm Nelson), as well as The Horn sculpture (by the Minneapolis-based Alliiance) inside—both drew criticism from the local arts community.
What’s done is done. In August, the Vikings kick off the first game in the new stadium. The structure is more than twice as big as the Metrodome. The first row of seats is a mere 41 feet away from the sideline, and the field seats get fans even closer at 25 feet. The wi-fi network is capable of accommodating upward of 30,000 fans as well as vendors and staff. While fully enclosed, the stadium’s vast expanses of roof, wall, and clerestory glass provide a feeling of openness.
Whether viewed on foot, car, or from a seat on the Blue Line of the light-rail train, it’s easy to see how the building meshes with surrounding streets amid the fast-changing, rebranded Downtown East neighborhood. To what extent the stadium is a game changer for the City of Minneapolis, and the economic and cultural life of the area, however, remains to be seen.