Inspired by Japanese paper-folding, Canary Wharf booths make a sculptural statement whether open or shut.Make Architects’ folding kiosks for Canary Wharf in London bring new meaning to the term “pop-up shop.” The bellows-like structures were inspired by Japanese paper folding. “[The kiosk] had to be solid, but lightweight, so then that led us to origami,” said Make lead project architect Sean Affleck. “[You] end up with something very flimsy; add a few folds and creases, and suddenly the strength appears. In the folds, the shape appears.” In addition to adding strength, the folds accomplish an important element of the kiosk program. The public officials who commissioned the design wanted the booths to be aesthetically pleasing whether open or shut. “What we didn’t want was to create a box that obviously had a shutter or door,” said Affleck. “We wanted to disguise the door—you weren’t quite sure which part of it was going to open.” When closed, the booths appear as futuristic sculptures, their matte grey exteriors evoking the steel and stone of the city. During operation, the upper folds compress to reveal a simple, customizable interior accented with reddish-orange strips of metal. Make modeled the design in 3ds Max and MicroStation, then unwrapped the facade to a flat piece of paper to build a physical model. “What we found was it was very easy to be seduced by the computer, very easy for the computer to be too clever, to start twisting or distorting the surfaces,” said Affleck. “It was only when we were making [physical] models that we suddenly realized something was jamming, and that was really interesting.” Later, the designers built a full-scale mock-up out of cardboard and foam board. “That way we could really understand how it works,” explained Affleck. “It was also very helpful for the client: here it is, touch it.” The kiosks were tested and prefabricated at Entech Environmental Technology before being trucked to the site. The opening section of each kiosk is made of 2-millimeter-thick aluminum plate, while the rest of the body is a stainless steel derivative developed in-house. The key to the fabrication process, explained Affleck, was folding, pressing, and rolling the metal to form an integral hinge at either side, into which a stainless steel rod was inserted. Though the kiosk door is light enough to open and close manually, the designers installed a remote-control electric winch to avoid undue stress on the structure. Make’s kiosks made their debut at the Ice Sculpting Festival at Canary Wharf in January. At future events, the kiosks will take on a variety of uses, from coffee points to a DJ booth. “The idea is it’s flexible,” said Affleck. “It’s a space you can use in a variety of ways.”
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On View> “3 in 1: Contemporary Explorations in Architecture & Design” at the Art Institute of Chicago
3 in 1: Contemporary Explorations in Architecture & Design The Art Institute of Chicago 111 South Michigan Avenue, Chicago, IL Through January 5, 2014 3 in 1 Contemporary Explorations in Architecture and Design is broken down into three small separate exhibitions each revealing different categories: architecture, product design, and fashion. In Reality Lab, the Japanese designer Issey Miyake, head of Reality Lab Studio, reveals a spectrum of diverse and innovative products resulting from his experiments with material, structure, and form. The exhibition includes Miyake’s two products lines: 132 5 and IN EI, which are based on origami-folding techniques that create two-dimensional geometric patterns and unfold into remarkable voluminous forms. Los Angeles architect Greg Lynn’s Stranded Sears Tower explores how computer programming can act as a mode of creative expression. Lynn re-envisions and reconstitutes Chicago’s Sears Tower in order to develop a new kind of flexible and fluid type of architecture. Lastly, the Dutch designers Scholten & Bailings combine craft and industrial practices in order to re-invent everyday objects. Through the use of different colors, forms, and materials, their Colour reveals the numerous amounts of projects that the designers have accumulated over the past 13 years.
For the last several years, SCI-Arc's Studio 1A has given new students the chance to literally make their mark by producing projects that become permanent fixtures at the school. On Friday, this year's class revealed a project that started as a piece of clothing, then became a wire model, then became a mockup, and finally ended as a new undulating and faceted canopy and wall. Made of a recycled carbon fiber called Nyloboard, the project's more than 2,000 pieces were all hand cut and, somehow, none are exactly alike. They're attached with Gorilla Glue, nails, and screws. "It's something that exists at the scale of the world, which can take years for an architect," said Nathan Bishop, who along with Jackilin Hah Bloom and Jenny Wu led the studio.