On Tuesday, the Van Alen Institute announced that they would be moving their home in Manhattan’s Flatiron District to a new, street-level space in Gowanus, Brooklyn, in Spring 2020. The ground lease of 303 Bond Street, a 3,500-square-foot space not only reflects the evolution of the design institute but also aligns with their broader mission as an organization. The announcement comes a year after the nonprofit sold its current storefront home at 30 West 22nd Street. “For Van Alen, maintaining a street-level space is not just symbolic; it is absolutely critical to our work,” explained Deborah Marton, executive director of the institute, in a recent press release. “We must use design thinking to answer questions we hear most often from outside the profession--questions about displacement, responsible city growth, and impacts of climate change,” she added. The Bond Street location will house the organization’s ongoing public programming as well as new workshops. With street-level access, the location reflects the commitment to foster conversations between communities by staying engaged with its surroundings and providing space for discussion on cities, design, and public health. Marton elaborated that, “As we’ve learned in our Flatiron District space, street access gives us the single most important tool in answering these questions: a direct connection with the public. Our doors will be open to our Gowanus neighbors and we look forward to listening to them.” “Van Alen’s new Gowanus space is an important mission-driven investment, and provides a sustainable home for our next 125 years,” said Jared Della Valle, Van Alen board chair and CEO of Alloy Development. “As we expand our work nationally, we look forward to learning from the ongoing conversations about climate change and equity in this neighborhood.” With the success of a recent Miami project focused on the use of design and climate change, Van Alen hopes to continue expanding this work on local and national levels.
Posts tagged with "Flatiron":
Most of us would prefer to keep our work and home lives separate, but as the line between office and living room continues to blur, the professional world is increasingly trading staid benches for plush couches. New York-based Fogarty Finger, together with Kevin Dumais, have recently completed a top-floor office in Manhattan’s Flatiron district that brings a homey touch to what would otherwise be a sprawling floorplate. 119 Fifth Avenue, smack dab between Union Square and Madison Square Park, might seem like an odd location for a wealth management firm. It’s not Wall Street, but as Fogarty Finger cofounder Robert Finger describes, financial firms are beginning to scout for locations that set them apart from their competitors. In the case of 119 Fifth Ave., the client requested a different type of workplace that would feel more like an extension of his home; he even brought in his own furniture, said Finger. The result, an 8,000-square-foot office for only six employees, uses soffits, residential furniture, and soft natural lighting (the ceilings are high enough for clerestory windows) to avoid feeling cavernous. Taking advantage of the office’s top floor location and soaring ceilings, Fogarty Finger and Dumais highlighted the historic cast iron building’s skylights over the central gathering places by framing them and illuminating them from within at night with installed lights. The building’s original ornate elevator frame and French windows were kept and restored as well. The design elements help further delineate the office’s programming. A more traditional office space adjacent to the reception lounge has been carved out with filing cabinets, cone-shaped overhead lights, and a specialized desk system, and the carpeted floors of the meeting rooms denote the transition from one discrete area to the next. Doors and partitions were specifically arranged to allow views framing the entire length of the floor, and contemporary art was strategically placed throughout to break up the larger spaces.
Makeup brand Il Makiage has opened up a new Soho pavilion designed by Zaha Hadid Architects to coincide with the launch of their new 800-product collection. The pavilion’s angular tunnel of ribbons with alternating gloss and matte finishes mimics the makeup’s packaging in exploded form. Each of the ribbons is slightly different and lighting is installed in them and around the mirrors, helping shoppers accurately choose the right color and tone. Kar-Hwa Ho, head of interiors at Zaha Hadid Architects, said that they “wanted to create an environment defined by the woman celebrated by Il Makiage,” adding that the pavilion is intended to be a “personal space that’s all about her.” The mobile pavilion will be open in Soho for six months and a second New York City pavilion will be opening in Flatiron this summer. Zaha Hadid Architects is also developing the permanent Il Makiage New York boutique, as well as locations in D.C. and Miami.
This past May, thirteen design showrooms in the heart of Manhattan opened their doors to some 700 architects as part of The Architect's Newspaper (AN)'s Flatiron/NoMad Design Showroom Cocktail Crawl. Now, AN is pleased to announce that Nell Taranto, senior associate at New York City–based Carlton Architecture, PC, has won this year's grand prize: a $500 American Express Gift Card. The Flatiron/NoMad Design Showroom Cocktail Crawl will return in early October. Stay tuned!
Sure, there are lots of foreclosures sweeping the city, sadly to say, but none is quite like 22 West 24th Street. Beyond the property's current $82,987 in back taxes, an ownership fight between an infirm mother and her mentally challenged son, a 2003 fire and 2007 collapse, the property is also the location of renowned architect Stanford White's dalliances with a married 16-year-old girl over 100 years ago, according to an article in The Real Deal today.
In 1901, White, a famous playboy, began liaisons with actress and model Evelyn Nesbit, who was 16 at the time. White was a partner at the prestigious firm McKim, Meade [sic] and White, where he designed iconic New York City structures such as the Washington Square Arch and the New York Herald Building. White and Nesbit would rendezvous at the four-story building at 22 West 24th Street. They carried on the affair for years, fueling the rage of Nesbit's husband, millionaire Harry Thaw, who fatally shot White during a musical in the architect's own creation, Madison Square Garden, in 1906.And to think all these years we'd assumed he was famous simply for being part of that incomprable Beaux Arts trio. And mustache. Funny how history has a way of coming around, though. We guess some buildings are just cursed. (via Curbed)