Construction is set to begin on Reforma 432, a Foster + Partners-designed skyscraper in the heart of Mexico City that’s been snared by setbacks since 2011. According to a 2014 Foster + Partners description that pegged the tower at 866 feet tall, the Reforma 432 will dwarf the city’s current tallest building, the 807-foot-tall Torre Reforma. As first reported by Mexico News Daily, Mexican developer Abilia recently released a statement revealing that construction on Reforma 432 would begin soon and that the mixed-use tower would be split between luxury office space and commercial use. It’s certainly not an even split, with nearly 280,000 square feet set aside for offices and the remaining 20,000 square feet dedicated towards retail. Abilia’s owner, the billionaire businesswoman María Asunción Aramburuzabala, also announced that the updated scheme would be 57 stories tall, three more than Foster + Partners had originally described. Reforma 432 was first proposed in 2011 as the Sky Tower under developer Grupo Elipse, but seemed to have stalled out indefinitely until Aramburuzabala stepped in to take over the project. Located at the intersections between Paseo de La Reforma and Avenida Sevilla, Reforma 432 will sit on an L-shaped site directly opposite La Diana fountain, a city monument. Foster’s design for the tower is heavily striated, and two central vertical bands will run up the western and eastern sides of the facade. The building’s core will be set back towards the smaller portion of the L shaped-site, increasing the size of the floor plates in the larger section of the site. From the renderings, it also appears that the tower will carve out a story for communal outdoor space in the middle of the office floors. Covered, cantilevering terraces jutting from Reforma 432’s first four stories will hold retail components, restaurants, and cafes, while a bank, drop-off area, and entrances to both the offices and the commercial areas will be on the ground floor. This area will be intentionally left open as a publicly accessible plaza that bleeds into the surrounding streetscape. Foster + Partners is no stranger to building in Mexico City, as the British firm has teamed up with Mexican architect Fernando Romero to tackle the city’s new $9.2 billion airport, currently under construction. No start or completion dates for Reforma 432 have been announced as of yet.
Posts tagged with "Fernando Romero":
Fernando Romero has a plan to green Mexico City with the Cultural Corridor Chapultepec, a park-like linear thoroughfare
Avenida Chapultepec in Mexico City began as a road for Aztec emperors. Over the years the broad boulevard, which leads from the old Colonia Centro to Chapultepec Park, hosted an aqueduct and the city’s first electric tram. But the 20th century wasn’t particularly kind to the thoroughfare. Pounded with traffic and gray with diesel soot, it no longer represents the aspirations of a contemporary Mexico City. But that might change. FR-EE, the Mexico City–based architecture practice headed by Fernando Romero, recently proposed a multimodal greenway to replace a section of Avenida Chapultepec. FR-EE’s proposal, the Cultural Corridor Chapultepec (CCC), remakes a 0.8-mile stretch from Chapultepec Park down to the free-for-all circular junction at Glorieta de los Insurgentes. According to the office, the two-level boulevard will have lanes specifically dedicated to bikes, skaters, wheelchairs, strollers, cars, and buses, with a central promenade for pedestrians. "This project will organize the surroundings, will double the green areas, will enhance connectivity and will celebrate the cultural diversity of the city," Romero explained in a press release. Renderings show a lush upper level promenade planted with shade trees and High Line–like foliage. Cafes and other retail spaces dot the new landscape. The proposal leans toward climate-sensitive features. The hope is that plantings will mitigate the intense “heat island” effect of a long, open surface in the middle of the city. Rainwater will be collected and recycled for irrigation and there are plans to provide solar cells for electricity. A proposal at this scale is somewhat of a departure for Romero, who works with expressive architectural form more than urban fabric. The architect, best known for his sleek and gestural Museo Soumaya, is currently working with Foster + Partners on the Mexico City International Airport. However, the design reflects the global influence of placemaking combined with infrastructural urbanism—a sustainable tonic that could benefit a super dense metropolis like Mexico City. https://vimeo.com/136617965
What happens when you enlist four architects and a designer to create a shoe? That's the task handed to Zaha Hadid, Ben van Berkel, and others. The result is an ethereal-looking sculpture wrought by selective laser sintering that vaguely recalls the giant dusters at a carwash. Given free reign to “reinvent” the high-heeled shoe for Milan Design Week 2015, household-name architects Zaha Hadid, Ben Van Berkel, Fernando Romero, Michael Young, and Ross Lovegrove teamed up with United Nude, an expert in technologically advanced women’s footwear. The resulting edgy shoe is rendered in hard nylon combined with a soft rubber material—a technique which United Nude, through a longtime collaboration with 3D Systems, discovered as a solution for combining diverse printed parts to create functional footwear. United Nude’s other footwear forays with 3D Systems include creating an interactive touchscreen console that enables users to 3D print their own shoe designs, and conceiving the 3D printed Coral Shoes, designed exclusively for Vogue Fashion Dubai Experience at Level Shoe District by Rem D. Koolhaas and his team at United Nude. Inspired by sea corals, the shoe consists of a 3D-printed wedge with holes through its sides, a small 3D-printed buckle and textile ribbons for strapping the shoe on. Re-inventing Shoes is on show at Teatro Arsenale via C. Correnti 11 within the 5Vie Art + Design Quarter during Milan Design Week 2015.
About 10 years ago, the city of St. Petersburg, Florida started talking about tearing down one of its most well-known piece of architecture: a 1970s-era, inverted pyramid at the end of a city pier. The city would then replace that pier head with a more modern, but still architecturally significant, statement. So, a few years back, a design competition was launched, and it resulted in some of the most ambitious designs we’ve ever seen from a competition like this. The Bjarke Ingels Group (BIG) created a massive, spiraling loop, West 8 designed a sea urchin–shaped pavilion, and Michael Maltzan Architecture envisioned The Lens, a massive circuit of bridges and pathways that connect into an angled canopy—or lens—that faces back toward the city. Out of that short-list, Maltzan came out on top, but nothing ever materialized and the inverted pyramid is still standing. Long story short: voters overwhelmingly rejected the $50 million plan at the polls, a new mayor was elected, and then, this fall, a second, more public-facing, competition was launched. Now, eight designs from that competition have been unveiled. While the teams competing aren't as well-known as those in round one, their designs are no subtle gestures. Each team received a $30,000 stipend for its work, meaning the second competition has already racked up nearly a quarter million dollar bill. That's on top of the millions of dollars poured into the first competition that didn't really go anywhere. All of the new plans come with extraordinarily splashy renderings (literally, there are dolphins splashing around in one), and long, detailed plans. One proposal is even paired with a video set to Frank Sinatra’s "Somewhere Beyond The Sea." Following public input, the City Council will approve one of these plans next spring. A St. Petersburg official told AN that funding for the pier has already been allocated and would not have to go back before the voters. For this round, each team was asked to work within a construction budget of $33 million. And now onto the proposals for round two: Prospect Pier FR-EE with Civitas + Mesh From the architects: Prospect Pier celebrates our unique geography, culture and history as a subtropical, waterfront city. In a reinvented Pyramid that looks to the future, it builds upon the Pier’s assets – a strong form floating over the water. Our vision is a journey that begins downtown, passes through a vibrant park and becomes a magical stroll over water before ascending through active, public spaces culminating in breathtaking views of city, sea and sky, high over Tampa Bay. Destination St. Pete Pier St. Pete Design Group From the architects: The St. Pete Design Group's concept provides the perfect marriage of historic icon and modernized, functional pier; a pure, crystalline pyramid is surrounded by fun, contemporary elements and activities within multi-leveled layers of shade. Varied attractions that will keep residents and tourists coming back include a larger Spa Beach, multiple dining options, a children's zone and a spectacular waterfall. Come fish, play, relax and remember. Discover the New St. Pete Pier. The Pier Park Rogers Partners Architects+Urban Designers, ASD, Ken Smith From the architects: The ASD/Rogers Partners/KSLA design honors St. Petersburg Pier’s robust, eclectic history while transforming it into a 21st century public place. It is a hub for activity; not only at the pier head, but all along its length. Flexible programs engage tourists and community alike – from children to seniors, nature lovers to boaters, fishermen to fine diners. The Pier does not take you to a place – the Pier is the place. It is THE PIER PARK. ALMA Alfonso Architects From the architects: The Soul of the City. Cultural Icon. Just as the Eiffel Tower image alone can conjure up an entire cultural experience by merely representing a fragment of the City, the Pier transmutations over the years have served as the symbol and spirit of the place that is St. Petersburg. Our project will recapture the past, embrace the present, and look to the future ALMA: The Soul of St. Petersburg. Blue Pier W Architecture and Landscape Architecture From the architects: The vision for the St. Petersburg Blue Pier lagoon park is a grand civic gesture bringing the pier, bay and natural landscape closer to the city. Blue Pier acts as a unifying element uniting the Bay with the City along a new axis of recreational and economic activity. Starting new allows us to set a new sequence of events in motion to make the pier even more successful and relevant for the coming century. rePier Ross Barney Architects From the architects: repier is a vision of St. Petersburg as a catalyst for more environmentally-friendly, physically-engaging, and socially exciting urban living. repier adds opportunities to engage with the water, creates marine habitat, provides places to snack and sit in the shade, and builds a social space that also generates electricity. repier projects progress and hope and provides St. Petersburg with a place that is useful and loved. The Crescent ahha! - New Quarter From the architects: The crescent as a metaphor for the growth of our community. A gathering place for the people of St Pete; a place for learning and play. A place that is self sustaining. How does one have a pier experience without actually being on a pier? Why not go out on a limb? Isn't that where the fruit is?" - Frank Scully Discover Bay Life VOA From the architects: “Discover Bay Life” respects the past and looks to the future by transforming the upland park and pier into a new destination for St. Petersburg. Just as life on the Bay continually transforms, so does life at “The Pier”. Three destinations - Bay Life Park, the Pier, and the Marine Discovery Center - become one unique destination for locals and visitors to discover and enjoy year around.
With Art Basel underway, not-quite-yet-starchitect Fernando Romero has unveiled new plans for what could become Miami's next architectural icon: the Latin American Art Museum (LAAM). That's right, this 90,000 square foot, cantilevering structure could overshadow the nearby works of his higher-profile peers like Frank Gehry, Zaha Hadid, and Lord Norman Foster. And Jeanne Gang and Herzog & de Meuron. And also Bjarke Ingels and Enrique Norten, because Romero's—sorry, and Richard Meier and Rem Koolhaas. Okay, that has to be everyone. All starchitects have been accounted for. Where were we? Right, the Latin American Art Museum. Romero's firm, Fernando Romero EnterprisE (FR-EE) has created an arresting structure defined by generous, crisscrossing terraces that provide circulation and open-air gallery space called "sculptural gardens." Together, the rotated squares evoke a deck of cards being shuffled or an uneven stack of plates. “The different levels of the building define LAAM’S program,” FR-EE said in a statement. “The first floor will be reserved to young and emergent artists; the second one will be for temporal exhibitions; the third floor will house a selection of 600 pieces belonging to the permanent collection; finally, a restaurant will crown the top of the building.” In October, the Miami Herald reported that the museum is being funded by local art collector Gary Nader, and that it will heavily draw from his own collection. Right, kind of like George Lucas and his contested museum of narrative art in Chicago. Nader will reportedly build a residential tower on the same piece of property in Downtown Miami to help pay for the museum, which is expected to open in 2016.
Mexico City's new Museo Soumaya (named after the deceased wife of Carlos Slim, the Mexican billionaire who owns the museum) was finally unveiled to the public late last month. The museum houses 60,000-square-feet of continuous exhibition space spread over six levels and containing over 6,200 pieces from Slim's art collection. Designed by Fernando Romero of the firm FREE, the building is shaped like a woman's bustier with a cinched waist. The amorphous structure is built with 28 curved steel columns of varying diameters, each with its own contoured geometry. While the exterior mass resembles a singular object, the skin is comprised of thousands of hexagonal aluminum modules. While the building itself is almost opaque--it has no windows--the roof of the top floor is suspended from a cantilever, letting in natural light. The result is a monumental parametric design offering a dramatic sculptural addition to the city once celebrated for its tradition and hand-painted, colorful architecture.