For school alumni, solicitation emails from the alumni office usually elicit groans, not checks. University of Pennsylvania School of Design alum Lori Kanter Tritsch (M.Arch. '85) took a slightly different approach, pledging $1.25 million to her alma mater to establish two prizes for architects. It is the largest single donation for fellowships the school has ever received. Kanter Tritsch is a career architect who sits on the school's Board of Overseers. She made the pledge with her longtime partner, William P. Lauder, the executive chairman of cosmetics giant Estée Lauder, who is also a University of Pennsylvania alum. Part of Kanter Tritsch's gift will establish a $50,000 fellowship for "the most promising graduate architecture student at PennDesign." This fellowship, dubbed the Kanter Tritsch Prize in Energy and Architectural Innovation, will be awarded yearly to a second-year M.Arch. student who demonstrates a thoughtful approach to the issues of "energy, ecology, and/or social equity." The gift will also establish the Kanter Tritsch Medal for Excellence in Architecture and Environmental Design, an award for practicing architects whose work has been under-recognized but who "changed the course of design history," particularly in their approach to energy, environment, and diversity. Current PennDesign faculty aren't eligible. Juries for the fellowship and medal will be led by Winka Dubbeldam, professor and chair in school's Department of Architecture as well as the founder of Archi-Tectonics. In a prepared statement, Dubbeldam complimented the gift's role in highlighting under-appreciated work: "The architecture profession can be slow to recognize young talent. At the same time, many established architects never receive the public recognition they deserve." The juries will be announced this fall, and the first set of winners will be announced in the fall of 2018.
Posts tagged with "Fellowships":
The Steven Myron Holl Foundation launched its summer fellowship program this past July at the ‘T’ Space Gallery in Rhinebeck, New York. The 25-day intensive studio program offered a unique educational experience to five students of architecture and practicing architects in an exploration of space and light. With a mission to push architecture toward “future alternatives of quality before quantity,” the program encouraged fellows to explore Rhinebeck's local ecology and the Holl-designed Space T2 for inspirations for their designs of a 20-person seated chapel. The classes were instructed by Eirini Tsachrelia and Christoph Kumpusch with Tom Mayne, Michael Bell, Stan Allen, Steven Holl, and several others serving as critics. The program, entitled “Rural Compression,” ended on August 2, 2017, with a small graduation ceremony that took place in the Ex of In House (also designed by Holl) in Rhinebeck. The Steven Myron Holl Foundation is a nonprofit initiative that supports projects in the arts and aspires to educate students on contemporary architecture, facilitate spaces of engagement with the natural landscape and design, and make an impact in the future of cities.
Washington University at St. Louis Sam Fox School’s College of Architecture has announced Pedro Pitarch as the winner of the annual James Harrison Steedman Memorial Fellowship in Architecture. Madrid-based Pitarch won for his proposal, “Disguised Metropolitanisms: Unveiling the Masquerade of Urban Domesticity.” The biennial fellowship includes a $50,000 award, making it one of the largest of its kind in the United States. “Urban and domestic spheres have no longer clear boundaries, but faded ones,” Pitarch explained. “They are no longer distinguished according to a public/private [duplex], but to the possibility of use in a certain moment. They are more dependent on questions such as ‘when and how,’ rather than ‘what or where.” The fellowship will allow Pitarch to research the intersection of public and private spaces across Europe, Asia, and the United States. Throughout his travels, he will explore unconventional domestic situations andsix typologies of urban domesticity. For example, in Tokyo and Taipei, he will look at public infrastructure as a resting place, or has he calls it This Train is my Bedroom. Pitarch will conduct interviews, take photos, and produce analytical drawings of each typology, with the end product of a book, a short film, and exhibition models. With this year’s theme, “Adaptation,” 100 applicants from around the world proposed ways in which adaptive responses might be better used in the design process. The Fellowship jury was chaired by Toronto-based Lateral Office’s Mason White. The jury also included Yale School of Architecture Dean Deborah Berke, Elena Cánovas, principal and co-founder of aSZ arquitectes and a professor of practice in the Sam Fox School, Joyce Hwang, director of Ants of the Prairie and associate professor at the State University of New York at Buffalo, and Jeff Ryan, principal and director of design at Christner Inc. “The jury was impressed with Pitarch’s range of experimentation and invention,” White explained. “Several jurors noted that both his previous work and the proposed research show an approach that is at once methodical, experimental and fantastically intricate. Additionally, the subject of property was found to be timely and relevant worldwide.” The jury also awarded and alternate award and two honorable mentions. Elizabeth (Lizzie) Yarina, a research associate at the MIT Urban Risk Lab, for her proposal, “New Climate Nomads: Indigenous Spaces of Migratory Adaptation.” Her work looks at the “socio-spatial identities of vulnerable indigenous populations in the age of climate risk.” Honorable mentions were awarded to Jin Young Song, founding principal of Dioinno Architecture in Seoul and Buffalo, N.Y., and assistant professor of architecture at the State University of New York at Buffalo, and Kirsten Caudill, designer with ZGF Architects and a Sam Fox School alumna. One Sam Fox School architecture student will also be awarded the Steedman Summer Travel Fellowship to support the student in international travel. The James Harrison Steedman Memorial Fellowship has been awarded biannually since 1926. The fellowship is jointly administered by the Sam Fox School of Design & Visual Arts at Washington University in St. Louis and AIA St. Louis.
The Harvard Graduate School of Design (GSD) recently announced the creation of the Phil Freelon Fellowship Fund, part of a wider $110-million-plus push (dubbed "Grounded Visionaries") to improve and expand the GSD. The fund will provide financial aid to African Americans and other underrepresented groups. Phil Freelon, the architect for whom the fellowship is named, called the fellowship’s establishment “an important step in broadening the GSD’s reach” at the announcement ceremony last week. “As the design profession continues to attract a more diverse talent base, this gift will provide students of color with financial assistance that could make pursuing an advanced degree at the GSD possible,” he said. Freelon earned his Master of Architecture from Massachusetts Institute of Technology and served as a Loeb Fellow at the GSD from 1989-1990. He is still closely involved with the GSD as a lecturer and researcher. His firm, The Freelon Group, has won dozens of awards for designing museums, higher education spaces, and science and technology facilities, and was acquired by Perkins + Will in 2014, where Freelon now serves on the board and as managing and design director of the North Carolina office. His work includes the National Center for Civil and Human Rights in Atlanta, Historic Emancipation Park in Houston, and the recently opened National Museum of African American History and Culture in Washington D.C. James G. Stockhard, Jr., former curator of the Loeb Fellowship, praised him as a role model for students at last week’s event. “He is the kind of leader—strong, clear, selfless, and principled—who helps the rest of us find the courage to join him in striving for the best we and our society can be. He asks us to be the best designers, the best colleagues, and the best citizens we can imagine,” he said.
The Harvard Graduate School of Design has announced the three potential awardees of the 2015 Wheelwright Prize, a travel-based architectural research grant valued at $100,000. Each year, one architect from approximately 200 applicants bags the prize. Established in 1935 at a time when foreign travel was limited to an elite few and then known as the Arthur C. Wheelwright Traveling Fellowship, the prize used to be awarded solely to GSD alumni. It has now become an international competition welcoming early-career architects (within 15 years of earning an architectural degree) from around the world to bring in new blood, fresh ideas, and cross-cultural exchange. The number of countries represented has grown from 46 the previous year to 51 this year, including Bosnia, Cuba, Egypt, Iran, Kazakhstan, Morocco, Poland, Sri Lanka, Ukraine, Zimbabwe and more. The seven-person jury of architects has selected three finalists to present their research proposals at the Harvard Graduate School of Design on April 16, with the winner to be announced at the end of the month. To inspire the next generation of Wheelwright prizewinners, the winner of the 2013 Wheelwright Prize, Gia Wolff, will present "Floating City: The Community-Based Architecture of Parade Floats," reporting on her research on over the past two years on carnival festivals. "The idea is not just about travel—the act of going and seeing the world—but it is about binding the idea of geography to themes and issues that hold great potential relevance to contemporary practice," said Harvard GSD Dean Mohsen Mostafavi in a statement. The three 2015 finalists are as follows: Erik L’Heureux, Assistant Professor at the National University of Singapore, presenting: “Hot and Wet: The Equatorial City and the Architectures of Atmosphere.” Malkit Shoshan, founder of think tank, FAST (Foundation for Achieving Seamless Territory) Amsterdam, presenting: “Architecture and Conflict: Pre-Cycling the Compound” Quynh Vantu, Award-winning Architect, London, presenting : “On Movement: The Threshold and its Shaping of Culture and Spatial Experience.”