For her graduation project at Dutch art and design school ArtEZ, Renee Verhoeven explored the relationship between function and materialization with Concealed Layers of Product Life. Anatomy, movement, and utility are translated through fabrication in a collection of gloves that attempt to tackle one of the fundamental projects of Modern design and architecture. As Verhoeven explained in a statement, “It was an idea I nurtured for a long time: making the outer layers of a product expressive for its interior, the way it functions and the scientific knowledge that it materializes.” “Products generally are constructed in layers," wrote Verhoeven, "each having its own function. These functions are quite often made invisible by techniques that are applied on a microscopic scale. As a result the products skin, its outer layer, is unable to express what going on inside.” Verhoeven was inspired by the writings of British tech-pioneer Kevin Ashton, as well as her participation in a design contest lead by a group of leather tanners in Tuscany, which together led to gloves and the anatomy of human skin as the center for her exploration. View more of her product design work at reneeverhoeven.nl. [H/T Mocoloco.]
Posts tagged with "Fashion":
This Saturday, LA’s A+D Museum will host its annual fundraising banquet, Celebrate. This year's event will not only include music from KCRW DJ Raul Campos (himself a trained urban planner) and some impressive celebs (including our favorite architecture fan Moby), but it will feature a runway show with custom clothing and accessories by architects and designers like Richard Meier, Neil Denari, Predock Frane, BMW Designworks, Karim Rashid, Robert A.M. Stern and many others. The runway show and live auction will be hosted by LA humorist Charles Phoenix and by Frances Anderton, host of KCRW’s DnA. Click on a thumbnail to see the slideshow of the uber fashions.
Times are tough for architecture, but is it time for starchitects to begin taking on other jobs on the side? John Hill over at A Daily Dose of Architecture spotted architect Charles Renfro's newest gig—J. Crew model—which is helping Renfro to become a household name. Appearing in a two-page ad running in the latest issue of Fast Company, Renfro is sporting a trim, tailored outfit of fine Italian fabrics, otherwise known as the Ludlow Suit, and some dazzling multi-colored socks. "This is what they mean by style with substance," says the copy. (Oh, that's what they mean...) Who should J. Crew pick for its next architecture model?
For the last several years, SCI-Arc's Studio 1A has given new students the chance to literally make their mark by producing projects that become permanent fixtures at the school. On Friday, this year's class revealed a project that started as a piece of clothing, then became a wire model, then became a mockup, and finally ended as a new undulating and faceted canopy and wall. Made of a recycled carbon fiber called Nyloboard, the project's more than 2,000 pieces were all hand cut and, somehow, none are exactly alike. They're attached with Gorilla Glue, nails, and screws. "It's something that exists at the scale of the world, which can take years for an architect," said Nathan Bishop, who along with Jackilin Hah Bloom and Jenny Wu led the studio.
We knew Rem Koolhaas had a crush on Miuccia Prada, but now Frank Gehry and her have teamed up, and it's not for a new "epicenter." As The New Yorker details in a Talk piece this week, the Santa Monica architect was asked by his artist friend Francesco Vezzoli to design a hat for none other than walking art piece Lady Gaga, and the hat, along with her dress, were made by Prada for a benefit at LA's Museum of Contemporary Art last month. As Dana Goodyear describes it, "Gaga wore the Gehry hat all folded in on itself, a millinery version of Walt Disney Hall." But this being The New Yorker, there were no pictures, only a drawing, so we had to see the hat for ourselves, which, thanks to Gaga Daily, we found it. But the real treat is hearing Gehry describe his pièce de résistance:
Gehry said that he had done the initial drawing on his iPhone, which an assistant then produced: a violet scribble with a black-and-blue iris at the center. “Since I’ve never designed a hat before, I was afraid she wouldn’t be able to walk,” he said. “I did have an idea that involved people with sticks holding it up, walking behind her. I didn’t know how far I could go with this thing.”Starchitecture indeed.
First the cracks, and now this? Sure, Peter Eisenman's Memorial to the Murdered Jews of Europe in Berlin has seen its fair share of controversies over the years, but it doesn't get much worse than a fashion shoot for an in-flight magazine. According to the New Statesman's scoop, easyJet had no idea the Holocaust memorial had been used as the backdrop for a bunch of models because its magazine is produced by an outside company. That company has yet to speak up about the matter, so it remains unclear whether the fine folks at INK publishing are ignorant or just stupid. Looks like Hannah Arendt is right once again. UPDATE: Ink Publishing, the company behind the offending shoot responds, and it's worse than we thought:
Ink Publishing sincerely apologises to anyone who may have been offended by the fashion shoot in the November issue of easyJet inflight, in which a model is photographed in front of Berlin's Holocaust Memorial. Far from trivializing the Memorial, on the contrary the intention was to encourage passengers to visit for themselves. The aim of each monthly shoot is to highlight an easyJet destination and tell a relevant narrative. The shoot was intended to not only promote local design talent and the city itself, but to raise awareness. From an educational perspective, it is of the utmost importance that visitors to Berlin see the Jewish Museum (who gave us written permission to shoot in their grounds) and Holocaust Memorial first hand. We absolutely regret any offence caused.We're speechless yet again.
Back in June, we spoke with Vito Acconci about his decision to close up shop. The artist and designer essentially said he was yet another victim of the recession—"The contradictory thing is that at a time when there are these architectural projects that we have the possibility of doing, how do we keep the studio active on a day-to-day basis?"—but now we're wondering if he maybe had a career change in mind. It would appear so, as Archinect alerts us to Vito's appearance in none other than October's J. Crew catalog. Maybe it's some kind of performance art? He's ready for his close-up after the jump.
We’ve heard the story now and again, designers being influenced by art and architecture, but just when we thought architects were the ones taking cues from designers – think Zaha – Italian shoe company Sergio Rossi’s Creative Director Francesco Russo, in a related press statement, cites specific references to the work of Hadid and photographer David Zimmerman in his latest shoe collection. While we’re not quite sure if Russo was inspired by her shoes or buildings, his shoes, nonetheless, are composed of bold colors and graphic designs, reminiscent of some of Hadid’s most striking architecture. Available in high-rising stilettos, towering wedges, strappy sandals, and boots high and low, the shoes come in a variety of textures including watersnake skin, goatskin, suede, leather, and natural linen. The shoes are offset by the fluidity of their soft lines, characteristic of all Sergio Rossi designs. Part of the designer’s Cruise collection, the shoes can be purchased online and at Saks Fifth Avenue come fall. Do you buy the influence?
New York-city based design and concept firm AvroKO, the masterminds behind various self-propelled projects such as PUBLIC and Double Crown restaurants, recently revealed their latest venture--as fashion designers. Teaming up with the Mona & Holly studio, AvroKO will release a limited edition of service uniforms in April as part of their Spring ’09 collection. Inspired by “smart and tidy service uniforms of decades past,” the collection doesn’t stray from AvroKO’s signature aesthetic--concept driven designs that are somewhat nostalgic of times past while maintaining a sense of modernity. The uniforms, which will be worn by PUBLIC and Double Crown staff beginning early May, bridge the gap between hospitality and fashion through the functionality of the pieces and overall design. The collection contains basic shift dresses, flouncy skirts, and structured tops that are elegantly detailed, glamorizing the femininity of uniforms of decades past. AvroKO’s collection for Mona & Holly will be available for purchase in select boutiques in New York, Chicago, and Dallas, with pieces ranging in price from $75 to $365.
Leading Finnish textile and clothing company Marimekko recently unveiled a new line of women’s bags that reflect the distinctive design and simple pragmatism for which the company is known. Based on an existing Marimekko tableware fabrics, the bags are patterned using state-of-the-art printing technology in keeping with the cheerful, utilitarian Marimekko aesthetic, and are available in an array of colors and materials including the company’s trademark cotton canvas, Italian patent leather, and metal. Fashioned to be a bold personal statement as well as a practical handbag with functional details, these bright bags are contemporary while maintaining a sense of everyday practicality. From stylish evening bags to work totes, Mari’s new bags are suited to fit any well-designed lifestyle!
Reminiscent of the ever-so-popular jelly shoes of the 1980s, and more recent incarnations such as Marc Jacobs Rubber Ballet Flat Shoes which debuted in 2007, Italian furniture powerhouse Kartell, internationally renowned for modern furniture design in plastics, and young Italian fashion label .normaluisa recently released a shoe collection of plastic ballerina flats aptly called “Glue Cinderella.” Combining Kartell’s innovative technology with .normaluisa’s youthful design sensibility their latest collaboration offers classic style with an edgy vibe. In a statement released about the new partnership, Lorenza Luti, the company’s 30-year-old marketing and retail manager and mind behind the project said, “Kartell is not merely a design company, but an authentic lifestyle brand. It has been the leading brand in experimentation with plastics for sixty years and has made transparency its trademark. Consequently, when I started to think about a range of shoes, it was natural to give the product our imprint.” Giving the shoe its imprint is just what Kartell did. Made from an injection-molding technology that allows for the creation of two-tone shoes combining transparent and opaque materials, the shoe is available in a variety of shades including neutral beige, deep blue, white, red, violet, green, and crystalline. For $135, you can slip into a pair of your own. The sticky slippers are on sale now at Kartell flagship stores and select boutiques in New York City and throughout the world.