A timber-backed glass facade provides transparency, acoustical isolation, and resiliency for a historic theater complex in the nation’s capital.When the Mead Center for Performing Arts in Washington D.C. hired Vancouver-based Bing Thom Architects to double the institution’s square footage without disturbing two historic theaters designed by treasured architect Harry Weese, it was clear to firm principal Michael Heeney that standard solutions would not suffice. For one, the theater facilities were insufficient and outdated. More troublesome, however, was the fact that passenger jet liners taking off and landing at Regan National Airport across the Potomac River were so loud they were interrupting performances. The architects had to find a solution to mitigate this cacophony both for the existing structures as well as for the expansion—a new theater called Arena Stage. “We had to achieve acoustical separation and isolation from exterior noise in a way that was respectful and maintained the integrity of the original structures,” Heeney told AN. Building off an approach that originated from a project in Surrey, British Columbia, the design team decided to wrap the triangular-shaped complex in glass with timber column supports, topped off with a 500-foot cantilevered roof. With the help of structural engineers at Fast + Epp and facade consultancy Heintges, the team extrapolated the Surrey solution to provide even greater transparency for the existing Weese theaters, Arena Stage, and a variety of mixed use spaces totaling 200,000 square feet. The system features a series of columns milled from parallel strand lumber to taper at the base with an ellipse-shaped section. Each column stands between 45 and 63 feet high with a diameter of 22 by 32 inches. Spaced on 36-foot centers, the columns effectively support the dead load of the glass curtain wall in addition to the weight of the roof overhead. The total perimeter of the complex measures approximately 650 feet in length. The base of each column tapers to a painted cast iron base featuring an ellipse-shaped cutout. “There’s enormous force coming down through those columns, but we articulated it gracefully like a ballet dancer en pointe,” said Heeney. The columns tilt four degrees to minimize glare. Icon Exterior Building Solutions custom designed and extruded the aluminum-framed curtain wall with 12- by 7 ¾-foot trapezoidal insulated glass units. A ½ -inch krypton-filled space is sandwiched by a 3/8-inch outer glass pane with a low # coating on the No. 2 surface, and a ¼-inch inner lite for optimal acoustic insulation. The entire system hangs from ½ inch steel cables connected to a structural steel top truss. Lateral loads are handled by a horizontal paralam mullion system (9 inches deep, 3/12 inches thick, 12 feet in length) that ties back to the columns with 5- to 6-foot paralam struts, depending on the curvature of the glass. “Normally with a curtain wall, you build the structure and it comes after, but here we used the columns to take the structure in addition to the glazing,” explained Gerry Epp, partner at Fast + Epp and president of StructureCraft. “It’s a super efficient scheme because we executed the structure at the same time as the facade.” According to Heeney’s estimation, the Mead Center’s large-scale commercial timber-backed glass facade was the first of its kind in the US and has performed beyond the designer’s expectations. When a 5.8-magnitude earthquake rattled the D.C. area in 2011, the glass curtain wall swung with the earth’s motion and then settled back into place. “Even though it’s not seismically designed, I think the West Coast designers’ inclinations made it inheritantly stable,” Heeney mused.
Posts tagged with "Facades":
ikon.5 Architects designs a reflective, fritted facade in the visual tradition of the campus’ original craftsmanship.In the wake of Hurricane Katrina, New Jersey–based ikon.5 Architects had an opportunity to reinvent the image of Lousiana State University’s E.J. Ourso College of Business. The original campus, designed in 1928 by the Olmsted Group, was planned as an Italian Renaissance village, which functioned as the economic engine of Louisiana and the Gulf of Mexico region for nearly 75 years. ikon.5 and local firm Coleman Partners Architects, used the circumstances of Katrina’s aftermath to give the business school a progressive image, while staying true to the University’s prescriptive aesthetic guidelines. Maintaining the classical layout of the main square—head houses at either end with smaller classrooms lining an expanse of lawn—the design committee made several concessions in the 2012 update. In the past, guidelines dictated that all buildings feature the original craftsmen’s stucco formula, which was made from crushed white pebbles and seashells. But for the 21st century, LSU’s Design Committee decided that updating materiality would be a forward-thinking representation of the school’s influence and thus approved a new glass skin for the business school’s graduate and undergraduate classroom buildings. With the help of multiple glass vendors, the architects at ikon.5 launched a series of material studies yielding more than 100 pattern variations of ceramic fritting on glass that effectively represented the University’s characteristic stucco. “We wanted the wall to appear three dimensional,” said ikon.5 principal Joseph Tattoni. “We had thought of polished stainless steel panels, perforated for visibility, but on glass we could achieve that with a mirror effect.” The inherent coloring of the ceramic is naturally cream colored, but depending on the angle of the sun and the viewer’s vantage, the facade appears dynamic, shifting from ochre to champagne to blonde. Working with Viracon, the team designed a custom double-paned insulated unit. The outermost ¼-inch glass panel features a ceramic frit in a dot-line pattern that blocks 38.6 percent of visible light to minimize glare and solar heat gain. The inner lite features a reflective coating that creates the effect of a one-way mirror, reducing transmitted visible light by 29 percent and solar energy by 22 percent. This combination of management strategies was deemed the most effective for solar gain protection. While building performance was paramount, the designers were also very aesthetically driven. “We wanted an abstract representation of the historic campus,” said Tattoni. “It was clear we didn’t want any mullions, and for the building skin to appear not as windows but a monolithic glass surface.” Along with Coleman Partners Architects, Dallas-based facade consultant CDC helped devise a structural glazing system that could be adapted for an aluminum curtain wall manufacturer, eliminating mullions but supporting faint, flush joints. This structural element also ensures the glass building’s safety and code compliance in the hurricane-prone region.
In the midst of Greenbuild's International Conference & Expo, held from November 18–22 in Philadelphia, AN sought out the newest and most innovative sustainable building products. We found attractive new finishes and furnishings, including a new chair derived from carbon polymers, and a plethora of building components that aim to harness the Earth's energy for optimal building performance. Green Roofing Xero Flor America This vegetated green roofing solution (above) rolls out in a mat system for easy application, as well as rapid access for repairs. Each 40-inch wide panel is comprised of a root barrier, drain mat, water retention fleece, growing medium, and pre-vegetated layer of sedum. Also known as stonecrop, each order is grown in one of Xero Flor's six regional fields, so living roofs are acclimated to the installation environment and contribute to local LEED credits. Ecoflex Mortise Lock Assa Abloy The Ecoflex Mortise Lock runs on only 10 Watts of energy, whereas standard electrified locks draw nearly twice the wattage. Used as a stand-alone electronic access control or in conjunction with a wall reader, the reduced power draw cuts operating costs and its actuator reduces the risk of failure from voltage drops. Basotect BASF Basotect is made from an open-cell melamine resin foam, a thermoset polymer that does not contain mineral fibers. It is comprised of 99 percent air for maximum sound absorbancy and low density (read: lightweight) in corporate, education, civic, and institutional applications. Smog-Eating Tile Boral Suitable for both commercial and residential applications, concrete roofing tiles feature an embedded finish that converts nitrogen oxide from the air into inert compounds. For a recommended 3-inch headlap, approximately 89 tiles will cover 100 square feet. Six colorways are available in three profiles. Fleece-BACK PVC Membrane Carlisle SynTec Systems To bolster durability and the PVC membrane's puncture resistance, a layer of fleece backing adds thickness up to 135 mils and improves wind-uplift performance when bonded to an adhesive. Specified as part of a comprehensive roofing system, the membrane can help contribute to LEED points, as it did on the South Terrace of the David L. Lawrence Convention Center in Pittsburgh. AirRenew CertainTeed CertainTeed's new gypsum board features embedded air purifying technology that captures formaldehyde and other aldehydes, converts them into inert compounds, and stores the particulates within the board for 75 years. Water-based acrylic and epoxy paints or breathable wallpaper will not affect efficacy, and AirRenew can be recycled at the end of its useful life. Enverge Cavity Wall Firestone Building Products Firestone adapted its polyisocyanite roofing technology and its insular properties for the vertical surfaces of a building with the Enverge Cavity Wall system. When combined, a suite of products—including a continuous insulation exterior wall insulation, air and vapor barrier, and thru-wall flashing—stops thermal bridging and optimizes building envelope performance according to ASHRAE standards. Reveal Glass Guardian Industries Guardian Industries' switchable glass features an interlayer of liquid crystals laminated between two sheets of glass that, when exposed to an electrical current, reconfigures floating molecules into a transparent grid pattern that appears clear to the naked eye. When the system is off, the molecules rest in a disorganized, natural state that lends opacity to the glass. The line is available in any of Guardian's color offerings, standard textures, and Berman Glass editions. 1630 SS ISO Kawneer Kawneer addresses the growing frequency of high-impact weather systems with a curtain wall designed to withstand hurricane and tornado conditions. The system has withstood blast mitigation testing, ASTM testing, and met building code standards for Florida's hurricane-prone Miami-Dade County, all with a reduced U-factor to meet current energy code demands. Grazie with AirCarbon KI KI's Grazie stacking chair was reimagined in a bio-based polymer(above)—AirCarbon—from California-based Newlight Technologies. A patented production method isolates carbon molecules from naturally occurring chemical compounds, converts them to a liquid state, and bonds them with polymers for a carbon-negative thermoplastic that can be substituted for oil-based plastics. Benchmark Kingspan Panels finished in ACM, MCM, ceramic, brick, and more feature polyisocyanates to eliminate thermal bridging, and a built-in vapor barrier for an air-tight building skin. Kingspan has developed EPDs for all Benchmark panels, which are also UL listed. MagnaShade MechoSystems Mechosystem's interior daylight management—in both manual and automated systems—is available in lengths as long as 40 feet for uninterrupted glare and heat gain mitigation, and the elimination of light gaps. A slim profile on the 6 1/2-inch housing cassette can be installed flush within a ceiling or soffit, or wall mounted. PermaLED Area Light Osram Sylvania Operating at 90, 140, or 200 Watts of power, the PermaLED luminaire for outdoor use generates a 57 percent energy savings when compared to HID lamps. Available with a standard photosensor or a dual-technology motion and photocontrol sensor, the latter provides up to 10kV surge protection. SPEEDHIDE zero PPG This topcoat paint contains no VOCs, formaldehyde, crystalline silica or ethylene glycol. Anti-microbial properties also help inhibit growth of mold and mildew on paint film. SPEEDHIDE zero is GreenGuard Gold certified and meets standards for California's South Coast Air Quality Management District (SCAQMD). Harmony Sherwin-Williams Once this interior acrylic latex paint dries, a propriety chemical compound neutralizes aldehydes in the surrounding environment without the presence of a catalyst. Harmony, and 50 percent of Sherwin-Williams' paint offerings, have been certified GreenGuard Gold and contribute to LEED points under Version 4 revisions. ThermaCork Eco Supply Made from the bark of the quercus suber tree, ThermaCork features the inherent dimensional stability, water resistance, fire retardant properties, and acoustical isolation of cork, without additives. To form panels, the sap of the cork bark, or suberin, is heated to a liquid state and, once cooled, binds particles in place. The panels can also be applied as insulation.
Barkow Leibinger designs a precast folded facade that puts a gentle spin on surrounding traditional architecture.On one of the last urban tracts of available land in Berlin, Germany, local architecture firm Barkow Leibinger recently completed an 18-story tower, Tour Total. Highly visible from a neighboring train station, and the first completed project in the site’s 40-acre master plan, the tower has a raster facade with precast concrete panels that were geometrically computed in Rhino to create twisting inflections, conveying a sense of movement around the building’s four sides. As a load-bearing facade, 40 percent of the surface is closed, and 60 percent is triple-glazed, with every other window operable. In addition to integrated energy management strategies—the first building tenant is French energy company Total—partner Frank Barkow said the firm’s extensive background in digital fabrication and research allowed the efficient development of the dynamic facade. Drawing from the surrounding, traditionally quadrilinear brick facades of the 1920s and 30s, the tower’s lines are imbued with an engrained depth that twists optically to read differently in direct sun or cloudy weather, without actually moving. The design team drew a series of T-shaped elements to create the exterior components, and K-modules for structural stability. “The folding K modules produce an in-and-out for continual diagonals that wrap around the corners,” Barkow told AN. Interior and exterior concrete components sandwich around glazing, windows, and insulation. To test the design, 3D models were fabricated on a CNC router. Many of the profiles in the facade assembly are repeated many times, though 160 are unique. Each cast could be used at least half a dozen times before another had to be fabricated. German fabricator Dressler milled plywood molds and white concrete was poured over an affixed release surface. Once solidified, each section was finished with an acid wash to expose the aggregate and transported to the building site. Steel pins, embedded within the structure’s poured concrete floors, connect the layers of the facade sandwich. Barkow and the concrete contractor had several discussions about eliminating an interior precast layer in combination with an Isokorb thermal break to mitigate expansion but, in the end, opted for the original design. “It’s the next technological step, for the facade to work like an exoskeleton, but we’re a few years away from that,” Barkow said. Despite budgetary and time restrictions, the LEED Gold-equivalent Tour Total was realized successfully, in part, through parametric design and advanced fabrication methods. “We’re taking advantage of northern Germany’s extremely proficient building culture and working with our fabricators here and in Switzerland as early as possible in the design process,” said Barkow. “There’s a lot of back and forth where we push them away from conservancy and they push us towards efficiency.”
To kick off AN and Enclos’ premiere conference, Facades + PERFORMANCE Chicago, Ronnie Parsons of Mode Lab will lead a technology workshop revolving around the concepts and mechanisms for creating performance-based parametric envelope systems using Grasshopper for Rhino5. Parsons is the founding partner of Mode Lab, a design consultancy focused on the development of products and environments for institutional and private clients. The class will cover the skills necessary for architects and designers to work with the latest analysis technologies that are transforming the ways in which they perform in their professional practice. Workshop attendees will acquire knowledge about parametric design within the building industry, will learn about concept development using parametric tools, and will be taught about the use of data as design parameter. Upon completion of the class, participants will receive a complimentary one-month subscription of Mode Lab. Don’t miss your chance to attend the numerous workshops, panels, and symposia hosted by Facades + Technology Workshops in Chicago. Enroll now!
With only one month remaining before Facades+ PERFORMANCE opens in Chicago, our exciting lineup of the industry’s leading innovators is gearing up for an electrifying array of symposia, panels, and workshops. Be there for this groundbreaking, two-day convergence of design and construction professionals, presented by AN and Enclos, coming to Chicago, October 24-25th. Join Chris O’Hara, founding Principal of Boulder-based Studio NYL, for his day-one symposium, “Ludicrous Speed: the Design and Delivery of Non-traditional Facades on a Fast Track,” and learn first-hand from the experts the technologies and fabrication techniques that are revolutionizing the next generation of high performance facades. Register today to redefine performance for 21st century architecture, only at Facades+ PERFORMANCE. After graduating with a B.S. in civil engineering from the University of Notre Dame, Chris O’Hara began his career in New York with M.G. McLaren Consulting Engineers, where he was confronted with a host of unique structural engineering projects, from amusement park rides to New York’s Rose Center for Earth and Space at the American Museum of Natural History with Ennead Architects. Things really got going for O’Hara when he joined up with London-based Dewhurst Macfarlane Partners and began to work closely with visionary architect Rafael Viñoly. Leading high-profile projects like Viñoly’s David L. Lawrence Convention Center in Pittsburg and the Watson Institute for International Studies at Brown University in Providence, Rhode Island, O’Hara developed innovative structural solutions that allowed for the pioneering architect to exercise the breadth of his architectural expression. In 2004 O’Hara relocated to Boulder, Colorado to launch his structural engineering firm, Studio NYL, who have since become renowned for their diligent application of emerging technologies and inventive structural solutions. Their adventurous, detail-oriented work has drawn the attention progressive architects, both local and global, while O’Hara’s integration of multiple design software programs and use of complex geometries made him a literal poster-boy for Autodesk. In his daily practice, O’Hara oversees the use of BIM and other advanced analytic technologies and leads the design of innovative forms in BIM, REVIT, and direct-to-fabrication CAD/CAM softwares. Collaborating with fellow Facades+ presenters Rojkind Arquitectos, O’Hara has pushed the boundaries of structure and design on pioneering projects like the aluminum and glass enclosure of the Cineteca National and the digitally fabricated metal skin of Liverpool Flagship store in Mexico City. Designed and built in little over a year, the Liverpool Flagship store is a stunning product of international collaboration, technological instigation, and fast-paced delivery. Studio NYL lead the design for the structural elements of the atrium, rooftop park and pavilions, skylight, and stainless-steel facade for the 30,000 square meter shopping center. Using BIM software to coordinate the work of multiple trades on complex geometries, Studio NYL and Rojkind Arquitectos constructed the fluid folds and fine reliefs of the shopping center’s sound-blocking double-layer facade. Learn more about the secrets to delivering innovative, high-performance building envelopes on a tight schedule as O’Hara presents a series of dynamic new projects in his afternoon symposia, and don’t miss out as frequent-collaborator Gerardo Salinas, principal of Rojkind Arquitectos, presents his exciting keynote address earlier that day! Register now to cash in on our Early Bird Special, and check out the rest of the groundbreaking schedule of events at the full Facades+ PERFORMANCE site. See you in Chicago!
There's a lot to be excited about in the jam-packed schedule of intimate dialog and tech workshops on day two of AN and Enclos’ upcoming Facades+ PERFORMANCE conference. But don't forget about the exciting keynote-speakers headlining day one! Industry leaders Stefan Behnisch of Benisch Architekten and Gerardo Salinas of Rojkind Arquitectos will set the tone as they discuss the effects of emerging design, fabrication, and construction techniques on building facades in our current technological, environmental, and economic landscape. Leading innovators from across the AEC industry will be on-hand to redefine sustainable facade performance, so don’t miss this rare opportunity. Register now and mark it down on your calendar: Facades+ PERFORMANCE, October 24th-25th at the Illinois Institute of Technology’s Main Campus in Chicago. “For me, performance means going beyond the technical behavior of a facade or technical system to incorporate new-found relationships between technology, fabrication, and understanding the full potential and use of the local craftsmanship to obtain the desired results," Salinas told AN. "At Rojkind Arquitectos, we look at every project as a state of active awareness fueled by continuous research, cross-pollination and context sensitivity. Rather than focusing on 'all' we selectively choose a context and adapt our thinking to recognize opportunity under those parameters.” Before returning to his native Mexico in 2010 to become the first partner at Rojkind Arquitectos, Gerardo Salinas worked on several master planning and institution projects with Ellerbe Becket, acted as Senior Project Designer with HNTB and Senior Associate at Anderson Mason Dale Architects, and demonstrated his expertise and dedication to sustainable design as a member of the U.S. Green Building Council. In his keynote address, “The Economics of Fabrication,” Salinas will discuss how, by viewing the users' needs as sources of inspiration, his firm is able to construct designs that maximize potential while maintaining attainability. “The facade as a building’s skin is becoming a more and more complex element in architectural development,” said Stefan Benisch, founder and principal of Behnisch Architekten. “Considering that the number of trades and different materials within a building is decreasing, and the remaining, fewer trades will become more complex, the facade then needs to become a highly sophisticated, complex, integrated element, not unlike what the skin represents for the body.” In his keynote address, “Techinical and Architectural Expectations: The rapidly developing role of the building skin in the wake of new technologies,” Bensich will bring his decades’ worth of knowledge and experience to the Facades+ stage. Through his award winning work, like the Norddeutsche Landesbank in Hannover, Behnisch has infused dynamic, eye-catching design with forward-thinking sustainable technologies to create buildings that provide maximum benefit to their users, the public realm, and the natural environment. Join him on October 24 to see the projects that are paving the way for the next era of sustainable facade design and construction. Reserve your space now to hear more from these and other groundbreaking professionals on the future of high performance facades and the technologies that are revolutionizing our built environment, only at Facades+ PERFORMANCE.
On October 24th, AN and Enclos present Facades+PERFORMANCE, an architectural symposium in Chicago on the complexity, construction, and design of modern facades. Gathering some of the leading architects, engineers, and innovators within the field, panels and keynotes will address the most pressing issues of facade design today. Among these experts is Pratik Raval of Transsolar who will be leading “Climate Responsive Design,” a discussion of the foundations, challenges, and solutions found within engineering for optimal human comfort and low environmental impact. Raval is a regular studio jury at Colombia University and the University of Pennsylvania, a frequent presenter for various architectural and engineering symposiums, and a guest advisory board member for the New York City College of Technology’s Bachelor’s program in Architectural Technology. He has a diverse background in both tech and design. Using Transsolar project examples, he will provide Facades+PERFORMANCE attendees with insight on optimization and collaborative architectural integration with the built environment. Transsolar is a climate engineering firm dedicated to creation of the highest aesthetic impact with the lowest ecological consequences. Raval has been involved in several important projects with the firm, focusing his skills on designs for optimal energy consumption through creative architectural and engineering design solutions. He recently developed climate concepts for the Center for Sustainable Urban Living at Loyola University in Chicago with architecture firm, Solomon Cordwell Buenz. The student housing complex, set to open this fall, consumes 50 percent less energy through green initiatives that harvest its outdoor environment for the benefit of its indoor climate. Register for the symposium and see the complete Facades+PERFORMANCE schedule.
For thousands of years, it has been widely acknowledged that glass is not only a compelling material, but is unbreakable in compression. More recently, glass as an innovative facade technology has steadily surfaced, propelled mainly by prominent international building designers pursuing transparency in building facades. At The Architects Forum Glass+Performance on September 11 at the GlassBuild America expo in Atlanta, Michael Ludvik of M. Ludvik Engineering will present about structural glass in a session titled Structural Glass: Ancient Material Modern Treatment. To explore glass as an appealing facade material, Ludvik will provide project examples including the TKTS Booth at Times Square, the Canopies at the Lincoln Center, and the Sky Dive Dubai wind tunnels. The work is characterized by an architecturally sensitive first principles approach. Ludvik is a structural engineer who gives particular attention to structural glass. Since graduating from the University of Sydney with a BE in Civil Engineering, he has worked as an engineer at notable firms such as Arup, Hardesty & Hanover, and Dewhurst Macfarlane & Partners. His Brooklyn-based firm M. Ludvik & Co. offers structural, glass, and facade engineering services for both architects and contractors. Register here to hear Ludvik speak about structural glass at Glass+Performance on September 11, 2013!
Launched in 2012 in collaboration by The Architect’s Newspaper and Enclos, the Facades+ conference series is heading back to Chicago for two days of architecture symposium and workshops with a brand new theme: Performance. On October 24th and 25th, keynote speakers Stefan Behnisch of Behnisch Architekten and Gerardo Salinas of Rojkind Arquitectos, as well as a host of recognized architects, innovators, and engineers will engage attendees on the subject of facade design within the last five years, specifically sustainable, yet aesthetically pleasing construction. Day one hosts a symposium of panel speakers and networking opportunities. And during day two, attendees make the choice between tech or dialog workshops, both intimate groups with hands-on training and personal discourse. Registration is now open for both days and early bird rates apply until September 27th. Partnering with YKK AP, Facades+PERFORMANCE in Chicago offers dialogues, workshops, and opportunities for networking for professional architects and designers The conference addresses an increasingly current issue within an era of climate change and environmental responsibility. Day one of the symposium will offer two keynote addresses and a variety of environmentally-themed architectural panels. Presenters in attendance represent YKK AP, Buro Happold, Thorton Tomasetti, Eckersley O'Callaghan, Studio NYL, among others. Students can earn eight AIA Continuing Education Units for attending this day's events. In keeping with the theme of Performance, panel topics include: Innovation, Climate Responsive Design, Material, Complex Façades, and Client Perspective. On the schedule for day two are intimate group workshops, either tech or dialogue based. In tech workshops, design engineers from firms like Mode Lab, Thornton Tomasetti, and CASE provide one-on-one training in cutting-edge architectural facade design technologies. In dialog workshops, participants set their own daylong schedule to attend creative-thinking sessions where architectural and engineering firms present their own work as case-studies. Coordinators for these workshops include Gehry Technologies, Enclos, SHoP, Cricursa, and more. Comprehensive, interactive, and present, Facades+PERFORMANCE is a symposium not to be missed. Register here before September 27th for early bird rates.
Earlier this year, AN assembled a list of the most prominent projects rising in Miami. One of the developments, the Herzog & de Meuron–designed Pérez Art Museum (PAMM, formerly the Miami Art Museum), is nearing completion and is scheduled to open to the public by the end of the year. At The Architects Forum Glass+Performance on September 11th in Atlanta, key participants, including Peter Arbour of seele, Vinu Abraham of Architectural Testing, and Emil Hoogendoorn of John Moriarty & Associates will present on the ambitious design and construction process of the Miami Art Museum facade, calling the endeavor The Biggest Glass in Miami Dade County. Positioned on Museum Park overlooking Biscayne Bay, upon what has been declared the Magic City’s “last big piece of public land downtown,” the new museum’s concrete and glass structure gestures to Stiltsville, a vernacular 1930s form of architecture built on the bay. Various column-free exhibition galleries within the 200,000-square-foot, three-story building accommodate works of differing scales. The museum contains an educational complex, auditorium, and digital workspaces, along with a restaurant and store. Shaded by a canopy, the museum is situated on an elevated plinth open to a landscaped veranda and plazas. The Architects Forum is hosting a session at GlassBuild America filled with short presentations of the design, prototype testing, and construction of the museum's state-of-the-art facade. Arbour, Abraham, and Hoogendoorn will explain the multifaceted and impressive process, focusing on the use of glass as a facade material. A panel discussion and audience Q+A will take place after the presentation. Register to learn about the process behind the Pérez Art Museum's glass facades and discover more information about Session 3: The Biggest Glass in Miami Dade County: Construction of the Miami Art Museum Facades.
AN is running full steam ahead to bring its Facades+PERFORMANCE conference series back to Chicago on October 24th and 25th. In an effort to offer the most stimulating presentations at the conference, the symposium afternoon keynote has been confirmed as Gerardo Salinas of Rojkind Arquitectos, a Mexico City-based firm. During the Day 1 Symposium, Salinas will discuss how his firm addresses users’ needs directly by viewing them as prospective sources of inspiration. As partner of Rojkind Arquitectos, Salinas has worked with the firm to discover new methods and opportunities in architectural practice. By investigating the uncultivated geometries that tackle issues of technology, materials, and structure in addition to other questions related directly to geography, climate, and local urban experiences, Salinas has demonstrated his expertise in the fast-paced evolution of facade technology. Salinas, upon receiving his undergraduate degree in architecture from the Universidad Nacional Autonoma de Mexico and his Master of Architecture from the University of Maryland, worked for Ellerbe Becket (now AECOM). After working on several master planning and institutional projects, Salinas became a Senior Project Designer with HNTB and then Senior Associate at Anderson Mason Dale Architects, Denver. In 2008, he was named Young Architect of the Year by AIA Denver. After 16 years in the U.S., Salinas returned to Mexico City in 2010 to join Michel Rojkind as partner of Rojkind Arquitectos. A member of the U.S. Green Building Council, Salinas demonstrates a knowledge and passion for sustainable design.