Posts tagged with "Facades+ Conference":
On October 4, The Architect’s Newspaper will be hosting Facades+ Miami for the third time. The morning event features talks and workshops by national and global leaders of the AEC industry covering a range of subjects relating to building envelopes within tropical environments and the architectural vernacular of the Miami metropolitan area. Allan Shulman, founder of Shulman + Associates, is co-chair of the event.
Over the last century, Miami’s population has grown from approximately 60,000 to just 6 million. This explosive growth of the southernmost major in the U.S. has fostered an architectural identity distinct to the region, one that often adapts modernist trends to suit local environmental performance.
Founded in 1977, Arquitectonica has designed dozens of developments in downtown Miami, and they are bringing their expertise to this year's conference. In recent years, the firm has completed the Brickell City Centre, the American Airlines Arena, and Regalia. The Regalia is a nearly 500-foot-tall tower on the northeastern edge of the Miami metropolitan area described by founding partner Bernardo Fort-Brescia as a rectangular glass prism “wrapped by a sensuously undulating terrace” that simultaneously serves as a tool for interior shading.
Ateliers Jean Nouvel, a firm that works globally with an emphasis on facades, is also presenting. The practice is currently constructing a significant project in Miami’s South Beach. The residential complex will contain approximately 200,000 square feet, and will stand atop an 11-foot podium to avoid the increasing threat of storm surges in Miami. Significant segments of the facade will be clad in perforated screens, filtering natural sunlight while maintaining a degree of privacy for residents of the glass-faced residential tower.
While the lion’s share of high-rise construction is centered in Miami’s downtown and in a ribbon of development adjacent to the coastline, other local and international practices are advancing with sensitive residential and commercial projects throughout the region, such as Brillhart Architecture’s timber Surfer’s Outpost; Gelpi Projects’ proposed Coconut Grove Playhouse; Germane Barnes's public art installations, such as RAW POP UP / LAB at Brickell City Centre; and micucci arquitectos asociados' institutional projects across Latin America.
Outside of architectural practices, representatives from manufacturers and engineering practices such as the Al-Farooq, Crawford-Tracey, Terranova, STI Firestop, Gate Precast, and Valspar will also be on hand to lead workshops and panels.
Further information for Facades+ Miami can be found here.
From October 25 to 26, Facades+ will bring local and national leaders of the architecture, engineering, and construction industry to Los Angeles for the fourth year in a row. The first day of the conference features keynotes by Thom Mayne, founding principal of Morphosis Architects; and Heather Roberge, principal of Murmur.
Founded in 1972, Morphosis has spread its distinctive presence internationally. In recent years, the firm has completed the Bill & Melinda Gates Hall at Cornell University, 41 Cooper Square in New York City, and Kolon One & Only Tower in Korea. Opening in late August, the 123,000-square-foot Kolon One & Only Tower features a sweeping primary facade built of high-tech fiber manufactured by the client. Each fiber appendage is latched to the curtain wall with traditional stainless steel brackets that knife through exterior joints to steel mullions that ring the structure.
Heather Roberge founded Murmur in 2008. The firm’s work is characterized by its experimentation with a broad range of materials to create projects unique in layout and form. In 2015, Murmur unveiled En Pointe, a group of conjoined, aluminum-paneled columns standing atop razor-like fulcrums. According to the architect, “to achieve a balanced state, the mass and silhouette of each column are eccentrically distributed to stabilize its adjacent columns.” Other realized projects, such as the pentagonal Vortex House and a multi-sided addition to a Beverly Hills Residence, highlight Murmur’s unique approach to facade fabrication and design.
Over the last decade, Downtown Los Angeles has experienced an upswell of high-rise development. At Facades+, Skidmore, Owings, & Merrill (SOM) and century-old Los Angeles–based firm AC Martin Partners will discuss the immense change underway. SOM’s Olympia complex is one of the boldest being undertaken in the area, composed of three towers of stacked terraces clad in translucent and clear glass wrapping visible concrete piers. AC Martin, with its long Angeleno history, has continually left its imprint in the downtown area with projects such as the twin-towered City National Plaza built in 1972 and the contemporary 73-story Wilshire Grand Center.
Representatives from Walter P. Moore, CO Architects, HKS Architects, and Renzo Piano Building Workshop, will also be on hand to discuss the assembly of complex facades at ever-rising heights as well as significant projects shaping the cultural scene of Los Angeles, such as The Academy Museum of Motion Pictures.
Further information Facades+ Los Angeles can be found here.
"When we designed Eden over twenty years ago, this was the largest installation of ETFE, which had principally been used for small sports buildings," said Andrew Whalley, Partner & Deputy Chairman at Grimshaw Architects. Whalley was, of course, referring to the Eden Project in the U.K.'s southwest, the project that put ETFE and its use for buildings on the map. Previously, the material had been used mostly in the aerospace industry, with the odd agricultural project thrown in. Now it was being used for huge, bulbous "biomes" that drew inspiration from Buckminster Fuller.
"I think the Eden project certainly gave it a much higher profile, which led quickly to its use on several high-profile buildings. This rise in popularity has lead to a continual refinement in the product, and with secondary applications," added Whalley.Grimshaw has since gone on to be a pioneer of the polymer in architecture. Their U.K. National Space Center in Leicester was another landmark project, and, more recently, the firm has stepped it up a level, with the dazzling Disney resort, "Tomorrowland," in Shanghai. Whalley continued, "Current ETFE is much more transparent than its earlier version, is available in a range of color tints. It can be fritted, and combining this with variable air pressures can change the amount of light passing through the envelope." Light and colour certainly abound at Tomorrowland. David Dennis, Associate Principal at Grimshaw explained how this was achieved through a double-layered ETFE cushion that spans 164 feet across a complicated twin-gridshell canopy. This is then held in place by custom-formed aluminum clamps that respond to the tight bending and twisting of the structure. "ETFE’s inherent flexibility permitted spanning these complex forms. Meanwhile, advancements in imbedded color and custom-applied ‘frit’ patterns enabled a backdrop suitable for both daytime and nighttime light shows," elaborated Dennis. "The canopy structure required a lightweight cladding that could keep guests dry and comfortable in Shanghai’s wet summers. At the same time, it also needed to be an expressive and iconic canvas for lighting effects and projections that celebrate Disney’s stories and capture the Tomorrowland theme of an optimistic future," he added. "ETFE met these needs, providing flexibility of form and advanced capacity for showcase." But how is ETFE being used on U.S. shores? Alloy Kemp, a Senior Project Engineer at Thornton Tomasetti's New York office, was on hand. The engineering firm has already worked on numerous ETFE facades, including Banc of California Stadium (for the Los Angeles Football Club, MLS), the U.S. Bank Stadium (for the Minnesota Vikings) and the Hard Rock Stadium (for the Miami Dolphins) in Florida. Right now, Thornton Tomasetti is working with Diller Scofidio + Renfro (DS+R) and the Rockwell Group on The Shed at Hudson Yards which, yes, you guessed it, has an ETFE facade. According to Kemp, The Shed uses a pneumatic system, whereby three foils made into a panel are inflated with air. "The air is not structural; it serves to stabilize the foils," said Kemp. "The outer foil is fritted (printed with silver ink in a dot pattern) to reduce the light transmission of the panel into the space." The middle foil, meanwhile, is clear, and the inner foil is white, with 20 percent opacity. Kemp remarked that the "overall effect is to diffuse and scatter the direct sunlight into the space." ETFE is also representing the U.S. on foreign soil, too. Back in the U.K., Philly-based studio KieranTimberlake Architects recently used the material to clad the U.S. Embassy in London. Partner at studio Matthew Krissell told AN how the "single layer tensioned membrane," arranged in an array of sails on three sides of the building, optimized natural daylighting with a high level of transparency. Meanwhile, the scrim also provided a second air gap to give further resistance to thermal transfer.