Posts tagged with "Facades+ AM":

Facades+ AM Atlanta

The program includes three sessions covering issues unique to the region, including innovative building skins, high performance facades, and the future face of Atlanta. These well-rounded, expert dialogues will inform and inspire. The Facades+ conference series is a robust dialogue encompassing all things building skin—bridging the profession, industry, academia, operations, and ownership. We’ve distilled the best of the Facades+ 2-day event into a quick-take morning forum with a strong local flair. Facades+AM is coming to Atlanta for the first time this January.
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Matthew Krissel of KieranTimberlake Architects on the coming Facades+ AM Philadelphia

How are computational devices changing the way we approach design? Why is it essential to look at building envelopes as more than just an environmentally-focused skin? These are some of the questions that will be raised at the coming Facades+ AM conference in Philadelphia on September 25. Matthew Krissel, a partner at KieranTimberlake Architects, will be acting as co-chair throughout the conference. Krissel worked with The Architect's Newspaper (AN) on the program for each of the three panels due to take place. "There is a rich history of design here as well as a growing group of young and emerging design practices doing innovative work," Krissel told AN. "At KieranTimberlake Architects, we are seeking continuous improvement of not just what we design and make but also how and why." The first panel will look at how technology is changing the way architects work with facades. From both a performance and poetic perspective, computational design has meant that contemporary designers approach building skins differently. Krissel talked about "augmenting a rich tradition of design processes" and exploring new methods of design. "Beyond simply using computation for expedient production, we see it as a means to expanding the creative potential of the design team." "In panel two, we take on the WHY, expanding the definition of performance to include desire, poetics, and cultural identity [which] elevate the human experience in meaningful ways," said Krissel. The panel will also look at how facades can be both environmentally responsive (and responsible) but also contribute to the phenomenological experience of a building.  The final panel will address, in relation to the previous discussions, what is being done in Philadelphia, the city where KieranTimberlake Architects is based. Surveying Philly buildings of various scales, this discussion will touch on why the design community must see their individual projects as part of a larger urban collective where buildings give back more than they take from society.  "I wanted the conference to take on a similar trajectory and create a larger narrative about the transformative capacity of design and the built environment," Krissel added. "This conference is an opportunity to build that narrative that extends from process to outcomes and do it with a mix of established practices and emerging voices in design." Facades+AM Philadelphia is at the National Museum of American Jewish History September 25th. Information at am.facadesplus.com.
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Kory Bieg of Austin’s OTA+ on how parametric design can shape structures

Aluminum composite panels have been making headlines of late for all the wrong reasons. The subject of scourge was at the heart—or rather, outer edges—of the Grenfell Tower disaster in the U.K. that saw a fire take the lives of an estimated 80 people as flames traveled via the building's aluminum composite cladding. However, at Facades+ AM conference in Austin yesterday morning, the material was shown in a new light. As part of the opening discussion panel, titled Digital Design and Fabrication Frontiers, principal at OTA+, Kory Bieg demonstrated how aluminum composite panels can be used to make three-dimensional structures such as arches and vaults. Speaking to The Architect's Newspaper (AN), Bieg described how he used parametric design tools such as the Kangaroo plugin for Grasshopper to design Caret 6. The vaulting structure, designed and fabricated by his Design V Studio at the University of Texas at Austin School of Architecture, was part of an exhibition on metal structures in 2013. Caret 6 is comprised of large folded panels and responds to a brief that called for a structure using aggregation, weaving, and stacking techniques to create an assembly that could transition from a flat surface to a volumetric enclosure.
"To enable a smooth transition from a flat, two-dimensional ground surface into a volumetric, three-dimensional vault, the studio used a diamond pattern that could work as both an aggregate and woven rib-system. Though the diamond pattern appears to be series of stacked cells, the structure is actually three layers of overlapping ribs," said OTA+ on its website. "Large, continuous primary ribs form the seams from vault to vault, while secondary ribs span between each seam. Tertiary ribs complete the web and enclose each cell to create a rigid structure."
"A core goal of the studio was to introduce asymmetry into what would otherwise be a symmetrical form. The vault is roughly eleven foot at its highest point, enclosing a space small enough for occupants to engage directly with the surface, a condition atypical for most vaults which often frame larger and much taller spaces. "Caret 6 was designed to fill an already existing space," said Bieg, "so it was necessary to design a geometry that responded to the existing room, especially at the edges, where the vaulting forms project toward the walls."
Bieg benefitted from using Robot Structural Analysis which enabled him to model and test different Aluminum Composite Panel configurations to find the optimum structural solution. "Ultimately, we added a layer of attachment details that included thousands of O-rings and binder rings to ensure stability in the event a lateral force or unexpected point load is applied (ie. someone hanging on the edge of the cantilever), but in its resting state, Caret 6 does not require any fasteners," the firm said. Bieg was joined by Anthony Birchler of fabrication firm Zahner. "Digital manufacturing plays an enormous role in not only what we do, but the changing landscape of architecture and design fields," he said speaking to AN. "Designers want to understand how they can interface with a firm like Zahner—and here's the big part—they need to know how to establish this kind of precedent with their clients in our industry. Our presentation shows how firms are accomplishing unique architectural works. This isn't theoretical. This is our practice, and we want to show you how you can do this kind of work"
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Arthur Andersson on his approach to Austin high-rises

Austin, Texas is a hot place to be. In fact, according to Arthur Andersson, it's "hotter than the hinges of hell." The Austin-based architect is a principal at Andersson-Wise Architects and will be speaking at this month's Facades+ AM conference in the city. He spoke to The Architect's Newspaper (AN) about a recent Austin project, Block 21, and how he combated the city's climate.

Though its official name doesn't give much away, Block 21 incorporates a W Hotel, residences, retail, offices, and a recording studio for KLRU where the show Austin City Limits Live at the Moody Theater is filmed. The building was Andersson's first ever high-rise (Block 21 climbs to 37 stories) but the architect was committed to producing a "useful" rather than a "pure" building.

"Many architects would have put protruding balconies on both sides of the building," claimed Andersson, who instead, opted to recess some on one side. "I posed a question to the Mayor, 'do you ever see people on those north balconies?'" Mayor Will Wynn's response was predictably a "no." Subsequently, Block 21's balconies provide shade in the summer and let the sun in and heat condos in the winter. "None of the four are sides doing the same thing, they're all different and based on the sun’s position," Andersson added. "Recessing balconies is like giving the building sunglasses."

Another method of tackling Austin's climate was through color. "Here, for some reason, a lot of the taller buildings are either beige or brown—or at least they were," said Andersson. "All these colors made you feel hotter than you already are! In Austin the sky gets super blue, so we wound up with a color scheme that almost disappears into the sky."

"The second thing that we did, and we the first building in Austin to do this, was to use a curtain wall so the structure was all inside and you couldn't see any mullions. As a result, the glass can have a very minimal connection, you just see [a] sheer face." As for the rest of the facade, particularly at the base of the building where the recording studio is located, compressed cement panels from Swisspearl acted as a rainscreen and provided a matte finish—a contrast the reflective glass. 

Staying with the lower portion of the building, Andersson explained how Bill Zahner, president and CEO of A. Zahner Company, helped with the sheet metal work to create pre-finish weathered steel look for the car park, lobby, and base, which came across to Andersson as being like "ruins" when twinned with concrete.

Andersson will be speaking at Facades+ AM this July 18 in Austin. There he will discuss Block 21 in greater detail and joining him (albeit on a different panel) will be Anthony Birchler, vice president of engineering at A. Zahner Company.

Seating is limited. To find out more, please visit am.facadesplus.com.

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Austin is changing, but where’s it headed to next?

Anyone who keeps tabs on Austin, Texas's built environment on Twitter will be familiar with "#ATXrising." If its presence and frequency tell us anything, it's that Austin is on the up—literally. Is this a good thing? Tall buildings mean more density, which potentially means a more pedestrian-friendly city. In the 1970s, however, one man had other ideas about how to achieve this. Lauded as "Austin’s grandfather of New Urbanism," Sinclair Black envisioned a dense city populated by buildings no taller than six stories. Sinclair didn't like cars then, and he doesn't today. Interstate-35, which still carves up Austin's Downtown, is something Sinclair wants re-routed in order to reconnect the city. This is yet to happen and, likewise, his mid-rise dream has not been realized, as Arthur Andersson, principal at Austin-based Andersson-Wise Architects (the firm behind the 37-story mixed use hotel known as Block 21) can attest. Another Austin architect, Brett Rhode, principal at Austin-based Rhode Partners (the firm behind The Independent, a 58-story high-rise that will be Austin's tallest) also concurs. That said, density, or rather, faux-density, has emerged. Zoning requirements at Main Street, for example, stipulate that buildings wider than 150 feet should be made to appear like multiple buildings, each no wider than 100 feet. Often, this appearance is achieved through the building's massing or the facade. Black, Andersson, and Rhode will be talking in depth about Austin's changing skyline and touching on topics such as density and pedestrianization at Facades+AM Austin on July 18th. Also on hand at Facades+ will be Heath May, director of HKS LINE; Kory Bieg, principal at OTA+; and Anthony Birchler, vice president of engineering at Zahner. They will be engaging in a panel discussion on new techniques for facade fabrication. And because all the best things come in threes, a final panel will look at the constantly evolving relationship between engineers and architects. On hand to weigh in on the subject will be Chuck Naeve, founding principal of Architectural Engineers Collaborative, Gordon B. Bingaman, an associate principal at Antenora Architects, and Ken Jones, principal at Miró Rivera Architects. Seating is limited. To find out more, please visit am.facadesplus.com.
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Miró Rivera talks about the symbiotic relationship between architects and engineers

Engineers and architects. It can be a fickle relationship at times, stemming back to university where the typical back and forth between students arguing for their own self-importance. But, in the adult world, the relationship is seldom so tumultuous. Ken Jones, principal at Austin studio Miró Rivera Architects, was on hand to explain. Jones said how he had been working with engineer Chuck Naeve and his firm Architectural Engineers Collaborative, since the late 1990s, not long after the architecture firm had formed. "We have been working with him almost as long as we have been a firm," Jones noted. "It's hard for us not to think about structure when doing a project and Naeve has the same approach—he understands the role of the architect; it's not just about us designing the shape." This relationship came in handy when the pair worked on the Chinmaya Mission Hindu temple in Austin. Naeve worked with the architects to strategize the impact of budget constraints and how to integrate non-structural materials. For the building's elaborate skylight, galvanized piping (like what you would see on a chain link fence) was employed. "On the face of it, this is very mundane material, but we looked to see how it could be used structurally," said Jones. Below the skylight, a canopy of metal panels alternating in color (though of a similar tone) comprise the roofscape. In addition to this, a stone precinct wall of limestone slabs (each was individually sponsored as part of the fundraising effort) combined, as The Architect's Newspaper's Ben Koush put, "pragmatism and poetry." For another project in Austin, Life Works, Jones echoed Koush, pointing out how the "structural columns had a very poetic role" within the building. Jones also referenced a third project, the Vista Residence, and another dwelling involving a boat dock, which is currently under construction, due for completion this Fall. The Austin residence looks onto a river and is dominated by a boat dock, which, according to Jones, allows the "structure to be the architecture of the project and let every detail shine through." He and Naeve will be speaking about this and the other two projects on a panel at the upcoming Facades+AM conference in Austin this July. "The Vista Residence is a really good place to demonstrate how these architect-engineer projects pan out on the field," Jones explained, adding that the panel will look at the architect-engineer relationship in greater detail. To find out more about the Facades+ AM Austin conference and register, visit am.facadesplus.com. Seating is limited.
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Colin Touhey of Pvilion on the future of facades and flexible solar panels

Colin Touhey is the founder of Pvilion, a New York-based company that designs and manufactures flexible photovoltaic (PV) solar structures and products. He is also wrapping up a fall semester fabrication studio at Columbia University GSAPP titled “Wired Skin.” Touhey will be presenting at the upcoming Facades+AM San Francisco conference on the concluding panel, titled Facades: The Next Generation. The Architect's Newspaper (AN): What’s your office like? Half of our office is a design office, and the other half is a workshop where we get our hands dirty. We are also building what we're designing. We're not a contractor, we're not an engineer, and we're not an architect—we're a little bit of all of those things. We come into a project as scrappy experts. We're talking about how to hoist up a building component early on in the design process. When we sign a contract with someone, we don't know how we're going to solve a problem, but we know that we will be able to figure out a solution. More conservative firms would say, ‘Oh we'll sell this when we know exactly how it's going to get done.’ If we knew exactly how to do a project before we started it, we wouldn't be in business. How does Pvilion balance futuristic tech with commercial work? We see what's 10-years out, and are working on that. But we also have [a] real product today. The two feed off each other. While we [have] a futuristic technology, we're not futurists. We're not sitting around speculating about what's going to happen in 50 years. What are some issues you are working through at Pvilion? We're trying to create building skins that both increase energy performance and reduce fossil fuel consumption. We're also providing a platform in which an architect can create. Rather than working with glass or steel, if you're wrapping a building in a flexible material, you can create interesting forms, and with those forms you can produce electricity. Also, we are thinking a lot about the installation process. Like Christmas lights, 30 to 50 solar panels can arrive on site folded up and pre-wired. When you're paying union labor to hang off the side of a facade with a tower crane, you want an efficient installation process. Due to the modularity of the system, you can replace components as needed without taking the entire system down. What’s next for facades? We're not only coming up with some rendering and saying, ‘Wouldn't this be the city of the future!?’ This is real now. We're not a research lab with kooky ideas about stuff that will never be built. We have real projects, we're really building things, and we have experience. Our work is UL certified, grid-tied, and warranty-able for 25 years. One of the really interesting things we're looking at now is dynamic facade elements. [With] these pieces, you have...south, east, and west facades [that] may all be moving throughout the course of the day, like a solar tracker. When you add the fourth dimension into a building, which is time, you end up with a moving system—your building is changing over the course of a day, and over the course of its lifetime. That's an entirely new concept that is really exciting for us. When your goal is to maximize energy production, dynamic facade elements are very intriguing. For example, consider a fabric membrane that's twisting over the course of the day, so it's opening up the facade when there isn't much light, and it's closing it up where there's more light, and it's simultaneously producing more energy. Can you give us a preview of what we can expect from your studio at Columbia? We are looking at the building facade as an opportunity to provide shade, increase building performance, and provide electricity. The idea of a wired skin—a living breathing organism—is electrical and mechanical and serves many purposes. The skin should protect you from the environment. It is a porous envelope, but also an enclosure. How do you balance the openness of the facade? Do you cut holes in it? Do you open it up? Do you fully enclose it? Do you create heat chimneys so that air flows between the glazing and your skin? Also, what are its thermal properties, and how can you take advantage of shading the building. Those are all the things we're exploring. Since we are not academic professors, we're grounding this course in reality—which is important to us. It's a fabrication studio class, so we're building facade elements. The deliverable at the end of the semester is to build a facade element that moves and works, and then provide a scale model of the building that has hundreds of facade elements on it. We're saying if you can't build it, you shouldn't be designing it.
Touhey takes the stage with Jason Kelly Johnson of Future Cities Lab and Sanjeev Tankha of Walter P. Moore to discuss the next generation of facades. Go to Facades+ AM San Francisco to learn more about the event and the other sessions taking place.
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Redefining residential architecture: Clark Manus

The Architect's Newspaper (AN) spoke with Clark Manus, formerly the 87th president of the AIA, who will be presenting at the upcoming Facades+ AM San Francisco panel titled “Redefining Residential Architecture.” Manus has served as an advisor to the Mayor of San Francisco, chairing the Citizens Advisory Group for the area that was vacated for the removal of the freeways in Rincon Hill in the 1980s. He currently lives in Oakland and was appointed by its mayor to serve as Planning Commissioner. Also a CEO of Heller Manus Architects, Manus says his firm has completed over 50 projects at a range of scales, jokingly saying they have done everything aside from hospitals and jails. We spoke about defining issues in the Bay Area that are shaping new construction: cost of construction, San Francisco’s historic urban fabric, energy codes, and more. On Cost of Construction Manus says the difference in the type of facade materials you would use in a Type III building—rainscreen assemblies, punched windows, shingles—is dramatically different than a Type I building where curtain walls are utilized. Manus said California’s statute of limitations for condo liability—set at 10-years—establishes a motive for developers to construct buildings using more durable Type I construction, as opposed to Type III or Type V, when they can afford it. "You begin to look at issues on the facade related to the efficiency of the structural system, and the use of skin materials that are going to be better to deal with water and noise: potential problems that might exist over time. So the difference between using a curtain wall versus a window wall is maybe a dollar issue, but we tend to try and help clients understand the basis for deciding on a skin irrespective of the efficiency of the floor plan is really related to a whole bunch of other issues. There's a whole bunch of glass curtain wall buildings." On Context and Urban Fabric “In some ways San Francisco is a little schizophrenic in that it absolutely loves its Victorians and historic fabric, but it also aspires to looking for a modern vocabulary.” Manus says facade expressions vary heavily with context. In traditional neighborhoods, an emphasis on compositional strategies involving bay windows and other vernacular elements are prioritized, while areas with less context tend to receive a more minimal and/or modern aesthetic. “Community groups in these neighborhoods want to be involved in a dialogue about what will be constructed. As an architect, this presents a challenge in terms of where your project fits and where it does not. There is also a planning department that does very detailed design review on projects, so as an architect you go through a discussion with them in addition to presenting to community groups about what might fit in. Our projects in these neighborhoods are not the same ones we would do in a new district where there is no context.” On Energy Codes Despite a temperate climate, heat gain from glazed facades still presents a significant design issue. Manus says energy conscious design has a lot to do with the facade, it's orientation to the sun, glazing, and other elements that will assist the building in getting to a higher level of efficiency. "The energy codes are really great at creating a better environment, but have made glass darker and darker which, in my mind, is not really conducive to creating a visible transparency for residential use. It's really unfortunate. If you want to see the life of the city, and what's going on behind the facade, you don't want a dark or mirrored glass." Manus' projects, while market rate, have significant inclusionary housing in them. Anywhere from 12, 15, or 18 percent, which he cites as an “unusual rate.” He concludes that the growth of San Francisco—or the “transformation of San Francisco,” as he calls it—is great, but very challenging because with success comes things that you sometimes don't anticipate. “I think getting out in front of developments and truly creating new housing takes a long time. Issues like high cost of construction basically take hold very early on in the process. The regulatory environment, compounded with the process of developing drawings, and the course of construction takes time—you could either be through another cycle, or you could have created other problems you didn't anticipate.” Manus takes the stage with Anne Fougeron of Fougeron Architecture and Cynthia Parker of BRIDGE Housing to discuss more aspects of facades and residential architecture. Go to Facades+ AM San Francisco to learn more about the event and the other sessions taking place.
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Preview the upcoming Facades+ AM conference in San Francisco

On December 7th, Facades+ AM will return to San Francisco. It’s the last event of this year's Facades+ AM conferences, which have visited Los Angeles, New York City, Washington D.C., Boston, Kansas City, and Dallas. The morning-long program will be delivered in a unique three-session format that condenses a typical two-day event into a quick-take forum tailor-made for the Bay Area. The conference will pair regional and national leaders in building envelope design with local design professionals and industry leaders who will deliver presentations and participate in Q&A discussions. John Kuchen, associate director at SOM and chair of the San Francisco conference, said the format brings together a wide range of groups who share a common interest in advancing the role of the building skin. "Now with increased technological capacity, we can tune the facade with its related building systems. High-performance design involves MEP systems, lighting systems, overall vision area versus opaque area, automation capabilities, thermal response, and more. I am interested to see the discussions that result from bringing together professionals from a variety of backgrounds all involved in one way or another the production of a building envelope." Kuchen says the flow of the conference was carefully thought out. The Redefining Residential Architecture session highlights issues that the building envelope plays in housing by bringing together leaders in design and development of housing in the Bay Area. This conversation will lead into a set of presentations concerning high-performance design and energy consumption. Titled High-Performance Design + the Building Envelope, this session will introduce insights from leading facade engineers and building science specialists. Kuchen says “high-performance” is not a new issue in architecture: "For us, high-performance is something that has always been inherent in architecture. It's becoming something that is becoming more relevant to clients and end users of the buildings because of the search for a more sustainable method of building."  The conference will conclude with a panel of presentations focused on the next generation of facades. Over the coming weeks leading up to the conference, The Architect's Newspaper will be interviewing presenters—sharing their insights and previewing the issues that will be discussed. More details can be found at Facades+ AM.
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The University of Kansas’s Paola Sanguinetti on the role of the user in facade performance

Image credit: James Ewing/OTTO When it comes to using computational tools to predict the energy and cost savings associated with high performance facade design, explained Paola Sanguinetti, Professor of Architecture at The University of Kansas (KU), AEC industry professionals often leave out a critical factor: the user. "My recent research explores how we can model the relationship between the comfort of the users and their perception of the space, and how that affects [environmental performance]," said Sanguinetti, who will participate in a presentation block on "Parametric Facade Optimization at All Scales" at September’s Facades+AM Kansas City symposium. "Depending on the kind of facade utilized, the way the user modifies the space really impacts the envelope and thus the overall performance of the building." Another research priority at KU, said Sanguinetti, has to do with modeling building performance at different scales, "from thermal bridges to how the facade [as a whole] aids in energy reduction." The focus on scale, she said, is part of "a more holistic view of building environments," which considers individual buildings as components of a broader network, such as a university campus or neighborhood. "How you can look at metrics for evaluating performance on the urban scale is very relevant for Kansas City," given its smart city aims, said Sanguinetti. According to Sanguinetti, Kansas City’s design and building communities exemplify an integrated approach to modeling and fabrication. "Zahner has pioneered the collaborative approach to design specification and manufacturing," she said. The city’s sports architecture firms, too, "have a very strong collaboration with consultants." At KU, the architecture program emphasizes "sustainability, but also understanding the entire process, and the importance of collaboration," explained Sanguinetti. In 2014, for instance, the design/build program Studio 804 created The Forum, an addition to the university’s historical School of Architecture building Marvin Hall. Graduate students worked with Transsolar to evaluate the addition’s double skinned facade, including performing a survey of student use. There is, of course, always room for improvement, said Sanguinetti. The local AEC industry could do a better job of sharing data on projects. In addition, "embedding risk analysis is important to help have a good conversation about building envelopes," she said. "Any simulation is an estimation; again, the human variable is critical to understanding building performance." Meet Sanguinetti and other leading lights of Kansas City’s facades scene at Facades+AM September 15. Seating is extremely limited; register today!
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Seattle’s Facades+ AM Morning Forum captivates facade designers with details of Amazon domes, more

After a whirlwind round of conferences and forums this year—from New York, to Chicago to Miami—The Architect’s Newspaper and Enclos made the last stop of the year in Seattle for Facades+ AM. Over 150 attended our December 4th event at the Motif Seattle hotel. Nine speakers brought in diverse perspectives and engaging ideas, with room for productive Q & A. Here's a recap in case you missed it. After opening remarks by co-chairs Carsten Stinn, designer at Perkins+Will, and Mic Patterson, Enclos' VP of strategic development, the first session united three presenters under the theme of complex digital facade collaborations. Speakers included Jeffrey Vaglio, director of Enclos' Advanced Technology Studio, and Joshua Zabel, vice president of business development at Kreysler & Associates. David Sandinsky, senior associate at NBBJ co-presented with Marne Zahner, design engineer at Magnusson Klemencic Associates. They talked about the Amazon domes—more specifically, the conjoined Catalan spheres and their structural steel modules. Session two focused on models, methods, and materials for optimizing facade performance. Energy strategist and consultant Sangeetha Divakar at Perkins+Will presented workplan models for integrating engineers' and architects' work in energy and envelope modeling. Stéphane Hoffman, building specialist at Morrison Hershfield, discussed parametric visualization tools for mapping building energy performance and why architects and engineers should track thermal bridging. Richard Green, Principal at Front, Inc talked about custom fabrication and digital manufacturing. In the final session, Devin Kleiner, Perkins+Will architect, Peter Alspach, principal of environmental and building physics at Arup, and Daniel Brindisi, associate at ZGF Architects, spoke to the real-world effects of facade technology. Kleiner discussed post occupancy lighting evaluations, Alspach presented data on the cost benefits of the carbon life cycle, and Brindisi talked about his firms efforts to maximize daylighting. In the L.A. area or planning a trip to Southern California at the end of January? Catch the latest building envelope developments at the Facades+ Symposium and Workshops in Los Angeles, January 28th and 29th.
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November 11> Sustainability, Innovation, and More at Facades+ AM Seattle

As AEC professionals who have practiced in different cities know, each place has its own unique architectural culture. That is one of the lessons Mic Patterson, VP of Strategic Development at Enclos, has learned during his years of involvement with the Facades+ conference series. “Instead of holding one annual conference, we’ve been doing three a year in different cities,” said Patterson. “My observation is that each of those has been different.” The newest event in the Facades+ stable, Facades+ AM, was inspired in part by a desire to bring the conversation about high performance facade design to more locales. The inaugural Facades+ AM four-hour program takes place next week in Seattle. “Everywhere makes sense to talk about building envelopes,” said Kerry Hegedus, architect at NBBJ and seminar chair of Facades+ AM Seattle. At the same time, he added, “in Seattle, we have a great architectural community that can be very experimental and, most importantly, aspirational. We need a forum like this to share these thoughts and developments.” A prime example of the seaport city’s aspirational architecture is the Bullitt Center, the subject of one of three panels at Facades+AM Seattle. Designed by Miller Hull and often referred to as “the greenest office building in the world,” the Bullitt Center embodies a no-holds-barred approach to sustainable design. “The Bullitt Foundation is that missing link the profession needs to evolve to a new, higher density, sustainable future,” said Hegedus. “We will find, I suspect, that this is not just a skin, but an integral part of the strategy of how this living building became a success. We need to build on this project’s great success.” But while some of the Facades+ AM program next week will be specific to Seattle, much of the discussion will hold value for designers and builders working in different contexts. More importantly, the lack of a script makes way for spontaneous, collaborative problem-solving. Speaking of another panel, on innovations in facade design and construction, Hegedus observed: “The beauty of this format, with this wildcard ‘Facade Futures,’ is that we don’t know what is going to come out of this.” To learn more about Facades+ AM or to register, visit the event website.