Posts tagged with "Facades":

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Indianapolis's Gold Building will be stripped of its iconic, reflective facade

The infamous Gold Building in downtown Indianapolis is set to lose its luster. After purchasing the 20-story office tower earlier this year, local developers Gershman Partners and Citimark announced it would modernize the facade with an all-glass curtain wall, effectively stripping the 44-year-old building of its longtime identity.  Located at 151 N. Delaware St., Market Square Center—as it’s officially called—is one of the shiniest buildings in Indiana’s capital city. The boxy modernist structure was designed by local firm Wright, Porteous & Lowe in the mid-1970s and features a reflective gold exterior wrapped around 420,500-square-feet of office space. Over the last several years, the Gold Building and its neighbor, Two Market Square Center, have struggled under many changes in ownership and the site has proved too costly to maintain. Set in the city’s Market East District, a burgeoning neighborhood of downtown Indianapolis, the project sits next to the popular City Market Food Hall and along an eight-mile-long walking and biking path known as Cultural Trail. Over the last five years, the area has received significant commercial and retail investments and the developers hope the Gold Building will find a new life in the center of the scene. In a March interview with the Indianapolis Business Journal, Eric Gershman, principal of Gershman Partners, said his team aims to connect the two buildings more seamlessly with the neighborhood below by activating them at street level and updating the interiors to boost occupancy. Newly released renderings reveal that Market Square Center will soon feature a transparent facade and public space at the ground level. Per Citimark’s portfolio, not only will the facade undergo a significant change, but the interiors will as well. The lobbies, restrooms, and office tenant spaces will be upgraded with Class A finishes and the first floor will include room for a restaurant, bar, and retail.  The redevelopment has received both criticism and praise from locals since it was unveiled in May. Some are sad to see the gold glass go, while others don’t mind and claim the glare produced by the Gold Building has made it unbearable to drive by over the decades. It’s unclear when construction will begin on the renovation, or when the building will reopen to future tenants, but one thing is for certain: Golden hour will never be the same in downtown Indy. 
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The newest sun shading and screening solutions to minimize solar heat gain

These new screening and sun shading solutions decrease solar gain and add a little panache to any building envelope.

Sculpted 3D Metalwërks Articulate dynamic facades with these custom three-dimensional metal screens. Available in three interchangeable wall panel shapes, the modular system is designed to be easily integrated with LED lighting and to incorporate planters and irrigation for growing vegetation. LARGO NOVA 1032 HAVER & BOECKER Provide sun protection with this panel system that is ideal for facade, ceiling, or wall applications. The stainless steel architectural mesh filters sunlight through a crimped pattern and provides ample views out through its semitransparent geometry.
Fabricoil Cascade Architectural This metal fabric system is ideal to manage solar gain. The screens can be installed around a building envelope to control the amount of sun filtering in and, at the same time, provide unobstructed views through the semitransparent coiled fabric.
Living Walls Eco Brooklyn Plant custom living walls on building envelopes to filter air and cultivate biodiversity. These vertical gardens can support any number of flora with WaterGrip growing media, including fruits and vegetables (weather and climate permitting).
Architectural Metal Systems BŌK Modern BŌK Modern’s metal panel systems are CNC-cut to fit each site-specific application. The decorative cutouts are particularly pleasing when patterned shadows are cast from the sunshades on to the surrounding environs.
SMARTIA PG120F Fixed Pergola System ALUMIL Regulate brightness and airflow in outdoor spaces with Alumil’s fully automated pergola. Rotating louvers adjust electronically to protect against rain, wind, and other undesirable weather. The structure is available with a number of custom features, including sliding glass panels, vertical shutters, heating devices, and integrated lighting.
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New high-tech cladding panels last longer and are easier to install

New manufacturing methods have made cladding and paneling more structurally sound and less cumbersome to install. These systems are highly customizable and are made to last from season to season.

Apollo II CertainTeed

These all-black shingles generate energy without the bulky infrastructure that typically accompanies solar panels. Simply installed directly on the roof, the environmentally conscious system can be employed on new and existing structures.

Marmi Maximum Imperial White Fiandre

Fiandre’s engineered tiles emulate the bold veining that occurs in marble. Unlike the natural stone, these porcelain slabs are lightweight and resistant to stains and wear and tear.

GRP SIDING Technowood

Made from fiberglass-reinforced polyester, this panel system is designed to withstand the weight of the most taxing structural applications. To fulfill the most decorative requirements, the siding is available in six natural wooden tones and seven varnished colors.

StoVentec Glass Sto Corp.

These glass-faced composite panels create a decorative reflective surface that provides thermal insulation. Made to order, each panel is offered in a variety of sizes, shapes, and custom colors.

Vintago Swisspearl

These fiber cement panels highlight the sanding production process with surfaces characterized by an undulating coarse grit. It will be available to specify in June upon its release in the U.S.

Porcelain Open-Joint Cladding Solutions Porcelanosa Facades Porcelanosa’s facade system incorporates all the colors and textures from its interior porcelain surfaces (including wood, concrete, stone, technic, or metals) for the building envelope. The system prevents moisture build-up and heat transfer via a ventilated air cavity directly behind the panels.
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Florida garage adds new twist to stainless steel mesh facades

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Garages are fairly ubiquitous across Florida—the state has one of the highest car ownership rates in the country—but in recent years, the local typology has received a bit of a revamp. Opened in February 2019, Sarasota's St. Armands Circle Garage continues this trend with a spiraling stainless steel mesh skin. The $12 million project was designed by Sarasota-based Solstice Planning and Architecture and rises to a height of three stories to accommodate 480 spaces.
  • Facade Manufacturer Cambridge Architectural
  • Architects Solstice Architecture & Planning
  • Facade Installer L&S Erectors
  • Location Sarasota, Florida
  • Date of Completion February 2019
  • System Stainless steel mesh screen
  • Products Cambridge Architectural Volution mesh
The facade is clad with a total of 520 spiraling panels, with the majority measuring 1-foot wide by 20-feet tall. Encompassing over 9,000 linear feet of mesh, the panels are held together by 250,000 individual welds completed by hand by manufacturer Cambridge Architectural's fabrication team. Located on Florida's Gulf Coast, the project is prone to major hurricane winds during summer and fall. "In Sarasota we had to consider winds up to 50 percent higher than are common on most projects, so each of our system components required more custom design and manufacturing to account for extra wind load transfer," said Cambridge Architectural business director David Zeitlin. "In addition, there needed to be close collaboration with the structural engineering team on an ongoing basis to ensure proper integration into the garage, and together that the project met industry standards." To achieve the spiraling character of the panel, Cambridge Architectural and the installer L&S Erectors collaborated closely. Firstly, the mesh was welded to a series of base plates at Cambridge's manufacturing facility in Cambridge, Maryland. Once welded, the panels were shipped to the project site in Florida. As the concrete garage was poured, the construction team embedded mounting channels from the second to third stories. The plates at the end of each panel were then bolted to the channels and twisted into their distinctive shape on site.
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Hand-crafted bricks add visual depth to this French music school

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Located on a prominent site within the town of Saint-Quentin-en-Yvelines, 20 miles from the center of Paris, the Elancourt Music School is a weighty two-story structure clad in hand-made bricks that stagger to create a series of apertures to illuminate interior spaces. The nearly 10,000-square-foot project was designed by Paris-based Opus 5 Architectes and completed in October 2018. Saint-Quentin-en-Yvelines is one of six major "new towns" built around Paris during the 1970s. The settlements are marked by their towering brutalist structures, and the Elancourt Music School is housed in the district’s former ecumenical center, a centrally placed concrete structure originally designed by French architect Phillippe Deslandes. Opus 5 reskinned this concrete building with a new brick veneer to establish the structure's new identity.
  • Facade Manufacturer Wienerberger
  • Architects Opus 5 Architectes
  • Facade Installer SRMG
  • Facade Consultants Batiserf Wienerberger
  • Location Saint-Quentin-en-Yvelines, France
  • Date of Completion 2018
  • System Brick rainscreen and sun filter
  • Products Wienerberger Briques Oud Leerne
For the fabrication of the facade, the design team turned to the centuries-old Austrian brick manufacturer, Wienerberger. The bricks, all roughly measuring eight-by-four-by-two-inches, are held in place by tie rods and a thin layer of mortar. Each application of mortar is recessed and measures under an inch deep, providing the facade a mortar-less appearance. The bricks, which come in a range of grayish shades, are generally arranged in a stretcher bond format—alternately showing long and short sides. This formal arrangement breaks as the bricks shift apart to form mashrabiya-inspired sunscreens. “The idea was to begin at the bottom, without relief or mashrabiya, as an opaque and simple brick facade which progressively moves into sinusoidal and wavy relief and texture to be widely opened along the interior windows,” said Opus 5 Architectes project manager Hùng Tôn. "Once we gave rules for the pattern, the shades of color (from light gray to dark charcoal, with some light brown) and texture (matte and glossy) came randomly during the construction of the brick walls to keep dynamism on this skin." Throughout the design process, Opus 5 Architectes collaborated closely with the facade manufacturer to establish the structure's monolithic character—Wienerberger considered the use of timber and metallic frames to cantilever the brick over the school's primary entrance. "According to Wienerberger, the main brick reference used in the project (Rustica Oud Leerne) was never executed like this—visually mortarless, with mashrabiya patterns," continued Tôn. "The project is novel, so it was an interesting exercise for the manufacturer too."
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Doriana and Massimiliano Fuksas contemplate the emotions behind architecture at Facades+ New York

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As two of the foremost contemporary Italian architects, Doriana and Massimiliano Fuksas know a thing or two about the trends reshaping international architecture today. As the day-one morning keynote speakers at AN’s Facades+ New York conference on April 4, the veteran design duo spoke about their four decades of experience creating boundary-breaking projects across the globe, why the right materials help evoke positive emotions in their buildings, and why they reject the term “facade.” Over 500 AEC practitioners gathered inside the Metropolitan Pavilion to hear the Fuksases, founders of Studio Fuksas, present the details behind 20 structures that for them, define the firm’s design sensibilities and best demonstrate its vast portfolio of building typologies and structural forms. “What is a facade for us?” Massimiliano Fuksas asked the crowd. “We don’t like the name ‘facade.’ We’ve never done a facade in our lives, much less just a plan.” Fuksas explained that a building’s exterior is simply something that the architect discovers as the project concept develops with the design. He said a piece of architecture is like a sculpture that is drawn from a mass and is formed through research, trial, and error until a final work of art is realized. To Massimiliano Fuksas, the end result is something mysterious. One thing that the architects do aim to have control over is emotion. In the case of Studio Fuksas’s projects located in dense urban environments, such as the 2010 Admirant Entrance Building in the Netherlands or the 2010 Rome-EUR Convention Center, the light and surrounding contexts reflected through the glass curtain walls project a happy tone for visitors both outside and inside the buildings. They expose the buildings’ skeletal envelopes, which allow people to clearly see the structures’ raw materials. “For the convention center, we built a container using a steel structure and a double glass facade that encloses the cloud, which you can see from the outside,” said Massimiliano. Studio Fuksas’s 2009 St. Paolo Parish Complex in Foligno, Italy, though a concrete cube, still utilizes light through unique cutouts that don’t fully brighten the entire interior, but instead create a thoughtful, soft environment for reflection. Massimiliano and Doriana Fuksas noted that the facade of the chapel is sliced at the bottom with a glass entrance. A visitor’s gaze moves from one side to the other side of the building in an effort to understand the windows across the various faces. Prior to designing the church in Central Italy, the Fuksases completed the massive, New Milan Trade Fair of Rho-Pero, which features pavilions of glass and mirrored stainless steel. The "veil," an undulating spinal column that covers 505,000 square feet atop the elongated building, is reminiscent of natural landscapes like waves, dunes, and hills. “Here we used a different kind of facade on the central axis,” said Massimiliano Fuksas. “When you pass through the stainless steel parts of the building to the glass, you feel happy. This is like sunshine.”   One of the most important components of Studio Fuksas’s work is sustainability. Details are designed to boost energy savings and reduce carbon emissions throughout buildings' lifetimes. Of course, this is a key aspect of designing advanced facades, and one that all of the Facades+ New York speakers showcased through their work. The Gensler team behind the recently completed renovation of Manhattan’s Ford Foundation building, along with Heintges Consulting Architects & Engineers, spoke about how to best maintain and improve the envelopes of mid-century icons. Representatives from Columbia University, Renzo Piano Building Workshop, and Permasteelisa Group discussed the newest additions to the university’s Manhattanville campus, all which have vitreous skins. Toshiko Mori, who gave the day-one afternoon keynote speech, challenged the crowd by expanding the topic of facades to the greater building envelope and the importance of the fifth facade, the roof. All these exterior elements, she explained, have a monumental impact on the performance and identity of a piece of architecture. Other symposium talks featured experts in net-zero building enclosures, climate responsive facades, and the changing international regulations in envelope construction. Juergen Riehm, founding principal of 1100 Architect, served as the co-chair of Facades+ New York and moderator for every panel.
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Check out 2018's best facade products for enclosure performance and design

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To ring in the New Year, AN dived into a year's worth of facade products to select the best of 2018. Ranging from operable vent windows to manually-embossed cement rainscreen panels, these products are sure to boost the environmental performance and aesthetic value of any new project. SUNGATE 400  Vitro Architectural Glass Sungate 400 is glazed with a passive solar control coating that improves thermal performance and reduces solar heat gain. This energy efficient solution helps to reduce winter heating costs and provides exceptionally clear views. YOV SSG OPERABLE VENT WINDOW YKK AP Engineered for maximizing views, this curtain wall system is built around structural silicone glazing. It includes an operable vent for aeration without the unsightly aesthetics and sight blockage of traditional windows and openings. NX-300 Kawneer Designed for historic window restorations, the NX-300 thermal window bestows an antique look updated to meet contemporary performance codes. It is available in a variety of casements: outswing, awning, fixed, and fixed-over-awning configurations. SELF-CLEANING AND SUSTAINABLE FACADE Neolith + Pureti This facade system is treated with a photocatalysis-activated coating that is accelerated by light, which decontaminates the surface millions of times per second. As a byproduct, the autonomously cleaning cladding also improves air quality. 3D WALL PANEL Corian Design Undulating and virtually seamless, this 3-D surface can morph into almost any shape imaginable. Using a thermal-forming technology, it can be produced in varying levels of transparency and in countless colors. Texial Swisspearl The Texial facade panel is manually embossed to create a surface similar to that of fabric. Through manual input, each panel is different from the next, adding a layer of complexity to any facade. TERRART Baguettes NBK NBK's TERRART baguettes can be customized in a number of shapes and uses, ranging from rainscreen to brise soleil. A wide range of color and glazing treatments are available for each project. TECU DESIGN_PUNCH KME Architectural Perforated and embossed, this sheeting creates an ever-evolving, “living” facade. It can be used as screening or secondary cladding and in its natural coloring or in a range of colors that pass through the various stages of oxidation.
MOTION MESH
This kinetic metal fabric system is a solution that addresses all kinds of decorative and functional screening purposes—from signage, to sun shading, to exterior cladding. It is fashioned in laser-cut stainless-steel letters and it is offered in endless combinations of custom colors.
Dekton Stonika Collection Consentino Group The Dekton Stonika Collection features a range of architectural surfaces suitable for both interior and exterior application. Each panel is a blend of glass, quartz, and porcelain, allowing for a high range of UV and environmental resistance.
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L.A. artist designs glitchy facades to revitalize stale housing models

If you are one of the many people concerned that apartments in American cities are all starting to look too much alike, there might be hope for you yet. Los Angeles–based artist and educator Elena Manferdini of Atelier Manferdini is currently working on a collection of glitchy apartment facades that aim to break up the monotony of some of those developments. With her designs, Manferdini is hoping to "re-open a discussion on the role of fantasy in art and architecture" by bringing beguiling geometric patterns and bright colors to at least seven multi-family complexes envisioned by FMB Development and a collection of other local architects, including Archeon Group, Dean Larkin Design, and Open Architects. Los Angeles–based FMB bills itself as a "community-oriented developer of luxury residential real estate," including the types of market-rate apartments that some Los Angeles homeowners might view as obtrusive in their neighborhoods. That's where Manferdini steps in by designing structures with interlocking blocks of patterned surfaces and expanses of varying opacity that work to simultaneously highlight and break down each of the proposed buildings. Manferdini explained that the designs are driven by the idea that, "facades are important for the city at large because they are inevitably the background of our public imagination." Manferdini added, "Facades negotiate how the privacy of human interactions come to terms with a surrounding cultural context." In L.A.'s densely-packed, low-slung urban neighborhoods, where privacy comes at a premium, sites are strictly limited in terms of height and allowable bulk, decorative elements help play a role in bridging the visual gap between existing housing stock and the types of multi-unit complexes needed to address the region's housing crisis. Manferdini's work for FMB builds on a series of exhibitions she crafted as part of her artistic practice, including the Graham Foundation–supported Building the Picture, a collection of drawing-photograph hybrid images that were exhibited at the Art Institute of Chicago in 2015. For the exhibition, Manferdini created a series of fictional patterned facades partially inspired by some of the Chicago-based work of Mies van der Rohe. The layered, abstracted images proposed methods for obfuscating the underlying scale and window patterning of the hypothetical apartment structures by combining oblique and projected patterns on a collection of planar and faceted building forms. Manferdini explained further, saying, "The work insinuates that surfaces now have an unprecedented ability to be embedded simultaneously with optical affect and cultural associations," a concept that is ideally suited for testing in the real world through its application on the apartment buildings in question, according to the artist.

At 1017 Sierra Bonita, for example, Manferdini uses blue, white, and black Trespa panels, custom fritted glass, and gray stucco to lend a three-story apartment block atmospheric qualities. Hanging plants and balconies filled with hedges and landscape design by Green Republic Landscapes further dematerialize the five-unit building.

The Trespa panels make another appearance in red, blue, and black at 1408 Poinsettia, where Manferdini has arranged ascending striped patterns with vertical building elements that camouflage each of the three-bedroom small-lot subdivision homes. At 1139 N. Detroit, Manferdini pursues a more subdued approach by using custom-designed mosaic tiles and painted stucco. In each of the projects, Manferdini works to play off of the architectural elements using unconventional patterning and color choices, perhaps a welcome approach for Hardie-panel weary observers. The designs are due to come online soon: Many of the projects are currently undergoing planning review, and 1408 Poinsettia is currently under construction.
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New eco-friendly weather and air barriers help to lower energy costs

Even the highest performing facades can be undone by gaps or by under-utilizing insulation. Weather and air barriers have expanded to fill a variety of niches, from eco-friendly insulation to ready-to-install sealant.

Rizza Partition Closure System Balco

This compression seal is perfect for vertical junctures and joints between the ends of partitions, curtain walls, and glazing. It measures 100 feet in length, reducing multiple splicing, and is made from 100 percent silicone—making it an effective solution for sound/vibration transmission, thermal transfer, and dirt/dust infiltration.

Spectrem Restoration Overlay Tremco

Sloped glazing can be difficult to maintain, but this UV-resistant overlay provides superior protection against air and water leakages. Instead of having to completely replace degraded sealant, this gasket system is easy to install, has a high tolerance for temperatures, and can be color-matched.

AFB evo ROCKWOOL

Available in thicknesses of 1 to 6 inches, AFB evo meets all of the same specifications of the original ROCKWOOL AFB, while also conforming to sustainability standards such as LEEDv4. This light-weight batt insulation contains no added formaldehyde and is a great choice for schools and hospitals.

Air-Bloc 16MR Henry

A fire-resistant air and vapor barrier applied as a liquid, Air-Bloc includes anti-microbial properties to create a mold-resistant membrane when set. Once cured, Air-Bloc forms a tough, rubber-like barrier without any seams, and can be applied in temperatures as low as 2o℉.

   

[SPONSORED] Humanscale Coming soon from Humanscale Design Studio: Summa – a new movement in conference seating.

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The latest panels, cladding, & screening help facades to shine

AN found the latest additions that offer aesthetic sensibility, new advancements in materials and technology, and solutions for both passive and active design strategies.

TEXTURED CLADDING Paperstone

Made from recycled paper and a non-petroleum resin, the cladding is environmentally conscious and incredibly hardwearing. It is resistant to rain and UV rays, making it suitable for rainscreen and other environmentally-conscious applications.

TECU DESIGN_PUNCH KME Architectural

Perforated and embossed, the sheeting creates an ever-evolving, “living” facade. It can be used as screening or secondary cladding and in copper as its natural (and eventual patinaed) coloring or in treated variations ranging in colors that pass through the various stages of oxidation.

SELF-CLEANING AND SUSTAINABLE FACADE Neolith + Pureti

This facade system is treated with an aqueous and titanium dioxide nanoparticle-based treatment, which creates a photocatalytic, self-cleaning, and decontaminating effect. Put simply, the photocatalysis-activated coating is accelerated by light, decontaminating the surface millions of times per second. As a byproduct, the autonomously cleaned cladding also improves air quality.

FLOWTECH BY FLOOR GRES Florim

Giving an industrial look, Flowtech offers industrial-resilience to humidity, general wear and tear, and other weather-oriented impairments. The metal sheathing comes in fives sizes and in three neutral color variations.

LINARTE Renson

The vertical 3-D wall sheathing is mounted invisibly by clips, horizontally positioned and supported by the structure underneath. It is available in custom profiles, even for curved and organic-shaped applications.

3D WALL PANEL Corian Design

Undulating and virtually seamless, the 3-D surface can morph into almost any shape imaginable. By the means a thermal-forming technology, it can be produced in varying levels of transparency and countless colors.

CEDAR AND ASH ARCHITECTURAL PANELS Nichiha

Nichiha developed two new colors—redwood and ash—for fiber cement cladding collection inspired by the look and feel of natural wood panels. The red and gray tones add the perfect notes to complement both commercial and residential projects.

M.LOOK NCORE FunderMax

Reinforced with metal fibers, these heavy-duty architectural facade panels are equipped to with a weather-resistant decorative finish. The adorned layer protects and surrounds the non-combustible mineral core that is resilient to fire and heat threats.

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For Mecanoo's Francine Houben, observation and context deeply informs facade design

The Architect’s Newspaper’s Facades+ conference, part of a conference series on innovative building envelopes, has once again touched down in New York City. This year’s morning keynote speaker, Francine Houben of Mecanoo, delved deep into the firm’s projects around the world. The Dutch architect described seven very different projects, united by technically demanding facades that all referenced the unique history of their surroundings. Houben began with the Maritime and Beachcombers Museum on the isle of Texel, The Netherlands. The 4,000-square-foot museum punches above its weight with a facade of vertically-oriented, recycled wood planks that dapple the incoming sunlight and reference the maritime history of the island. “I’m here to tell you how I work,” said Houben. “I try to observe, I try to extend the flow of the people, how they walk through the city; how can I connect these people to the building, bring them up?” That attention to observation extends to a series of contextual facades. In discussing the Palace of Justice in Córdoba, Spain, Houben referenced the city’s extreme heat and the way that residents layered terraces to block the harsh sunlight as key factors that drove the densely-layered development around courtyard recesses. The tessellating perforations in the white glass fiber reinforced concrete (GFRC) panels passively shade the interiors and cool occupants while also referencing historic sun shading in the region. A blending of old and new design also featured prominently into Mecanoo’s work on the Bruce C. Bolling Municipal Building in Boston. The firm’s first built projects in the U.S.–in collaboration with the locally-based Sasaki Associates–involved inserting a sinuous brick building on a triangular plot with curving historical facades in each corner. The integration of the freestanding stone facades was accomplished by convincing then-mayor Thomas Menino to purchase and expand the initial site to include two other buildings beyond the original’s single-facade scope. In between the historic remnants, Mecanoo paid homage to Boston’s history of intricate brickwork by designing snaking walls built from bricks laid vertically and in a variety of other patterns. Houben described the influence as “Boston meets the Netherlands”. Infilling with sensitivity and drawing from the surrounding environment are strong hallmarks of Mecanoo’s work. But beyond the aesthetic appeal of the firm’s facades, Mecanoo makes sure that they’re also practical and contribute to the comfort of those inside. “We always try to combine the formal with the informal,” said Houben. “The inside with the outside.”

ARCHITECT@WORK - Canada - Where A+D meets INNOVATION!

An exclusive tailored event focusing on innovations for Architects, Interior Designers and Specifiers.  With over 500 innovative products and services showcased by manufacturers and distributors. All exhibitors go through a strict selection process with an external juding panel, ensuring the presence of high caliber innovations. FEATURES include: Keynote Speakers, Accredited Seminars, Materials Exhibit, Project Wall, ART Installation. We offer complimentary catering all day to our exhibitors and attendees, so they can focus on networking and conducting business.