Fall—and nearly-winter in some parts of the U.S.—has reared its ugly head again, and AN has prepared a list of books to hunker down with as the weather turns. Impress your relatives on Thanksgiving by brushing up with these books on edible architecture, living as a digital citizen, squatting, and Ezra Stoller. Architecture of Appropriation: On Squatting as Spatial Practice Edited by René Boer, Marina Otero Verzier, and Katía Truijen Het Nieuwe Instituut MSRP: $28.75 Centered around the urban life of the Netherlands, this new book brings together a non-author-based approach to discussions surrounding spatial takeover by city residents. The documents, photos, and stories of these squatters transforming their city and spaces through a grayscale of ownership and legality, assert an argument that squatting is a form of architectural practice: an alternative to our contemporary housing systems. Avant-Garde in the Cornfields: Architecture, Landscape and Preservation in New Harmony Edited by Ben Nicholson and Michelangelo Sabatino University of Minnesota Press MSRP: $40.00 An unassuming yet magnetic town in the cornfields of Indiana, New Harmony has been home to two iconic utopian settlements, the Harmonists and the Owenites. However, the Cold War years ushered in a new sort of spiritual “living community,” one to which many renowned artists and designers contributed—from Philip Johnson to Richard Meier. This book surveys not only the history of New Harmony but the social and preservationist forces that kept it on the map. The role of modernism in the American imagination, as well as the cornfields as a blank canvas for many starchitect-type figures, make for powerful imagery and archival material, cleverly organized for clarity as well as surprise. Cyberwar and Revolution: Digital Subterfuge in Global Capitalism By Nick Dyer-Witheford and Svitlana Matviyenko University of Minnesota Press MSRP: $17.23 In an increasingly digitized moment, technology is not only empowering us but implicating us, as explained by partners Dyer-Witheford and Matviyenko. The adverse psychological effects of social media are well published, but technology and its leanings into a subconscious “cyberwar” over the internet have brought entire countries into the fold, including the United States, notably amidst allegations of Russian interference in the presidential election. As professionals often pushing the boundaries of technology, architects should be aware of the impact of technology on their practice, work culture and academia. As creatives working toward the creation of a marketable product with technology as a tool, architects may find that this book opens awareness into the subtleties of the web. Eco-Visionaries: Art, Architecture and New Media After the Anthropocene Edited by Pedro Gadanho Hatje Cantz MSRP: $35.14 Gadanho begins this book with a question: “Are we just secretly yearning for an endless summer?” An endless summer for the few, the privileged, those whose money or upbringing situated them in the technological havens of the developed world and its iPhone app-coordinated climate controls. Architects, artists, and designers are thinking beyond this bubble, though, and timeliness in the efforts of built environmentalism in the 21st century has led to some of the most adventurous experiments in egalitarian ecological thought yet. Eco-Visionaries is asking and drawing up the big questions and projecting the messages of artists around the world telling us to wake up. Le Corbuffet: Edible Art and Design Classics By Esther Choi Prestel MSRP: $26.14 While Ina Garten might label you low-brow for not crushing your olive oil from scratch, photographer Esther Choi’s cookbook of celebrity pun recipes will bring the high-brow clout of art and architecture into any kitchen. From Rem Brûlée to the Robert Rauschenburger, there is a recipe for everyone’s favorite artist, and some you can test your friends with. (Anri Dammi i Colori Sala(d)?) Modern Management Methods: Architecture, Historical Value, and the Electromagnetic Image By Caitlin Blanchfield and Farzin Lotfi-Jam Columbia Books on Architecture and the City MSRP: $25.19 An X-ray look at the UN Building, a structure iconic in its metaphors of organization and management, directs the new narrative of this book. Dense with images of x-rayed architectural details, the new book adds to the arguments made by Beatriz Colomina in her work, X-Ray Architecture, and is inspired by the document archive by Frau Anja Kramer of the Weissenhofmuseum im Haus Le Corbusier—a standardized set of information existing to correct the eventual and inevitable repair, replacement, and maintenance of a built environment. Modern Management Methods recontextualizes the active archive of architecture by experimenting with a new narrative of archive and visual media. Read the full AN review here. Signal. Image. Architecture. By John May Columbia Books on Architecture and the City MSRP: $18.00 In this slim volume, MILLIØNS cofounder John May tackles the culture of digital images that architecture is immersed in and simultaneously creating. Dipping into philosophical pondering, Signal. Image. Architecture. explores how an experiment in images is shaping how we perceive ourselves, our world, our politics, and our aesthetics. These are questions that are unique in that we are already living their effects, but that we have no idea how to interrogate them. Ezra Stoller: A Photographic History of American Modern Architecture By Pierluigi Serraino Phaidon MSRP: $87.69 In a monumental visual homage to the power of architecture under a lens, this largely black-and-white coffee table tome leaves nothing out. A pioneer in the use of photography to inform the world’s knowledge of architecture and design, Stoller brought the greatest American experiments to life. This collection of over 450 images documents the prolific output of the photographer, spanning subjects from the desert of Frank Lloyd Wright’s Taliesen West to the Nordic woods of Alvar Aalto’s Villa Mairea.
Posts tagged with "Ezra Stoller":
At three places this June, New Yorkers will have the opportunity to see Frank Lloyd Wright's work, and a bit of the man himself. New York's Yossi Milo Gallery is presenting Ezra Stoller's images of Wright's most iconic buildings on the 150th anniversary of his birth. Stoller, a master chronicler of modern architecture who died in 2004, first photographed Frank Lloyd Wright's schools in Spring Green, Wisconsin and Scottsdale, Arizona in 1945. Black-and-white images of Taliesin and Taliesin West (the summer and winter campuses, respectively) will share wall space alongside prints of the Marin County Civic Center, the SC Johnson Research Tower, Fallingwater, and the Guggenheim, just uptown. That exhibition, aptly named Ezra Stoller Photographs Frank Lloyd Wright Architecture, opens June 29 and runs through the end of the summer. Over at MoMA, curators are set to unveil a new anthology-style show that will address Wright's multiple practices as an architect, designer, builder, and thinker. Frank Lloyd Wright at 150: Unpacking the Archive divides itself into 12 sections, each devoted to a selection of objects from the Frank Lloyd Wright Foundation Archives. These items, from the 1890s through the 1950s, will be displayed alongside objects from the MoMA and other collections. Unpacking the Archive opens June 12 and is organized in collaboration with Columbia University's Avery Architectural & Fine Arts Library. But wait, there's more: the Guggenheim Museum is celebrating Wright's birthday on June 8 with, among other things, reduced-price admission for all visitors and an actor/historian playing Wright who will blow out birthday candles in the rotunda.
Ezra Stoller Photographs Frank Lloyd Wright Architecture is on view at Yossi Milo Gallery from June 29 through August 25. More information can be found on the gallery's website. Frank Lloyd Wright at 150: Unpacking the Archive runs from June 12 through October 1 at MoMA, with hours and additional programming information at moma.org. Frank Lloyd Wright 150th Birthday Celebration will be held on June 8 at the Guggenheim, and the fête's full schedule is here.
It's no Palace of Versailles, but the Sarasota Architectural Foundation (SAF) has reproduced Paul Rudolph's 1952 Walker Guest House on the grounds of the Ringling Museum of Art. Using Rudolph's plans and Ezra Stoller's interior photographs, the foundation commissioned a faithful replica, down to the magazines on the coffee table. The replica will cost SAF approximately $150,000. It will be faithful to the original, minus the bathroom, which will be supplanted by a wheelchair-accessible ramp. The house will welcome visitors starting November 6th, part of opening festivities for SAF's SarasotaMOD Weekend. The original Walker Guest House is a 24-foot-by-24-foot foot structure constructed from "off the shelf" materials for the Walker family on Sanibel Island, off the Gulf Coast. The house still stands. Why build a replica? As SAF board member Dan Snyder explained, unlike other cities tearing Rudolph's architecture down, Sarasota is a "city that loves Rudolph." The Walker Guest House is privately owned, and Sanibel Island is only accessible via boat. The Ringling has 250,000 annual visitors, so having the replica house on its grounds will introduce Rudolph's work, and the Sarasota School of Architecture, to a wider audience. Indigenous to Florida's west coast, the Sarasota School melded the international style with the organic school of Frank Lloyd Wright while responding to the demands of a subtropical climate. The Walker Guest house, Snyder noted, "blurs the distinction between inside and outside, stealing space from the outside so the house seems much larger." The house is calibrated to respond to the seasons. Its three, eight-foot-by-eight-foot panels are flanked by retractable exterior shades that shield the house from excessive summer sun, but allow light to penetrate in the winter, when the temperature drops into the 60s. Its exoskeleton functions as a wraparound porch and a support system for the pulleys, weighted with red concrete balls, that control the shades. Members of the SAF visited the original house to document the interior and exterior for the replica project. To many, "1950s Florida" means tacky pastels and a flock of lawn flamingos. In contrast (or perhaps in protest), Rudolph's interior color palette is subdued grey to "draw [your] eye to the outside," Snyder explained. Referencing Stoller's photographs, the Rudolph-designed coffee table, dining table, bookcase, and sofa were reproduced. Queens-based furniture designer Richard Wrightman was commissioned to recreate the living room's officer's chairs. Adhering strictly to their standards of authenticity, the team purchased Time, Fortune, and Playboy magazines from 1953, and placed them as they appear in Stoller's images. A parallel exhibition, Paul Rudolph: The Guest Houses, at the Ringling features photographs, models, drawings, and writings. The exhibition runs through December 6th.
An exhibition of architectural photographer Ezra Stoller’s work will open at the Yossi Milo Gallery tonight in New York and runs through February 12. A few of the photos are instantly recognizable, such as a photo of the Guggenheim lobby featuring women in pillbox hats standing in the foreground. But the gems of the show are those taken off the beaten path, like the roof of the Seagram’s Building or a parking garage in Miami. “We see it as a mini-retrospective,” said Milo. “We wanted to show more than the slam-dunk photos, to give it more depth.” The images show not only Stoller’s precise technical ability, but also reveal the self-effacing nature of architectural photography: that of an artist recording work of another artist. But the depth of Stoller’s appreciation for art and design makes it easy to forget that one is looking at a stand alone work of art. Not only is the genius of Mies, Wright and Saarinen observed, but the works of Picasso, Kandinsky, and Miro peer out from building interiors as well. The artworks act as a magnet, pulling the viewer further in. In a single shot of a Seagram interior one of Rothko’s “Red” paintings hangs next to the next to an Eames sofa which sits across from a Franz Kline. “These were such new ideas. Now people sit with an iPhone and think that’s modern,” Milo said gesturing to the photograph. The gallery owner noted that some photos that didn’t make it into the show revealed the photographer’s intense interest in the building process. “There are photos from the beginning of when the U.N. was being built. He kept going back and going back,” he said. The images show buildings shot at all times of day and in all kinds of weather, taken at night, in the rain, after the rain, or, as in one photo of Saarinen’s TWA terminal, as a lightning storm approaches. That particular silver print holds varying tones of white within the building interior, while simultaneously retaining all the grays and blacks of the approaching storm.