The Metropolitan Planning Council in Chicago announced the winners of its “Active Union Station” competition, which is meant to enliven the railroad hub's underused public spaces. Although it’s the nation’s third busiest train station and gets more daily traffic than Midway Airport, Chicago's Union Station remains basically a waypoint on a longer trip. Two winners and a runner-up hope to change that. “Blah Blah Blob!” will take over the Plaza of Fifth Third Center, and “trainYARD” will sprout in the Great Hall. “I Searched High and Low for You” is the runner-up. The visual inspiration for Latent Design & Cleveland Urban Design Collaborative’s “Blah Blah Blob!” is, in part, the rip-stop nylon canvas elementary school teachers used to inflate around giddy students during recess. “Remember how much fun this was?” asks the entry’s visual plan. “Yeah, you do.” Astroturf completes the experience inside the brightly colored blob, which will move around the plaza throughout the exhibit’s duration. “trainYARD” brings the park lawn indoors, “putting it right in the middle of their daily routine.” The design by SPACETIME includes recycled-grass areas for tetherball, croquet and bocce, as well as picnic tables and lawn chairs. Runner-up “I Searched High and Low for You,” by Ann Lui and Craig Reschke, envisions a slew of red hammocks along Union Station’s Canal Street arcade, slung over a row of what appear to be floating orbs high overhead. Their appearance would be striking, acting as a “beacon for the city,” and a gallery of hammocks — not to mention their almost sculptural accent to the arcade’s parade of columns — would bring some activity to a lonely corridor. View the full list of entries here. The winners will receive $5,000 to implement their ideas between Aug. 24 and Sept. 2. Fifth Third Bank sponsored the competition, which served as the Metropolitan Planning Council’s fifth annual Placemaking Contest.
Posts tagged with "exhibition":
The Biennial of the Americas’ 2013 exposition Draft Urbanism, headed by Colorado-based curator Cortney Stell, has rounded up the most engaging art, architecture, and film dialogues from across the Americas to turn Denver into a enormous fair. The exposition kicked off last week on July 16. Now through September 2, four full-scale architecture exhibitions will tackle important urban matters throughout downtown, where new and existing billboards, posters, and other urban signage are used to exhibit art. The public is encouraged to stop by each work and to thereby transform the city itself into a living, urban museum. The title, Draft Urbanism, refers to Denver’s reputation for craft brewing and the fact that the city is continuously transforming. In an attempt to confront the conventional idea of a biennial, which is generally limited to art and architecture, the curatorial team has incorporated speeches and panels normally coupled with conferences or symposiums. Architectural installations include:
- Mine Pavilion by Pezo von Ellrichshausen (Larimer St & Speer Blvd), a display involving several building types that render it a billboard to drivers but a tunnel to pedestrians.
- The Hotel Rehearsal by Alex Schweder (1535 Welton St), an installation depicting the automobile as an icon of suburban sprawl and the elevator as an icon of urban density.
- Skyline Cloud by plan:b arquitectos (Skyline Park between 15th & 18th Sts), a collection of matching shade structures in Skyline Park, a notoriously vacant space in spite of its central location.
- The Mirror Stages by June14 (16th St Mall between Cleveland & Court), a project surrounded by distinct socioeconomic and ethnic populations that forms a shared identity through butterflies.
At Salone del Mobile in April, French designers Ronan and Erwan Bouroullec demonstrated what it’s like to take a spin in a BMWi. Quiet Motion, the Bouroullec brothers’ interactive interpretation of the sustainable electric car brand, was an installation open for visitors to climb onto revolving platforms to relax as the world leisurely passed around them. Situated within a picturesque cloister of a Milanese monastery, four spinning cork platforms rotated slowly and quietly as, according to the brothers, “an allegorical interpretation of movement and contemplation.” The designers construed the concept of sustainable mobility with materials such as fabrics made of the sustainable wool yarn used as seat upholstery in the electric car and lightweight carbon columns produced using renewable energy resources. To reference materials used in car design, blue fabric strips surrounded each of the four carousels and leather covered the platforms. Bouroullec brothers-designed Aim lamps hung from the ceilings and illuminated the area at night. Materials commonly associated with furniture and interiors such as cork and fabrics were also utilized.
The Denver Architectural League asked architects and designers from across the world to reimagine the micro-apartment on a riverfront site by designing an eight-unit structure that diverges from the uninspired design of multi-family housing elsewhere in the community. Their Micro Housing Ideas Competition generated over 100 entries and a jury selected ten proposals for special distinction. The competition was inspired by a concern regarding a shortage of innovation present in Denver’s multi-family housing market. Members of the design community were given the opportunity to rework and establish the future of this specific sector. The first place award of $3,000 was presented to Studio de Arquitectura y Ciudad based in Querétaro, Mexico for a project titled “Micro Urban.” Tadeja Vidoni, Lea Ritonja & Inez Goessens of Alicante, Spain received second place for a projected called “Micro Units.” "Microhousing/Macropossibilities" by A43 Arquitectura from Vila Niva de Gaia, Portugal and a proposal by Ahmed Hamdi Architects from Cairo, Egypt earned Honorable Mention for their submissions. All of the entries are available for viewing online. An exhibition of all the submissions opened on May 10 in Denver at the Temenos Gallery inside the design studio of Roth Sheppard Architect and will remain open for viewing through June 21, 2013.
Starting Memorial Day, Chicago's Millennium Park will host the U.S. debut of a bright array of public design projects, many of which appeared at the 2012 Venice Biennale. Spontaneous Interventions: Design Actions for the Common Good will feature 84 works, including more than a dozen for Chicago and several that also appeared in Venice. One Venice Biennale carryover will be the slew of pull-down banners created by Brooklyn design studio Freecell and Berkeley-based communication design firm M-A-D. An “outdoor living room” for Millennium Park, designed by Wicker Park firm MAS Studio, is among the new installations. The space will serve as an outpost for the exhibition, according to MAS director Iker Gill, shading visitors with a canopy of more than 700 moving acrylic panels with a lively color palette. Local woodworker John Preus of Dilettante Studios will salvage lumber for the wood support structure and seating. The city’s Department of Cultural Affairs and Special Events brought the design contest to Chicago for its first U.S. showing. Programs will take place at the Cultural Center, in the pop-up pavilion in Millennium Park, and at various offsite locations through September 1. Here’s a video of Freecell and M-A-D’s banner project from the biennale:
LA's A+D Architecture and Design Museum is presenting Eero Saarinen: A Reputation For Innovation, which opens tomorrow night. The show will highlight one of the world's most heralded mid-century architects, who designed, among other things, the St. Louis Gateway Arch, the TWA Terminal at JFK in New York, Dulles Airport in Washington D.C., and the Entenza House in Los Angeles. Saarinen was also a renowned product designer, and, unbeknownst to most, an employee for the OSS (the precursor to the CIA), where he learned many of his design techniques. The show will explore this under-documented phase of his career and bring to light a designer whose influence still resonates today. For instance, did you know that Cesar Pelli, Kevin Roche, and Robert Venturi were among the many who worked for Saarinen? Get tickets to the opening here.