Posts tagged with "Eva Franch":

Placeholder Alt Text

Architectural Association selects Eva Franch i Gilabert to be next director

The members of the Architectural Association (AA) in London have selected Eva Franch i Gilabert, Chief Curator and Executive Director of Storefront for Art and Architecture in New York, to be their next director. Franch was selected with 67 percent of the vote from a shortlist that included Pippo Ciorra, Senior Curator of MAXXI Architettura in Rome, and Robert Mull, Head of Architecture and Design at the University of Brighton. The AA process now requires the proposed director to negotiate a contract and the final announcement will come in early March. Franch has been the Chief Curator and Executive Director of Storefront for Art and Architecture in New York since 2010. In her presentation to the AA community last week, Franch i Gilabert declared, “I believe in schools and cultural institutions that are anti-institutional even when being one, that act as cultural forums and civic platforms, and that believe in the importance of constantly redefining how we want to live together. Beyond regulating predefined domains of expertise, the AA has been a space for speculation, friction, and resistance. With a highly calibrated relationship between rigor and madness, the AA has been a hotbed for architectural experimentation, and should continue to be.” Let’s hope she can bring the AA, which has significant financial and institutional challenges, back to being such a hotbed. The official AA statement:

Dear AA School Community,

We are writing as the AA Search Committee to announce the results of the AA Director election:

1,077 ballots were issued by MiVoice to the AA School Community. 876 votes were cast by the AA School Community, representing a turnout of 81.3% for the election, the highest number of cast votes and one of the highest percentile levels of participation in the last 30 years.

The candidates received:

Eva Franch I Gilabert - 587 votes cast / 67% of the vote

Pippo Ciorra - 154 votes cast / 17.6% of the vote

Robert Mull - 135 votes cast / 15.4% of the vote

We wish to congratulate Eva on her election and receiving the highest majority in a contested election since 1990. We also wish to sincerely thank Pippo and Robert for their candidacy and presentation of their ideas on the AA and the role of the director.

We have advised the AA Council of the election results and requested they proceed with the formal appointment of Eva Franch i Gilabert as the new Director of the AA School of Architecture.

Placeholder Alt Text

Architectural Stars Align at Storefront for Art & Architecture Benefit

The architecture social calendar in New York includes a bewildering array of benefits, parties, fundraisers, and charity auctions. But the yearly event that brings out the most party loving architects is the Storefront for Art and Architecture's benefit and art auction. The Storefront always gets the most fabulous venues for its events and this year's was beyond spectacular: the 1893 Bowery Savings Bank. Designed by Stanford White of McKim, Mead and White the space takes up a huge through block site between the Bowery, Grand, and Elizabeth streets. The interior is a riot of colorful Siena marble walls, mosaic floors, faux marble scagliola columns, coffered ceilings, and stairs and skylights made of cast iron. This nearly indescribable landmark was the perfect venue for Storefront's grand director Eva Franch and even more grand board president Charles Renfro to introduce the gala's honored guests Olafur Eliasson and the composer, vocalist, and choreographer Meredith Monk. They appeared on a high balcony and spotlight like opera stars, talked about the importance of the Storefront to the arts community in the city and asked everyone to bid aggressively on the art works in the auction. Robert M. Rubin, Storefront board member, bid on a small Louis Kahn sketch. Other works by Ann Hamilton, Kiki Smith, Terence Gower, and Denise Scott Brown all sold to eager buyers. Bernard Tschumi, who donated a print from his Manhattan Transcript series, also bid on and, with his wife Kate Linker, gazumped all other bidders to take away a magical Meredith Monk print of a musical score. The event bought in a total of $344,370 to the Storefront.  
Placeholder Alt Text

Extended! Past Futures, Present, Futures Lengthens its Stay at Storefront for Art & Architecture

Past Futures, Present Futures Storefront for Art and Architecture 97 Kenmare Street Gallery open Tuesday to Saturday, 11:00pm-6:00pm Through January 12, 2013 Lucky you! The Storefront for Art & Architecture has extended the run of one of their most ambitious exhibitions to date, Past Futures, Present, Futures. Thanks to a spectacular design by LEONG LEONG, the modest proportions of the gallery seem to expand through both space and time. Visitors enter a pleasantly disorienting limbo by stepping from the street through a shimmering wall of silver vertical blinds. The exhibition, which has been extended through January 12, 2013, is divided into several "rooms" where part one of the show—101 unrealized past visions for New York, i.e."past futures"—is broken down and re-presented in a highly experiential way, through collections of images, of sound, and of contextual details (just flip over one of the blinds to reveal a dense info panel). Layered on top of these are past futures are visions for "present futures" by 101 invited architects and designers, including many young New York firms, making it entirely possible to find a Buckminster Fulller scheme next to one by SO-IL. The non-chronological, non-linear show curated by Storefront director Eva Franch with fellows Chialin Chou and Greg Barton is completely open to interpretation. In fact, visitors are even invited to add their own urban visions to the mix (just fill out one of the forms designed by Project Projects and stick it to a swaying blind). The show will continue to evolve as it enters other media, including an interactive website and a publication.
Placeholder Alt Text

RAD & RED at Storefront for Art & Architecture’s Spring Fundraiser

The Woolworth Building just a few short blocks from Zuccotti Park—the spiritual home of the Ocuppy movement—was itself bathed in radical red last night to celebrate the iconic "red" work of Barbara Krueger and Bernard Tschumi. The two celebrated figures were being honored by the Storefront for Art and Architecture at their annual Spring fundraiser. The yearly event always brings out a fun mix of young and distinguished professionals who come to support the Storefront and drink with friends and collegues. For the event last night everyone was asked to wear something red, and many did including Rick Scofidio who had one long red sock rolled over his pants leg, Archigramer Mike Webb carried around a red tequila laced drink, and Bernard Tschumi wore his iconic red scarf. Storefront board president Charles Renfro (with sorta red glasses) and Beatrice Colomina introduced Tschumi and Kruger at the top of the building's grand marble staircase, but the echo in the room made it impossible to hear a single word of their introductions. Never mind everyone on the staircase looked so fashionable, especially the resplendent Storefront Director Eva Franch. Ms. Franch, who makes all of her own clothes, wore a brilliant red, loopy draped dress that could only come out of the inspired mind of a Catalan like Ms. Franch. View more photos of the event at Storefront's Facebook page.
Placeholder Alt Text

Storefront Gets Real (estate) with NYC

The Storefront for Art and Architecture launched Ingredients of Reality: Dismantling of New York City last Tuesday night.  The show features work by Lan Tuazon, whose bio reads that she was born in the Philippine Islands and "lives and works in New York whether she likes it or not." It would seem from the show, that she likes it--but with reservations.  Through a series of seemingly disparate works, Tuazon calls attention to how real estate decisions have the ability to divide the New Yorkers economically and socially. The piece exemplifying what Storefront's website calls the "repressive logic of property" is "New York City Bar Graph." The installation uses a series of building models, not all necessarily based on the same scale. The models are separated onto different shelves. Sprinkled among some of the more recognizable buildings, like the Chrysler and One World Trade, are several proposed buildings that haven't been built yet. Separated onto its own shelf are the unmistakable forms of public housing complexes. That shelf is dwarfed by the many long shelves devoted to corporate architecture. The artist's commentary is clear: the amount energy the city devotes to corporate square feet far exceeds efforts for public housing. A good chunk of the show addresses the automotive landscape. Two sculptures placed on the floor of the gallery deal with existing parking lots. One wooden sculpture forms an typographical island derived from the city's parking lots, while a similar "landmass" formation made of foam invites visitors to sprawl out on territory that was heretofore verboten for lounging. The most dynamic piece in the show is a wrought iron sculpture called "Architecture of Defense." For the average city dweller the piece looks a tree guard gone awry. Three concentric layers of wrought iron fences culminate with a circular fence at the center whose exclamatory gesture seem more celebratory than threatening. Eva Franch, the gallery's director, compared the piece to the temporary fencing that remained around the circumference of Zuccotti Park several weeks after the Occupy Wall Street demonstrators had been evicted. Likewise, Franch said that the show as whole deals with "different notions of protection, what's public and private--not just for you and me but for us and them." Ingredients of Reality runs through April 12.