The Peabody Essex Museum (PEM) in Salem, Massachusetts has unveiled its Ennead Architects–designed expansion that it will build as part of a $650 million "Advancement Campaign." Along with $200 million for new facilities, the campaign allocates $350 toward its endowment, and $100 million to improve existing infrastructure on the museum's campus. Ennead's plan for PEM is based on original work created by Rick Mather, the celebrated architect who passed away in 2013. The expansion includes a new 40,000-square-foot, three-story wing for galleries that is slated to break ground in 2016 and open three years later. The museum is also constructing an 80,000-square-foot off-site building for the Collection Stewardship Center that is designed by Schwartz/Silver Architects and is also scheduled to open in 2019. "A design highlight of the expansion will be the renovation of the west facade of the museum’s founding structure, East India Marine Hall," said the museum in a statement. "This National Historic Landmark will be given renewed prominence with the creation of an adjacent two-story glass atrium that will offer fresh perspectives on this iconic building." PEM says it holds the "largest historic architecture collection among US art museums" noting that four of its 22 structures are National Historic Landmarks and another six are listed on the National Register of Historic Places.
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A jury of architects, landscape architects, critics, educators, and planners has named the 35 winning projects of this year's AIA New York Chapter Design Awards. "Each winning project, granted either an 'Honor' or 'Merit' award, was chosen for its design quality, response to its context and community, program resolution, innovation, thoughtfulness, and technique," the AIA said in a statement. "Submitted projects had to be completed by members of the AIA New York Chapter, architects/designers practicing in New York, or be New York projects designed by architects/designers based elsewhere." Take a look at the winning teams in the projects and urban design categories below. Honor Awards Ennead Architects Rethinking Refugee Communities
From the architects: "Can refugee settlements be a benefit to the host community rather than a burden? How can shared resources be employed to benefit both populations as well as foster a more sustainable solution? These questions arise when rethinking a new type of refugee settlement design process that fosters shared infrastructure, resources and economic exchange between incoming refugees and local residents. By creating spatial opportunities for the two populations to develop a beneficial relationship, refugee settlements can enrich the opportunities available to refugees creating more sustainable solutions during the refugees’ displacement."The Living Hy-Fi Queens, NY
From the architects: "Hy-Fi offers a captivating physical environment and a new paradigm for sustainable architecture. In 2014, we tested and refined a new low-energy building material, manufactured 10,000 compostable bricks, constructed a 13-meter-tall tower, hosted public cultural events for three months, disassembled the structure, composted the bricks, and returned the resulting soil to local community gardens. This successful experiment offers many possibilities for future construction."MERIT AWARDS BIG – Bjarke Ingels Group Project: Smithsonian Institution South Mall Campus Master Plan Location: Washington, DC CDR Studio Governor's Cup Pavilion New York, NY OBRA Architects Church in the Arctic Tana Bru, Norway raad The Lowline New York, NY
Archtober Building of the Day #1 The Public Theater at Astor Place 425 Lafayette Street, New York, NY Ennead Architects Many "Building of the Day" tours demonstrate the vibrancy of New York City, as it manifests itself in public spaces, public buildings, and, today, in the Public Theater. Theater shows us who we are, and the Public Theater has presented a balanced mix of Shakespeare, classics, musicals, contemporary works, and experimental. The lobby is filled with words, and immediately my head is filled with quotes from the Bard: “What do you read, my lord,” and Hamlet replies: ”Words, words, words.” So we kick off with some good words about the public, the theater, and the splendid blend of history and aspiration that brings them all together. Ennead Associate Partner Stephen Cho, led the tour today, developing the history of this sturdy antebellum structure. Originally built in 1853 as the Astor Library, it grew until the 1895 consolidation with the Lenox and Tilden Libraries formed the New York Public Library. The original architect was Alexander Saeltzer, with additions by Thomas Stent. Abandoned by the NYPL in 1911, the structures were repurposed for the Hebrew Immigrant Aid Society in 1920. The Astor Library became a residence, a half-way house, a kosher cafeteria, and an advocacy organization for the displaced Jews of the early 20th century. By 1965, the building had deteriorated considerably and faced certain demolition. One of the first successful “saves” of the newly-created Landmarks Preservation Commission, the city purchased the building, gave it landmark status and leased it to Joe Papp, who had already established his vision of promoting Shakespeare to the masses. Ada Louise Huxtable called it “the miracle on Lafayette Street.” Ennead began its involvement with the renovation of the lobby and public outdoor space. Taking cues from the historic building, a new stoop was added by gobbling up a lane of Lafayette Street. A glass canopy was also added. Paula Sher of Pentagram had a hand in some of the words, and artist Ben Rubin created The Shakespeare Machine as a site-specific light fixture with 37 LED screens that displays fragments of Shakespeare’s plays. This was a great project to kick off the month of architecture. It has everything – an august beginning as an institution for learning, a historic transformation reflecting the changing nature of the neighborhood, and its chapter as a hub of theaters exploring all those themes and more. Stay tuned for 30 more…tomorrow we tour 250 Bowery by Morris Adjmi Architects at high noon.
Cynthia Phifer Kracauer, AIA, is the Managing Director of the Center for Architecture and the festival director for Archtober: Architecture and Design Month NYC. She was previously a partner at Butler Rogers Baskett, and from 1989-2005 at Swanke Hayden Connell. After graduating from Princeton (AB 1975, M.Arch 1979) she worked for Philip Johnson, held faculty appointments at the University of Virginia, NJIT, and her alma mater. email@example.com
A research center in Manhattan gets a custom facade solution for energy efficiency and user comfort.Ennead Architects and Heintges & Associates recently completed construction on the 475,000-square-foot Belfer Research Center, Weill Cornell Medical College’s latest expansion to Manhattan’s Upper East Side. The building’s facade includes a unique double skin system on the southern face to define the medical campus’ identity, provide ample natural light without glare to the laboratory spaces, and create a highly efficient envelope. Heintges and Ennead previously worked together on the neighboring Weill Greenberg Center in 2007, said Todd Schliemann, partner in Ennead Architects and designer of both WCMC’s Weill Greenberg Center and new Belfer Research Building. Among the strategies employed in that project was the use of custom ceramic fritting to cut down on sun loading and glare. The team repeated that strategy at Belfer, applying ceramic frit to both sides of the building’s outer curtain wall. The exterior of the outermost layer features a white frit pattern designed to reflect sunlight, while a black frit pattern on the interior surface helps reduce glare and increase visibility through the glass. The double curtain wall produces a chimney effect that reduces cooling loads. For insulation, the inner layer is composed of argon-filled insulated glass units. “We conducted a lot of thermal analysis to minimize bridging through the outriggers,” said John Pachuta, a partner at Heintges. The framing system for the inner wall is thermally broken; a layer of mineral-fiber insulation behind the frame helps improve performance. Permasteelisa manufactured the 5-foot units in its Montreal facility. Glass from BGT was treated with an Interpane coating, and outrigger connections were affixed to the frame every 5 feet. The outriggers also extend to support the outer skin. For the outer wall, unitizing the unique geometries helped maintain the building schedule, despite its complex appearance. “We learned that even with a subtle shift in plane, you can still use standard parts and pieces,” said Schliemann. The team was able to reduce the number of IGUs and achieve a more monolithic appearance by using larger, 10-and-a-half-foot panels, ultimately requiring fewer joints. The grid breaks into 21-foot repetitions, in order to accommodate window washing balconies that also provide faceted cavities in the exterior curtain wall. The cavity between the two skins measures between 18 and 25 inches to accommodate an aluminum catwalk, which is supported by the inner wall’s outriggers. Access points to the catwalk can be reached from the interior for cleaning and maintenance. With increasingly erratic environmental conditions in the Northeast corridor, the entire system had to be secure yet resilient. “We considered having support members starting from the base building structure—from the perimeter beams or columns to extend through the inner curtain wall—but to reduce thermal bridging it was more effective to have outriggers extend through the weather enclosure,” said Pachuta. “Instead, steel outriggers support the catwalk and outer screen wall that are directly attached to the mullions of the inner curtain wall.” Mullions of the inner curtain wall are reinforced with steel, and are anchored to the outer wall at the edge of each unit. The faceted cavities produce good ventilation, but also leave the protected areas open for pigeons to nest. En lieu of standard bird wire, the team developed a custom steel frame with tensioned, horizontal stainless steel rods ¾ inches apart. Though the system keeps the sky rats at bay, the wire is no wider than a bicycle spoke and does not impede views from inside.
Out of a crop of 26, ten teams have been invited to present their technical proposals for the renovation of the Mies van der Rohe–designed Martin Luther King Jr. Memorial Library in Washington, D.C. District officials are hoping to transform the landmark 1972 building, Mies’ last built work and his only in D.C., into a state-of-the-art central library fit for the nation’s capital. The finalists are Cunningham Quil Architects and 1100 Architects, Ennead Architects and Marshall Moya Architects, Leo A. Daly and Richard Bauer, Martinez and Johnson Architects and Mecanoo Architects, OMA and Quinn Evans Architects, Patkua Architects and Ayer Saint Gross, REX and Davis Carter Scott Architects, Shalom Baranes and Davis Brody Bond, Skidmorw Owings & Merill, and Studios Architecture and The Freelon Group. With the library’s plumbing, HVAC and elevator systems in need of replacement, asbestos present throughout the building, and annual maintenance costs soaring to $5 million, the aging athenaeum demands some serious work. Library officials have given their chosen architects a few different options, from a simple update of the building’s ailing systems, to construction of two additional floors or a complete gutting the interior. Either way, the transformation is scheduled to wrap up by 2018.
Sweden-based firm White Arkitekter has been named the winner of the "For a Resilient Rockaway" (FAR ROC) design competition. The team's winning proposal, Small Means & Great End, offers a set of design strategies to transform an empty swath of land, known as Averne East, along the Rockaways in Queens, New York into a resilient, mixed-use community. The New York City Department of Housing Preservation and Development (HPD), along with private developers and the AIA New York Chapter, shortlisted four finalists back in July, including Ennead Architects, Lateral Office, and Seeding Office. Ennead's design, "Fostering Resilient Ecological Development," was recognized by the jury for Leading Innovation in Resilient Waterfront Design for its diverse ecological design solutions. White Arkitekter, which has been granted a $30,000 prize to realize its plan for the 80-acre site, has proposed implementing "a series of small, affordable, and smart interventions," which aims to mitigate damage, provide improved access during a storm, and create what they call an "antifragile" environement that fares better during and after extreme weather conditions.
After inviting several architecture firms to participate in a design charrette this summer, the Peabody Essex Museum (PEM) in Salem, Massachusetts has selected Ennead Architects to design the museum's ambitious 175,000-square-foot expansion. This $200 million project will include new galleries, public program and education spaces, conservation and exhibition processing areas, and a restaurant. "Ennead Architects impressed us with their creative dexterity, in-depth understanding of our institution and thoughtful design solutions for the museum's complex architectural program. We celebrate their responsive, collaborative spirit and look forward to partnering with them to achieve a design that provides a superlative museum experience," said Dan Monroe, PEM's Rose-Marie and Eijk van Otterloo Director and CEO, in a statement. PEM initially chose London-based Rick Mather Architects to undertake the entire expansion project. The firm completed the first phase, including the master planning and renovation of the Dodge wing, but when founder and principal Rick Mather passed away this past spring, the museum decided to consider other firms. According to Boston.com, PEM cited the intimate size of the firm (15 architects) and Mather's "intense involvement" in the project as factors for the switch. Ennead, which employs over 100 architects, offers substantial museum experience. The firm recently wrapped up its expansion of the Yale University Art Gallery last winter, and has also cuts its teeth working on a number of other projects, such as the Brooklyn Museum, Natural History Museum of Utah, William J. Clinton Presidential Center, and the Rose Center for Earth and Space at the American Museum of Natural History. "PEM's expansion presents an exciting design challenge and an opportunity to reimagine one of the oldest and fastest growing museums in the country," said Ennead design partner Richard Olcott in a statement. This marks the second major building project that the museum has embarked on in the last ten years. Architect Moshe Safdie designed a $100 million glass and brick building expansion and renovation in 2003. The museum plans on breaking ground in 2015, and anticipates that the new wing will be unveiled in 2019. The Mathers-designed Dodge wing will reopen this October along with the revamped Art & Nature Center.
In the wake of Hurricane Sandy, architects have been called to arms to both engage in the immediate recovery efforts and to come up with design solutions that will make New York City's buildings more resilient and sustainable in the long-term. The latest in a flood of new Sandy-inspired design initiatives was launched yesterday by New York Restoration Project (NYRP), dubbed "EDGE/ucation Pavillion Design Competition," asking a group of hand-picked, up-and-coming architecture firms to create a storm-resistant pavilion in Sherman Creek Park right on the Harlem River. The structure, located on a former illegal garbage dumping site, would serve as a boating facility and outdoor classroom for a number of activities such as wetland exploration and oyster gardening. The NYRP undertook a major clean-up of the polluted 5-acre area in 1996 and has since transformed it into a healthy and verdant public space for recreation and boating. The project is expected to cost $900,000. With the help of Susanna Sirefman of Dovetail Design Strategists, the NYRP selected eight Manhattan and Brooklyn-based firms, that include: Bade Stageberg Cox, Desai/Chia Architecture, HOLLER Architecture, KNE Studio, Lang Architecture, Taylor and Miller Architecture + Design, Urban Data & Design, and WORKac. The firms will submit their proposals on September 16th, and the following month, a Technical Advisory Group made up of leaders in the field—such as Adrian Benepe, Director of City Park Development for Trust of a Public Land and Thomas Christoffersen of BIG—will select the five finalists. A new jury—including NYRP founder Bette Midler, James Polshek of Ennead Architects, and Christopher Sharples of SHoP Architects—will then look over the submissions. A winning proposal will be announced in late November 2013.
Four teams of architects have been selected to envision new possibilities for a long stretch of vacant land along the Sandy-battered coast in the Rockaways. The ideas presented at Thursday's announcement range from practical resiliency tactics to creative design solutions such as dune sand filters, elevated undulating boardwalks, and clusters of low-rise and mid-rise housing. The New York City Department of Housing Preservation and Development (HPD) along with private developers and the American Institute of Architects New York Chapter, launched the Far Roc Competition back in April to generate proposals to turn an 80-plus-acre site, called Averne East, into a resilient mixed-use waterfront community. The competition calls on architects to think expansively about the challenges facing the Rockaways and come up with a multi-layered proposals that offer concrete ideas for sustainable mixed-income housing, flood protection measures, and recreation and park land. "We need to build durable, affordable infrastructure for those who really need and deserve it," said Bomee Jung Enterprise Community Partner, an affordable housing organization. The competition yielded 117 submissions from more than 20 countries. The jury panel whittled it down to four finalists, all hailing from across the globe: New York-based Ennead Architects, Toronto's Lateral Office, London-based Seeding Office, and Scandinavian firm White Arkitekter. "We don't have a choice. We have to conquer this challenge if we want to ensure the viability of our waterfront community," said HPD Commissioner Mathew Wambua. "We are eagerly anticipating the final presentation of your visions [addressing finalists]." Plans to develop this site have been brewing for several years. In 2007, HPD and developers—the Bluestone Group, L+M Development, and Triangle Equities—were in talks to build a mixed-income development, but held off when the economic crisis hit. The four finalists will be awarded $30,000 to continue to fine-tune and develop their ideas. The proposal deadline for the second phase of the competition will be on October 7th. In addition to the four finalists, there were six honorable mentions, which included: Michael Cowdy from Sydney-based firm McGregor Coxall; John Ellis from San Francisco and Seatte-based firm Mithun; Iljoong Kim from New York-based firm ijKim Architect; Giuseppe Lignano from New York-based Lot-EK; Pablo Oriol from FRPO Rodriquez & Oriol in Madrid; and Zhang Quian Christopher from Los Angeles and Honk Kong-based eLandScript.
D.B. Kim has joined Daroff Design as a principal and will lead the firm's luxury hotel and resort practice. Kim was previously at Pierre-Yves Rochon and prior to that at Starwood Hotels and Resorts. Design Trust for Public Space's executive director Susan Chin was elected Vice President of the 2013-2014 AIA National Board at the recent national convention in Washington, D.C. Al Eiber, a Miami-based physician and collector of 20th century design, has been appointed to the Board of Trustees of the Cooper-Hewitt National Design Museum. Steven Gifford has joined the New York office of Perkins Eastman as a principal. Gifford was previously led the Global Science and Health Design Studio at Hillier. Ennead Architects has promoted Guy Maxwell and Thomas Wong to partners. Maxwell has been with the firm since 1994 and Wong since 1993. Have news on movers and shakers in the architecture & design universe for SHFT+ALT+DEL? Send your tips to firstname.lastname@example.org.
Few university art museums have holdings that span from 3000-year old Chinese bronze vessels to bronze coins of the Roman emperor Marcus Aurelius, and from the blue-tiled gates of ancient Babylon to Blam, a red, white, and blue oil painting by Roy Lichtenstein. The collections of the Yale University Art Gallery, both deep and wide-ranging, offer up an impressive art-fueled time machine, and thanks to the Gallery's current expansion project by Ennead, visitors will be able to travel more easily than ever across history and cultures. The updated Gallery, three buildings that Ennead has carefully stitched together as one, is itself a kind of timeline that reflects Yale's architectural history: Street Hall from 1866, described by its architect Peter B. Wight (channeling John Ruskin) as "Veronese Gothic," was most recently home to the art history department; over 50 years later Egerton Swartwout created an enclosed bridge that linked Street Hall to his 1928 neo-Gothic museum (the "Old" Yale Art Gallery), built just across the road; and next door in 1953 Louis Kahn completed one of his first major commissions, a five-story museum building with striking ceilings of concrete tetrahedron coffers, whose first floor now serves as the expanded museum's main entrance. Though the youngest of the three, Kahn's building was the first up for renovation, a job Ennead (then Polshek) took on in 2006. At a recent press preview of the Gallery, Ennead partner Duncan Hazard diplomatically commented that "Kahn was figuring it out as he went along." (Over time sweating steel walls necessitated interior gutters, which, needless to say, didn't help achieve a constant 70 degree/50 percent humidity standard museum climate.) In the recent renovations of Swartwout and Street, Ennead took care to use storm windows to help with climate control, but these panes are recessed in the thick stone walls, which aids in maintaining the original look of the windows from the exterior. Inside, warrens of makeshift offices were removed to restore the buildings' generous rooms, and a surprisingly spectacular glass elevator was installed to connect the floors above with an extensive new education center at the basement level. At the top of Swartwout, Ennead added a floor and a half, which will provide space for temporary exhibitions and a dedicated study gallery, where every semester professors can request art to be displayed for use in their courses. The new addition is pulled back from the original facade to create a terrace with panoramic views of New Haven and is the new home of several large-scale sculptures, including a Henry Moore. The expanded Gallery, which will open in December and tally almost 65,000 square feet, is free and open to the public, but its primary audience is students, and with the new space Yale hopes to instill an appreciation for art that will last a lifetime. If Yale generates even more art aficionados, a further expansion may be on the distant horizon: donors, many of them alumni, have given the museum 15,000 new works of art just since the renovation project began.
While it is more restrained than many of the high designed garages currently popping up in Miami, the new garage at New York Botanical Gardens, designed by Ennead's Suzan Rodriguez with Desman Associates, marks a distinct departure for bland lots frequently found around New York. The garage opened to the public last Friday and promises to sport a vertical garden on all four sides once the plantings catch on to and climb up the Greenscreen wire trellis. The trellis wire rests between 'V' shaped vertical columns that derive inspiration from tree-limbs. But one can also detect a modernist influence, perhaps Pier Luigi Nervi's George Washington Bridge Bus Terminal? The effort goes a bit beyond the call of greening duty, as its not actually located in the the gardens. It sits on a former industrial site across the street and over the bridge of the MTA's North Harlem local line.