Posts tagged with "Emerging Voices":

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New Orleans firm OJT redefines overlooked and undervalued properties

The Architectural League’s Emerging Voices award and lecture series spotlight individuals and firms with distinct design “voices” that have the potential to influence the discipline of architecture, landscape architecture, and urban design. The jury, composed of Sunil Bald, Mario Gooden, Lisa Gray, Paul Lewis, Jing Liu, Thomas Phifer, Bradley Samuels, Billie Tsien, and Ian Volner, selected architects and designers who have significant bodies of realized work that creatively address larger issues in the built environment.

The Architect’s Newspaper featured the Emerging Voices firms in our February issue; stay tuned as we upload those articles to our website over the coming weeks. New Orleans–based OJT's Founder Jonathan Tate will deliver his lecture on March 23, 2017, at The Architecture League in New York City. Click here to learn more!

OJT is making waves in New Orleans with research-based work that redefines overlooked and undervalued properties. Founder Jonathan Tate is an Auburn graduate who experienced the Rural Studio under Samuel Mockbee and spent 10 years in Memphis working for Buildingstudio (formerly Mockbee/Coker Architects). After a sabbatical to study at Harvard, he relocated with the firm to New Orleans in 2008 and started OJT a few years later. “New Orleans just felt like the right place to be. We really cared about what was happening post-Katrina,” he said.

OJT is committed to applying scholarly methods to professional practice. The seven-person firm’s portfolio comprises architecture and planning work as well as self-initiated research, like mapping nonconforming properties in New Orleans. This odd lot of odd lots helped kickstart the firm’s Starter Home* project, a development strategy to build modern, speculative infill housing aimed at first-time buyers.   

The prototype Starter Home*, located at 3106 St. Thomas Street, is shaped by the limitations of its 16-and-half-foot-wide lot and historic setting. The metal-clad building riffs on vernacular forms and uses the allowable 40-foot height to make its narrow spaces feel large. It’s become a model for development in New Orleans, and Tate hopes to apply it to other cities. But he’s quick to point out that OJT isn’t a developer. “Development is a tool for us to continue to explore an idea, and to illustrate imaginative ways to work within rules and regulations,” he explained.

The Starter Home* at 4514 S. Saratoga Street further tests the limits of limitation—not only of the concept, but of architectural tropes. “We’re always negotiating this fine line,” Tate said. “They need to feel like a home but we also want them to be challenging.” OJT’s highly iterative process incorporates 3-D printing to rapidly test formal variations. “It all circles back to the desire to investigate.”

That desire also drives the Zimple house, built for the client’s father after he was diagnosed with dementia. Its clear sequence of spaces and central courtyard, which functions as a visual anchor, is informed by the firm’s research into the effects of memory loss. Located next to the client’s traditional camelback house, the project inverts the vernacular type to balance privacy and openness between the homes.

Although OJT has earned recognition for its residential projects, the firm is applying its methods just as successfully to commercial and cultural work like Hattie B’s Hot Chicken, a restaurant that adapts and subverts a fast food joint, and the Southern Food and Beverage Museum, built in a repurposed historic market. “We’re a thoughtful practice that tries to engage every project type in a meaningful way,” Tate said. “This is an intellectual project for us. We’re always asking ourselves why we’re doing what we’re doing.”

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LEVER Architecture is bringing mass timber construction into the mainstream

The Architectural League’s Emerging Voices award and lecture series spotlight individuals and firms with distinct design “voices” that have the potential to influence the discipline of architecture, landscape architecture, and urban design. The jury, composed of Sunil Bald, Mario Gooden, Lisa Gray, Paul Lewis, Jing Liu, Thomas Phifer, Bradley Samuels, Billie Tsien, and Ian Volner, selected architects and designers who have significant bodies of realized work that creatively address larger issues in the built environment.

The Architect’s Newspaper featured the Emerging Voices firms in our February issue; stay tuned as we upload those articles to our website over the coming weeks. The firm featured below (Portland, Oregon–based LEVER Architecturewill deliver its lecture on March 16, 2017, at The Architecture League in New York City. Click here to learn more!

Architect Thomas Robinson kick-started his career with Joseph Esherick, the architect best known for designing the Hedgerow Houses at Sea Ranch, California, followed by stints leading institutional and cultural projects at Herzog & de Meuron in Switzerland and Allied Works in Oregon. In 2009, Robinson, a graduate of UC Berkeley and later Harvard (studying under Peter Zumthor), decided to branch out on his own, launching LEVER Architecture from his Portland basement.

Over the past eight years, his firm has grown to 18 employees. A winner of the USDA’s U.S. Tall Wood Building Prize, LEVER Architecture has found a niche working with cross-laminated timber (CLT). “Timber is often hidden away,” Robinson said. “We want [timber] to be part of a greater architectural experience.” While mass timber construction isn’t new—according to Robinson it has been around since the 1930s—there is a rediscovering and understanding of the technology coupled with modern advances in fire safety, seismic engineering, and acoustics that has made it more feasible.

LEVER Architecture is currently working on a 90,000-square-foot, 12-story CLT high-rise in Portland. The project, Framework, incorporates a wood-core structure. When completed in 2018, it is expected to be the first mass-timber high-rise in the United States. The design relies on a post-tension CLT rocking wall, which, as Robinson explained, is a resilient low-damage design that takes advantage of the lightness and strength of wood. “Wood moves and can re-center itself,” he said.

Other recent LEVER projects also feature mass timber: There is Albina Yard, the first office building in the U.S. built with domestically manufactured CLT (LEVER Architecture recently moved its offices to this four-story, 16,000-square-foot building), and L’Angolo Estate, a winery tasting room in Newberg, Oregon.

At the core, Robinson explained that LEVER’s design projects are about the transformative power of materials. “It’s almost akin to product design at the level of a building.”

With funding from the National Science Foundation and a $1.8 million grant through the U.S. Tall WoodBuilding Prize, LEVER is implementing a performance-based design process throughout its projects. The grants help pay for additional research costs to demonstrate that CLT high-rise buildings are equivalent to traditional steel construction.

LEVER advocates mass timber as a more sustainable way of building while encouraging economic growth in the Pacific Northwest. “We look to the farm-to-table model, where people are connected more directly to the producer,” Robinson said. Translated from the culinary scene to the architecture world, the “forest-to-frame” approach is about building stronger relationships between architects, contractors, and the people growing the timber.

“We focus on simple materials and how to put them together to form transformative experiences,” Robinson said. “We’re interested in an economy of means. It’s rare being both at the cutting edge and having a seat at the table.” 

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In New York and L.A., Leong Leong is designing new platforms for marginalized communities

The Architectural League’s Emerging Voices award and lecture series spotlight individuals and firms with distinct design “voices” that have the potential to influence the discipline of architecture, landscape architecture, and urban design. The jury, composed of Sunil Bald, Mario Gooden, Lisa Gray, Paul Lewis, Jing Liu, Thomas Phifer, Bradley Samuels, Billie Tsien, and Ian Volner, selected architects and designers who have significant bodies of realized work that creatively address larger issues in the built environment.

The Architect’s Newspaper featured the Emerging Voices firms in our February issue; stay tuned as we upload those articles to our website over the coming weeks. The firm featured below (New York City–based Leong Leongwill deliver their lecture on March 9, 2017, at The Architecture League in New York City. Click here to learn more!

“Our father was an architect and we grew up in a small town in Napa Valley. Architecture became a medium through which we explored the world,” Dominic Leong said. “It was a way to understand the city, and for us there was an inherent link between the cosmopolitan and architecture.”

Dominic and his brother Christopher founded their practice, Leong Leong, in 2009, and although they came from distinct architectural firms—Dominic worked at Bernard Tschumi Architects before founding PARA-Project, while Christopher worked at SHoP and Gluckman Mayner Architects—their shared upbringing equally influences their firm’s approach. “The practice is much more about an organization and a collective of people. Our interest in architecture is a way to embed ourselves in different contexts and to relate to who we are as individuals,” Christopher said.

As a result, Leong Leong has shifted from designing high-fashion boutiques for the likes of 3.1 Phillip Lim, to working at increasingly larger and dramatic architectural scales. They have two notable civic projects: the Anita May Rosenstein Campus for the Los Angeles LGBT Center in Hollywood with Killefer Flammang Architects, and the Center for Community and Entrepreneurship for the nonprofit organization Asian Americans for Equality (AAFE) in Queens, New York, with JCJ Architecture. “Both the LGBT Center and AAFE are nonprofit organizations whose fundamental missions are to create a platform for marginalized communities,” Christopher said. Dominic continued: “There are new social organizations and social technologies that have yet to find a specific manifestation in architectural typologies. These communities already exist and have existed for a long time, so the projects are opportunities to translate these communities into new organizational typologies and places of exchange.”

Concurrently, Leong Leong continues to work on smaller objects, installations, and exhibitions. In 2016 they designed a collection of nine basic tools carved in pink Himalayan sea salt titled A Toolkit for a Newer Age, and an immersive sound bath installation called TOPO. “Toolkit and TOPO were explorations into the relationship between collectivity and form that emerged when we were designing the LGBT Center,” Dominic explained. “This eventually led us to investigate how social technologies, like self-care, might translate into architectural typologies.”

As the firm continues to take on increasingly ambitious projects, the brothers filter each one through what they refer to as “the triad”: the [architectural] discipline, the profession, and the broader culture. “Through this feedback loop, certain ideas become more relevant than others,” said Dominic. “It’s not just about large scales, it’s about things at the tactile level as well: A small project can have a huge impact—and that splash may be necessary in our current culture—and bigger projects can have a slower, different kind of impact, a lasting change to the city itself.”

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How Duvall Decker brings innovative solutions to underserved communities in Mississippi

The Architectural League’s Emerging Voices award and lecture series spotlight individuals and firms with distinct design “voices” that have the potential to influence the discipline of architecture, landscape architecture, and urban design. The jury, composed of Sunil Bald, Mario Gooden, Lisa Gray, Paul Lewis, Jing Liu, Thomas Phifer, Bradley Samuels, Billie Tsien, and Ian Volner, selected architects and designers who have significant bodies of realized work that creatively address larger issues in the built environment.

The Architect’s Newspaper featured the Emerging Voices firms in our February issue; stay tuned as we upload those articles to our website over the coming weeks. The firm featured below (Jackson, Mississippi–based Duvall Deckerwill deliver their lecture on March 9, 2017, at The Architecture League in New York City. Click here to learn more!

Jackson, Mississippi–based Duvall Decker Architects have a knack for finding design solutions for the complex politics of the underserved urban South. From housing to institutional work, the firm navigates an intricate web of public money, government subsidy, and city code. They have become so good at it that they find that they are teaching their clients, and sometimes city officials, how to get things built while serving the community. 

An early project, designing a small high school, found them consulting with the client after completion about how to best maintain the new building. When looking for an office space, instead of renting, the firm decided to buy a space. This led to a series of buying, fixing, and reselling their own office spaces, something they jokingly called “office flipping.” In other projects, the firm’s research strategy led them to form master plans, which led to more work. These early experiences shaped the way in which the office now operates.

In more recent work, Duvall Decker has been tapped to design entire affordable housing neighborhoods. For a project for the Jackson Housing Authority, planning and community research led the office to some unorthodox formal moves. Hoping to achieve the maximum density, but limited to building duplexes, a twist and shift was applied to the typical typology. The resulting form produced more social interior spaces, and more dynamic exterior spaces, both usually lacking in the standard banal blocks of public housing.

“These projects are often lowest-bid public projects. We take the same dollars-per-square-foot and we make a building with that,” explained Ann Decker. “We strip the finishes and focus on improving the craft. When we poured some of the first architectural concrete in Mississippi in decades, we had to teach the contractor how to do it.”

Duvall Decker’s attention to the client and the end user is just as evident in its institutional work. Reflecting new ideas about education, and the social topics taught within the project, Bennie G. Thompson Academic & Civil Rights Research Center at Tougaloo College in Jackson, Mississippi, strives to embody egalitarian ideas through form. With no center and a diverse set of spaces, students can inhabit the building in more than one way.

When Ann and Roy Decker set out to start an office they did not know exactly what they were getting into. Coming from academia, they wanted to continue teaching, but they felt they could contribute more within the profession. The path from those early days to their now thriving practice was not typical one. Today they are not simply an architecture firm. Within the design practice, master planning and consulting play a major role; outside of design, the firm acts as developers and property managers. This journey has given them the chance to continue educating: their clients and themselves.

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Inside the rising Mexico City–based practice of Frida Escobedo

The Architectural League’s Emerging Voices award and lecture series spotlight individuals and firms with distinct design “voices” that have the potential to influence the discipline of architecture, landscape architecture, and urban design. The jury, composed of Sunil Bald, Mario Gooden, Lisa Gray, Paul Lewis, Jing Liu, Thomas Phifer, Bradley Samuels, Billie Tsien, and Ian Volner, selected architects and designers who have significant bodies of realized work that creatively address larger issues in the built environment.

The Architect’s Newspaper featured the Emerging Voices firms in our February issue; stay tuned as we upload those articles to our website over the coming weeks. The firm featured below (Mexico City, Mexico–based Frida Escobedowill deliver their lecture on March 2, 2017, at The Architecture League in New York City. Click here to learn more!

Mexico City–based architect Frida Escobedo has only ever worked for herself. A graduate of Universidad Iberoamericana in Mexico City, and the Arts, Design, and the Public Domain program at the Harvard Graduate School of Design, Escobedo cofounded her first office, Perro Rojo, in 2003.   

In 2006, she began her eponymous firm, realizing a trend-setting rehabilitation and reinterpretation for the Mexican muralist David Alfaro Siqueiros’s home and studio that utilized screened walls made up of breezeblocks. Casa Negra, built in 2007, is a slightly deconstructivist sentinel clad in black panels that straddles a bluff overlooking a rural road from Mexico City to Cuernavaca. In 2013, her studio conceived of a circular, weighted plaza sculpture for the Lisbon Architecture Triennale. Escobedo explained, “Our work goes from the scale of furniture to something larger.” Escobedo’s Aesop store in Miami’s Wynwood neighborhood similarly plays into that teleology. In the small storefront, she manipulates the scale of objects and vistas through reflection. Bathed in an ochre light, the shop is divided by a series of reflective, glass partitions and is populated by sections of boulders and tropical Monstera deliciosa plants. Here, prismatic color and reflected silhouettes distort scale.

Escobedo’s more recent work expands the senses even further. A recently completed screen at the Graduate School of Business at Stanford University is crafted from Solanum steel and designed to create melodies. The rhythmic tapping made by children running sticks across railings inspired the installation—a halcyon tendency Escobedo ties to ideas of coming home. She explained that the structure is “not only perceived visually… You can play with the screen as you move along it and the closed fragments produce different sounds.” 

Escobedo’s eight-person office is currently working on two social housing projects: One in the rural area of Taxco in the Mexican state of Guerrero will take the shape of an incremental housing scheme, while another in the town of Saltillo is made up of rowhouses. Regarding both projects, Escobedo said, “We’re trying to do as much as possible with as little as possible while also reducing as much as possible the debt of the people who are acquiring these properties,” the architect explained. The Taxco scheme will ultimately result in a fully-built out home, featuring a double-height room that can be subdivided vertically as the resident family grows. According to Escobedo, the goal of the scheme was “to optimize the subsidized credit [provided by INFONAVIT, the housing developer] by first building what is most costly and therefore what will give more value over time; and second to provide people with a finished building, that is sometimes more encouraging and gives the sense of completion.”

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Atlanta-based BLDGS brings new creativity to adaptive reuse projects

The Architectural League’s Emerging Voices award and lecture series spotlight individuals and firms with distinct design “voices” that have the potential to influence the discipline of architecture, landscape architecture, and urban design. The jury, composed of Sunil Bald, Mario Gooden, Lisa Gray, Paul Lewis, Jing Liu, Thomas Phifer, Bradley Samuels, Billie Tsien, and Ian Volner, selected architects and designers who have significant bodies of realized work that creatively address larger issues in the built environment.

The Architect's Newspaper featured the Emerging Voices firms in our February issue; stay tuned as we upload those articles to our website over the coming weeks. The firm featured below (Atlanta, GA–based BLDGS) will deliver their lecture on March 2, 2017, at The Architecture League in New York City. Click here to learn more!

When Brian Bell and David Yocum first founded BLDGS 10 years ago, they didn’t plan to specialize in adaptive reuse—certainly not in Atlanta, a city not necessarily known for exploring the past.

But after they continued to land such commissions, they began to relish the role and have elevated this ever-expanding realm of architecture to a more creative, thoughtful, complex level than almost any firm has been able to achieve.

“We take a lot of pleasure in uncovering,” Yocum said. “If we can find the truth in each of the challenges and kind of reflect the presence of that truth it gives us a lot that we would not be able to layer onto a project.”

Bell and Yocum met at Harvard’s Graduate School of Design and then worked together at Mack Scogin Merrill Elam Architects in Atlanta. They founded their firm in 2006, spurred mostly through work from art galleries, whose budgets and interests called for work within existing spaces. One of their first, Whitespace Gallery, is located inside an 1880s carriage house. Impressed by how clearly the original functions were expressed structurally, they set out to not only maintain that core, but also express the building’s new artistic focus with equal intensity. They hid lighting and HVAC along the periphery, and installed thin, floating panels—framed in steel—to display art.

Yocum calls this inserting the “featherlike presence of the new while respecting the gravity of the old.”

“We’re pushing and pulling off things that are seen and unseen rather than inventing from our own imagination,” added Bell. “There’s a lot of fascination with the situation that’s already there.”

Their work has continued along these lines, pushing and pulling on the complex layers of existing materials and techniques and the addition of contemporary ones. The installation Boundary Issues at the Atlanta Contemporary Art Center removed contemporary plaster walls to display a mesmerizing combination of existing paint and bricks.Essentially they practiced addition by subtraction, architecture’s version of etching away a solid in a block print.

For their Caddell classroom and faculty building at Georgia Tech, they took cues for a new canopy from the structural logic of the existing 1950s building, whose steel frame is hidden behind a concrete exterior. The resulting canopy of aluminum louvers looks ultra-light from below, but like the original building, its thick steel frame is hidden above, out of sight. At Congregation Or Hadash Synagogue, they converted a former Chevrolet paint and auto body repair shop by carefully carving away its tilt-up concrete and sheet metal cladding, creating a radically different typology, nonetheless informed by its bones.

Even their only ground-up building, the Burned House in Atlanta, plays with history. Its cladding is painted with dozens of layers of paints, stencils, metallics, and other markings, which are meant to become exposed as the paint decays. Its interior plays with solid and void, with spaces pushed and pulled in unusual configurations to maximize exposure and push the boundaries of expectation.

“We wanted to think of history in reverse,” said Yocum. “Everything has a historical presence. If you’re not exploring that you’re missing opportunities.”

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Profile: Emerging Voices Winner S-AR

The Architectural League of New York’s Emerging Voices competition identifies leading talents in architecture and design in the U.S., Canada, and Mexico. Meet the eight 2016 winners that were selected for their “distinct design voices and significant bodies of realized work." Each firm will deliver a lecture this month in Manhattan. The fourth lecture takes place today, Tuesday, April 12 at 7:00 p.m. when Cesar Guerrero and Ana Cecilia Garza, along with Alex Anmahian and Nick Wintonpresent their work.

CESAR GUERRERO AND ANA CECILIA GARZA

Although the four young partners behind S-AR met at the Technical University of Monterrey in Mexico and are currently based in the historically industrial city, they have worked in architecture firms around the world. The result is a portfolio that  combines weighty, often rough materials and techniques with the elegance, simplicity, and refinement of today’s modernism.

“We’ve learned a lot of things in other countries,” said principal César Guerrero, “but the work is very related to this city, not only in its materials and resources, but in the people who work in those enterprises. We try to use that knowledge about manufacturing and construction.” S-AR’s Casa 2G in San Pedro, Mexico, utilizes handmade doors, windows, and handles, as well as imposing poured-in-place concrete walls. Outside it appears heavy, industrial, and monolithic. But walk inside and the house transforms, projecting lightness, openness to the outdoors, and a genius for permitting natural light.

Like Casa 2G, most S-AR projects have the advantage of custom materials and resources and employ a healthy mixture of natural and manmade elements. Their Casa Madera, also in San Pedro, is the first domestic building in the city to be made completely of wood. Giant sheets of glass were produced locally in the biggest glass factory in Mexico. 

The young partners are not content to work on one type of building or scale. They also create architectural installations, furniture, design objects, and publications. Their triangular chair transforms one medium-density-fiberboard sheet into triangular pieces that create a contained seating area; their CB container reinterprets a traditional basket in steel mesh; and their book Macroplaza 20.30 explores interventions to transform a public space in Monterrey.

“Architecture has great possibilities to create knowledge,” noted Guerrero. “It’s important to be diverse in your experimentation. And it’s more fun to keep your interest in a lot of things. One day you’re designing a public space and the next a pavilion.”

The firm has also created a nonprofit organization, Comunidad Vivex, that works with low-income residents to create houses, community centers, and other architecture. Materials are donated by local companies, and labor is provided, in part, by the future tenants themselves. Working with the organization they created Casa Caja, or Box House, in Zuazua, Mexico. It consists of concrete masonry, reinforced concrete, and a clay box, placed in the middle of the site, which leaves room for a large side patio as well as copious light and ventilation. Another box is placed at one end, containing core systems like HVAC, plumbing, and stairs. The first level contains flexible, open spaces, including room for commercial enterprises, while the second level contains private living and bedroom spaces.

“Architecture is not about the size of the buildings, it’s about the size of the ideas,” said Guerrero.

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Profile: Emerging Voices Winner Anmahian Winton Architects

The Architectural League of New York’s Emerging Voices competition identifies leading talents in architecture and design in the U.S., Canada, and Mexico. Meet the eight 2016 winners that were selected for their “distinct design voices and significant bodies of realized work." Each firm will deliver a lecture this month in Manhattan. The fourth lecture takes place today, Tuesday, April 12 at 7:00 p.m. when Alex Anmahian and Nick Winton, along with Cesar Guerrero and Ana Cecilia Garzapresent their work.

Alex Anmahian and Nick WintoN

Alex Anmahian and Nick Winton met in studio during their time at Harvard’s graduate school. Their paths crossed under the stewardship of studio leader John Tuomey (now of O’Donnell + Tuomey), when they collaborated on a project together. Shortly after, in 1992, they set up Anmahian Winton Architects in Cambridge with just the two of them at the helm.

Now with 12 associates, each project, Anmahian said, is approached with a mix of “anxiety” and juvenile zeal. From the outset, they have deterred from adhering to any set style or preconceived aesthetic principles. Rather, their ethos, if anything, derives  from the cultural context of the site, financial constraints, and client demands.

Speaking about their most recent project, an observatory in New Hampshire, Anmahian describes how the abstract form “came from analyzing the contextual language that came from the site, as well as tending to the need and aspirations of the client. The form developed as an outgrowth of the rock we were building on.”

A glimpse at their work further reflects this philosophy. Through typology alone, one can see how the practice is continuously looking for something new, while maintaining a sense of honesty and well-being, and this mindset is what has been a catalyst to the duo’s success. “All projects have different character quality and are very specific and highly personalized to our client,” said Winton.“We don’t try to express ideologies, and we don’t have a style. What we bring is a way of thinking,” Anmahian added. “Instead, we ask: Does it represent and absorb its cultural context? Hence, the results are unique.”

They thoroughly enjoy the processes of design and are constantly eager to try new challenges—as revealed in the variety of their work, which ranges from basketball benches to observatories and bamboo-based offices. “We’re not specialized in terms of typology; what has remained the same is the sense of trepidation,” said Anmahian. 

Anmahian and Winton also express how their work focuses on the “rituals of everyday life,” and in doing so, delve deeply into their clients’ operations. “We take every space seriously. Obviously there is still hierarchy in the work, but we don’t leave things unturned or focus on one space and let the others feed off [of it].”

Where next? Neither Anmahian nor Winton are quite sure, but both are aware of how far they’ve come. “We look back on our first project with nostalgia while wincing [at the] missed opportunities.” Being self-critical has allowed the firm to progress and adapt to their own growth. “We think globally with  our projects; we work internally without specialized employees,” said Anmahian. “In our office, the collaborative aspect of it has expanded a lot.”
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The Architectural League New York announces 2016 Emerging Voices winners

The Architectural League of New York announced the eight winners of its annual Emerging Voices program. “The 2016 ‘Voices,’ each responding to distinct geographic sites and typologies, all compellingly address the relationship between architecture and place by resourcefully synthesizing programmatic invention with computational production and the craft of building,” Anne Rieselbach, program director, said in a statement. This year, the jury panel was composed of Sunil Bald, Henry N. Cobb, Susannah Drake, Mario Gooden, Karrie Jacobs, Anna Kats, Thomas Phifer, and Billie Tsien. Lectures with the winners will be held throughout March and April at The Archbishop Fulton J. Sheen Center for Thought and Culture, 18 Bleecker Street, New York, NY at 7:00 p.m. Please verify all program information with The Architectural League before listing. The 2016 winners are... Alex Anmahian and Nick Winton, principals and cofounders of Anmahian Winton Architects A Cambridge, Massachusetts, architecture firm with works as far away as Turkey and close to home in Boston that views “the synthesis of place, program, and community as an opportunity to enhance the rituals of everyday life, foster a sense of wellbeing, and to inspire the imagination.” Omar Gandhi, principal at Omar Gandhi Architect Based in Halifax and Toronto, Gandhi’s projects are site-specific and material forward, keeping to a “modest, formal lineage that makes for architecture that is accessible to all types of people.” Cesar Guerrero, Ana Cecilia Garza, Carlos Flores, and Maria Sevilla of S-AR The Monterrey, Mexico–based firm focuses on “the design and development of architectural projects of several scales and typologies from private, experimental, and social structures to architectural installations, educational buildings as well as furniture and book design.” Frank Jacobus and Marc Manack, principals at SILO AR+D Splitting their time between Cleveland and Fayetteville, Arkansas, Jacobus and Manack have worked on a spectrum of projects from a church in Cleveland, a “Super Sukkah” pavilion in St. Louis, and a home in Fayetteville. Jon Lott, principal at PARA Project and cofounding member of Collective-LOK New York’s Jon Lott has most recently crafted a series of sleek, monolithic structures in Syracuse, New York, including the Haffenden House residence, the Crawford Attic Writing Room, and La Casita. E.B. Min and Jeffrey L. Day, principals, Min | Day Founded on the belief that “architecture is a spatial and material practice in the service of human habitation,” the studio is located in San Francisco and Omaha, with projects ranging from a home to a public transportation station. Rozana Montiel founder, Rozana Montiel | Estudio de Arquitectura Montiel’s work focuses on the public domain with projects that include the City Out of Line Park in Mexico City, Common-Unity, a public space rehabilitation project in Mexico City, and Court, a sports field in Veracruz, Mexico. Heather Roberge principal, Murmur Roberge’s most recent projects include an installation at SCI-Arc Gallery and two residences in Los Angeles, where the architect is based.
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Architectural League Names 2014 Emerging Voices

Today, the Architectural League of New York revealed its selections for the 2014 class of Emerging Voices, a distinction that honors young firms "with distinct design voices and the potential to influence the disciplines of architecture, landscape design, and urbanism." This year's pool of winners demonstrated an entrepreneurial spirit, according to the League, "pursuing alternate forms of practice, often writing their own programs or serving as their own clients." Winners are selected by a jury from a pool of invited firms. This year's international group of eight includes The Living (which just this week was also named winner of MoMA PS 1's Young Architects Program), Surfacedesign, SITU Studio, Ants of the Prairie, Estudio Macías Peredo, Rael San Fratello, TALLER |MauricioRocha+GabrielaCarrillo|, and Williamson Chong Architects. A lecture series is planned in March where each firm will present their work and design philosophy. Betsy Williamson, Shane Williamson, and Donald Chong Williamson Chong Architects Toronto According to the League:
“Context, materials research, economies of construction, building performance, and client-based collaboration” all shape the design approach of Williamson Chong Architects. Their work ranges in scale from furniture to master planning, including the House in Frogs Hollow and the Abby Gardens Food Community master plan.
David Benjamin The Living New York According to the League:
New Yorkʼs The Living explores – through installations such as Mussel Choir, exhibited at the Venice Biennale, and the NYCEDC project EcoPark – “how new technologies come to life in the built environment.” The Living was just named as the winner of the MoMA/PS1 Young Architects Program.
Geoff di Girolamo, James Lord, and Roderick Wyllie Surfacedesign San Francisco According to the League:
The landscape architecture and urban design practice Surface Design, Inc. focuses on creating landscapes that emphasize “personal histories and connections between culture and natural environment” with projects ranging in scale from domestic projects, to San Franciscoʼs Golden Gate Bridge Plaza, to Stonesfields Quarry Park in Auckland, New Zealand.
Basar Girit, Aleksey Lukyanov-Cherny, Wes Rozen, and Bradley Samuels SITU Studio Brooklyn According to the League:
The firmʼs Brooklyn-based studio, divided between design and fabrication spaces, enables their goal to “leverage fabrication efficiencies, material re-use, flexible assemblies, and community involvement to create spaces that engage in living relationships with the urban context.” Projects have included the ReOrder installation in the Brooklyn Museum Great Hall; Heartwalk, installed in Times Square; and mapping and analysis projects.
Joyce Hwang Ants of the Prairie Buffalo, NY According to the League:
Ants of the Prairie is an arts and research practice “dedicated to developing creative approaches in confronting the pleasures and horrors of our contemporary ecologies,” as seen in work such as Bat Cave and Bat Cloud and the currently under construction bird and bat Habitat Wall.
Salvador Macías Corona and Magui Peredo Arenas Estudio Macías Peredo Guadalajara, Mexico According to the League:
Estudio Macías Peredo, acknowledging “the understanding of our regional situation (geographically and socio-culturally), where [a] craftsman is part of the building process,” embraces ideas of critical regionalism, as explored in the residences Casa Atlas and Casa Arenas.
Ronald Rael and Virginia San Fratello Rael San Fratello Oakland, CA According to the League:
Rael San Fratello shies away from working within a set philosophy, trying rather “not to define, but rather to constantly redefine ourselves” with projects, ranging from the art installation Prada Marfa to their winning entry in the Sukkah City competition, “Sukkah of the Signs, aka the Homeless House,” that “try to do the most with the least.”
Mauricio Rocha Iturbide and Gabriela Carrillo Valadez TALLER |MauricioRocha+GabrielaCarrillo| Mexico City According to the League:
TALLER IMauricioRocha+GabrielaCarrilloI focuses on “the importance of the vernacular, craftsmanship, sustainability, and socially-responsible design” in projects such as Plastic Arts School, Universidad Autónoma Benito Juárez de Oaxaca and the Hall for the Visually Impaired, Ciudadela.
The League's Emerging Voices lecture series will take place at the Scholastic Auditorium located at 557 Broadway, New York. For exact dates and ticket information, visit the League's website. The 2014 jury included Fred Bernstein, Paul Lewis, Kate Orff, Thomas Phifer, Annabelle Selldorf, and Adam Yarinsky. Previous Emerging Voices winners include Jeanne Gang, Morphosis, Steven Holl, Tod Williams, Deborah Berke, Brad Cloepfil, Michael Maltzan, and many others.
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The New In Crowd: Architectural League's 2013 Emerging Voices Announced

Reflecting the various currents of contemporary architecture and urbanism, the Architectural League of New York has announced its line-up for the 2013 Emerging Voices lecture series. The series showcases notable talent from across North America and is selected through a portfolio competition that emphasizes built work. The program has had a remarkable track record at identifying important architects. Past Emerging Voices have included Steven Holl, Morphosis, Jeanne Gang, and SHoP among many other boldface archinames. cao | perrot Studio of Los Angeles and Paris, principals Andy Cao and Xavier Perrot garciastudio of San Diego and Tijuana, Mexico, principal Jorge Garcia (pictured at the top of the post). DIGSAU of Philadelphia, principals Jules Dingle, Jeff Goldstein, Mark Sanderson, and Jamie Unkefer dlandstudio of New York, principal Susannah Drake MASS Design Group of Boston and Kigali, Rwanda, principals Sierra Bainbridge, Michael Murphy, Alan Ricks, and David Saladnick Ogrydziak Prillinger Architects of San Francisco, principals Luke Ogrydziak and Zoe Prillinger PRODUCTURA of Mexico City, principals Carolos Bedoya, Wonne Ickx, Victor Jaime, and Abel Perles SO-IL of New York City, principals Florian Idenburg and Jing Liu All lectures will be held at Scholastic Auditorium located at 557 Broadway. On March 7 the League will feature SO-IL and garciastudio. March 14 dlandstudio and MASS Design Group will lecture. DIGSAU and Ogrydziak Prillinger will speak on March 18 and March 28 will feature cao | perrot and PRODUCTURA.
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Eight Emerging Voices Honored by the Architectural League

Eight up-and-coming architecture firms from across North America have been distinguished as Emerging Voices by the Architectural League. The prestigious award is bestowed annually on a group of firms that have established a distinct design voice in their work and have "the potential to influence the disciplines of architecture, landscape design, and urbanism." This year's winners are INABA, 5468796 architecture, SCAPE Landscape Architecture, Studio NMinusOne, Oyler Wu Collaborative, SsD, Arquitectura 911sc, and Atelier TAG. A jury comprised of Henry Cobb, Geoff Manaugh, Paul Lewis, Jamie Maslyn Larson, Annabelle Selldorf, Claire Weisz, and Dan Wood selected the firms based on a review of their portfolios. Past Emerging Voices have included many of today's top-name architects including Morphosis, Enrique Norten, Deborah Berke, Michael Maltzan, SHoP Architects, Jeanne Gang, and Steven Holl. Each year, the winning firms present their work at a lecture series presented by the League in New York. Beginning on March 2, will take place at the Rose Auditorium in the new Morphosis-designed building at The Cooper Union. Also watch for an upcoming issue of The Architect's Newspaper where we feature a profile of each Emerging Voices winner. Information on the lecture series and architecture firms from the Architectural League: All lectures will be held at the Rose Auditorium, The Cooper Union, 41 Cooper Square, New York City at 7:00 p.m. Tickets are required for admission to the lectures. For more information on the lectures and tickets, visit www.archleague.org, beginning February 1. Friday, March 2 INABA, Jeffrey Inaba, New York and Los Angeles: INABA’s projects range from books and diagrams to installations, creating physical form from abstract content. 5468796 architecture, Johanna Hurme and Sasa Radulovic, Winnipeg: With a focus on housing and public projects, the collaborative office playfully explores the possibilities of architecture within the constraints of modest budgets and materials. Friday, March 9 SCAPE / Landscape Architecture, Kate Orff and Elena Brescia, New York: Through its landscape and urban design practice SCAPE researches new futures for the urban-natural environment. Studio NMinusOne, Christos Marcopoulos and Carol Moukheiber, Toronto: The studio’s work, both built and theoretical, explores the frontier of the digital and real and its effects on the physiologies of occupants of buildings and environments. Friday, March 23 Oyler Wu Collaborative, Dwayne Oyler and Jenny Wu, Los Angeles: Oyler Wu’s installations, pavilions, and façade experimentations are informed by and explore fabrication processes and materials. SsD, Jinhee Park and John Hong, New York, Boston, and Seoul: The firm’s work, from private residences to light sculptures to public buildings, combines research and production to find multivalent expressions from minimal form. Friday, March 30 arquitectura911sc, Jose Castillo and Saidee Springall, Mexico City: The office responds to the rich social and political complexities of Mexico in its wide-ranging work from social housing to urban planning. Atelier TAG, Manon Asselin and Katsuhiro Yamazaki, Montreal: The firm builds primarily in the public realm exploring the civic functions of architecture.