This September, Edward Cella Art & Architecture will present R. Buckminster Fuller: Inventions and Models, an exhibition highlighting original prints, models, and other objects created by 20th century architect, engineer, inventor, and artist R. Buckminster Fuller. According to the gallery, the exhibition—the first of its kind in Los Angeles—will unveil models and drawings typically kept in private collections and will “represent an opportunity to reflect upon [Fuller’s] comprehensive perspective on the world and humanity.” Specifically, the showcase will focus on Fuller’s so-called “Inventions Portfolio,” a limited-edition print collection of pioneering design innovations that include the 4D House, the Dymaxion Car, and the Geodesic Dome, among many others. Fuller holds more than 30 patents on a wide range of inventions and products and is widely recognized as the inventor of the geodesic dome. Other works on display will include: a series of wire and steel “tensegrity models” that express structural design principles via repeatable geometric elements, sculptural models depicting Fuller’s Closest Packing of Spheres and Duo-Tet Star Polyhedras concepts, and the Dymaxion Rowing Needle, a 21-foot dual hull rowing shell intended for use on choppy waters. The exhibition, which opens September 8th, is being produced in collaboration with Carl Solway Gallery and will be supplemented by a series of public programs highlighting scholarship into Fuller's work. Programs include a presentation by Fuller’s design partner, architect Thomas T K Zung, and a discussion between Allegra Fuller Snyder, Fuller’s daughter and founder of the Buckminster Fuller Institute, and David McConville, the Institute’s chairperson. See the Edward Cella Art & Architecture site for more details.
Posts tagged with "Edward Cella Art and Architecture":
For architecture enthusiasts with an artistic streak, there are a number of art exhibitions inspired by architecture and design on view across the U.S. Of course, there is Bodys Isek Kingelez: City Dreams at MoMA, already announced in AN, along with gallery shows in New York and Los Angeles worthy of a visit, featuring drawing, sculpture, installation, animation, and more. Serban Ionescu: A Crowded Room and Serban Ionescu and Anjuli Rathod Artist Serban Ionescu, who previously studied architecture, presents an immersive installation of drawings, sculptures, and animations in A Crowded Room at New York’s Larrie. The title and work in part references his experience as an immigrant and his father’s 2006 deportation, while still creating a narrow space touched with color and levity. The animations were made in collaboration with Narek Gevorgian. Ionescu’s work is also part of a two-person exhibition at Safe Gallery in East Williamsburg along with paintings by Anjuli Rathod. Serban Ionescu: A Crowded Room Larrie 27 Orchard Street, New York, NY Through June 17 Serban Ionescu and Anjuli Rathod Safe Gallery 1004 Metropolitan Ave, Brooklyn, NY Through July 15 Vernacular Environments, Part 2 Vernacular Environments, Part 2 is the second iteration of the now annual group show at Edward Cella Art and Architecture that explores the diverse ways artists figure and engage with the environment and built world. Featured artists include Shusaku Arakawa, R. Buckminster Fuller, Rema Ghuloum, Hans Hollein, Jill Magid, Alison O’Daniel, Aili Schmeltz, Paolo Soleri, and Lebbeus Woods, working across a wide array of media. Ruth Pastine has created “Color Zones” to engage with both the architecture figured in the artwork, as well as the architecture of the space itself. Vernacular Environments, Part 2 Edward Cella Art and Architecture 2754 S. La Cienega Blvd, Los Angeles, CA Through July 14th Escher: The Exhibition and Experience Taking up a large swath of Industry City in Sunset Park is a retrospective of the eminent Dutch artist M.C. Escher, whose vertiginous drawings are rich with architectural references. Not relegated merely to lithographs, drawings, or other two-dimensional forms, the exhibition, presented by Italian organization Arthemisia,also features installations that place you in the midst of the artist’s illusionary drawings and disorienting spaces. Escher: The Exhibition and Experience Industry City 34 34th Street, Building 6, Brooklyn, NY Through February 3, 2019
For Alex Schweder, buildings happen in time. The architect and artist bridges the gap between performance and architecture, suggesting that architecture was always already a field concerned with performance, from the way we shape space to the way it performs on us and guides our interactions with others and the space itself. During Armory Week, New York City’s spring collection of art fairs centered around The Armory Show, Schweder is exploring these ideas of architectural performativity with two different installations in the city. Schweder’s piece Davenports Yawn is on view as part of Collective Design. The installation was inspired by his 2013 piece for the Lisbon Architecture Triennale, Slowly Ceiling, and it continues his use of inflatable architecture. Davenports Yawn is a soft, inviting space where strangers face one another in a moment of respite and architecturally scripted intimacy. Davenports Yawn was curated by Rozalia Jovanovic and made in collaboration with Davide Quadrio at materials manufacturer Alcantara, who commissioned the work. Across town at the Armory Show is My Turn (2018), presented by the Los Angeles gallery Edward Cella Art and Architecture. A collaboration between Schweder and Ward Shelley, the piece premiered as part of Armory’s Platform program, which is dedicated to large, site-specific works. My Turn is a 16-foot wheel with two platforms to be occupied by Schweder and Shelly each day for eight hours during the fair. As its name suggests, the turning wheel requires taking turns. By design, both artists cannot sit on the wheel at the same time. The "my" in My Turn becomes a point of contention. This constant negotiation around the wheel explores the dynamic between the environment, built or otherwise, and humanity. Its structure is one of inherently restricted capacity. The wheel becomes agentic precisely by delimiting the agency of those who use it—here, ironically, its own designers. It begs the question: who (or what) is actually in charge? My Turn looks at the delicate balance of building our world and living among each other, especially in a time of ever-shrinking resources and ever-growing populations. Davenports Yawn and My Turn will be on view through the end of the fairs, on March 11. Davenports Yawn Collective Design Skylight Clarkson North 572 Washington Street New York, NY Through March 11 My Turn The Armory Show Piers 92 & 94 711 12th Avenue at 55th Street New York, NY Through March 11
Renowned Los Angeles gallery Edward Cella Art and Architecture, which left its six-year home on Wilshire Boulevard last year, is opening its new location on La Cienega Boulevard in Culver City on May 9. The new space, and its graphic identity, are being designed by LA-based Group Effort—a collaboration between Jessica Fleischmann/still room and Rachel Allen Architecture. In both cases they've created a "modern look," said gallery owner Edward Cella, that "plays with the texture and angularity of the building," and gives the gallery a fresh "new start." Cella has also commissioned sheet metal specialist Alex Rasmussen (of Neal Feay Company) to create a striking new aluminum reception made up of weathered, organic plates. The inaugural exhibit will be called UNBOUND, featuring new large format paintings by gallery artists Joshua Aster, Kendell Carter, Mara De Luca, Spencer Lewis, Donnie Molls, Ruth Pastine, Chris Trueman, and Jeffrey Vallance.