Last night the American Academy of Arts and Letters awarded its 2019 Architecture Awards to five teams and people. Selected by jurors Annabelle Selldorf (chair), Henry N. Cobb, Kenneth Frampton, Steven Holl, Thom Mayne, Laurie Olin, James Polshek, Billie Tsien, and Tod Williams from 33 nominees, four winners will receive a $10,000 award from the Academy, and Eduardo Souto De Moura will receive $20,000 for the Arnold W. Brunner Memorial Prize. The winners are: Hernan Diaz Alonso The director of Sci-Arc and principal of Xefirotarch, Alonso was recognized by juror Thom Mayne as occupying “a pivotal position from which to influence the future of architecture,” through his educational involvement. Mayne also praised Alonso's combination of animation, architecture, and design that results in “a dark and aesthetic edge.” His proposal for the Thyssen-Bornemisza Museum in Patagonia received the AR+D Award for Emerging Architecture and a Progressive Architecture Award in 2013, and he has also worked on product design, collaborating with Alessi and others. Mario Gooden and Mabel O. Wilson Co-directors of the Global Africa Lab at Columbia University, the duo has focused on the history and complicated politics of placemaking through their work and writings. Juror Billie Tsien said that the work of the Lab “reminds us that architecture and design can and should be a participant in the struggle for a just world.” Dark Space: Architecture, Representation, Black Identity and Begin With the Past were published by Gooden and Wilson, respectively, in 2016, exploring the intersections of African American identity and architecture, and the history and complexities that surround the National Museum of African American History and Culture. Eric Höweler and Meejin Yoon The principals of the firm Höweler + Yoon have created “some of the most formally innovative and beautifully crafted work today,” according to juror Tod Williams. Shadow Play, a pedestrian-focused public space project, and the Collier Memorial both received an American Architecture Prize in 2016, with Shadow Play tacking on a 2018 AIA Small Project Award as well. Williams called the memorial “a tour de force, integrating innovative structure, form, and meaning.” Anne Rieselbach The program director for the Architectural League of New York has “dedicated her life to architecture,” as said by juror Steven Holl. Rieselbach encourages engagement and architectural discourse through the Current Work lecture series and has overseen the Emerging Voices program for over three decades. “She has continuously advocated for the exploration of new ideas in urban design and architecture,” Holl said. Eduardo Souto De Moura The recipient of the Arnold W. Brunner Memorial Prize, de Moura will receive $20,000 as the architect honored for advancing the practice of architecture as an art. Juror Annabelle Selldorf cited the “distinct sense of materiality” inherent in his works, like the Paula Rego museum in Portugal and his 2005 Serpentine Gallery, designed in partnership with Alvaro Siza. His architecture “feels inevitable,” said Annabelle Selldorf, and has “a timeless and profoundly humanist quality.”
Posts tagged with "Eduardo Souto de Moura":
At the 16th Venice Biennale of Architecture, the Golden Lion for National Participation was awarded to Switzerland for a minimal yet amusing installation Svizzera 240: House Tour, a mock luxury apartment that had been multiplied and re-scaled throughout the pavilion’s spaces. The humorous interpretation was meant to challenge our perceptions of scale in the domestic environment, as well as draw attention to the banality of these spaces. The Golden Lion for best individual participant went to Portuguese architect Eduardo Souto de Moura for a pair of photographs showing a before and after of a renovation of São Lourenço do Barrocal estate in Alentejo, Portugal, which was barely perceptible. The focus on architecture here, rather than a grand political statement, is in line with the overall character of the show, as well as the judge’s choices. A special mention went to the British Pavilion, for a dramatic structure, Island, that hovered over the building, which was left completely empty. On the plinth above, a cafe was setup and visitors could feel isolated from the Giardini below, while enjoying a beautiful view. Special mentions were given to Indian architect Rahul Mehrotra and Indonesian architect Andra Matin. New York–based British historian Kenneth Frampton won the Golden Lion for Lifetime Achievement. Critic Peter Lang told AN, “Grabbing the Golden Lion trophy like a brick, Frampton hoisted it up to shoulder height and beamed with no small amount of delight. In an exchange of banter between him and the curators Yvonne Farrell and Shelly McNamara, where they referred to his hugely influential legacy and his role as a “barometer of truth,” Ken responded wryly that they were the best architects in the world. Ken stood firmly by Hannah Arendt and his belief that modernism is an unfinished project. Clearly there will be more reflections from this British critic to come.”
The 16th Venice Architecture Biennale curated by Yvonne Farrell and Shelley McNamara will feature national pavilions from several first-time exhibitors. Responding to the Biennale’s Freespace theme in manifold ways, the new participants deal with everything from humanity’s relationship to the environment to faith and religion. Saudi Arabia Commissioned by the Misk Art Institute, Saudi Arabia’s first Biennale pavilion, called Spaces in Between, will explore both the fragmentation and connection brought on by uneven urbanization and suburbanization. Turki and Abdulrahman Gazzaz, the brother founders of architectural design consultancy Brick Lab, will be realizing the project, which includes an installation of resin cylinders (the petroleum origin of which references the nation’s oil reserves that have fueled rapid urban development), sand from different regions of Saudi Arabia, and infographics. Venue: Arsenale Holy See The Vatican commissioned curator and historian Francesco Dal Co to select ten architects to contribute to Vatican Chapels, a collection of small chapels by architects from across the globe on Isola di San Giorgio Maggiore. The Holy See hopes that the chapels will not feel tied to the traditional church form, only requiring that they each have a pulpit and an altar, and have the ability to be reconstructed elsewhere. Visitors will enter Vatican Chapels through the Asplund Pavilion, which will present an exhibition of drawings by Swedish architect Gunnar Asplund that is informed by his 1920 Woodland Chapel. Designed by Venice-based MAP Studio, the Asplund Pavilion will serve as both an anchor and as a point of departure for the rest of Vatican Chapels. The participating architects are Andrew Berman (United States), Carla Juaçaba (Brazil), Eduardo Souto de Moura (Portugal), Eva Prats & Ricardo Flores (Spain), Francesco Cellini (Italy), Javier Corvalán (Paraguay), Norman Foster (United Kingdom), Sean Godsell (Australia), Smiljan Radic (Chile), and Terunobu Fujimori (Japan). Venue: Isola di San Giorgio Maggiore Pakistan Curated by Karachi-based architect and scholar Sami Chohan, The Fold will be Pakistan’s first presentation at the Biennale. Exploring the dense, informal settlements of Pakistan’s most populous (and the world’s third largest) city, Karachi, The Fold considers open space in the face of constant contraction. As a city that has grown 20-fold in the past 70 years, Karachi’s constricted public space often cannot take the form of parks and other traditional open spaces. Instead, public space grows from the social interactions that limn the corridors of these narrow settlements—constructing a dense form of urban “openness.” Venue: Giardini della Marinaressa – Giardino di Levante Antigua and Barbuda Curated by landscape architect Barbara Paca, Antigua and Barbuda’s exhibition at Venice will be known as Environmental Justice as a Civil Right. The exhibition centers on three sites in Antigua and Barbuda, using them to interrogate the relationship between architecture and the environment by way of models, drawings, and other objects. Venue: Don Orione Artigianelli, Dorsoduro 919 Guatemala Stigma, curated by Stefania Pieralice, Carlo Marraffa, and Elsie Wunderlich, explores notions of virtual and utopian architecture. Responding to the crises of language, narrative, and meaning in postmodernity, the projects from Regina Dávila, Marco Manzo, Adriana Padilla Meyer, Studio Domus, UR Project, and Elsie Wunderlich imagine a “virtual city.” The pavilion will exhibit an array of models, monuments, and "large planispheres." Venue: Palazzo Albrizzi-Capello, Cannaregio 4118 Lebanon Lebanon’s first pavilion at the Biennale will gather numerous individuals, architects, artists, researchers, and institutions to reflect on unbuilt land and its use and disuse. Primarily focusing on the Beirut River and its watershed, the centerpiece of The Place that Remains, as the pavilion will be known, will be a comprehensive 3-D territorial model. The pavilion is curated by architect and Assistant Professor of Architecture at the Lebanese American University Hala Younes. Venue: Arsenale [googlemaps https://www.google.com/maps/embed?pb=!1m18!1m12!1m3!1d11121.408953772161!2d12.342916809924194!3d45.43572791299231!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x0%3A0x326075048d72cf38!2sDon+Orione+Artigianelli!5e0!3m2!1sen!2sus!4v1526049177751&w=600&h=450]
Pritzker Prize winner Eduardo Souto De Moura unveils a brick-and-concrete, mixed-use building in Washington, D.C.
Pritzker Prize–winning architect Eduardo Souto de Moura has unveiled plans for his first building in the United States, a five-story, mixed-use building to be built in Washington, D.C. The Portuguese architect is working with D.C.-based development firm EastBanc on the The site, 2715 Pennsylvania Avenue NW, currently houses a small brick gas station at the intersection of two prominent streets forming an entrance to Georgetown. "This site needed to be done," stated EastBanc president and founder Andrew Lanier. "It’s the entrance of Georgetown. I think it’s one of the most important sites in the city, and it shouldn’t be a gas station.” EastBanc purchased the property for $4 million last March. Souto de Moura faced a number of obstacles in designing the structure in his classic "neo-Miesian" style, among them the city's 130-foot height restrictions, the lot's tiny footprint, and the intent to preserve Georgetown's historic character. The building ultimately would stand 60 feet tall and include eight 2,000-square-foot residences. Souto de Moura chose red brick to blend with the materials of the historic neighborhood. The building's blocky form takes on the appearance of shifting, stacked-up red-brick blocks with glass terraces in between, lending a "positive and negative" rhythm to the facade. The deep-set terrace windows allows more privacy for residents. "Their vision for the site has been not to make a big glass box that lights itself up," Eastbanc Vice-President Mary Mottershead said in a recent interview, "but sort of a quiet building." A 70-seat restaurant housed in a delicate glass box set in a landscaped garden slides jauntily beneath the sturdy brick-and-concrete building's ground-level cantilever. According to a local news report, the project must still make its way through the Zoning Commission and the Old Georgetown Board. A groundbreaking date has not been set.
Last night President Obama spoke at the ceremony for this year's Pritzker Prize winner, Eduardo Souto de Moura. He invoked Thomas Jefferson, the architectural glories of Chicago, and praised Souto de Moura's work for balancing "form and function with artistry and accessibility." Obama is close to the Pritzker family, and Penny Pritzker was one of the most significant fundraisers for his campaign. Still it is nice to see the White House bringing some attention to the "Nobel Prize of architecture." Check out our recent interview and comment on Souto de Moura.
Tweeting Seat. Imagine if the public realm was able to reach out digitally and interact through the internet. Yanko Design spotted just such a bench by designer Christopher McNicholl which tweets about people sitting on the aptly-named @TweetingSeat. Two cameras -- one watching the bench and one looking outward -- continuously let curious people all over the world who is taking a break. Second in Line. The Wall Street Journal spoke with an anonymous philanthropist and architecture fan from Iowa who is looking for the world's second most famous architect. According to the story, the donor is willing to pony up $300 million to any city that does not hire Frank Gehry to design its art museum. "Don't get me wrong, I like iconoclastic, swoopy structures that look like bashed-in sardine cans as much as the next guy... I'm just saying we should give an architect not named Frank Gehry a chance." Ouch. Presidential Pritzker. Blair Kamin reports that President Obama and First Lady Michelle Obama will be in attendance at the Pritzker Prize award dinner for Portuguese architect Eduardo Souto de Moura. It's the first time a president sat in on the ceremonies since the Clintons dined with Renzo Piano in 1998. Also check out AN's exclusive Commentary and Q+A with Souto de Moura. Safdie's False Solution. Oren Safdie, playwright and son of architect Moshie Safdie, is making progress on the third part of his trilogy of architecture-themed plays and will be conducting a reading this evening in LA. A False Solution tells the story of of a Jewish-German architect whose resolve is shaken by a young intern after winning a Holocaust museum in Poland. (Via ArchNewsNow.)
Portuguese architect Eduardo Souto de Moura has won the 2011 Pritzker Prize, according to several reports. The Porto-based architect worked for the country's other Pritzker winner, Alvaro Siza, but has had a prolific career on his own since opening his office in 1980. Not widely known outside Portugal, Souto de Moura designed the new stadium in Braga in 2004, which, like much of his work, has strong, highly legible forms. There he blasted granite from the site that was later crushed to make concrete for the building. "During the past three decades, Eduardo Souto de Moura has produced a body of work that is of our time but also carries echoes of architectural traditions," jury chair Lord Palumbo said in a statement. "His buildings have the unique ability to convey seemingly conflicting characteristics--power and modesty, bravado and subtlety, both public authority and a sense of intimacy--at the same time."