Detroit muralist Katherine Craig (a.k.a. Exactly Hitops) is taking legal action in federal court to protect one of her vanguard works, as the owner the artwork’s building plans for development. Painted in 2009, The Illuminated Mural at 2937 East Grand Boulevard in Detroit’s Milwaukee Junction neighborhood has been an icon of the North End’s burgeoning art scene. The nine-story tall “bleeding rainbow,” as it is often referred, was painted with the support of a Community + Public Art: Detroit grant from the College for Creative Studies. As one might guess, the mural was executed by pouring over 100 gallons of colorful paint down the side of the 125-foot-tall building. In hopes of saving the mural from destruction Craig has filed suit in the U.S. Circuit Court, citing the Visual Artist Rights Act of 1990 (VARA), a federal copyright act specifically passed to protect visual artists, including muralist. This would not be the first time that VARA has been invoked regarding murals being destroyed by building owners. After his six-story tall mural of Ed Ruscha was painted over on a Los Angeles public building in 2006, artist Kent Twitchell sued the federal government, ultimately winning $1.1 million. The potential developer, Princeton Enterprises, a Michigan-based property management and construction firm, bought the building in mid-2015 with plans to sell or develop the site. Located near the College for Creative Studies, the building has recently been used as artist studios, one of which was used by Craig while she completed the mural. The 1913 building was designed by the eminent Detroit industrial architect Albert Kahn, designer of the Packard Motor Car Factory and the multiple factories for Henry Ford, for the Detroit Storage Company. Predating his famed 1928 Fisher Building, 2937 East Grand is an example of Kahn’s early Art Deco style. Interest in the building and the area has grown since the painting of the mural. With the neighboring Midtown booming with new commerce, and the future M-1 Rail passing from the North End to the Downtown, the area is primed for future development. Either way Craig’s lawsuit plays out, it will mean a new precedent for artist-developer relationships as former art communities in urban centers become desirable real estate.
Posts tagged with "Ed Ruscha":
The long awaited opening of The Broad designed by Diller Scofidio + Renfro, in collaboration with Gensler, is scheduled for September 20 in Downtown Los Angeles. In anticipation of the big day, the museum released details about the inaugural installation that will fill the 35,000 square feet of column-free gallery space on the third floor. https://youtu.be/glR3YgJa7_4 [Video: Another of Yayoi Kusama's installations in the Infinity Mirrored Room series.] Curated by founding director Joanne Heyler, the rather chronological show will feature artworks by the heavy-hitters of the twentieth century drawn from the postwar and contemporary art collection assembled by philanthropists Eli and Edythe Broad: Jasper Johns, Robert Rauschenberg, Ed Ruscha, Andy Warhol, Roy Lichtenstein, John Baldessari, Mark Bradford, Jeff Koons, Barbara Kruger and Kara Walker. For fans of immersive experiences, the first floor will feature one of the Broad’s newest acquisitions, Yayoi Kusama’s Infinity Mirrored Room – The Souls of Millions of Light Years Away. The mesmerizing, cosmic chamber filled with an uncountable number of LED lights drew crowds around the block when it was exhibited David Zwirner Gallery in late 2013. Other recent works comment on the issues and crises facing contemporary culture and the built environment. Takashi Murakami’s 82-foot-long painting—a reflection on Japan’s recovery from the catastrophic 2011 Tohoku earthquake and tsunami. Robert Longo’s 2014 charcoal drawing Untitled (Ferguson Police, August 13, 2014), depicts police protests in Ferguson, while Cairo (2013) by Julie Mehretu captures the atmosphere and social unrest the Arab Spring in a large-scale, architectural, ink-and-acrylic drawing.
The Getty Trust announced last week that it will give its J. Paul Getty Medal to Frank Gehry. This is the third time the Getty will hand out the award—established "to recognize living individuals from all over the world for their leadership in the fields in which the Getty works"—and the first time it will go to an architect. Past winners include Lord Jacob Rothschild, Harold M. Williams, and Nancy Englander. Gehry's building achievements, which have "changed the course of architecture," according to Getty CEO James Cuno, make him an obvious choice for the prize. But it's his collaborations with contemporary artists that made him an exceptional fit, said Cuno. "He was a central figure in the contemporary art world in Los Angeles in the 1960s and 70s, working closely with Billy Al Bengston, Larry Bell, John Altoon, Bob Irwin, Ed Moses, Ed Ruscha, and Ken Price. And he continues to work closely with artists, including Claes Oldenburg and Jeff Koons, for whom he has collaborated on deeply sensitive installations of their work,” noted Cuno. The award will be handed out at the Getty Center in September.
Everything Loose Will Land Graham Foundation 4 West Burton Place, Chicago Through July 26 Everything Loose Will Land explores the intersection of art and architecture in Los Angeles during the 1970s. The show’s title refers to a Frank Lloyd Wright quote that if you “tip the world over on its side and everything loose will land in Los Angeles.” This freeness alludes to the fact that this dislodging did not lead to chaos but rather a multidisciplinary artistic community that redefined LA. The exhibition features one hundred and twenty drawings, photographs, media works, sculptures, prototypes, models, and ephemera. The presentations function as a kind of archive of architectural ideas that connect a variety of disciplines. Projects by Carl Andre, Ed Moses, Peter Alexander, Michael Asher, James Turrell, Maria Nordman, Robert Irwin, Frank Gehry, Richard Serra, Coy Howard, Craig Ellwood, Peter Pearce, Morphosis, Bruce Nauman, Craig Hodgetts, Jeff Raskin, Ed Ruscha, Noah Purifoy, Paolo Soleri, Ray Kappe, Denise Scott Brown, Archigram, L.A. Fine Arts Squad, Bernard Tschumi, Eleanor Antin, Peter Kamnitzer, Cesar Pelli, Andrew Holmes, Elizabeth Orr, and others are explored. Curated by Sylvia Lavin, Director of Critical Studies in the Department of Architecture and Urban Design at UCLA, the show began its journey at the MAK Center for Architecture and then traveled to the Yale School of Architecture before arriving at the Graham Foundation.