The Steven Holl Architects (SHA)-led team has won the University College of Dublin's (UCD) Future Campus – University College Dublin International Design Competition. Holl’s winning scheme will see the creation of a “green spine” across the sixty-acre campus, and construction of a crystalline Centre for Creative Design. Steven Holl Architects was joined by Dublin-based Kavanagh Tuite Architects, Brightspot Strategy, structural engineers ARUP, landscape architects HarrisonStevens, and climate engineers Transsolar. Nearly 100 teams from 28 different countries entered the competition, and a star-studded shortlist featuring Diller Scofidio + Renfro, John Ronan Architects, O’Donnell + Toumey, Steven Holl Architects, Studio Libeskind, and UN Studio was revealed in April. The SHA-designed Centre will reportedly reflect the “60-million-year-old natural geometry” of the Giant’s Causeway in Northern Ireland, filtered through the “stream of consciousness”-style prose found in UCD alumnus James Joyce’s Ulysses, according to Steven Holl. The resultant building is a geometric take on SHA’s more typical institutional work, with windows and balconies carved into prismatic shapes, including a gem-like auditorium faceted like a dodecagon. A plaza and reflecting pool will meet the building at its base. Inside, the center has been optimized for collecting natural light as the jutting crystal shapes—rotated 23 degrees in reference to the tilt of the Earth—will act as enormous solar tubes. The new building will contain classrooms and maker spaces bounded by glass walls, so visitors can peer into the academic areas without disrupting the work going on inside. The Centre will act as a gateway to the seven new quadrangular green spaces the team has designed, which will be interlinked through the new pedestrian “spine” that will run parallel to the campus’s existing circulation route. The SHA team has included a series of solar power-generating weather canopies along the route, as well as cafes and social gathering spaces. UCD was founded in 1854 and is the largest college in Ireland with over 30,000 students. The current 330-acre campus was designed in 1963 by Polish architect Andrej Wejchert and contains a large number of brutalist buildings. The Centre’s budget will be approximately $60 million, and no completion date has been given as of yet.
Posts tagged with "Dublin":
University College Dublin (UCD) revealed the latest design proposals from the six shortlisted teams for Future Campus—University College Dublin International Design Competition. Six teams were chosen from the 98 firms that submitted proposals earlier this year, and the latest renderings reveal competing visions for the university's future. Diller Scofidio + Renfro (New York) John Ronan Architects (Chicago) O’Donnell + Tuomey (Dublin) Steven Holl Architects (New York) Studio Libeskind (New York) UNStudio (Amsterdam) The design competition consists of two design initiatives—one is a sixty-acre Entrance Precinct master plan and another is the Centre for Creative Design, a new building to house a maker space and a “living learning lab.” UCD, Ireland’s "Global University", is one of Ireland’s largest universities with more than 30,000 students. The university moved to its current 330-acre Belfield campus in 1963, which was masterplanned by Polish architect Andrzej Wejchert through another competition. The current campus consists of a collection of estates, including period houses and four- to five-story Brutalist structures within a landscaped setting. The master plan is envisioned to be “a highly-visible and welcoming entrance precinct” to introduce placemaking and establish an identity for the university. The new masterplan will house the 90,000 square foot Centre for Creative Design, which is meant to be an emblem of UCD’s creative identity. Another aspect of the masterplan is to increase the permeability of the campus boundary, potentially by introducing a new vehicular entrance and working with planned public transportation connections and other transport modes. “We are seeking an integrated design proposal that improves the experience of our campus for its users and that better connects us to our surroundings, orientating us outwards to the world and inviting our communities to engage with us,” said Professor Hugh Campell, professor of architecture at UCD and member of the competition jury. The university is now seeking comments on the design proposals from the UCD community, whose feedback will be fed to the jury. The winner will be announced in August 2018.
University College of Dublin (UCD) has just announced the finalists of its Future Campus – University College Dublin International Design Competition. Of the ninety-eight firms that submitted proposals, six have been chosen for the project’s shortlist: Diller Scofidio + Renfro (New York), John Ronan Architects (Chicago), O’Donnell + Toumey (Dublin), Steven Holl Architects (New York), Studio Libeskind (New York), and UN Studio (Amsterdam). The Future Campus Competition is for two connected projects on the university’s campus, a sixty-acre master plan and a new academic building. With over 30,000 students, University College of Dublin is Ireland’s largest university. Founded in 1854, the university migrated to its current 330-acre Belfield campus in 1963, which was designed by Polish architect Andrej Wejchert. Wejchert’s design is primarily composed of four- to five-story Brutalist structures within a landscaped setting. The campus is located on the edge of Dublin, just over two miles from the city center. UCD views the future master plan as a “highly-visible and welcoming entrance” establishing an “urban design vision that values high-quality placemaking, architecture, and public realm.” Within the master plan area, UCD envisions an approximately 90,000-square-foot academic lab dubbed The Centre for Creative Design. The estimated budget for the project is just under $60 million. Professor Andrew J. Deeks, President of University College Dublin, describes the competition process as a rare moment to build “a design that will become an icon for the University – representing our vision to create something extraordinary and brilliant.” All six firms will conduct a site visit at the campus by the end of the month, with a winner announced in August 2018.
Brought to you with support from
Located in Dublin’s historic D4 district, Eaton House serves as Eaton Corporation’s new global headquarters. It is located in an early 19th-century Georgian neighborhood containing a mix of residences, small businesses, parks, and embassies. The project occupies the site of five original terrace houses dating to 1830. A new building replaced these houses in 1970 following their demolition. This project, led by Pickard Chilton, was an extensive reuse of the existing 33,000-square-foot concrete frame structure. The architects designed the building retrofit to be of its time while respectful of its historical context, re-envisioning the exterior enclosure in linear coursed stone, clear vision glass, and handmade cast glass bricks. "One of the most important aspects of the facade design process was that this did not replicate the historical context,” said William Chilton, principal at Pickard Chilton. “The city was a great partner in this effort." The architects worked with the neighborhood community and city regulatory agencies throughout the design process to deliver the project. This involved meeting with historic oversight committees very early on in the process before a design was ever proposed. In parallel to this effort, and continuing through the design phases, the architects set regular meetings with residents in the neighborhood. Chilton said these conversations produced a healthy dialogue with the community which helped to inform the design process. "This was a very intense regulatory process, but ultimately very satisfying. The embrace of this project by the community has been particularly gratifying."Once the overall design strategy was confirmed, the design process was executed very quickly over the course of a few months. An analysis of the original terrace houses revealed the facades were organized based on the golden rectangle. The composition of the new facade works within the constraints of the existing 1970’s concrete frame while reflecting the original 19th-century terrace houses in its organization, with clear glass openings recognizing the original golden rectangle proportions. The architects realized these openings would actually decrease the amount of daylight that had been admitted into the building. To maintain their specific proportional composition, but introduce more daylight, the architects introduced cast glass into the facade composition after discovering the durable material was historically integrated into sidewalks in the neighborhood to admit daylight into basement spaces. The glass blocks were handmade to specific dimensions which coordinated with the proportions of the stone coursing dimensions so that mortar lines in the masonry facade would translate uninterrupted into the window composition. The effort led to a more open, productive work environment, improving daylight by 38 percent and helping the project to achieve a LEED-NC Gold rating. The cast glass bricks sit recessed within a secondary frame. Insulated glazing installed to the interior side of the cast glass to ensure thermal continuity without disrupting the unique hand-crafted aesthetic. The glass blocks are supported every few courses with horizontal metal rods. When looking from the interior, this tectonic assembly disappears. "An enormous amount of energy spent around the detailing to make this work,” said Ben Simmons, an associate at Pickard Chilton. “There wasn't a precedent we could look towards." MCA Architects collaborated closely with Pickard Chilton from the onset of the project to execute key exterior enclosure and glazing details like this. The materiality of the primary facade challenged conventional thinking about "historic" materials. After a mock-up comparing brick with a granite stone material, the architects convinced regulatory agencies and the owners to proceed with stone. In the spirit of the historically sensitive project, the installer worked closely with the architects on installation details focused on traditional hand-laid masonry construction craft. Metallic-coated aluminum "portal" frames offer a subtle luster to daylight reflecting off windows, adding a dynamic quality to the facade. This, paired with the sheen of a stone that resembles an iron spot brick, offers a facade that more dynamically responds throughout variable daylighting conditions. Eaton House has been recognized with four AIA awards, including an inaugural award from AIA Europe. "The project was diminutive in size, but quite significant in terms of its impact," said Chilton. "By doing this project, it really opened our eyes to the potential for this type of re-envisioning work. This was the smallest project we've ever done. It underscored our interest and commitment to seeking out projects of quality no matter the scale. If it's an interesting design problem, and the client has aspirations of quality, then we are all in."
Airbnb has officially opened its new headquarters in Dublin, located on Hanover Quay, in the "Silicon Docks" area of Ireland’s capital city. The 40,000-square-foot project, dubbed The Warehouse, will house more than 400 employees and emerges out of another collaboration with Dublin-based heneghan peng architects, the firm behind the company’s previous Dublin office (which will remain in operation). The new Dublin HQ’s three stories are designed around an atrium and amphitheater in the center of the building and features a grand central staircase, named the ‘Agora.’ The staircase can serve as a large conference or community event space for up to 400 people, or a lounge-style working environment for employees throughout the normal workday. The new Airbnb international headquarters inherits a rich history, having been home to Dublin Trawling Ice & Cold Storage since 1865, and the Raleigh Bicycle Company since 1954. When the bike manufacturer left in 1980, the warehouse was but a shell for a completely open floor plan, falling into disrepair after enduring not one, but two fires. Airbnb is said to have had direct architectural input in renovating the empty space, optimizing chances for “unplanned encounters that open avenues of creative exploration,” that “only the physical work space can activate,” according to Aaron Harvey, head of the environments team at Airbnb. “Our ambition has often been moderated by constraints of an existing structure that can’t be altered,” Harvey said. “It was with the Dublin Warehouse that we finally had the opportunity to provoke the level of interaction and crosstalk that we’ve always imagined.” Each of the 29 primary working spaces, or ‘neighborhoods,’ come with its own large communal table instead of individual desks, shared storage space for employees, one or two sit stands, and a designated lounge spot, while secondary work spaces exist in kitchen areas or meeting spaces scattered throughout the warehouse, such as on the landings between floors. With more workstations than staff, the architects have designed enough space for everyone to sit where they like, according to News Four. Of course, in keeping with tradition, The Warehouse offers meeting rooms designed as replicas of the hottest listings on the Airbnb platform, drawing inspiration from destinations such as Mykonos, Lisbon, Puerto Vallarta, Jalisco in Mexico, and Montpellier in France. The Warehouse is also Airbnb’s first urban campus model, which is expected to become more prevalent in the company’s office spaces moving forward.
In another radical pushback on the congestion-creating, carbon-emitting automobile, the Dublin City Council and National Transport Authority have proposed to ban private cars from entire sections of the city's downtown core. The capital city of Ireland and prime economic hub ranks tenth globally in terms of traffic congestion, according to a study led by GPS maker TomTom. The proposed restrictions are part of a more than $165 million improvement plan for transit, cycling, and pedestrians, and a buffer against the city’s present incapacity to accommodate a projected 20 percent increase in commuters to the city center by 2023. In 2014, around 192,000 journeys into the city center took place each weekday during the peak morning period (7am-10am) alone, according to the Dublin City Centre Transport Study. By 2023, that number will spike by 42,000. In order to “ensure that Dublin develops into a more liveable city, where the impact of traffic is minimized,” say officials, changes will occur along major routes in the city center east of City Hall, west of Trinity College, north of St. Stephen’s Green and south of River Liffey. The area in front of the college will be converted into a civic space with a greatly expanded pedestrian footpath, while College Green and the north and south quays will be solely accessible by cyclists, pedestrians, and users of public transport. Meanwhile, Suffolk Street and St. Stephen’s Green North will be pedestrianized. To incentivize commuters to defect from private cars, the city is fortifying its public transportation networks, adding a Bus Rapid Transit System (BRT), upgrading the frequency and capacity of the DART, and running new rail passenger services between Kildare and the Grand Canal Dock area through Phoenix Park Tunnel. Meanwhile, D’Olier Street will be outfitted with a new central median with additional bus stops and segregated cycle lanes, while Westmoreland Street will have wider parks and enhanced cycling facilities. “The city can only continue to function effectively if we offer those living and working in Dublin, as well as visitors, more choices in how they access and move around the capital,” Owen Keegan, Dublin City Council chief executive, told The Journal. Given the 40,000-strong influx of new residents anticipated by the Central Statistics Office within 16 years, Dublin’s traffic reduction targets don’t have the luxury of hit-or-miss. At present, 48 percent of journeys into the city center are by public transport, 33 percent by private car, and walking and biking at 16 percent. The Dublin City Development has set a target of 55 percent for public transport, 20 percent by private car, 15 percent by bike, and 10 percent on foot.
Facebook has chosen architect Frank Gehry to design the interiors of its relocated and expanded international offices in London and Dublin. This commission comes just a few weeks after Gehry was hired with Foster + Partners for the London Battersea Power Station redevelopment, his first project in the United Kingdom capital. The new Gehry-designed offices in the Irish and UK capital cities will provide current staff with double the square footage and allow for an increase in hired employees. Facebook London will move its headquarters to occupy three floors of 10 Brock Street. The Regent’s Place building gives Gehry 86,000 square feet of space for office design. This move will also situate the company in the same building as social media rival Twitter and only a short distance away from Google’s headquarters at King’s Cross. In Dublin, Facebook’s new digs will provide up to 1,000 employees with 114,000 square feet of office space in Grand Canal Square. Gehry began designing for the social media company last year when he was hired to create a new Menlo Park campus in California's Silicon Valley. More recently, he continued work for the brand in a redesign of engineering team offices in New York City's Astor Place.