While the world has been discussing how much Drake’s “Hotline Bling” music video borrowed from James Turrell’s installations (Hint: a lot*), ARoS Aarhus Art Museum in Denmark announced that the artist is collaborating with Danish architecture firm Schmidt Hammer Lassen on the museum’s new expansion. “The Next Level” expansion project will contain a 12,900-square-foot subterranean gallery and two semi-subterranean art installations, The Sphere and The Dome. Intended to “bring the museum into the elite world of modern art museums,” the extension will cost an estimated $32 million. Schmidt Hammer Lassen originally designed the space in the early 2003 and is working with the museum and the artist to retain the building’s original integrity so the expansion will feel seamless and natural. The firm also worked with Olafur Eliasson on Your Rainbow Panorama, which opened last year. “The Next Level project will develop the museum horizontally in contrast to the existing vertical movement and it is exciting to work with the great lines spanning from the river to the square of the Aarhus Music Hall. Our studio is not just designing a new room for a new artwork, we are co-creating the space and the installation simultaneously with James Turrell,” Morten Schmidt, founding partner at Schmidt Hammer Lassen said in a press release. It seems that Turrell is having quite the week. In addition to the AroS expansion, it was also reported that Yvette Lee of the Guggenheim and Whitney Museum will be the new director of the Roden Crater in Arizona (The crater’s completion date has still not been released.) Responding to Drake's video set*, Turrell had a few select words. "While I am truly flattered to learn that Drake f*cks with me," wrote Turrell in a statement from his lawyer via Vice, "I nevertheless wish to make clear that neither I nor any of my woes was involved in any way in the making of the ‘Hotline Bling' video." If you want to decide for yourself, we recommend watching the music video below and then glancing at a few installations. (If you want to go further down the bizarre rabbit hole, AN has also previously reported rumors from CityLab that “Hotline Bling” is about poor city planning.) https://www.youtube.com/watch?v=uxpDa-c-4Mc
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Analysis shows rapper (and urban planning enthusiast?), Drake, loves cities, is really sad about suburban sprawl
Brentin Mock at CityLab has produced an absolutely insane and brilliant interpretation of Drake's 2015 single, "Hotline Bling." It turns out, according to Mock, that Drake is not signaling an appreciation for James Turrell, nor is he sad about an ex-girlfriend. Instead, Mock's line-by-line exegesis reveals that Drake is "sad about poor city planning." Mock suggests that Drake is in anguish because the song's subject, "Kid Suburb," left Baltimore for the suburbs, and her new environment has changed her for the worse. The analysis uses demographic data, cell service maps, commuter tax credits, urban history, and neighborhood rezoning policy to support his conclusion. For instance, take this excerpt from "Hotline Bling" and Mock's interpretation:
Ever since I left the city, you/ You got exactly what you asked for/ Running out of pages in your passport."When Kid Suburb [the ostensible subject of the song] lived in the city, it couldn’t get a federal grant to save its life," Mock wrote. "Since she left, the city has received 18 Neighborhood Stabilization Program grants totaling roughly $1.8 million, another $5 million in Community Development Block Grants, and about $20 billion in federal low-income housing tax credits worth of funding. (Her county’s council just passed a resolution banning any of those tax credits from being used in any of its jurisdictions, but that’s another story)." Just, wow.