Posts tagged with "Diller Scofidio + Renfro":
It is easy to walk through the Roy and Diana Vagelos Education Center of Columbia University Medical Center by Diller Scofidio + Renfro (DS+R) and forget that one is on a campus. Where are the large lecture halls with auditorium seating? Is there really no cafeteria? Surely a medical and graduate education building requires dedicated spaces to accommodate the differences between orthopedics and cardiology? Although the building contains a dramatic auditorium with a spectacular view of the Hudson River, the Palisades, and the George Washington Bridge—not to mention a donated grand piano ready to be rolled in for concerts—it eschews traditional classrooms in favor of “active learning classrooms” with operable partitions.
Exterior terraces, stepped lounges, and the sky lounge on the top floor create a visually and kinesthetically beguiling feast of nooks and corners for conversation and the exchange of ideas. Although permeated by the most advanced media technology, which can disseminate the latest research or procedure to every screen in the school, its spirit is that of an ancient academy in which small groups of students and teachers collaborate, talk, listen, and learn. One can easily imagine distraught medical students finding comfort after their first anatomical dissections in one of the many study spaces or in the double-height student commons. In this building, the micro and the macro, the cell and the city, obtain a wondrous harmony.
That this 100,000-square-foot, 14-story tower is the tallest building yet realized by DS+R—and one of the rare medical school facilities designed as an integral vertical structure—inevitably raises the question of how successfully the architects have negotiated the jump to a larger scale and the challenge of building a Manhattan high-rise. Happily, nothing in the Vagelos Center, except perhaps the somewhat perfunctory lobby, misses a beat, from the circulation and separation of complex programs, to the small footplate that creates intimacy by eliminating long and alienating corridors, to the soundproofing that admits city sounds while maintaining a welcome quiet. The “study cascade” side of the tower evokes the “folded noodle” of the architects’ unrealized design for the Eyebeam, here subject to a rigorous logic that is likely to establish this building as the textbook example of a design strategy much discussed in the late 1990s and early 21st century but not often realized effectively.
One has come to expect unexpected design elements and technical solutions in a DS+R building. An anatomy classroom with glazed walls and views of the river, a load-bearing column through which one can walk, a landscaped garden space open to surrounding student residences, ceramic “frit” patterns on the north end of the building to filter and diffuse sunlight, and an exterior cladding panel system of glass-fiber-reinforced concrete do not disappoint in this regard. The architects, long known for their concern with the visual arts, performance, and media technology, designed the Mary and Michael Jaharis Simulation Center—about 18 percent of the building, where future physicians train with computerized whole-body mannequins and watch video footage—with a humility that reinforces the astonishment of watching medical robots perform open-heart surgery or deliver babies.
Nearly four decades since Elizabeth Diller and Ricardo Scofidio began the collaboration that today is DS+R, they have completed their most perfectly resolved building, an amalgam of their interests and the lessons learned from earlier projects, such as the Institute of Contemporary Art, Lincoln Center, and the Juilliard School. The flexibility of the Granoff Center arts building at Brown University, completed in 2011, is taken to an entirely new level.
Deftly balancing reality and simulation, dialogue and image, science and art, the Vagelos Center is joyous and life-affirming, qualities all too often absent today in architecture and medicine. During a summer with no apparent end to bad news, it is a signal event and a credible ground for optimism.
New York firm Diller Scofidio + Renfro (DS+R) has trumped nine other studios in a competition to masterplan a man-made island in Haikou Bay, China. In doing so, DS+R beat off Foster + Partners, UN Studio, and fellow New York practice Morphosis Architects to design 250-acre plot of land.
The crescent-shaped island is officially known as the South Sea Pearl Artificial Island and is located in China's Hainan province. It will be joined to Hainan—itself a large island off the south Chinese coast—by a bridge. Chinese developer HNA Group, the group funding the project, wants to create an eco-tourism hub complete with a hotel complex, theme park, yacht harbor, and cruise ship port. The total price tag will be $1.25 billion."Our studio worked for a couple of months to imagine how to take this amount of land and how to consolidate all the building program in the smallest footprint possible, but also in a very natural land form," said Elizabeth Diller, a partner at DS+R, in an interview with Chinese news service CCTV. "It's a stitching of nature and culture together, so we’re very excited about that," she added. Meanwhile, Ni Qiang, the mayor of Haikou, spoke of the economic implications and what the project will mean to the island in a general sense. "This island will not only help boost local economic growth and create more jobs but also bring some of the world's most advanced concepts in urban development to China,” he said. Construction is expected to begin in 2017 and take approximately a decade, wrapping up in 2027. The other offices that competed were: Office of Architecture in Barcelona; Seoul-based Iroje Architects & Planners; Rotterdam-based KuiperCompagnons; Los Angeles-based The Jerde Partnership, Beijing-based CCDI, and internationally-based Boston International Design Group.
This 100,000-square-foot, 14-story tower—the tallest realized by DS+R and one of the rare medical school facilities designed as an integral vertical structure—inevitably raises the question of how successfully DS+R has negotiated the jump to the larger scale and challenge of a Manhattan high-rise. Happily, nothing in the Roy and Diana Vagelos Education Center, except perhaps the somewhat perfunctory lobby, misses a beat, from the circulation and separation of complex programs to the small footplate that eliminates long, alienating corridors and the soundproofing that admits city sounds while maintaining a welcome silence. The "study cascade" side of the tower evokes the "folded noodle" of DS+R’s unrealized Eyebeam design. But here, it is subject to a rigorous logic that is likely to establish the Vagelos Center as a textbook example of a much discussed design strategy, in the late 1990s and early twenty-first century, but not often realized in an effective and definitive form.
Herzog & de Meuron, Studio Gang, and DS+R among those shortlisted for new Royal College of Art campus in South London
- Christian Kerez (Switzerland)
- Diller Scofidio + Renfro (U.S.)
- Herzog & de Meuron (Switzerland)
- Lacaton & Vassal (France)
- Robbrecht en Daem architecten (Belgium)
- Serie Architects (UK/Singapore)
- Studio Gang (U.S.)
- Dr. Paul Thompson (Chair)
- Professor Naren Barfield
- Richard Benson
- Dr. Adrian Lahoud
- Professor Judith Mottram
- Baroness Gail Rebuck
- Alan Leibowitz (lay member of Council)
- Professor Ricky Burdett (lay member of Council)
- Professor Rachel Cooper OBE (lay member of Council)
- Paola Antonelli
- Marcus Cole (student)
The University of Chicago has announced the approval of the preliminary designs for a new 90,000-square-foot complex designed by New York–based Diller Scofidio + Renfro. The David M. Rubenstein Forum is described by the university as “a place of intellectual, institutional, and educational exchange.” The building will contain meeting and presentation spaces, as well as a Lake View Room at the top of a 165-foot tower. With the largest space able to accommodate up to 600 people, the Forum will be able to host large conferences.
A 285-seat auditorium will facilitate more formal lectures and presentations, along with film screenings and performances, and more intimate academic symposia will be held in its many smaller meeting spaces. David M. Rubenstein Forum will add to the university’s already impressive list of buildings by notable architects, including Walter Netsch, Ricardo Legorreta, Eero Saarinen, and, more recently, Helmut Jahn and Jeanne Gang.
Architect: Diller Scofidio + Renfro Client: University of Chicago Location: University of Chicago Campus, Chicago Completion Date: 2018
The conference will focus on design work and research carried out in the fields of practice and academia that relate to "procedural design, designed environments and autonomous machines". More specifically, ACADIA 2016 will concentrate on contemporary trends in computational design that has been used to develop "quasi-cognitive machines" and "integration of software, information, fabrication and sensing to generate mechanisms for interfacing with the physical realm." Papers that touch on relative disciplines such as material science, biology, art, computer graphics, civil engineering, and human-computer interaction have been called to contribute to the discussion.
"Every year the ACADIA conferences bring together a world-class group of designers, architects, engineers, fabricators and thinkers exploring the intersection of computation, digital technologies and architecture," said Johnson. "In North America it has become the event to present, explore and debate emerging ideas in the field."This years event will be held at the University of Michigan Taubman College in Ann Arbor, Michigan and the conference itself will run from October 27 - 29, 2016.