Posts tagged with "DESIGN EARTH":

Details announced for U.S. Pavilion at 2018 Venice Architecture Biennale

More details were announced Monday about the upcoming U.S. Pavilion at the 2018 Venice Architecture Biennale. The exhibition will be titled Dimensions of Citizenship and curated by Niall Atkinson, associate professor of architectural history at the University of Chicago; Ann Lui, assistant professor at the School of the Art Institute of Chicago (SAIC); Mimi Zeiger, an independent critic, editor, curator, and educator; and associate curator Iker Gil, lecturer at SAIC. Dimensions of Citizenship will feature the work of seven architecture practices to “explore how citizenship may be defined, constructed, enacted, contested, or expressed in the built environment at seven different spatial scales. Expanding from the body and city to the network and the heavens, the seven installations raise questions about issues including belonging, sovereignty, and ecology,” according to the curatorial statement. The seven spatial scales are used as an organizing principle to examine the ways citizenship affects and is affected by the built environment. Each studio is assigned a scale as the prompt. Scale: Citizen / Amanda Williams + Andres L. Hernandez, in collaboration with Shani Crowe From the project description: “Dimensions of Citizenship begins at the scale of the citizen with the project Thrival Geographies (In My Mind I See a Line), which will consider how race shapes notions of identity, shelter, and public space in historically African-American communities. For their installation in the courtyard of the U.S. Pavilion, Williams (a recently named 2018 USA Ford Fellow) and Hernandez, who is an associate professor of art education at SAIC, will partner with Chicago-based artist Shani Crowe, whose intricate braided hair sculptures have been worn by celebrities such as Solange. While the specter of slavery and continued racial injustice will be at the core of the installation, the piece will ultimately strive for a possible architecture of freedom that might allow all citizens to thrive and participate in the democratic ideal. Scale: Civitas / Studio Gang From the project description: “Led by 2011 MacArthur Fellow Jeanne Gang, Studio Gang uses design as a medium to help strengthen communities. Stone Stories builds on the Studio’s ongoing work in Memphis, Tennessee, to investigate how redesigning cities’ public space can be an exercise of citizenship and empowerment. Inspired by Memphis’s recent removal of two Confederate statues, Stone Storiesoffers an inclusive urban vision for Cobblestone Landing, an overlooked yet historically important site along the Mississippi River. Hundreds of Memphis cobblestones will be shipped to Venice and used as a platform to share the stories of Memphians past and present, offering visitors a visceral and material interaction with a distant public space and the citizens who are actively building its shared urban future.” Scale: Region / SCAPE From the project description: “SCAPE, under the leadership of 2017 MacArthur Fellow Kate Orff, will demonstrate that landscape architecture can be a critical tool for re-envisioning the response of citizens to climate change. SCAPE’s project, Ecological Citizens, understands the region as an area defined by the shifting relationships of ecology, infrastructure, and climate. It takes the Venetian Lagoon as a globally significant case study of a tidal region under ecological threat. Partnering with Università di Bologna and the Italian Institute of Marine Sciences, SCAPE will present possible solutions or interventions to aid the environmentally sensitive La Certosa island in the lagoon. Scale: Nation / Estudio Teddy Cruz + Fonna Forman From the project description: “Estudio Teddy Cruz + Fonna Forman challenges the way we think about national boundaries. Their project, MEXUS: A Geography of Interdependence, reveals a transnational zone comprised of eight watershed systems shared by Mexico and the United States. MEXUS provokes us to rethink citizenship beyond the limits of the nation, mobilizing a more inclusive, interdependent idea based on co-existence, shared assets, and cooperative opportunities between divided communities. Cruz is the winner of the 2018 Vilcek Prize in Architecture, which is presented to immigrants who are champions of the arts and sciences. Scale: Globe / Diller Scofidio + Renfro, Laura Kurgan, Robert Gerard Pietrusko with Columbia Center for Spatial Research From the project description: “When we zoom out to the scale of the globe, the primacy of the individual, the city, and even the nation drops away and is replaced by data: electricity, trade routes, migratory shifts, and the flow of capital, goods, and people. In Plain Sight—a collaboration among Diller Scofidio + Renfro, Laura Kurgan, and Robert Gerard Pietrusko with Columbia Center for Spatial Research—uses data drawn from images created by the Soumi National Polar-orbiting Partnership satellite to visualize where people live on earth. Two contrasting NASA images of the Earth taken at 1:30 pm and 1:30 amshow us the gaps in the network: the places with many people and no lights, and those with bright lights and no people. This information maps out a political geography of belonging and exclusion. Scale: Network / Keller Easterling with MANY From the project description: “Keller Easterling’s writings and projects regularly investigate the emergent territory where the state meets the digital network. With MANY, an online platform designed to facilitate migration through an exchange of needs, Easterling and team propose that we use the network to rethink possibly outdated notions of citizenship. With a nod to the pervasive and familiar share economies that define online life, MANY envisions a global form of matchmaking between the sidelined talents of migrating populations and the multitude of opportunities around the world. Favoring cosmopolitan mobility over national identity, MANY looks to short-term visas as a tool to foster an exchange of needs. Scale: Cosmos / Design Earth From the project description: “The space above Earth, as a site of existing human occupation and potential belonging, has become a territory that both captures the imagination and serves as a theater for existing conflicts or conditions. In looking to the cosmos, Design Earth’s speculative designs suggest possible off-world architectural responses. Design Earth’s El Hadi Jazairy and Rania Ghosn (recipient of the 2017 Boghossian Foundation Prize) present three “geo-stories,” which speculate on the legal geography of citizenship when extended to “the province of all mankind.” Together the stories in Cosmorama—Mining the Sky, Planetary Ark, and Pacific Cemetery—ask how we should reckon with the epic and frontier narratives that have fueled space exploration, at a time when prospects of instability and extinction have become normal on Earth.

2017 Best of Design Awards for Representation – Analog

2017 Best of Design Award for Representation – Analog: Cosmic Metropolis Designer: Van Dusen Architects Location: Conceptual Cosmic Metropolis began as a single 18-by-24-inch improvised cityscape riff, rendered freehand in ink and marker. The composition grew organically in axonometric format from the first panel and expanded to many others. When complete, 18 panels arranged six wide by three tall make up the nine-by-six-foot mural, which repeats horizontally. The black, white, and gray tones create an illusion of depth in the total absence of shadows. “A wonderfully wild energy here.” —Irene Sunwoo, Director of Exhibitions, GSAPP (juror) Artist: Ben Van Dusen Digital Fabricator: Ellen Van Dusen Honorable Mention  Project: Trash Peaks Designer: Design Earth  Location: 2017 Seoul Biennale of Architecture and Urbanism Trash Peaks proposes six projects on geographies of waste in Seoul, represented by a carpet, a screen, and ceramics. The carpet is an infographic for each project. The ceramic models function as tea ceremony tableware. The folding screen appropriates the Korean irworobongdo, which portrays a stylized landscape of peaks, to critique the relationship between technology and threatened ecologies.

Boston’s emerging designers get spotlight in design biennial

Winners of the fifth Design Biennial Boston can be viewed on The Rose Fitzgerald Kennedy Greenway Conservancy in Boston. Aimed to celebrate and give exposure to up-and-coming architects and designers from the New England region, the Biennial is on view until October 18th. This year, it consists of four installations which vary in themes, materials and artistic style. In order to bring their ideas to life, Design Biennial Boston has provided each winning team with $10,000 and access to cutting-edge fabrication equipment provided by sponsor Autodesk BUILD Space. The four winning teams, selected among a pool of designers from New England, were called upon to create installations echoing the region’s unique qualities and reflecting on the Greenway’s Playful Perspectives theme. The works by Jennifer Bonner of MALL, Rania Ghosn and El Hadi Jazairy of DESIGN EARTH, Daniel Ibañez of Margen-Lab, and Yasmin Vobis and Aaron Forrest of ULTRAMODERNE entertain ideas of rigid to free-flowing forms, local materials, economic trends, and global impacts all representative of the region. Another Axon by Jennifer Bonner of MALL (pictured above) is an installation comprised of a colorful array of twelve minimalist trees. A play on traditional architecture and design rendering, the installation uses common building materials such as vinyl siding, stucco, and artificial turf to challenge perceived building ideas. Primitive by Yasmin Vobis and Aaron Forrest of ULTRAMODERNE is a geometric disposition of lines juxtaposed with rough materials: rugged cedar columns canopied with a thin aluminum shroud. The relationship between the shapes create an experience of existence within an abstracted, delicate grove. Blue Marble Circus by Rania Ghosn and El Hadi Jazairy of DESIGN EARTH is a spherical, plastic monument highlighting the correlation between humanity's actions and the degradation of the ecosystem. The installation, as the name suggests, is a deep-blue plastic sphere which through form, color and material refers to the iconic symbol of environmental awareness. Ways of Wood by Daniel Ibañez of MARGEN-LAB is a compilation of logs that serve as public seating. The logs draw a visual connection between different states in timber's industrial process, from raw material to its highly polished state as a designed object. The installation aims to initiate a conversation on North America’s timber extraction industry and serve as a reminder of the often forgotten natural source of timber.

2016 Best of Design Award for Architectural Representation > Digital: Nine Drawings, Seven Models

The Architect’s Newspaper (AN)’s inaugural 2013 Best of Design Awards featured six categories. Since then, it’s grown to 26 exciting categoriesAs in years past, jury members (Erik Verboon, Claire Weisz, Karen Stonely, Christopher Leong, Adrianne Weremchuk, and AN’s Matt Shaw) were picked for their expertise and high regard in the design community. They based their judgments on evidence of innovation, creative use of new technology, sustainability, strength of presentation, and, most importantly, great design. We want to thank everyone for their continued support and eagerness to submit their work to the Best of Design Awards. We are already looking forward to growing next year’s coverage for you. 2016 Best of Design Award for Architectural Representation > Digital: Nine Drawings, Seven Models Architect: Nemestudio Location: (Conceptual)

Preparing for an installation titled Nine Drawings, Seven Models, NEMESTUDIO chose to present much of their recent work in one imaginary landscape, recalling the tradition of capriccio painting, in which architectural ruins are collected into an imagined place where they can be seen all together.

Honorable Mention, Architectural Representation > Digital: Breaking BIM

Architect: mcdowellespinosa Location: (Conceptual)

Breaking BIM explores a perceived shift from representation to visualization by probing whether architects can benefit from real time model feedback available from Building Information Models to further experimental design and new visualization objectives.

Honorable Mention, Architectural Representation > Digital: Pacific Aquarium

Architect: DESIGN EARTH Location: Clarion-Clipperton Fracture Zone, Pacific Ocean

As part of a forthcoming publication to help us understand environmental crises, Pacific Aquarium appropriates the aquarium to highlight the alarming distance between our self-focus and Earth consciousness. Each of the nine drawings presents a section of the ocean that reflects resource exploitation and climate change.