Posts tagged with "Dance":

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Product> Contract Furnishings & Materials: Six picks from this year's NeoCon

As thinking on workplace design continues to evolve—should we stand or sit? Collaborate or isolate? Specialize or multi-task?—the need for comfortable, well organized, and aesthetic environments remains unquestioned. Here are a few items from NeoCon 2014 that caught our attention. Soto II Tools Steelcase A collection of multi-functional organizers leverages the limited desktop space of the modern office. Includes monitor bridge, shelves, and USB hub. Dance 3Form Bent wire courses across the interlayer of this resin panel, part of the new Full Circle collection. Handcrafted by artisans in Senegal. Overlay, Nexus Collection Knoll Textiles Despite its textured appearance, this pattern is a flat print. The design was developed using hand-modified, randomizing software. In eight colorways; 54-inch repeat. Designed by Kari Pei. Breaking Form Mohawk Group Tessellated geometric patterns that can be configured in numerous ways are offered in a durable nylon 12-inch-by-36-inch plank format. Designed by Mac Stopa, Massive Design. M4 Executive Chair Sokoa Back, seat, and headrest are 100-percent mesh, providing a responsive, custom seating experience. Also offered in manager, operator, and conference models. Designed in collaboration with Martin Ballendat. IN FORm AV Video Conferencing Suite Innovant This portable, self-contained set-up affords efficient installation of video conferencing facilities, particularly in open-plan locations. Power cables run inside the legs of the tables.
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Review> Engineering and Design Common Themes in Films at SXSW 2014

At this year’s SXSW Festival, engineering took center stage in the documentary DamNation (directors Travis Rummel & Ben Knight), which won the Documentary Spotlight Audience Award. It begins with America’s rash of dam-building under FDR when these mammoth structures were considered man-made wonders. Hoover and Grand Coulee are the large-scale examples, but there were about 80,000 smaller dams built across the country. That level of admiration has collapsed as we have come to understand that dam construction went overboard and the consequences were detrimental to wildlife and the environment—and may not have provided the energy, shipping, irrigation, drinking water, and flood control that was expected (who knew that high levels of methane gas are released from reservoir surfaces?). About a quarter of existing dams are considered highly hazardous, and only 2,540 actually produce hydropower, accounting for approximately nine percent of U.S. energy supply. Further, dams block salmon and other fish migration (if it stops the water, it stops the fish…and the entire ecosystem) and degrades water quality by blocking flow. The politics of “reclamation” is questioned. The argument for dam removal is eloquently and humorously made. Think of the definition of dam: “To obstruct or restrain the flow.” 05-sxsw-review-2014-morris-archpaper Also scaling an engineering feat, the San Francisco-Oakland Bay Bridge, is the film Impossible Light (director Jeremy Ambers) which chronicles Leo Villeareal’s 25,000 LED lights Bay Lights project, the world’s largest light sculpture at 1.8 miles long and 500 feet high. The nightly dust-to-dawn light show is streamed online at thebaylights.org. Considered the ugly stepsister of the Golden Gate Bridge, Bay Bridge is actually complex of two bridges (one double-suspension, the other cantilever) comprising one of the longest spans of any in the States. The bridge has been enlivened by this installation which was a political and technical accomplishment as much as an artistic one, not unlike the erection of the bridge itself. Another determined artist who scales buildings is dancer Elizabeth Streb. Not just a choreographer, she has been called an “extreme action architect” for the gravity-defying movement she calls “Popaction.” In Born to Fly (director Catherine Gund), we not only follow her dancers in their Williamsburg studio but go to the London Olympics where they are suspended from Norman Foster’s Millennium Bridge, climb the spokes of the London Eye Ferris Wheel, leap in Trafalgar Square, and walk down the curved glass facade of Foster’s City Hall.   Eleanor Ambos Interiors (director Andrew Michael Ellis) shows the eccentric 86-year old interior designer who has collected buildings as well as furnishings. She now rents out these spaces for events and photo shoots. The buildings were acquired to warehouse her ever-growing collection that she originally used to furnish her clients’ homes, but she just couldn’t stop. The Metropolitan Building in Long Island City is one, and others are in Hudson, NY. Losing her sight to macular degeneration has slowed but not stopped Eleanor. Print the Legend (directors Luis Lopez & Clay Tweel) on 3D printing, Font Men (director Dress Code) about typeface designers, and Pioneer Palace (director Andrew McAllister) about a town that was originally an Old West motion picture set built in the 1940s and the revived honky-tonk Pappy and Harriet’s, are among the other selections. Profiles of artists included Kehinde Wiley: An Economy of Grace (director Jeff Dupre), David Hockney IN THE NOW (in six minutes) (director Lucy Walker), Obey the Artist (director Ondi Timoner) about Shepard Fairey, best known for the Obama "Hope" poster, and The Case of the Three Sided Dream (director Adam Kahan) about jazz multi-instrumentalist Rahsaan Roland Kirk which will be playing at the IFC Center on June 11 as part of the Blue Note Jazz Festival.
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On View> Dara Friedman's New Film Dances Through City Streets, Now Showing in Los Angeles

Hammer Projects: Dara Friedman Hammer Museum 10899 Wilshire Blvd. Los Angeles Through April 14 Miami-based artist Dara Friedman is known for her black and white films of dancers dancing through city streets. For her film Dancer (2011) she used a 16mm camera to examine urban space and individuals within these spaces, filming improvisational dancers in a variety of styles, from flamenco, to ballet, to belly and break dancing, and more. In her work, Friedman also investigates accepted concepts of performance-based art. Her grainy films sometimes capture the sounds of street traffic, and she sometimes dubs music that is not always in rhythm with the dancers’ movements. For her first exhibition in Los Angeles, Friedman has prepared an 8mm film that is a follow-up to Dancer.