Posts tagged with "Coworking":

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SHoP Architects tapped to transform Manhattan tower into haven for tech startups

New York firm SHoP Architects is hopping on the coworking train with a commission to design and renovate 335 Madison Avenue into the new home for Company, a vertical tech campus that combines working spaces and lifestyle facilities. Within the 350,000-square-foot space, Company will house “a curated community of top-tier companies that spans the innovation spectrum from venture-backed startups to large enterprises,” according to Company's description of the project. Company’s office building is located next to Grand Central Station in Midtown Manhattan. SHoP has recently unveiled a series of interior renderings that showcase the firm’s plan to renovate the atrium lobby and office floors of the building. They will also design supporting amenity spaces. The new spaces include “a bar, multiple dining venues, several event spaces, a two-story glass enclosed library, a wellness center and a gym, and a terrace.” The location will also create ample networking opportunities for the tenants of the building. The startup offices on the lower floors are furnished with “meeting rooms, phone rooms and breakout spaces optimized for productivity,” according to a statement from Company. Those offices range from 2,000 to 12,000 square feet. The enterprise offices will take up the upper floors of the 29-story building with open floor plans.
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A new wave of social and relaxation spaces bridges the gap between work and home

As anyone used to late-night emails knows, the nine-to-five workday is a thing of the past. But while innovative companies have traded cubicles for open, flexible office plans, people are seeking even more elastic social spaces that foster wellness and connection—both in the office and out. Consider them an updated version of the "third space," common areas where people go to unplug, reenergize, and decompress. "When we first got involved in workplace in the '90s, our interest was, ‘How can design contribute to creative communities?’" said architect Clive Wilkinson, whose Los Angeles firm has designed the interiors of the Googleplex campus and offices for other leaders in tech and media. "We were in a prehistoric era when cubicle farms still ruled. We’ve come so far since then," he continued, citing the shift from the afterthought coffee rooms of the 1980s to the "Starbucks workplace" of today’s laptops-and-lattes company cafes. "A large part of the social space in the workplace today is somewhere between a boutique hotel and your home," Wilkinson explained. "Depending on the type of client, it can go more one direction or the other." The aesthetic shift is due in part to the influence of designers like Philippe Starck, whose hospitality designs brought a glamorized domestic environment into public spaces, but it’s also a result of the premium put on today’s knowledge workers, noted Wilkinson, who is writing a history of offices tentatively titled The Theater of Work (Frame Publishers). In one of his firm’s current projects, a new headquarters for Utah bedding-manufacturing company Malouf, an entire building will be designated for nonwork areas, including an Olympic-size swimming pool, barbershop, and spa. It’s not just in the office where people are feeling the change in work culture. "There’s a real flattening now between what is considered work with a capital ‘W’ and all the other side projects that people are interested in," said Richard McConkey, an associate director at Universal Design Studio (UDS). "There's not such a clear division between work, home, life, cultural projects, and hobbies anymore; that's why all these multifunctional spaces are occurring." UDS has developed on a number of projects that blur the lines of live-work-play, including MINI Living, the car brand’s Shanghai entry into the coliving concept of small private spaces surrounding shared semipublic spaces. But the UDS project that perhaps best represents the growing thirst for gathering is London’s Ace Hotel, the lobby of which has been called one of the city’s most popular coworking spots, although it isn’t officially one at all. Ian Schrager’s Public hotel in New York is similar in attracting nonguests to spend their days there, usually with laptop or phone in hand, even during off-business hours. "The classic 'third space' is between work and home,” said architect Melissa Hanley, cofounder, CEO, and principal of San Francisco architecture and interior design firm Blitz. "I think of it as, ‘Where’s the place I naturally gravitate to, because I feel best there?’ That can be a pub or a coffee shop; it could be the decompression or ramping-up zone." To bring that energy back to the workplace, Hanley’s firm has created game rooms and social hubs—it even has a speakeasy in the works for a client. But while the ping-pong tables of the past may have been a distraction, today’s game rooms, cafes, and bars are reflections of a company mission. “Work is happening even in these ancillary spaces. These third spaces we're creating are in support of the company’s bottom line," Hanley said. So what advice would she give to a prospective client? "There's just such an incredible amount of data in support of creating more human-centered spaces in the workplace—the benefits are innumerable." That’s why, from Silicon Valley to Shanghai, there’s a new crop of businesses catering to the need for a retreat somewhere between work and home. Beyond the traditional barbershop, clubhouse, or nail salon, these next-gen spaces tap into the growing wellness trend: Chillhouse, a monthly membership spa in New York, offers massages and manicures in an Instagram-friendly space focused on self-care; Nap York allows visitors to catch a snooze on an Airweave mattress for $10 a half hour. Then there’s Calm City, the roving meditation studio in a renovated RV, founded by Kristin Westbrook. An avid meditator who had trouble finding a private place at her hectic Rockefeller Center office, Westbrook was inspired by the food truck trend to create an oasis of calm for stressed-out New Yorkers located just outside their offices. "I've always wanted a Superman’s phone booth on every corner, a pod that you could go jump in and be transformed," Westbrook said. That break can be a crucial antidote to the stresses of the day. "Human beings are social creatures, and with many of us working longer hours and living alone in large cities, the feelings of loneliness are certainly very real and powerful," wrote Anita Cheung, cofounder of Moment Meditation, a modern mindfulness club in Downtown Vancouver, B.C., in an email to AN. "Membership in a club and a consistent (and manageable) schedule of activities outside of the ‘nine to five’ allow people to develop other facets of their lives beyond who they are at work, as well as instill a greater sense of community." That’s part of the mission of the Battery, a private member’s club in San Francisco that has taken a cue from the social clubs of the past to create a place for connection and conversation—no business or tech talk allowed. "We try to provide a little bit of an escape from your day-to-day operations," said founder Michael Birch, whether it's a moment for a cocktail, a pause between meetings, or just a place for serendipitous conversation. To facilitate that human connection, designer Ken Fulk imagined the interiors as sumptuous settings for the club’s wide range of programming and events—a mix of large, high-energy spaces to be around people, and smaller, more intimate groupings. "I think people are seeking real connection again," Birch said. "People have disappeared a little bit onto the online world. We very much discourage technology use in the club: We don’t allow people to have laptops out after 6 p.m., we don’t allow photos, and we don’t allow people to talk on their telephone other than inside a telephone booth." The relationship between work and life can be even more blurred in spaces that blend the two like never before. Take New York coliving and coworking space The Assemblage, which has two addresses in Manhattan (and a third on the way), as well as The Sanctuary, a retreat center outside Bethel, New York, near the site of the 1969 Woodstock festival. Though workspace is at the core of The Assemblage's offerings, the company encourages members to get out of their offices and connect over communal breakfasts and lunches. It also features "intention altars" and offers wellness programming like meditation, breathwork, and yoga, "all under one roof, so that individuals can experience this fluid living/working and balanced lifestyle," wrote Magdalena Sartori, the company’s chief creative officer. "Erasing that distinction between work and life empowers individuals to create their own schedule and lifestyle," she added. But as we trade the typical greige workplace environment for a more holistic, humanistic approach, are we simply going farther down a work-obsessed rabbit hole from which you can never clock out? When even the workplace pretends to be a third space, one filled with simulacra of the outside world, are we worse off than we were before? Maybe not. If the offices from the Industrial Revolution to the year 2000 were "rehistoric," as Clive Wilkinson put it, how will people look back at the way we work today—with increasing flexibility to break away from our desks—100 years from now? "They’ll think that we woke up, that suddenly this was the beginning of a work age," Wilkinson said of the turn away from military- or factory-inspired workspaces. "We’re almost at the place now where we’ll remain stable for the next 100 or 200 years, because I think humans have finally understood how communities work in a workplace, how they need to support each other and communicate.”
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Look inside the new Brooklyn outpost of The Wing, a women-only co-working network

Co-working network The Wing has opened the doors of its DUMBO, Brooklyn location, the first outside of Manhattan, and members can expect to find the company’s signature pastel pink hues, color-coordinated bookshelves, and eclectic mix of materials in play here as well. Founded in 2016 by Audrey Gelman and Lauren Kassan, The Wing was envisioned as a series of members-only co-working and social clubs for women, and quickly hit $42 million in investments. While The Wing only opened its first office in October 2016 in the Flatiron neighborhood, the company has been eyeing a rapid expansion, especially after competing co-working company WeWork contributed to its latest funding round. “Expanding to Brooklyn was a no-brainer for The Wing,” said Gelman in a statement sent to AN. “A third of The Wing’s current members call Brooklyn home, and it is consistently one of the most requested locations. We are excited to welcome new women into The Wing’s community and continue the company’s growth.” The Brooklyn branch is housed at 1 Main Street, the neighborhood’s former tape factory and home of the notorious Clock Tower penthouse. Keeping true to the building’s industrial past, architect Alda Ly and interior designer Chiara de Rege have stripped the ground floor space to its bare bones and left the columns, beams and ductwork exposed, and poured pink concrete for a distinctive flourish. The former factory also provided space for a double-height central atrium, and the duo used the opportunity to carve out a second-level balcony space. De Rege has said that utility and beauty don’t always go hand-in-hand, but despite being completely open, The Wing DUMBO uses the seemingly-eclectic interior finishes to break up the club’s different areas. While a pink granite dining table in the atrium draws attention as a central meeting place, the green velvet of the nearby conversation pit easily separates it from the subdued palette of the rest of the space. Color was a major component of the design, and the blues, golds and pinks set the plush interiors apart from the stoic wood-and-glass aesthetic of The Wing’s competitors. The café areas are marked by their thinner, more finely detailed chairs and pedestal tables, but the color-coded library is instantly recognizable as such by the assortment of plush and rounded couches. That lending library, curated in partnership with New York’s Strand Bookstore, contains over 2,000 books by women authors, and each bookshelf swings open to reveal soundproof phone booths. The partnerships don’t stop with The Strand. All of the featured art is curated by and features solely local women artists, The Wing’s café and bar, The Perch, serves food from women-owned partners, and copies of No Man’s Land, an-house magazine launched last fall, are available throughout. A podcast room, vintage photo booth, meditation room and shower are all open for members, but The Wing has opened its reception and retail sections on the ground floor to the public. The DUMBO office might have opened on February 26th, but if you want to join, you’ll have to wait your turn; the waitlist to become a member is at 13,000 names and growing. The company's fourth location will be opening in Washington, D.C. sometime this spring.
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New co-working space for designers and creatives in Greenpoint, Brooklyn completes construction

Opening to the public in the new year, and featuring a slew of to-be-determined programs and events, creative hub A/D/O stands on a quiet corner in Greenpoint, Brooklyn. The coworking space—developed by MINI and designed by nARCHITECTS—will cater to creative and design professionals and house URBAN-X, an accelerator for innovative hardware startups. A/D/O will also act as a portfolio project for the car company as it explores non-automotive ideas.

The 23,000-square-foot former warehouse at 29 Norman Avenue will offer 24 private desks for emerging and established designers (selected through an application process), as well as access to studio spaces and an array of design tools to prototype ideas in-house. A/D/O also includes a cafe, a design store, exhibition spaces, and indoor and outdoor hangout spaces, all oriented around a vast abundance of free working space that will be open to the public.

In a city where a good 90 percent of co-working spaces are member-only, A/D/O seeks “to flip the idea of working spaces on its head,” said managing director Nate Pinsley. “We thought it was far more interesting that the majority of the space is very permeable, so that people can figure out how [A/D/O] fits in their design life.”

With this in mind, Eric Bunge, principal at nARCHITECTS, explained that the concept of “remix” governed the approach to A/D/O’s design, applying the idea to both the physical building and its program. Rather than dividing the warehouse into different zones, “the spaces kind of bleed into each other,” Bunge said, maintaining that “transparent connections to the main event space” allow people to “see what would normally be going on behind closed doors.”

At the core of its programming, A/D/O’s Design Academy will seek to foster critical conversations around the future of design to explore “opportunities for cross-fertilization between disciplines of design,” said Daniel Pittman, A/D/O’s director of design, as well as “how those different disciplines interact with the broader world.”

The space is oriented around the engagement between designers and non-designers, seeking “that sweet spot between the more intellectual group that will be in the space, and the people who have a respect for it, but are not credited in the field,” said cultural programming director Alyse Archer-Coité.

This past fall, the A/D/O played host to a series of events to ramp up the buzz around the new space, including the Open House New York Weekend Launch Party, the Architectural League of New York’s Beaux Arts Ball, and, more recently, The Future Series, presented by B&O Play.

With regard to what sets A/D/O apart from the other maker-spaces in Brooklyn, Archer-Coité believes that its strength lies in its flexibility. “The space affords options for designers to bring some of their more wild projects to life, and for projects that have had lives outside of New York to be celebrated or workshopped,” she said. “In New York there isn’t that flexible space for activating certain projects like that. It’s an asset that would make certain projects possible that wouldn’t be otherwise.”

For more on A/D/O, visit their website here.

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WeWork opens offices next to Fulton Center’s Sky Reflector-Net

Today, coworking office purveyor WeWork opened up their latest location on the third floor of the Fulton Center in Downtown Manhattan. The office pays homage to both old and new (a hallmark of WeWork's office interiors) integrating the Fulton Center's iconic Rotunda and the Corbin Building, which was built in 1889.

The project is WeWork's 15th office in a landmarked site (the Corbin Building was landmarked in 2015) and its eighth in New York City. Cautious of eradicating the 127-year-old building's history, WeWork kept new design interventions to a minimum. Existing elements in the Corbin Building, including an eight-story bronze and marble staircase, along with Guastavino tiles in the arches of the doorways (which form part of the French Gothic detailing found throughout the building and on its facade), were renovated.

Light permeates the space courtesy of the conical atrium which the office wraps around on the third floor. Officially known as the Sky Reflector-Net, the dome structure is the work of James Carpenter Design Associates, Grimshaw Architects, and engineering firm ARUP. The office area comprises places to read, conference rooms, a reception, and hot desks. A pantry and range of common areas operate as stand-alone areas. From inside, occupants can peer through the structure's complex of perforated optical aluminum panels, tensioned cables, high-strength rods, and stainless steel elements down onto the 300,000 transit users that pass through the center every day. The narrow space within the Corbin Building, meanwhile, will provide space for functions and office events. Bridging old and new, a 3D art installation by local artists, The Guild, is located on the threshold between the Corbin Building and Fulton Center and aims to unify them through material and color. In a statement emailed to The Architect's Newspaper, WeWork said:
WeWork Fulton Center is uniquely positioned across both the landmarked Corbin building and a new major transit hub. We have a history of breathing new life into historic buildings, and we’re proud to help give new futures to iconic pieces of the city’s history.
Also appearing this week within the Fulton Center is a new artwork installed by the MTA Arts & Design program. Titled New York Dreaming and by artist Anne Spalter, the kaleidoscopic video installation on show for the holiday season.
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New design space A/D/O to open in Greenpoint, Brooklyn

Creative hub A/D/O is set to open in Greenpoint with a series of events this fall and will open fully to the public in December. Developed by MINI and designed by nARCHITECTS, it will be the newest space for creative and design professionals in Brooklyn. The facility will also act as a “portfolio project” for the car manufacturing company as it explores “nonautomotive” ideas, as The New York Times reports . The multi-purpose, 23,000-square-foot space will offer 24 private desks for emerging and established designers, all of whom will have access to studio spaces and an array of design tools and resources to prototype ideas in-house. They will also work alongside URBAN-X, an accelerator for innovative hardware startups that will be headquartered at A/D/O. Classes and workshops, exhibitions of exceptional work, and a full calendar of cultural performances and events will also be hosted in the space. This programming will be geared toward building a community around design processes and solutions for improving urban life. According to Technically Brooklyn, the organization also hopes to invite non-designers into the space by including a restaurant that’s open from morning until late in the evening, outdoor and indoor hangout spaces, as well as free work areas for people who are just passing through.
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The Brooklyn Navy Yard to get $380 million development anchored by WeWork

The Brooklyn Navy Yard is certainly having a moment: It just hosted the Bernie-Hillary debate in its 35,000-square-foot Duggal Greenhouse event space, and Duke Riley is currently performing his surreal, aerial, pigeon-powered Fly By Night project there. The proposed Brooklyn–Queens Connector (BQX) streetcar would link the 300-acre site to multiple subway lines. The Yard will be the new home of the Brooklyn Brewery, MAST Brothers Chocolate Makers, and now WeWork, the last of which will anchor a 16-story, 675,000-square-foot office building designed by New York-based S9 Architecture.

Dubbed Dock 72, the building will be located along the water on the western side of the Yard. Rudin Development and Boston Properties are the developers behind the $380 million project, which the city government hopes will support technology and creative industries. “This project is going to help bring ideas, innovators, and start-ups to the Yard, where they can scale up their businesses, hire more New Yorkers, and manufacture their products right here in Brooklyn,” said Mayor Bill de Blasio in a statement.

WeWork, which will occupy 220,000 square feet of the building, tapped S9 Architecture for the project back in 2013. S9 founding partner Navid Maqami said the site shaped Dock 72’s design in many ways: The land is not only narrow, bordered on three sides by water, but it’s also flood-prone. Consequently, V-shaped columns lift the building’s offices out of danger. The ground floor won’t be empty, however, it will house lounges, dining facilities, and a fitness center on the mezzanine level. On the upper floors, a series of open terraces take advantage of the site’s sweeping views of Manhattan and will serve as communal areas. The Dock 72 roof will feature conference facilities as well.

Those terraces are complemented by a series of connected social spaces within the building. “We carved out these common areas that could be linked on multiple stories,” two or three at a time, via stairs, said Maqami. He explained that these shared areas aim to replicate the communal energy he found when he visited a WeWork coworking office. “It’s not about going to your cubicle or private office, getting it done, then going home,” Maqami said. 

S9 calls these multilevel social spaces the “ant farm,” and appropriately, the spaces will be revealed to the outside thanks to the building’s glazing. S9 riffed on the surrounding loft buildings’ facades, massing, and materiality to create a gridded exterior. The building’s facade also echoes the concrete gray and rust and brick red found in the Navy Yard. WeWork and the individual clients will design their own interiors. Fogarty Finger will design the ground-floor interior and some of the building’s amenities, which include "a first floor lobby, coffee bar and lounge, first floor market for specialty foods and beverage service, second floor juice bar/lounge, fitness center, wellness classrooms and spa, and 16th floor conference center and lounge," said Fogarty Finger in an email to AN. Dock 72 will be complete in two years.

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This stack of shipping containers by LOT-EK could become the nomadic coworking office of the future

The future of the mobile office is on its way, and it's blurring the lines between the home and the workplace. Spacious is the name of a "coworking hotel" concept being touted by its founder and CEO, Preston Pesek, as the future of the workplace, combining a traditional coworking space, a hotel, and retail into a giant live, work, play experience. And what better way to house the modern nomadic workforce than shipping containers? New York–based architects at LOT-EK—who designed the coworking space—have built their reputation on living and working inside shipping containers. The firm's principles, Ada Tolla and Giuseppe Lignano, explained on their website that the modular design is organized around a roughly 50-foot-tall central atrium that "opens to the street with a large glazed opening visually connecting to urban life." The massive space helps to uncramp the potentially claustrophobic sensation of typing away inside an 8-foot-6-inch tall container all day long. "The building design is a response to natural human cycles of productivity," Pesek said in an email. "Sometimes we need social interaction for stimulation, and sometimes we need privacy to be productive. The building offers a spectrum of environments for public engagement and quiet privacy, on demand, as needed." Guests can belly up to long, shared desks overlooking the activity of a sort of "public plaza" lined with retail space. Members can also choose a private bedroom/office combo. Each 8-foot-by-40-foot shipping container can hold two bedrooms and bathrooms that convert into offices by folding beds up against the wall. Two shipping containers can be combined to create larger rooms. Pesek's promotional website said repurposing shipping containers is a sustainability and financial no-brainer. Each container ranges from $2,800 to $4,000—and diagrams show upwards of 80 would be needed. That cuts down on the cost of raw materials, leaving more room in the budget for sprucing up the interior. Details on the project's website let the renderings do most of the talking, but it does explain that Spacious is all about reducing temporally wasted space—and, in turn, bring down real estate prices. "Our daily movements create vacancy gaps in the spaces where we live, work, and play," the site reads. "Even the densest cities reveal an abundance of available, usable spaces hiding just under the surface." Members would be able to book the secure hotel rooms—with full hotel amenities—on demand. And if you venture out during the day, you can earn a rebate by loaning your room to others. The larger coworking space would be open to anyone in need of coffee, doughnuts, and some free wifi. You likely won't be able to plug into your local Spacious any time soon, however. A location for the New York City flagship has not been announced, and Pesek said it's too early to disclose details about a timeline. Spacious still plans to ship out its concept to other cities in the future. [via Motherboard.]
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East Williamsburg will soon have its own multi-use co-working space for creatives

As multi-use, coworking-type spaces continue to be all the rage, East Williamsburg is hopping on the bandwagon with a tentatively named ‘Morgantown’ creative community. Planned on an industrial lot on Johnson Avenue, the large complex will comprise office spaces, a retail corridor, rooftop dining, and communal courtyards. An “on-site artisanal food production space” is also in the works and will be located at the courtyards planned on Bogart and White Street, according to brokerage firm TerraCRG, which represents the property owner. The lot will have more than 40,000 square feet of outdoor space and over 23,000 square feet of office space, not including retail. The lot was the former headquarters of commercial printing company A.J. Bart, which recently sold the land plot for $26.75 million. The structure is projected to be three stories tall, according to DTZ, the commercial real estate firm responsible for attracting tenants. According to renderings, a mural will cover an entire wall facing Johnson Avenue. Construction of the complex is starting immediately, with a projected completion date of early 2016. Tenants, however, should be free to move in starting late this year.
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South London’s shipping container coworking venue champions low-cost Live-Work-Play spaces

Conceptualized as a “cross-functional village” built entirely from shipping containers, the POP Brixton project by Carl Turner Architects offers fertile ground for entrepreneurial endeavors. Aesthetic appeal or lack thereof aside, the interconnected containers will collectively serve as “a community campus for startups, small businesses and entrepreneurs.” Think coworking spaces where creatives commingle and cross-fertilize—only with cultural and educational activities such as workshops, live events, film screenings, and performance arts. Meanwhile, public spaces such as retail outlets, cafés, kiosks, and a speculative hotel are also included in the plan to attract traffic and revenue streams to the South London district of Brixton. The low-cost, low-energy containers are available in 20 foot and 40 foot dimensions, each one tricked out with high-speed internet access, power points, insulated walls and double-glazed windows. As a self-touted coworking space, POP Brixton will, above all, be a platform for training, business, and employment more than a retail haven, but the containers will be configured around a public square and various planted walkways, and the hosting of events open to all promises to foster community spirit. pop-brixton-carl-turner-architects-shipping-container-city-london-layout-psfk Integral to the transfer-of-knowledge-and-skills concept is the requirement that tenants partake in a one-hour training program per week for startups, managed by Lambeth College and Brixton Pound. POP Brixton will serve as a pilot project of sorts for its upcoming larger-scale Future Brixton Project. Though not involving shipping containers, it is a community revitalization and job creation initiative that extends to the surrounding Somerleyton Road, Brixton Central, Town Center, and the building of a new Town Hall. Construction of the POP Brixton commenced in January 2015 and is scheduled to open this year.
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SVA Offering Co-Working Space to Architects & Designers This Summer

This summer, the MFA Products of Design program at the School for Visual Arts (SVA) is delivering a sweet solution to students and community members who seek temporary desk space. The Summer Desk Rental program runs from May 27th to August 23rd inside a sunny andArchitects-designed space, featuring a community kitchen, Internet, a lounge area, and more. Co-Working has become an everyday occurrence as industries look to collaborate and benefit from multi-use spaces. The project promotes the MFA program to visitors and all proceeds will support the school and its students. See more photos and sign up on their website.