Ahead of its June 2018 opening date, Domino Sugar Factory developer Two Trees Management has released new renderings of the project’s forthcoming park, as well as opened the site up for a tour. AN had a chance to check out the James Corner Field Operations-designed Domino Park, as well as the completed 325 Kent Avenue and the ongoing interior demolition at the Domino Sugar Refinery. The SHoP Architects-designed 325 Kent, a doughnut-shaped rental building set back from the Williamsburg waterfront, was the first building to reach completion at the SHoP-master planned site. The 16-story, 500-unit rental building (105 of them affordable) began welcoming residents back in September of 2017. As the weather warms up, residents will get to make use of the rooftop amenities on display, such as curved concrete furniture, lounge chairs, and the central strip of courtyard that runs between the building’s central arch. Domino Park is taking shape at the foot of 325 Kent and is on track to open in only 8 weeks. The quarter-mile-long park breaks its programming into “active” and “passive” activity spaces, with the more active areas located closer to the thrum of the Williamsburg Bridge. The second Domino Sugar Factory tower, the mixed-use, COOKFOX-designed 260 Kent, is on track to open in 2019. A dog run, two bocce ball courts, a 6,300-square-foot “flexible playing field” and a volleyball court make up the more energetic half. At the other end, a Japanese Pine garden, 80-to-100 person picnic area, and the Danny Meyer-run taqueria, Tacocina, will sit at the quieter half of the park. A technicolored children’s play space designed by artist Mark Reigelman, with industrial pieces inspired by the sugar refining process, can be found at the passive end of the park, as can 585-linear-feet of elevated walkway. The walkway sits directly on top of Tacocina, and incorporates 21 steel columns from the former Raw Sugar Warehouse into its superstructure; the sight will be a familiar one to visitors familiar with Kara Walker’s The Sugar Sphinx. Linking each area along the waterfront will be the Artifact Walk, a five-block-long stretch that proudly displays historical refining artifacts salvaged from the site. Four 36-foot tall cylindrical syrup tanks embedded in the Syrup Tank Garden, mooring bollards, signage, and corkscrews have been installed across an elevated platform on the water’s edge. Damaged during Hurricane Sandy, the existing platform was raised to a uniform height above the river, and the new piles have been encased in concrete. To build a historical link to the pre-existing structure, a hole has been cut in the platform and visitors can view the existing wood posts and river below. Work on gutting the Domino Sugar Refinery is still ongoing, in anticipation of the PAU-designed glassy office space that will soon sit within. While the exterior of the factory has been landmarked, preserving the interiors would have been impossible due to the interconnected nature of the refining machinery. Even though the factory shut down in 2004, the thick smell of molasses is still hanging around the building at the time of writing. As for the park, although it’s technically private, Two Trees has opened the expanse to the public and is working closely with the New York City Parks Department. A representative from the development company has stated that James Corner Field had their designs reviewed and approved by Parks, that the stretch will operate on normal NYC park hours (dawn to dusk), and that they’ve given the city permission to claim the park if maintenance falls behind. AN will provide a final look at the finished Domino Sugar Park once the project is completed this summer. COOKFOX's 260 Kent will be featured in detail at the upcoming Facades+ workshop "K. Domino Site A: Big Area Additive Manufacturing (BAAM) & When and Why to Use It" on April 20.
Posts tagged with "COOKFOX Architects":
This Wednesday, an affordable housing development in the the Bronx designed by COOKFOX Architects will hold its long-anticipated ribbon-cutting. The developments are dubbed Park House and Webster Residence, the former house containing 248 units and opening this week, the latter containing an additional 170 units and opening in 2018. Both are intended for low-income and formerly homeless households. The complex was topped off in May of last year. The complex has been built on what was formerly a vacant industrial plot. Its facade is set in a combination of brick tones, stratified and layered to produce a "biomimetic surface reminiscent of ocean sand or tree bark patterns," as the firm writes. The 12-story buildings also incorporate sustainable design techniques, utilizing green roofs, natural light, recessed green spaces, and a central garden and courtyard shared by tenants. As the firm's founding principal told AN last year, the materials and layout of the complex are meant to instill “a sense of permanence, a sense of belonging to the streetscape” – a motivation which seems especially apt when designing for the recently homeless. The project was completed through a partnership between COOKFOX Architects and the nonprofit Breaking Ground (formerly Common Ground), the city's largest housing provider for the homeless. Breaking Ground currently manages over 3,500 units of supportive and affordable housing largely within the New York metropolitan area, and have set a goal of building an additional 1,500 units for low-income and homeless families within the next five years – no small task. But with three more residences already planned in the Bronx, their target is well within reach.
COOKFOX, Olson Kundig, Gensler, Kohn Pederson Fox Associates (KPF), and Morris Adjmi Architects, have all been named as some of the nine architects spearheading Water Street Tampa, the $3 billion project that will give the Florida city a skyline. Spread over nearly 50 acres, 18 buildings comprise the scheme which is being backed by Strategic Property Partners—a consortium between Jeff Vinik, who owns NHL’s Tampa Bay Lightning, and Bill Gates’s Cascade Investment. Though first announced in early July this year, more details, such as the architects involved, have been released. Four New York firms are in on the act. COOKFOX will be designing two buildings: an office and a residential block which will sit atop some retail. KPF has been commissioned for a series of apartments and condominiums which will reside above some retail and a grocery store. Morris Adjmi Architects has scooped arguably the largest commission: a 157-key five-star hotel, a range of luxury condos, more apartments, and retail. Gensler, meanwhile, will be behind two office over retail projects. Seattle firm Olson Kundig is also doing a similar project and Baker Barrios, from Orlando, are to design a central cooling facility. Greenery is coming via Tampa-based Alfonso Architects, who are fronting the redevelopment vision for the city's Channelside with a new public park, waterfront shops, and living units. Another Flordian firm, Nichols Brosch Wurst Wolfe & Associates from Coral Gables, are designing a 500-key hotel. Finally, New Haven, Connecticut practice Pickard Chilton are behind three projects that will office and residential over retail. When finished, Water Street Tampa will boast more than two million square feet of offices. In doing so, the scheme will bring the first new office towers Downtown Tampa has seen in almost 25 years. Located on the Garrison Channel and Hillsborough Bay, the project, according to a press release, intends to bridge the city's cultural landmarks, including the Tampa Convention Center, Amalie Arena (where the Tampa Bay Lightning play), Tampa Bay History Center, and Florida Aquarium. This will be achieved via an array of public parks and spaces that lead to the waterfront where the Tampa Riverwalk, and five-mile-long Bayshore path, can be found.
Brought to you with support fromAfter nearly ten years, Downtown Brooklyn's City Point—a three-phase, 1.8 million-square-foot mixed-use development—was recently completed. It features a unique assemblage of housing towers—one dedicated to market-rate housing, with another predominantly containing affordable housing—atop a shared retail podium. Designed by New York–based architecture firm COOKFOX, the development is directly adjacent to the planned Willoughby Square Park, Albee Square, and the historic 1908 Dime Savings Bank. The architects said the project is about “tying together Downtown Brooklyn’s grand past with its thriving future.” This is represented through a dynamic faceted massing strategy that responds to a triangular corner lot on Fulton Street, and a white and pale gray terra-cotta rainscreen that subtly reflects the marbled exterior of the century-old bank next door. COOKFOX spokesman Jared Gilbert said when the project began in 2007 only 200 units of housing existed in the neighborhood, which now boasts tens of thousands of units. "We needed to design something that met this new reality of Downtown Brookyln, which is that it is a full-service 24-hour neighborhood." As architects increasingly confront the issue of contextualism of our cities, terracotta rainscreen manufacturer Shildan is seeing an enormous increase in demand. "We see many more terra-cotta projects each year, with projects getting larger and more complicated. Designers are pushing the envelope to create more complicated shapes, details, and custom finishes, and it’s not just the architects and owners [who] need to be satisfied. We work closely with various kinds of administrators, historic commissions, city planners, government boards and committees, etc—those with a vested interest in seeing the entire context unfold cohesively.” City Point's Phase One retail base is composed of a typical stick built facade with layers of waterproofing and insulation over stick built metal stud construction. An applied rainscreen system by Shildan is installed by first mounting a framework of sub-girts with integral clips to the facade. The open joint terra-cotta panels are then hung off this system. Moshe Steinmetz, president of Shildan, said City Point was a milestone terra-cotta project in the US for its incorporation of custom blends of glazes and profiles. "There has been more and more demand for unique glazing. We are now seeing unique glazing on the terra-cotta on about 50% of our jobs." Steinmetz says terra-cotta has a particular "wow factor" that provides an owner an exterior facade system that has energy savings, incorporates healthy wall construction (open joint rainscreen systems minimize mold and mildew growth), low maintenance, and high durability. He says 30- and 40-year-old terra-cotta systems are clearly outperforming other building components: "You don't see the age of the building on the terra-cotta material - you see it elsewhere in the the windows and other finishes." The architects incorporated two terra-cotta extrusions into the design that are finished in a series of glazes and colors that helps to randomize the facade. The resulting variation promotes what their office calls an interest in the concept of biophilia—people’s natural affiliation to the complexity of natural patterns in the world. This subtle variation in the glaze and the variation in profiles and the way they are randomly deployed is to create a somewhat more natural pattern and rhythm,” said Susie Teal, senior associate at COOKFOX. This interest in patterning can also be seen in Phase Two, which was recently completed. At over 1 million square feet, this phase includes a retail podium and two residential towers that involve separate developers with separate programs. Teal said Tower One includes 80% affordable housing and features a “low-budget facade system” composed of prefabricated “megapanels,” unitized 10-by-40-foot panels, by Island International Exterior Fabricators in a defunct Long Island-based airplane hanger. The panels were craned off a truck, set onto the facade, and gasketed together for rapid assembly. The wall panels are finished in a standing seam zinc with staggered spacing varying from 5-inches, 10-inches, and 20-inches. Randomly locating the zinc standing seams helped the architects visually conceal large 1-inch joints while mimicking a more varied natural pattern. "This helps to blend in a construction system so you don't see a lot of seams," said Teal. “Also, zinc is a natural material—most famously used in Parisian roofs. It lasts a long time and patinas dependent on the local atmospheric conditions. The north side might end up weathering different than the south side. This was all intentional. In order to watch this material change, we have randomly distributed stainless steel panels that will stay bright and shiny.”
Yesterday the New York City Council approved a massive Manhattan air right transfer that allows the controversial St. John's Terminal–Pier 40 development to move forward.The development of St. John's Terminal, which occupies a three-block area along the West Side Highway across from Hudson River Park, is made possible by the transfer of air rights from the park's stewards to the developers, Westbrook Partners and the Atlas Capital Group. The firms will pay the Hudson River Park Trust $100 million for 200,000 square feet of air rights; in return, they can build five buildings to replace the aging terminal. The exchange allows the Trust, which is self-funding, to repair the pier, which hosts a parking garage, much-needed playing fields, and offices. City Councilmember Corey Johnson, whose district includes the project area, has been negotiating the quid-pro-quo for three years. Despite weaker allowances for affordable housing, many elected officials, preservationists, and residents say they already see its benefits. Part of the deal included a bid to designate the Sullivan-Thompson Historic District (also called the South Village Historic District), a 40-block zone in Soho bounded by five other lower Manhattan historic districts. The Landmarks Preservation Commission (LPC) approved the district two days before the City Council's vote. At that public hearing prior to the LPC's vote, preservationists and South Village citizens testified to the “spirit of the neighborhood”: “safe and clean,” “neighbors know each other,” and its “wonderful lifestyle and cityscape.” Besides protecting the social and cultural history of the neighborhood, the designation of the 160-building area will prevent outsize construction within its mostly low-rise boundaries. Preservation advocacy group the Greenwich Village Society for Historic Preservation (GVSHP) spearheaded the decade-plus campaign to landmark a downtown area that includes over 1,250 structures. The two-million-square-foot St. John's project includes 500 units (30 percent of the total) of housing that will be offered to qualifying households at a range of below-market rates, but the rates are not as low they should be under current law. Typically, projects like St. John's Terminal that benefit from upzonings must comply with the city's Mandatory Inclusionary Housing program, which says at least 30 percent of a development's units must go to households making 80 percent of the area median income. This time, though, Johnson, Borough President Gale Brewer, and the community board okayed the upzoning because of the millions going to park upgrades. On Thursday, two council members voted no on the plan, with one abstention, to protest its lowered affordability requirements. Despite the size and ambition of the approved development, the community bargained for provisions that try to keep its character. The deal includes a restriction on future air rights transfers from Hudson River Park within Community Board 2, as well as a ban on big box (most stores over 10,000 square feet) and destination retail to prevent an odious amount of traffic.
High on a hill in the West Bronx, the view from the top of COOKFOX's latest building plays tricks on the Manhattan skyline: One World Trade Center, the Empire State Building, and 432 Park Avenue seem to stand next to each other. Next year, thanks to a nonprofit developer, hundreds of lucky residents will get to take in the view. On Tuesday, the Bronx's latest affordable housing development for low-income and formerly homeless individuals and families topped off. The homeless services organization Breaking Ground (formerly Common Ground) partnered with New York City–based COOKFOX to design Park House and Webster Residence, twin structures that provide supportive housing with on-site social services and community space that complement the residences. Citywide, Breaking Ground operates two transitional houses (390 units) and 2,899 units of permanent supportive housing. The new Bronx apartments offer "a sense of permanence, a sense of belonging to the streetscape," explained Rick Cook, founding principal. Both buildings in this latest development, set between wide Park and Webster avenues, incorporate biophilic design, one of COOKFOX's guiding practices. The approximately 102,000- (Webster) and 247,000-square-foot (Park) structures are arranged around a residents-only courtyard; common areas are oriented towards green space. The warm brick and stone facade references the neighborhood's grand turn-of-the-century apartment homes. Recessed brickwork adds visual interest to the streetwall; up top, residents can access a green roof on the Webster Residence. The building, Cook noted, qualifies for Zone Green benefits, which allows additional floor area to be used for affordable housing. All interior treatments are low- or non-VOC, while large windows take allow for ample natural light. The housing, Brenda Rosen, president and CEO of Breaking Ground, responds to community needs for two and three bedroom apartments. The most frequent questions she fields about the project are "How do I apply, and when?"
Prolific construction watcher Field Condition recently toured phase two of COOKFOX's under-construction City Point development in Downtown Brooklyn. The firm's new pair of towers are already standing out in Brooklyn's bummer of a skyline with their non-glass facades and series of setbacks. The shorter of the pair—standing 19 stories tall—is 100 percent affordable and clad in grey-blue metallic panels. It stands next to the 30-story market-rate tower that has a primarily terracotta facade. The two buildings are scheduled to be completed next year, but why not take a look at where things stand now.
This morning, Greenland Forest City Partners broke ground on 535 Carlton Avenue—the second tower to rise at Pacific Park in Brooklyn, the development formerly known as Atlantic Yards. The COOKFOX-designed masonry tower will rise 18 stories and include nearly 300 affordable units: 50 percent middle-income, 20 percent moderate, and 30 percent low-income. COOKFOX is also designing the nearby 550 Vanderbilt, a market-rate condo tower that is expected to get underway shortly. An eight-acre, Thomas Balsley–designed park—called "Pacific Park"—will run between these two towers, replacing what is currently a surface-level parking lot. Today's groundbreaking also came with the unveiling of a glossy new website for Pacific Park and some new renderings of 535 Carlton, seen below.
A new "class A" office building adjacent to the High Line, 510 West 22nd Street, is now in the planning stage and the developers have released a video of its designer, Rick Cook of COOKFOX Architects, describing the building. But is anyone worried that the High Line may become a dark walkway through forest of buildings? Not Cook, who bases his design on the public qualities of the old elevated rail line that transformed 10th Avenue from the "end of the world to the center of the universe." But has there been a bigger boon to real estate development in New York since Central Park?